Yashahime: Princess Half-Demon Episode 3: The Dream Butterfly Review (Spoilers!)


Plot: Having entered the modern era, Setsuna and Moroha take their battle with Mistress Three-Eyes to the modern era. Towa breaks her sword trying to save Setsuna, but discovers that she can create a sword made out of demonic energy from the hilt. Together, they defeat Mistress Three-Eyes.

Towa tries to reunite with her long-lost sister, but Setsuna doesn’t remember her at all. Setsuna, angered at Towa’s implications and insistence, challenges her to a battle. Towa doesn’t want to participate, but is suddenly overtaken by the wooden demon, Hitokon.

Setsuna is not about to hold back in the battle, but the tides turn when Hitokon switches hosts to Towa’s little sister, Mei. Setsuna aims to cut the demon out of her face, but Towa vehemently defends Mei and refuses to let her face get scarred.

Choosing to back down, Setsuna puts them all to sleep and uses a special concoction made by her fellow demon slayers to remove the demon and kill it.

Later that night, Setsuna discusses her situation with Moroha. She cannot accept Towa’s claims so easily, even if they are both half-demons that smell of Sesshomaru. It’s not simply that she’s stubborn – she actually doesn’t remember Towa and she doesn’t respect Towa as her sister considering how leisurely and weak she seems.

Years ago, Setsuna was attacked by the dream butterfly – an entity which ate her dreams, memories of her past and made her unable to sleep or dream ever again.

Hearing her plight, Towa blames herself and confronts Setsuna.

Breakdown: Ladies and gentlemen things. Are. HAPPENING!

On the old cast/timeline side, we…kinda get confirmation on the timeline. Kaede said it’s been over 15 years since the well was closed, but we basically figured that out. I’m still erring on the side of around 20 years, but she probably would have said 20 years, so…eh.

We also get in-universe confirmation that Setsuna and Towa are Sesshomaru’s kids, though still no confirmation on who their mother is. (Rin is seemingly not still in Kaede’s village, though, at least as far as I see.) They also all but confirm that Moroha is Kagome and Inuyasha’s kid. (I remain confused about why her powers seemed dragon themed, though. Where do dragons come in with a half dog demon and a human priestess?)

The first episode’s story actually wasn’t a complete waste of time, kinda, because we learn that the demon Hitokon is a part of the Root Head demon that Inuyasha and the others fought at that time. It merged or gained powers from the Sacred Tree, which allowed it to open a portal to the modern era.

It’s dead now, though, so that’s a problem.

The first episode was still basically a waste of time, though, because we could have just gone over it in the B plot with Kohaku and Kaede talking about it.

Anyhoo, Sesshomaru seems to have somewhat abandoned his kids? Maybe? According to Setsuna, she started a ‘rite of courage and cowardice’ which Kaede explains as basically being a trial by fire – children are just thrust into the world on the their own to see if they survive. This makes me a little suspicious that Sesshomaru might have been responsible for the forest fire that drove Towa and Setsuna apart.

I can’t imagine Rin would’ve been cool with all of this, but she did mostly just do whatever Sesshomaru said.

I suppose this means Sesshomaru is still alive and around somewhere, but as for where literally everyone else is

It’s a bit suspect, because Setsuna’s fluffy boa literally does come right out of nowhere. Between the last time Kaede saw the twins as babies, the last time Towa saw Setsuna and when Setsuna had returned to Kaede’s village, she somehow managed to obtain one. I theorize that she was actually with Sesshomaru for a couple of years after the fire but then lost her memories via the dream butterfly. I just can’t see any other way she would have obtained it. Towa never got one, so it can’t be something they just get, right? Also, she says she doesn’t remember Sesshomaru but claimed she was on the rite of passage, so who sent her on this mission? Did she lose her memories after she came back to the village?

Got some cool battles going on here as well as some new abilities being put on display. I love that Towa basically has a Spirit Sword ala Yu Yu Hakusho (It even basically turns into the Spirit Flyswatter at one point) that she even discovers in the same way Kuwabara discovered his.

