Plot: When the brand new high-tech bathroom stalls are riddled with graffiti by someone calling themselves ‘Stainless’, Fillmore and Ingrid have to enter the world of artists and taggers to find out who the culprit is.
Breakdown: I absolutely love procedural dramas. NCIS, CSI, Castle, Criminal Minds, Bones etc etc etc., and I can thank Fillmore! for spawning that love.
Fillmore first aired on ABC’s One Saturday Morning as a school-themed parody of old 1970’s cop shows with the safety patrol replacing the cops. Think Recess if it was at a slightly higher age range and was a procedural drama. It was sadly canceled after a mere two seasons due to low ratings, even though the 26 episode run is essentially one season. Rumor also has it that the tone was a bit too serious and ‘dark’ for the ABC cartoon lineup. Pfft. What could possibly be dark about a show created by Scott Gimple?…….the executive producer of The Walking Dead……
Jokes aside, this show serious? Have they never heard of parodies? Yes, the subject matter they’re parodying is kinda mature, but they’re adapting it towards a tween audience. The stuff they cover in the series is ridiculous kid and school stuff presented in a serious manner – one of the main reasons why it’s funny.
I loved the hell out of Fillmore and couldn’t have been sadder when it was canceled. It’s even worse considering that the show isn’t even available on VHS or DVD. Everything about it was just so cool and funny. I loved how over-exaggerated and film-noir-ish it was. The characters were great, the setting was great, the theme song was one of the best cartoon theme songs ever, and the writing was spot-on with only some minor cheese here and there.
Well, now that I’m older and analyzing the show thoroughly, how does it really stand up?
Here’s the thing; before Fillmore I had never really watched many police shows or movies. I was a tweenage girl at the time this came out. I was more preoccupied with anime, drawing, cartoons and boy bands. Even then, I still loved this show. Now that I have plenty of police and forensic shows and movies under my belt, I actually find this even more entertaining because I can tell what they’re spoofing at pretty much every corner. I can’t tell all the references, but I can definitely play ‘spot the trope spoof’
For instance, the crime itself is kinda played off like finding a murder scene where the murderer, who coins his own name through his signature, writes on the walls in blood….err, red marker.
In order to solve this crime, Fillmore and Ingrid recruit a master tagger and artist who is basically one big serial killer spoof. He’s kept under total detention lockdown every day after he went on a tagging spree. He’s held in solitary confinement with all writing instruments taken away from him, which must make his schoolwork a nightmare. He’s incredibly knowledgeable on his craft and loves teasing Fillmore and Ingrid with answers that he knows but refuses to share since that would just be no fun.
Fillmore and Ingrid are even police drama tropes. Fillmore is a former juvenile delinquent who became the safety patrol’s top investigator. He sips hot chocolate, makes witty one-liners, has incredible insight and is sometimes a ‘loose cannon’ who struggles with his past.
Ingrid is a new kid in school, new as Fillmore’s partner too, who is also a genius with a photographic memory, making her a fantastic researcher and sleuth. She has a goth look about her, but they don’t do anything with it. Unlike a lot of veteran cop/rookie pairings, Ingrid and Fillmore actually get along very well, which is more of a play on how procedural dramas are now with ‘tension’ between the leads a la Bones, CSI, NCIS, Law and Order SVU.
Of course, you also have to have the boss of the whole operation, in this case the Jr. Safety Commissioner Vellejo, who is usually there to scold Fillmore and Ingrid for any damage they cause while trying to catch perps and to put a fire under their asses to get the case solved quicker.
You even have the ‘politician’ or ‘District Attorney’ trope in Ms. Folsom, who is usually constantly stressing about the cases in order to keep up appearances and maintain the safety and integrity of the school. She’s also on the safety patrol’s asses to get the cases wrapped up quickly and cleanly.
We’ve got red herrings, evidence analysis, slight hints here and there throughout the episode as to who the perp really is. It is a bit easy to figure out who the culprit is if you pay attention, but it is a tween show.
