Inuyasha Movie 2: The Castle Beyond the Looking Glass Review

Plot: Naraku has been killed, but there’s a new threat on the horizon by the name of Kaguya. She wishes to bring eternal night to the world and freeze time around her.

Breakdown: This was the first ever Inuyasha movie I watched since I got it on DVD before the first ever premiered on Adult Swim. I watched it over and over in my more anime-deprived days, but how well does it really stand up?

We start off with Inuyasha and the others defeating the main villain of the series, Naraku. ……Oh, really?….Wow, okay. Uh….Movie over? Goodbye everyone!

Oh wait, the movie’s still going on? We’ve only just completed the opening credits? But they showed all the proof that Naraku’s dead. Miroku’s wind tunnel’s gone, Kagura’s heart’s in her chest, Kohaku remembers Sango….

The end.

That’s the end. Main plot of the movie/series resolved. Even if this is a fake out (Why, whatever would they do that for? It’s completely plausible that the main villain of our show would just up and die, without any buildup or background to how they got there, in a movie while the show’s still airing. Pshaw to all you nay sayers.) what would that mean for the movie? That no matter what villain is showcased in this movie, Naraku will inevitably return and take the spotlight back, making the new baddie even more irrelevant than your average TV series connected movie villain.

Anyway, most of the first 40 minutes of the movie after Naraku’s ‘death’ is just talking about Naraku’s ‘death’ while preparing for the arrival of the new baddie. Because baddies can never just appear – they need rituals, preparation and shit. Our baddie of the movie, Kaguya, somehow coerces Kanna into starting the ritual to free her from her mirror prison to bring eternal night to the world. She also coerces Kagura by claiming that the freedom she knows now is a mere illusion and that she can grant her true freedom.

In order to do this, she sends Kagura and Kanna on a fetch quest for 500 exp, 2000 gold and a Ring of Strength lvl 5. They need some sprig, which they have, a crystal, a piece of the Robe of the Fire Rat, a shell and a stone bowl. Funny thing about the stone bowl. A dying little girl who was tasked with protecting the bowl gave it to Kikyo to protect it from the demons as she died. And what does Kikyo do? She willingly hands it over to Kagura. Kikyo’s a real bitch in the movies. She can be a bitch in the TV series too, but she’s an even bigger bitch in the movies.

They gather the items fairly quickly, except the Robe of the Fire Rat, because Inuyasha holds that. After a bit of a battle with Inuyasha, they rip his sleeve off and bail.

As Kagura and Kanna summon Kaguya, we catch up with the group. Miroku is learning more about his grandfather and his connection to the story, Sango has reunited with an injured and still fairly amnesia-ridden Kohaku, and Inuyasha, Kagome and Shippo have met with Hojo’s ancestor who is trying to throw the one ring of power into the volcano—I mean throw the celestial robe, something Kaguya needs, into a crater to prevent great chaos and blah blah.

We get a scene where Inuyasha and Kagome are talking about him staying as a half-demon when they get the jewel, but he doesn’t want that. The vocal song in the background swells as Kagome pulls Inuyasha to look at her after he claims it’s ridiculous to think that he’s strong enough as it is. I guess the look in his eyes is important because she stops to stare at him.

I used to really like this scene without issue, but now I find it a little confusing. Why does he look like that? Because he desperately wants to be a demon? Because completing the jewel means Kagome likely leaves? Because he doesn’t know what he really wants? Hm.

Inuyasha movie 02 Screen1

Kaguya shows up for the robe and restrains Inuyasha to a tree. Kagome, being their last line of defense (well, they’re dead), tries to attack Kaguya with a sacred arrow, but Kaguya reflects it back towards Inuyasha. Kagome jumps in the way to save him while Ancestor Hojo throws the celestial robe in the arrow’s path as it sticks in Kagome’s back. This obviously means Kagome’s going to be okay, but Kaguya reinforces this by saying she won’t let her die.

Kaguya takes Kagome and the robe (Kagome a damsel in distress? That never happens!) leaving Inuyasha and the others to find her castle and save Kagome.

Sango, Miroku, Kohaku, Kirara and Hachi head towards the castle, but are shot down. Shippo saves Sango and the others, while Inuyasha and Kagome do what they do best…..Yell each others names.