Moroha was a delight, again, though we still haven’t really delved into her character’s story at all. I can’t imagine Inuyasha and Kagome are pulling the same ‘rite of courage and cowardice’ thing that Sesshomaru is. I love how she’s goofy and high-spirited but also very knowledgeable about weapons and demon lore. Makes her a pretty unique character.

I feel like the reasoning behind Setsuna not remembering Towa is a little on the cheap side. I dunno, I’ve reached a point where any plotline involving lost memories just makes me roll my eyes.


I finally give a crap about the actual story and characters now, not just the old cast.

I mean, there’s still not much to go on, but I am getting invested.

Golly, I’m actually excited about next week’s episode. I wonder what new things we’ll see–


AH! NO! Please no! Why are you here?! Why is it implied that you’re part of the well or the tree of ages something!? Go be dead!

Alright, alright, I have to chill out. There’s obviously not going to be any love triangle stuff, Inuyasha and Kagome are nowhere to be seen, and I’d assume she’s not going to do anything bad.

…Although what was up with her saying “Daughters of Sesshomaru, I have a request for you.” Is she not addressing Moroha too? Does she not count? I wonder if she’ll be a little pissy towards her because she’s Inuyasha and Kagome’s kid. Hm.

Anyway, happy day, things are happening, the plot is getting in gear, kinda, and hopefully it will just keep going upwards from here.

Rating: 7.5/10

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Yashahime: Princess Half-Demon Episode 2 – The Three Princesses Review (Spoilers)


Plot: Towa and Setsuna were a loving pair of half-demon siblings until fate drove them apart. Towa was thrust through time to modern day where Kagome’s now grown little brother, Sota, found Towa and adopted her. Ten years later, a now 14 year old Towa has found nothing but trouble as she’s grown up. She’s attracted fight after fight after fight, and it’s lead her to transferring schools several times.

Meanwhile, ten years have also passed in the feudal era. Setsuna has grown into a skilled demon slayer alongside Sango and Miroku’s son, Hisui, and Kohaku, as well as a recently formed band of demon slayers. They’re hunting a centipede demon that has been harassing the nearby village. Bounty hunter, Moroha, who has given herself the nickname Beniyasha, is lying in wait for the same demon. The demon is after Moroha’s red Rainbow Pearl, and when it acquires it, it next seeks out the golden Rainbow Pearl in Setsuna’s eye.

After obtaining that, the Tree of Ages suddenly glows and creates a rift similar to the one that thrust Towa through time ten years ago. Moroha, Setsuna and the demon are thrown through the rift and land right at Towa’s feet. The sisters have finally been reunited, but there’s no time for celebrations with the demon still attacking.

Breakdown: Alright, before we head to the meat and potatoes, let me get the timeline stuff out of the way.

Krystallina mentioned to me last time that it’s probably been about 20+ years since the end of The Final Act, not the 10+ years I initially thought. That made some sense to me, but now that I’ve watched this episode it’s almost certainly a more proper estimation.

Towa and Setsuna were about four when they were separated. When Towa met Sota, he was definitely an adult because he adopted her. He was 12 at the end of The Final Act, so that leads me to believe at least six years has passed since Kagome left. An additional ten years passing meshes well, but we also see Hisui, who was a baby in the end of The Final Act, and he’s definitely an adult here, so yeah, at the very least 16-20 years.

Now, still addressing stuff regarding regular ol’ Inuyasha….I have some concerns and complaints.

First of all, I made a little bit of a joke in the tags of the Episode One-Derland of this series. I asked if I should be concerned about Inuyasha and Kagome since Moroha seemingly grew up alone. Well, now I have to ask more seriously.

Should I be concerned about everyone!?

Inuyasha and Kagome supposedly didn’t raise Moroha. She’s seemingly slightly younger than Towa and Setsuna, but Inuyasha and Kagome are nowhere to be found.

Despite us getting Towa and Setsuna’s backstory in this episode, they imply that they raised themselves out in the woods, and Sesshomaru and Rin are nowhere to be found. (Given the new timeline information, I’d say it’s more likely that Rin’s their mother now, but we still don’t know.)