This episode has always been one of my favorites because of how they portray Randall Julian, the ‘serial killer tagger’ who helps Fillmore and Ingrid, the fact that art is the main theme here and how well it sets up the series as a whole, all the while emerging you quite well in the fun world they have set up, distracting you from how silly it actually is and making it seem very cool.
Seriously, take yourself out of the show for a minute and soak in the story; they’re hunting down someone who is drawing on bathroom stalls with a marker while getting help from a sociopathic macaroni artist turned tagger with the ‘street name’ of Flava Sava with their prime suspects being a guy who likes to draw toilets and pour paint on himself, a guy whose newest masterpiece is coloring in a black dot with 1000 layers of ink and a hippie girl who poops outside because she hates unnatural things.
Also, I won’t spoil who the culprit is, but let’s just say that the actual perp is even weirder that these three.
The action is also usually creative and fun, but there’s one thing you have to keep in mind when the culprit is revealed. It doesn’t matter how far or fast they run – they’re at school. They can’t leave school grounds, and even if they don’t catch them, you can just as easily contact their parents. Really the only reason Fillmore and Ingrid need to catch the perps themselves is because Folsom is too fed up with the lack of progress in the case and threatens to shut down the safety patrol nearly every episode if they don’t have the perp by the final bell or within a day or so.
The final standoff between Fillmore and Randall Julian was also great. Hell, it was better than his confrontation with the actual perp. To be honest, the entire thing with Randall was better than the actual plot. As a bonus, Randall is voiced by Josh Peck. And yes, it is trippy.
While we’re on the topic of the voice work, which is great, Fillmore is voiced by Orlando Brown, who does a great job bringing that classic attitude and coolness to the character. Ingrid is voiced by Tara Strong, who I don’t believe needs an introduction. And Anza, one of the background safety patrollers, is voiced by Danny Tamberelli, and if you recognize that name, you get an Internet hug.
All in all, this episode was really great and I loved every minute of it. It’s just subtle enough to be a slight challenge for viewers to figure out what’s really going on while not being so complicated or even unfair in its storytelling that the viewer would have difficulty following along. The characters are all very likable, even most of the suspects and perps, and this series really did just get even better to me after I watched those procedural dramas.
Here’s to another 25 episodes, but is there a rat within this lost gem?
Next episode, the horrors of the Satty-9.
Plot: In a parody to ‘It’s a Wonderful Life’, Buster wants to leave the show after a series of failures while trying to direct a Tiny Toons Holiday Special. As he’s about to jump from the picture, his guardian toon angel arrives to show him what the show would be like if he never existed.
Breakdown: I loved Tiny Toon Adventures when I was a kid and, like Looney Tunes, I still love it and enjoy the crap out of it to this day. Despite some dated references, these shows are pretty timeless in their comedy.
I actually find this episode to be a bit sad because Buster is thinking of leaving the show on the episode that just happens to be the series finale. I’m not sure they knew the show was canceled after this, but it is weird that this type of episode is the last one ever.
As for the episode itself, it’s not one of the best episodes ever. It parodies the movie fine, but there are quite a bit more pop culture references than normal because of the celebrity guests for the holiday special. It’s certainly a funny episode, but not one of the best.
The Buster/Babs/Cher (yeah, Cher) ‘love triangle’ was kinda funny with the song, and it ended in a cute manner.
It’s a funny episode and a decent Christmas special, but not fantastic either. Here’s to you, Tiny Toons! Hoping you have a looney Christmas!
Recommended Audience: I think there’s a slightly raunchy joke in there, but it’s easily overlooked and I really could just be reading too much into it. E for everyone!
Plot: A sorta parody on 11Eyes, this OVA introduces the main characters to the Pink Night; a hot pink version of the Red Night that gives them different powers. Sexually-charged hijinks ensue.