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Kagome’s also completely healed of her arrow wound due to the robe. Oh how surprising. (I’m being sarcastic)

Inuyasha fights a three-headed water dragon. This is a pretty cool battle, even if this is another monster where the weak spot is painfully obvious. Gee, I wonder if that giant glowing point where all of the heads connect could be what Inuyasha needs to aim for. Just the battle itself is pretty cool since the demon’s so huge compared to Inuyasha, and Inuyasha has to practically ride him to beat him. However, there are numerous times in this battle where it looks like Inuyasha’s standing on the water.

Inuyasha defeats the demon with a Wind Scar as Kikyo shoots a sacred arrow at it at the same time from land. Well, okay Miss Unclearmotivationsandintentions.

Anyway, here’s Inuyasha adorably shaking off like a dog.

After that’s done, Kagura reveals that Kaguya’s not the real Kaguya. She’s much like Naraku in that she has absorbed the powers of other demons to gain immortality. Naraku wanted her body for himself, thus he….kept her locked away and never bothered to try and get it? I dunno.

Kanna tries to steal Kaguya’s soul, but is unable. Kaguya then sends Kagura and Kanna to another dimension with the powers of the robe.

Inuyasha arrives at the castle to confront Kaguya, but she unleashes her time-freezing ability on the world as he attacks. While all of the land around them, Hachi and Hojo’s ancestor are frozen in time, Inuyasha and the others are not.

Why? Because all of them were wearing items from modern times that Kagome brought back with her. Sango and the others had bandages of Kagome’s on while Inuyasha had a locket that Kagome gave to him……I’m sorry, I’m calling a little bit of BS here. Just because they’re items from the modern era, that means they have a, quoting here, ‘time barrier’ around them that exempts them from Kaguya’s spell?

While Inuyasha isn’t affected by the freeze in time, Kaguya claims that it doesn’t matter because he wasn’t even there at all and reveals it all to be an illusion of Inuyasha’s. The real dream castle is mirrored under their feet, which Inuyasha easily accesses using his red Tetsusaiga, so that was completely pointless.

Inuyasha and the others reach Kagome, and Kaguya and the others have a battle. Inuyasha and Miroku get injured while Sango and Kohaku get restrained. Kaguya decides to grant Inuyasha his deepest desires of becoming a full demon…..which makes no sense to me. Why would she purposely make Inuyasha stronger? Making him a full demon won’t guarantee that he’ll be obedient to her. In fact, he’s an out of control beast when he’s full demon.

Inuyasha in full demon form attacks Miroku as he tries to snap Inuyasha out of it. It’s meant to be shocking, but he doesn’t even rip Miroku’s clothes with an Iron Reaver.

Inuyasha movie 02 Screen2Inuyasha movie 02 Screen3

Ya know, I like Richard Ian Cox as Inuyasha, but he makes really lame ‘demon’ noises.

Shippo frees Kagome by throwing her jewel shards at her, and Kagome runs to hug Inuyasha to get him to stop changing….and…I dunno what’s happening, but again I used to really like this sequence, now I just find it really cheesy. It’s not really bad, in fact I still find it kinda sweet, but the cheese is prominent.

Through all the chaos in his mind, he sees Kagome running to him and calling his name. Because we haven’t heard her yell it in the past 11 milliseconds. Then, as Inuyasha prepares his attack, illusion!Kagome gets surrounded in cherry blossoms and says that she loves him as a half-demon. This starts to reverse his transformation, but Kaguya presses on, forcing him to dig his claws into Kagome’s arms.

Kagome wonders how she can stop his transformation, and she decides the best way is to give the fans something to gush over, so she kisses him. While I used to really like this scene, I still always thought that kiss was….awkward, at least the first half of it. Looking closely, she is actually kissing his bottom lip, but it really just looks like she’s kissing his teeth. Or, at the very least, is shoving her nose into his teeth.

Inuyasha movie 02 Screen4

Of course Inuyasha reverts back to normal, and for some reason this causes red sparkles to float around, fixing his Robe of the Fire Rat. *shrug*

As the battle with Kaguya starts again, Kohaku screams in agony with a deep pain in his shoulder. Sango pulls back his shirt and reveals a pulsating spider mark. When the spider mark is revealed, Miroku also yells in agony as his wind tunnel reappears. Naraku soon bursts from Kohaku’s back and reveals he had faked his death somehow. Naraku not dying for reeelz!? WHA WHA WHA WHAT? What a completely new plot development this is for the series as a whole.