Also, Hisui, Setsuna and Kohaku don’t know Moroha, but Hisui and Kohaku are seemingly teamed up with Setsuna, which is why she has the moniker of demon slayer. How did that end up happening? Also, it doesn’t seem like Sango and Miroku are anywhere around either.

What exactly happened to everyone in the original cast? Everyone seems like they’re either dead or inexplicably missing.


Now to get onto something more petty. What is up with the way this show ages people? Specifically, the way it ages old characters. Sota aged perfectly well, so did Kohaku.

However, guess who Towa saw when she got to the modern era?….Buyo….Kagome’s cat…..How the hell is this cat still alive? I thought, maybe, it was just for that one shot, and it’s not outside of the realm of possibility for Buyo to still be alive six or more years after The Final Act…but he’s also in the OP, meaning he must still be around for the main series….which takes place an additional ten years after Towa came to the modern era. Not only would it be very unlikely for Buyo to still be around after all that time (he certainly wasn’t a kitten in Inuyasha) but he hasn’t aged a day.

Speaking of people who haven’t aged a day, remember how I said I wasn’t certain if the promo shot of the group was accurate since Kaede likely wouldn’t have been alive after ten years in the feudal era? Well….it’s 20 years later….and she’s still alive…and looks no different, in the slightest.

Kagome’s grandpa is also alive and well, which is more reasonable in present day, but he also looks exactly the same as he did back in the original series.

Kagome’s mom also looks identica—oh, please excuse me. I forgot. She’s certainly showing her age by…having a few Mr. Fantastic-esque gray stripes in her hair and nothing else different, down to her clothes.


You guys, uh, getting lazy or what?

Well, enough of that jazz. What of the stuff in the new generation? While this episode certainly has more substance to it than the previous episode did, I can’t deny that I wasn’t really impressed. Nothing stood out or seemed really cool, outside of a few attacks Setsuna and Moroha did. Even the battles were kinda lame, especially considering they got lazy with their monster selection (masked as fanservice, I guess) by having their first enemy be Mistress Centipede – the very first demon Inuyasha and Kagome fought together. I know it’s not the same one, but it might as well be.

Inuyasha dispatched that one fairly easily, but a group of demon slayers and the children of Inuyasha, Kagome and Sesshomaru could do nothing against it….

They also basically make a new Shikon Jewel situation with the mysterious Rainbow Pearls, which I think are terribly named because they’re red, gold and silver….Not only are there, seemingly, not seven of them, but only one of them is an actual color on the rainbow spectrum.

They’re little gems that demons want because they make them more powerful. Ladies and gentlemen, I think we have a freshly baked MacGuffin.


I am still interested in the stories of these girls, especially since we don’t know what the driving plot of the series actually even is yet (in regards to what their goal is) but they really need to bring more to the table to keep me locked on this series, because, as it stands, it really feels like they’re still running on fumes from the original series.

Towa continues to be an interesting character. I love her view on the norms of society, particularly in regards to gender roles, but I don’t much care for that scene near the end.

Her little sister, Mei, who is Sota’s biological daughter, yells to her that she knows Towa really wants to be cute and girly, but she’s basically trapped in a world of fighting and wearing boys’ clothes because she keeps beating bullies and gang members who confront her. Towa responds that there’s a part of her that can’t answer that question immediately. In narration, Towa explains that she hated that boys were expected to be masculine and girls were expected to be feminine, but now it’s “time to stop being stubborn” about that idea because it’s not worth making Mei cry.


I want to say that was just badly worded, but….Nyrrhhhhhh. I get it to some degree. She should stop fighting if it’s putting her family in danger and making her sister unhappy, but it’s worded like ‘Yeah I should just be cutesy and girly like I’m supposed to be. Darn me for being stubborn.’ I can’t even really get fully behind the not-fighting aspect because she’s not seeking out fights, at least from what I saw, she’s just defending herself against assholes who keep attacking her.