Breakdown: I thought this OVA would actually be a continuation of 11Eyes since, especially near the end, it takes itself so seriously, but they threw serious right out the window.
This OVA is pure comedy, there’s no seriousness going on. It’s basically a completely random play on their series.
Have you ever dreamed that an anime you watched would just turn into a random, comedic fanservicefest? Well if you’ve ever watched 11Eyes and had those thoughts, the OVA makes your dream come true.
It starts out with Yuka and Kakeru on the roof of their school when they get transported to another world again. They first believe it’s the Red Night, until they realize everything is pink, so they call it the Pink Night. They meet up with Misuzu, Yukiko and Takahisa (Who are apparently not dead since they’re the version that actually remember the Red Night and have powers) and try to figure out what’s going on. They realize that Kakeru’s eye no longer allows him to see the future – it allows him to see through clothing.
To not be completely perverted, though, it’s only down to their underwear. Why a mystical eye can’t bypass underwear, I don’t know, but then again questioning logic in this would be moot.
Shiori and Kukuri arrive (both also not dead) as they reveal that their powers have been screwed up in this world. Yukiko tests this out by taking off her glasses. Her regular powers are to turn into a perfect, immortal killer when she takes off her glasses. In the Pink Night, her alter-ego is a horndog. She proceeds to rub herself all over Yuka and nibble her ear. She later full-on makes out with her before being knocked out by Misuzu.
As cute little “dark spirits” come to the group, Misuzu tries to take out her sword, but it’s not a sword. She whips out it’s an…..Ahem, adult toy.
Kukuri shows up, able to talk, explaining in full, censored detail what the toy is used for, how it’s used and how good it feels. Apparently her powers are either to change into lingerie or being able to talk but speaking nothing but perverseness. Misuzu makes her cover her mouth with a mask and draw and write to communicate like she used to, but only draws perverse pictures that are censored. I do have to say that this was my favorite part of the OVA. Just the fact that she’s prattling on about these topics with no change of expression, being censored every five seconds was hilarious to me.
Takahisa’s power used to be to control fire, but now he spurts streams of water from his fingertips.
Yukiko asks if she can drink the water. Takahisa agrees, and Yukiko gets on her knees. You see where this is going, yeah? It makes it look like she’s giving him…ya know.
As the group goes to find the focal point of the world (the place where Liselotte was kept before) they find Liselotte and one of the Black Knights. Liselotte’s dressed in dominatrix gear, sporting a whip, while the black knight is tied up, being whipped.
The group leaves and see a sign for a hot spring (in the school apparently) They decide to make the best of the world and go there. They find swimsuits and swim in the water…..the water that’s white….and salty. No one makes any other implications beyond the salty comment, but Yukiko and Yuka…drink it….yeah…
Kakeru then tries to find out who made this world by use of his eye of Aion. It singles out Yuka, who promptly screams, triggering her powers. Her powers in the Red Night were to disable other people’s powers. Her power in the Pink Night? To turn males into females (but not vice-versa apparently) Takahisa and Kakeru get turned into chicks and according to Kukuri’s sketch book pages at the end, they lived as women happily ever after.
As a side note, Shiori never shows what her powers are in The Pink Night.
All of the art, animation, music, voice acting and so on are the same as the TV series. No new characters are introduced as well.
Bottom line: If you like when an anime you like goes off canon to be random and fanservice ridden, you’ll love this. I certainly enjoyed it, even if the fanservice for girls was minimal. It was random and just WTF worthy and definitely made me smile after watching 11Eyes. And this is coming from someone who really rolls her eyes at fanservice humor.
Recommended Audience: If you haven’t been paying attention, there’s fanservice a plenty. TONS of mentions, implications and explanations of sex, in addition to more mature themes. There’s a naked breast here and there, but mostly they’re covered by their arms and legs, underwear and bra or a bathing suit. There’s also a girl on girl make out scene, if that bothers you.