He did this to lure Kaguya out to absorb her powers…..Why he couldn’t have just summoned her himself is beyond me. The items to summon her were crazy easy to find, and there’s no explanation as to why Kaguya wouldn’t want to appear while Naraku was alive….

Naraku attacks Kaguya and their battle starts to bring the castle down. Naraku disappears, and Inuyasha decides to finish off both of them, Kaguya first. Kagome realizes that the only way to take down Kaguya for good is to destroy her mirror. She asks Shippo to turn into a bow while she uses Miroku’s staff as an arrow…which I don’t think would work in the slightest. His staff seems too heavy to work as an arrow, too long to wield properly, plus the décor at the top would make it too heavy at one end to fly even a little, but whatever. It works, and Inuyasha kills her at the same time with a Wind Scar.

Inuyasha movie 02 Screen5

Hooray, our heroes have won! But wait, the dream castle is collapsing.

Kim Possible: “Just once, I wish the bad guy’s lair didn’t have to blow up.”

Precisely! Cue escape scene that you know is pointless because it would be insanely dumb to have them die in a collapsing building after just surviving the final battle.

While escaping, Kaguya in bad CGI smoke cloud form kidnaps Kagome….again, because padding, and conveniently drops her on a beam that Naraku just happens to be on for no reason. He uses Kagome as a lure to get Kaguya, but he’s attacked by Inuyasha before she can get to them. And Miroku uses his wind tunnel to suck up Kaguya’s smoke form………well, that was anticlimactic.

Naraku, Kagura, who somehow made it back from whatever dimension she was in, and Kohaku jump through the portal made by the mirror, which shouldn’t work since it’s broken, to escape into the real world, and Inuyasha and the others follow suit.

They see the castle reflection disappear, and Hachi and Hojo’s ancestor get freed from the spell. Hojo’s ancestor also miraculously got the robe back instantly after the castle disappeared.

They then continue their journey to defeat Naraku because that’s how everything Inuyasha related ends barring Final Act

Oh and for anyone wondering whatever happens to Hojo’s ancestor, it’s revealed in the TV series that his flighty and shallow love for Kagome ran so deep that he forced his future wife to change her name to Kagome. Creepy creeper.

Art and Animation: The animation was roughly the same as the TV series a bulk of the time. The art was kinda awkward in it’s style and overall quality. It’s especially apparent in one of the scenes where you see Inuyasha’s human form in the mirror and see that one of his eye reflections is much bigger than the other. However, it had much crisper coloring than the first movie and the TV series.

Music: Same as the TV series, which is fantastic. The movie-exclusive vocal songs are great with ‘Yura yura’ being one of my favorites.

Voice Acting: English Some of the dialogue and acting in this movie was somewhat hokey, but other than that it was on par with the TV series, which is pretty good.

Bottom Line: As you probably guessed from my commentary, I don’t like this movie as much as I used to when I was a huge Inuyasha fan. Kaguya’s a decent villain, but she’s just like a mix between Naraku and Kanna without as much threat. Movie villains for anime series never seem to be as threatening because you know by the end of the movie they’ll be defeated (because movie canon hardly ever seems to carry over into series canon) whereas the villains of the TV series go on for ages.

In addition, you knew from the very beginning that Kaguya was just a distraction meant to pass the time until Naraku showed his face again. It’s not an awful or even bad movie by any means, but it’s still not that good. Quite frankly, I think the main reason this movie is given even a little notoriety is because it’s where Inuyasha and Kagome share their first kiss, but whether or not this is actually canon is highly questionable.

If you’re a big Inuyasha fan, it may be worth a bit more, but for casual fans or people relatively unfamiliar to the series (In which case, why are you watching the second movie based on it?) then it’s more or less mediocre.

Additional Information and Notes: Inuyasha was based on a manga of the same name by Rumiko Takahashi. The Castle Beyond the Looking Glass was directed by Toshiya Shinohara, who directed all of the Inuyasha films, and did some directorial work on Black Butler, Crest of the Stars, 2001 Nights and Gurren Lagann. The screenplay was written by Katsuyuki Sumisawa, who also wrote the scripts for many episodes of Dragon Ball Z, Inuyasha, Blue Dragon, all but one episode of Inuyasha: Final Act and Yu Yu Hakusho.