Towa did have the most going on in her story, both with development and action, but it was also not all that interesting. It was a very familiar plotline where the super-skilled main character pisses off the local thugs after beating them, so they take the MC’s loved ones hostage and force them to concede in battle, but MC soon decides ‘enough is enough’ so they unleash their hidden power to fight them off. Only in this instance ‘unleash her hidden power’ is basically just jumping really high and fighting the same way she was previously.

She does at least get to win fights in her part, but she’s a half-demon, daughter of Sesshomaru no less, fighting nearly comical fully human thugs. It’s hardly tension-filled.

Like I said, I am still interested in this series, but most of the things I want to see are related to the original cast. I haven’t really latched onto the new group yet…..besides Moroha. I am loving her more every minute, but we didn’t get much of her specific backstory in this episode. She just appears and fights a lot, but I love her spirit. She’s such a cool kid. It’s also really cool to see her sword and her arrows in action. She actually has an ability that allows her to rain sacred arrows onto her enemies, which is awesome.

All in all, it’s getting better, but it’s still a slow roll and they’re still not delivering on anything involving the original cast outside of a few side characters. I know the series is not about them, but it’s frustrating watching a spin-off of a beloved older series and not getting practically any current information on the original characters.

Rating: 6.5/10

Next time….


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Episode One-Derland – Yashahime: Half-Demon Princess

Plot: Over a decade has passed since Kagome made the decision to stay in the feudal era with Inuyasha and the others. Now a new generation faces the challenges of the demon infested world.

Breakdown: What-what-what-WHAT!? Twix is reviewing a show the same week it premiered?! 2020 IS a crazy year!

As much as Inuyasha tended to irritate me as time went on, I can’t deny that it holds a special place in my heart. So when I heard that they were going to be making a new series based on the children of the original characters, I actually got excited and had every intention on watching it the instant it came out. And I did.

Like many fans of the original, I wondered about who these kids were, who the mother of Sesshomaru’s kids was, what kinds of powers they had, what enemies they’d face, what hopefully Naraku-free threat they’d be facing as the big bad – but I especially wondered where the original gang was in present day. What do they look like? What are they up to? Are they all still alive?

And the answer to all of these questions is!

Pbbbbtttt I dunno.

While I did enjoy watching this episode, I’ll be frank, it’s not a very good first episode. 95% of it is flashbacking to Kagome a mere six months after she decided to stay in the feudal era. The group battles a demon that Kikyo sealed many years ago and….that’s it. It doesn’t reveal absolutely anything more than what we knew of at the end of The Final Act.

And, oh, just for nostalgia sake, let me rant about this, please.

Kikyo……I really, really hoped we would finally be beyond the Kikyo crap. Seriously. It was, by far, the worst thing about the original series barring Naraku being an unkillable pain in the ass. But…nope. Kikyo gets brought up a ton in this first episode, and we get that same old song where Inuyasha keeps information from Kagome because of Kikyo’s involvement and Kagome gets irritated because of it.

I nearly burst a blood vessel.

At the very end, Kagome seems to assert that she was more irritated that Inuyasha didn’t have faith in her to not get upset, but it also contradicts an earlier statement where Kagome was like ‘Nyehh if I was Kikyo, you’d let me do the dangerous battle thing nyeeehhhhhh!’

This had better be just a one-off incident, because I am not about to sit through anymore of this love triangle bullshit – especially when, now, it’s with a fully dead 100% pure grade-A nonliving third party. At this point, all it does is really highlight that Kagome seems like the runner-up here. It probably isn’t going to be constantly happening as I imagine most of the new series from this point on will focus on the new kids (most of the old cast don’t even get shown in the OP and ED) but still…I’m keeping my eye on you Yashahime

That being said, credit where credit is due, Kagome is a lot more tolerable than she was previously. She’s clearly matured and grown stronger and braver. She’s an active participant in battles, she comes up with smart ideas (though sometimes reckless…) and she’s not as hotheaded as she was previously.

Although, I do have to point out something important. Inuyasha still has his curse beads on.

I get it. The ‘OSUWARI/SIT BOY!’ thing is a staple in the series, but it’s also kinda dated. Even halfway into the series, I was wondering why he still had those things on. In one of the movies, the beads actually break and, at the end, Kagome puts a new set on him. It was probably done to meet the status quo with the series, since the movies are questionable in canonicity, but still. Why does she insist on keeping those beads on him?

They were initially put on him to keep him from causing trouble because he was untrustworthy, threatening and wanted the jewel. He caused a lot of destruction trying to steal it when Kikyo was alive. After he mellowed out, the beads were still seen as necessary because he’d sometimes become full-ish demon and the beads would help bring him back to normal. But eventually that also stopped being an issue.

After that, the beads just started being a boyfriend collar, and throughout the entire series Kagome would slam him into the ground whenever she pleased. Sometimes, she’d get so pissed at him, several times completely unwarranted, that she’d do it numerous times in a row.

Now, I know what you’re thinking. They’re also part of his character design. She probably doesn’t even use them anymore. She’s 18 now. She’s matured and level-headed and—she used them in this episode because she was a little bothered that Inuyasha didn’t have faith in her to not get upset over the Kikyo stuff (given that she has such a spotless record in that regard.)

Can we just bite the bullet and say the A-word? It’s abusive.

I think we’ve moved beyond the days of ‘Haha, knocking the guy around is funny because he’s the guy, but if the genders were reversed this would clearly be horrifying.’ Seriously, imagine if Inuyasha put beads on Kagome that slammed her into the ground whenever he got annoyed by her.

I did really enjoy seeing Sesshomaru be a team player in this episode, even assisting Kohaku in his hunt for the demon, though he didn’t directly help. He did visit Rin briefly, but he didn’t say anything to her.

No, it’s still not clear whether she’s the mother of Sesshomaru’s kids. I’d say she’s not because the ages aren’t matching up very well, unless….*barf*, and I have no clue where that red streak in their hair would’ve come from. Setsuna does have the same hair color as Rin, but that’s about it. Setsuna has purple eyes while Towa has red eyes, which don’t line up with either Sesshomaru OR Rin, soo….*shrug*

Anyhoo, let’s finally talk about the new stuff. In the present day…er…the old present day…..not the modern era, we meet Towa Higurashi (As we’ll see later, gauging from the trailers, she was raised by Sota in the present day, so she adopted his last name.) She is the titular ‘Yashahime’ or half-demon princess. She’s been captured by some lord who is interrogating her about modern day stuff they found in relation to Kagome, who at this point is a well-known legend of sorts. One of those items is a Japanese history book, so they want to know what their fate is. Towa freaks out because she doesn’t want to change history.

Let me repeat. Yashahime, the sequel to Inuyasha, is now concerned about the time stream……

Come on, really? They were never, and I mean NEVER concerned about changing the future in the original series. Kagome came and went to the feudal era as she pleased and never once even caused a ripple in the future/present. There were one or two occasions where the presence of the shikon jewel in present day would cause demons to attack there, but that’s about it.

She brought current-day stuff with her all the time and rode around the entire countryside on her ‘iron horse.’ The only time they ever really even touched upon it was when it came to Hojo’s ancestor because Kagome was briefly concerned that she was destined to marry him in the feudal era since Hojo’s other ancestor was named Kagome (then it turned out that past!Hojo just literally renamed his new bride Kagome because that’s not insanely disrespectful or creepy or anything.)

And do I even need to point out the most obvious crime Kagome committed in the time stream in the end? Doc Brown over here decided to LIVE in the past permanently and start a family with Inuyasha.

Why is anything in the time stream at risk now?

Back to the matter at hand, Moroha, a bounty hunter who is Inuyasha and Kagome’s kid, and Setsuna, Towa’s twin sister who is a demon hunter, rush in to save Towa, ousting the lord’s aide as being a mysterious four-eyed owl in disguise. They opt to let it live since it could have vital information. In the end, they grab the modern stuff and leave.

Nope, I’m not kidding. That is all the new kids do the entire episode.

Let me address each kid, though.

Moroha is freakin’ adorable. Her clothes are reminiscent of both Inuyasha’s trademark garb and Kagome’s look when she tried to turn his robe into an outfit for herself. I love that the bow in her hair is also situated to look like dog ears. She both wields a cool new sword AND uses a bow and arrow. She’s clearly adopted more of her father’s personality, but she has Kagome’s overall appearance.