It was produced by Sunrise and is currently licensed in the US by Viz Media.

Runtime: 99 Minutes

Year: 2002

Recommended Audience: Violence, some blood, nothing worse than the TV series. 12+

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The Salty Anime Challenge Day 19: Least Favorite -dere Character

Oh the possibilities with this one. Since it’s just -dere and there’s around a billion -dere types, I decided to split this into two entries: One for tsundere and another for yandere.

Yandere – Mayo from Fushigi Yuugi Eikoden

I forgot about her.

I wish I still forgot about her.

For today’s entry, I wanted to be accurate, so I looked up a list of tsun and yanderes on TV Tropes and lookee who I found! One of the world’s biggest irredeemable bitches in animation.

Fushigi Yuugi Eikoden is animated fanfiction. That is not a lie.

Mayo is a whiny little brat who devolves into a massive, malicious, malignant tumor of a person. She starts off the series whining about nearly everything in her life, treats everyone who cares about her like garbage and believes she’s entitled to Taka, the reincarnation of Tamahome and now husband of Miaka, because she had a crush on him for three years.

She hates Miaka because they got together, and she uses the book of the Universe of the Four Gods to become the new priestess of Suzaku, grant her wish of forcing Taka into loving her, magically steals Miaka’s baby from her womb, causes Miaka to go into a coma and doesn’t give a crap about her life, gives zero shits about the danger within the book because the Suzaku Seven protect the priestess and she gives even fewer shits about their lives, sans Taka, threatens to kill Miaka and Taka’s unborn child if Taka doesn’t love her and do what she says—I cannot go through the entirety of all the bullshit she pulls over the course of the four episodes of the OVA.

All that was from ONE EPISODE.

See here for a complete collection of Mayo’s Horribitch moments. Be warned, though – this review is old so the writing’s kinda iffy. Facts are facts, though.

Let me just say….While Yuka from 11Eyes is indeed terrible, Mayo’s on a different level. I can’t believe I forgot Mayo this whole time. I must’ve been subconsciously blocking her from my memory to avoid having a massive rage-induced coronary.

“But wait!” you say “How can she be a yandere where there’s no ‘dere’ side?”

Well, near the end, she pulls a 180 and acts all damaged and sweet and apologetic. And, even though she did some incredibly terrible, horrible, evil things, the other characters all up and forgive her without a thought or a doubt. She’s completely redeemed, ends up helping Miaka save the day and becomes besties with everyone.

Fuck. Off.

I’M CHEATING! 😀 Tsundere – Naru from Love Hina

Ah, Love Hina – one of the most well-known and treasured harem romcom anime. Love Hina was surprisingly popular back in the early 2000s, and it was one of those shows that was everywhere, but moreso in the AMV community. It was always a part of collabs somehow, and nearly every love song, comedy or otherwise, has been put to it.

Why is this entry cheating? I’ve never actually watched Love Hina.

Why am I putting Naru on this entry if I’ve never seen Love Hina? She’s the reason I’ve never watched Love Hina.

I was a part of the AMV scene back in its glory days. I made ‘em, I watched ‘em a lot – it was a fun expression of the fandom. Because of this, I saw a lot of Love Hina clips and learned the basic gist of the series.

The basic gist is that Naru hits Keitaro a lot, usually for no reason. But they’re totally in love and junk.

This series is basically famous for how much Naru hits Keitaro. She’s an OG tsundere.

A clip from AMV Hell 7 sums it up quite nicely. Naru and the others are questioning Shinobu (a young, shy girl) about something. She cries just because they’re insinuating that she might maybe know something about it. Naru, out of friggin’ nowhere, yells ‘Keitaro, this is all your fault!’ and punches him, sending him flying nearly off the porch. Then Keitaro says ‘What did I do!?’ and this sound clip plays.

Seriously, what the hell is her problem? Everything I read about her makes me not want to watch this series even more.

Here are some other stupid highlights brought to you by TV Tropes.

– Once she walks in on Keitaro changing and she punches him anyway! Naru justifies herself saying it was “a reflex”.

– One time, she tries to hit Keitaro on the grounds that he must be thinking something perverted.