Towa’s got a really nice look. I love the white motif, and the red streak in her hair. Her suit is so awesome. Don’t know why she doesn’t have pointy ears or dog ears since she is half-demon. Setsuna also doesn’t have either. It’s weird, and a bit of a missed opportunity in the design department.

Setsuna is definitely the one who takes after their father most, even if she didn’t acquire his trademark white hair. She’s got his stoic attitude, the armor and, of course, a littler version of Sesshomaru’s fluffy boa. She’s also got a really cool glaive as a weapon.

Other than these three, the OP and ED also show us current-day versions of Kohaku and one of Sango’s three kids. Kohaku has become an awesome demon slayer, and his nephew seems pretty cool and has also become a demon slayer. We catch a brief glimpse of Sesshomaru, though he never ages or changes anyway, and we see just the slightest of glimpses of Inuyasha, but it’s not enough to actually show anything.

Look at that shot of him in the picture above – that’s about the most we see. Why he has his back turned, I don’t know. I’m not even sure every character is shown in present day on that splash image because, as much as I hate to say this, Kaede would likely be dead by then, going by feudal era life spans (she was probably in her 60s or so in the original series, and the average life span back then was about 50 or so.)

The art and animation are updated just a tad. The art stays very true to the original series, and the animation is more fluid with more dynamic shots included as well.

The music is kept very similar to the original. There are many familiar tracks, but also several new ones. The OP and the ED are alright. They might have to grow on me.

The voice acting is really good so far. Many of the characters have returned from the previous series, to my knowledge, and the new ones are pretty good so far as well, especially Moroha’s who is clearly trying to emulate Inuyasha. It’s adorable.

I don’t know if a dub is planned anytime soon, but I’d love to see it, especially considering I’ve never really watched the series in Japanese that often.

Final Verdict:

Continue Yes

While I will admit that this first episode is, narratively speaking, rather poor form for an introduction, I can’t say I won’t keep watching. Of course I will. The siren call of this franchise is too strong for me. I may even do *gasp* WEEKLY RELEASE UPDATES.

I AM excited to see what happens next, and I am still on the edge of my seat to get a current-day update on where everyone is, how they look and what they’re doing.

However, that’s just my view. This first episode doesn’t work much to get the average viewer excited, though. It was like they bookended Yashahime teasers onto an epilogue episode of The Final Act. We still have no idea what the plot of this series is yet, honestly, besides ‘The kids of the old characters do stuff.’

I feel bad for people going into this blind. You’d be very confused. I hate to say this, but I feel like you’d really have to watch the entire original series to get this off the bat. It’s rather frustrating, too, because they had all the time in the world to actually cover all of the necessary stuff in a manner that would benefit a newcomer, but they just decided to make a mostly irrelevant (?) story instead.

If you enjoy the original series, I think this is worth the watch, but if the original never caught your fancy, I doubt this would entice you much, especially since homework is basically necessary. Maybe I’ll change my tune in that regard once we get further along the line, but as of right now I can’t really think of any way to justify it for newcomers.

Next episode, we’ll be learning about the backstories of the three girls, so we still have a bit more of a baseline to build here, but with this it’s more necessary. I think their origin stories will be pretty interesting from all I’ve heard, so here’s to future episodes!

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Inuyasha Movie 2: The Castle Beyond the Looking Glass Review

Rating: 6/10

Plot: Naraku has been killed, but there’s a new threat on the horizon by the name of Kaguya. She wishes to bring eternal night to the world and freeze time around her. That’s about it.

Breakdown: This was the first ever Inuyasha movie I watched since I got it on DVD before the first ever premiered on Adult Swim. I watched it over and over in my more anime-deprived days, but how well does it really stand up?

We start off with Inuyasha and the others defeating the main villain of the series, Naraku. ……Oh, really?….Wow, okay. Uh….Movie over? Goodbye everyone!

Oh wait, the movie’s still going on? We’ve only just completed the opening credits? But they showed all the proof that Naraku’s dead. Miroku’s wind tunnel’s gone, Kagura’s heart’s in her chest, Kohaku remembers Sango….

The end.

That’s the end. Main plot of the movie/series resolved. Even if this is a fake out (Why, whatever would they do that for? It’s completely plausible that the main villain of our show would just up and die, without any buildup or background to how they got there, in a movie while the show’s still airing. Pshaw to all you nay sayers.) what would that mean for the movie? That no matter what villain is showcased in this movie, Naraku will inevitably return and take the spotlight back, making the new baddie even more irrelevant than your average TV series connected movie villain.

Anyway, most of the first 40 minutes of the movie after Naraku’s ‘death’ is just talking about Naraku’s ‘death’ while preparing for the arrival of the new baddie. Because baddies can never just appear – they need rituals, preparation and shit. Our baddie of the movie, Kaguya, somehow coerces Kanna into starting the ritual to free her from her mirror prison to bring eternal night to the world. She also coerces Kagura by claiming that the freedom she knows now is a mere illusion and that she can grant her true freedom.

In order to do this, she sends Kagura and Kanna on a fetch quest for 500 exp, 2000 gold and a Ring of Strength lvl 5. They need some sprig, which they have, a crystal, a piece of the robe of the fire rat, a shell and a stone bowl. Funny thing about the stone bowl. A dying little girl who was tasked with protecting the bowl gave it to Kikyo to protect it from the demons as she died. And what does Kikyo do? She willingly hands it over to Kagura. Kikyo’s a real bitch in the movies. She can be a bitch in the TV series too, but she’s an even bigger bitch in the movies.

They gather the items fairly quickly, except the robe of the fire rat, because Inuyasha holds that. After a bit of a battle with Inuyasha, they rip his sleeve off and bail.

As Kagura and Kanna summon Kaguya, we keep up with the group. Miroku is learning more about his grandfather and his connection to the story, Sango has reunited with an injured and still fairly amnesia-ridden Kohaku and Inuyasha, Kagome and Shippo have met with Hojo’s ancestor who is trying to throw the one ring of power into the volcano—I mean throw the celestial robe, something Kaguya needs, into a crater to prevent great chaos and blah blah.

We get a scene where Inuyasha and Kagome are talking about him staying as a half-demon when they get the jewel, but he doesn’t want that. The vocal song in the background swells as Kagome pulls Inuyasha to look at her after he claims it’s ridiculous to think that he’s strong enough as it is. I guess the look in his eyes is important because she stops to stare at him.

I used to really like this scene without issue, but now I find it a little confusing. Why does he look like that? Because he desperately wants to be a demon? Because completing the jewel means Kagome likely leaves? Because he doesn’t know what he really wants? Hm.

Inuyasha movie 02 Screen1

Kaguya shows up for the robe and restrains Inuyasha to a tree. Kagome, being their last line of defense (well, they’re dead), tries to attack Kaguya with a sacred arrow, but Kaguya reflects it back towards Inuyasha. Kagome jumps in the way to save him while Ancestor Hojo throws the celestial robe in the arrow’s path as it sticks in Kagome’s back. This obviously means Kagome’s going to be okay, but Kaguya reinforces this by saying she won’t let her die.

Kaguya takes Kagome and the robe (Kagome a damsel in distress? That never happens!) leaving Inuyasha and the others to find her castle and save Kagome.

Sango, Miroku, Kohaku, Kirara and Hachi head towards the castle, but are shot down. Shippo saves Sango and the others, while Inuyasha and Kagome do what they do best…..Yell each others names.

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Inuyasha: “Kagome!”

Kagome: “Inuyasha!”

Kagome’s also completely healed of her arrow wound due to the robe. Oh how surprising. (I’m being sarcastic)

Inuyasha fights a three-headed water dragon. This is a pretty cool battle, even if this is another monster where the weakspot is painfully obvious. Gee, I wonder if that giant glowing point where all of the heads connect could be what Inuyasha needs to aim for. Just the battle itself is pretty cool since the demon’s so huge compared to Inuyasha and Inuyasha has to practically ride him to beat him. However, there are numerous times in this battle where it looks like Inuyasha’s standing on water.