– Another time, Tama-chan the turtle has gone missing, and Naru and Keitaro are looking for it. Shinobu has just got home and is changing her clothes, when she is scared by Tama-chan and comes running up to them clad only in her camisole, grabbing Keitaro in panic. He’s too busy trying not to choke to notice her, yet Naru still hits him “just in case”.

– Once ridiculed Keitaro’s hopes of getting with his promise girl on the basis that he’s a spineless dork. Keitaro retaliated by saying that Naru could never get with her promise guy because she’s violent. Instead of realizing how mean she was being, Naru just bursts into tears, making Keitaro feel guilty for something she started.

I’m not sure how much -dere there even is to her. I’ve seen some ‘sweet’ clips of her and Keitaro, but according to what I’ve read, she’s rarely ever nice and stagnates in character development regarding accepting her feelings for Keitaro and refraining from being violent until the very end of the series.

Non-Cheat Entry – Tsundere: Kagome from Inuyasha

Kagome’s not a big tsundere. She’s usually nice, but it is insanely common for her and Inuyasha to get into shouting matches. Plus, there’s the staple of the series in her ‘SIT BOY!’ ability, which creates the physical abuse.

Admittedly, the SIT BOY thing is funnier than the average punches and kicks, considering he’s a dog demon and all, but she’s still slamming the guy into the ground for offenses that are frequently just him putting his foot in his mouth. It was originally meant to keep him in line in terms of stealing the jewel or doing particularly bad things – it wasn’t meant to punish him for not liking a part of the lunch she made for him.

I’ve always found Kagome to be very grating. She screeches a lot, she screams a lot, she’s always yelling Inuyasha’s name and getting into danger so Inuyasha can save her.

I’ve learned to give her more leeway because she’s a teenager girl thrust into a dangerous world. Sango was born and raised a demon slayer, that’s why she’s so badass, and Kikyo was similarly brought up to be a powerful priestess. But Kagome still had plenty of time to get more useful in battle or to become a more interesting character. She does get some moments where her bow and arrow save the day, but it’s almost all Inuyasha and the others.

For the most part, she’s defined by her relationship with Inuyasha. We never learn what she really wants to be in the future or what she likes outside of typical modern day amenities. The only thing she strives to be is a person who stays by Inuyasha’s side, and she becomes Inuyasha’s wife in the end, leaving the present day world behind her. I would ask how that doesn’t massively change the ‘present day’ or her existence, but Back to the Future Part III has taught me that that doesn’t matter.

30DAC – Day 15: Favorite Animal Sidekick, Pet or Summoning from Any Anime

Despite being an animal lover, I really get torn over animal sidekicks. Some of them are really cute and helpful, but quite a few of them are annoying comic relief. Just because I feel it’s slightly unfair, I’m not going to count Pokemon or Digimon here.

I’m going to go with Kirara from Inuyasha.

Her relationship with the group, especially Sango is just so strong, and Kirara is just such an awesome demon. In her small form, she’s a very tiny two-tailed cat that can fit in the palm of your hand, but when she transforms she’s a huge….I can’t really pin what kind of big cat she’s supposed to be. She doesn’t really look like any I’ve seen, but I assume it’s in the same vein as a saber-toothed tiger.

Yes, that was too obvious. Thanks for asking.

Anyway, she turns into a huge cat with gigantic fangs and the ability to fly. She’s stuck by Sango nearly her entire life as a demon slayer, and she kicks huge amounts of ass.

It’s obvious that Kirara is more of a best friend than a pet to Sango, and I still think their moment in the first movie was far more moving than the stuff with Inuyasha and Kagome.

Plus she’s so adorable ♥♥♥♥


Honorable Mentions: Amaedeo from 3000 Leagues in Search of Mother, the cat from Trigun and Appa from Avatar.

Inuyasha Movie 1 – Affections Touching Across Time Review

Plot: After Kagome broke the Shikon Jewel, one of the shards was embedded in the resting place of Menomaru, the son of Hyoga, one of Inuyasha’s father’s, Inutaisho’s, greatest enemies. Menomaru sends out his henchmen to find the fang that sealed his father’s power away so that he can inherit it and rule the world. Oh and kill Inuyasha as trickled down revenge for his father, but for some reason not Sesshomaru.

Breakdown: Channeling my inner Inuyasha fan, this movie was pretty good. Most anime movies feel like an extended episode of the TV series, but this at least felt like a condensed arc of the series. It does seem weird to me that Inuyasha’s father only seems to be put into the series when a movie comes around.

Menomaru is a moth demon and he’s…a villain. He’s pretty boring, to be honest. He has no real personality beyond the typical revenge/rule the world chestnut. And I really would like an explanation as to why he never targeted Sesshomaru during this little crusade. He’s Inutaisho’s son too. The only reason he was even in this movie was because his minions mistook the Tenseiga for the Tetsusaiga as the fang that was needed to unseal Hyoga’s power.

In regards to the title of the movie, Menomaru has the power to control people through half taijitu jewels placed on the forehead. He controlled Kirara through one and Kagome with another. After attacking Kaede, Kagome targets Inuyasha while wearing priestess robes, making her look like Kikyo. Obviously, this is so they could make the replay of Kikyo shooting Inuyasha 50 years ago again. Because that scene needs to be shown over and over and over and over and over and over and over.

She chases him down right in front of the sacred tree, how convenient, and shoots him with an arrow. I think this is a mirror of something, but I can’t quite remember. If only I saw the scene a few thousand more times.

Kikyo happens upon the scene and sternly tells Kagome that she needs to go home and leave Inuyasha forever because she doesn’t belong in their era and she ended up injuring Inuyasha…I guess because of that fact? How does that make sense? Kikyo knows she was being controlled. She also tells her to take the Shikon Jewel shard with her….well, that certainly doesn’t belong in her era. The only point in leaving her with those shards is to allow her to come back later.

She tells her that, since Menomaru has awakened the Tree of Ages and that the bone-eaters’ well is made of wood from the Tree of Ages, that it will soon overgrow and she’ll no longer be able to go back to her world. Also, because of that, her era is now frozen over in an eternal winter….Ya know, usually when people say that an era is frozen in time they mean that time has stopped not that perpetual winter has struck.

Kagome doesn’t want to leave Inuyasha, but Kikyo’s mighty voice of yelling somehow pushes her into the well.

She finds that, indeed, her era is prematurely plunged into winter as snow comes down from the sky.

Fast forward, yada yada, she puts her hand to the sacred tree that Inuyasha’s still laying in front of in the feudal era and she talks to him through the trees because THE POWER OF LOVE! ❤ Or Shikon Jewel shards, they never make it clear. He….hugs her through some sort of weird purgatory world, I dunno, and she uses her sacred arrow to get rid of the branches and come back to him.

In my opinion, the storyline with Kirara and Sango was much more emotionally impacting. Sango refuses to fight Kirara and ends up getting hit by her and thrown through the air. As a tear from Sango hits Kirara’s taijitu thing, she snaps out of it and starts bashing her head against a tree to break the jewel. She does, exhausting herself in the process, and, together, they kick Menomaru’s minion’s ass. It is, by far, the best scene in the movie and it makes me want to cry.

For people who have never seen Inuyasha, it holds up okay. They pretty much explain everyone and the entirety of the plot, though I don’t think that they mention Naraku, which is odd. Kikyo seems a bit out of character in this movie, and Sesshomaru’s there for fanservice and not even the fun kind.

Art and Animation: The art actually seems like a step down from the usual fare. The animation’s a step up, though, so that’s something. There is some rather bad CGI in there too.

Music: Inuyasha‘s soundtrack has always been wonderful, and it’s just as great here. The big climax is scored amazingly, and it still sends shivers up my spine. The ending theme is also memorable and great.

Voice Acting: English – Same as the TV series. There’s some lameness in the dub script, but it’s all good.

Bottom Line: It’s a pretty good movie. Nothing fantastic, but still a great ride for Inuyasha lovers and a decent watch for anyone who’s never seen the show.

Additional Information and Notes: Inuyasha: Affections Touching Across Time was directed by Toshiya Shinohara, who actually went on to direct all of the future Inuyasha movies.

It was produced by Sunrise, but, oddly enough, the production was not done by the same studio sub-division as the original series was.

Runtime: 100 Minutes

Year: 2001

Recommended Audience: No real blood, no nudity, no sex, Miroku’s usually lechery, some violence….10+?

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