Inuyasha defeats the demon with a Wind Scar as Kikyo shoots a sacred arrow at it at the same time from land. Well, okay Miss Unclearmotivationsandintentions.

Inuyasha: “Who shot that arrow?” Gee, I wonder. There are only two people commonly seen in the Inuyasha universe who can use sacred arrows. One is currently kidnapped. Hmmm such a mystery.

I will forgive that, though, just to see Inuyasha shake off like a dog.

After that’s done, Kagura reveals that Kaguya’s not the real Kaguya. She’s much like Naraku in that she has absorbed the powers of other demons to gain immortality. Naraku wanted her body for himself, thus he….kept her locked away and never bothered to try and get it? I dunno.

Kanna tries to steal Kaguya’s soul, but is unable. Kaguya then sends Kagura and Kanna to another dimension with the powers of the robe.

Inuyasha arrives at the castle to confront Kaguya, but she unleashes her time-freezing ability on the world as he attacks. While all of the land around them, Hachi and Hojo’s ancestor are frozen in time, Inuyasha and the others are not.

Why? Because all of them were wearing items from modern times that Kagome brought back with her. Sango and the others had bandages of Kagome’s on while Inuyasha had a locket that Kagome gave to him……I’m sorry, I’m calling a little bit of BS here. Just because they’re items from the modern era, that means they have a, quoting here, ‘time barrier’ around them that exempts them from Kaguya’s spell? Shenanigans, I say!

While Inuyasha isn’t affected by the freeze in time, Kaguya claims that it doesn’t matter because he wasn’t even there at all and reveals it all to be an illusion of Inuyasha’s. The real dream castle is mirrored under their feet, which Inuyasha easily accesses using his red Tetsusaiga, so that was completely pointless.

Inuyasha and the others reach Kagome, and Kaguya and the others have a battle. Inuyasha and Miroku get injured while Sango and Kohaku get restrained. Kaguya decides to grant Inuyasha his deepest desires of becoming a full demon…..which makes no sense to me. Why would she purposely make Inuyasha stronger? Making him a full demon won’t guarantee that he’ll be obedient to her. In fact, he’s an out of control beast when he’s full demon.

Inuyasha in full demon form attacks Miroku as he tries to snap Inuyasha out of it. It’s meant to be shocking, but he doesn’t even rip Miroku’s clothes with an Iron Reaver.

Inuyasha movie 02 Screen2Inuyasha movie 02 Screen3

Ya know, I like Richard Ian Cox as Inuyasha, but he makes really lame ‘demon’ noises.

Shippo frees Kagome by throwing her jewel shards at her, and Kagome runs to hug Inuyasha to get him to stop changing….and…I dunno what’s happening, but again I used to really like this sequence, now I just find it really cheesy. It’s not really bad, in fact I still find it kinda sweet, but the cheese is prominent.

Through all the chaos in his mind, he sees Kagome running to him and calling his name. Because we haven’t heard her yell it in the past 11 milliseconds. Then as Inuyasha prepares his attack, illusion!Kagome gets surrounded in cherry blossoms and says that she loves him as a half-demon. This starts to reverse his transformation, but Kaguya presses on, forcing him to dig his claws into Kagome’s arms.

Kagome wonders how she can stop his transformation, and she decides the best way is to give the fans something to gush over, so she kisses him. While I used to really like this scene, I still always thought that kiss was….awkward, at least the first half of it. Looking closely, she is actually kissing his bottom lip, but it really just looks like she’s kissing his teeth. Or, at the very least, is shoving her nose into his teeth.

Inuyasha movie 02 Screen4

Of course Inuyasha reverts back to normal, and for some reason this causes red sparkles to float around, fixing his robe of the fire rat. *shrug*

As the battle with Kaguya starts again, Kohaku screams in agony with a deep pain in his shoulder. Sango pulls back his shirt and reveals a pulsating spider mark. When the spider mark is revealed, Miroku also yells in agony as his wind tunnel reappears. Naraku soon bursts from Kohaku’s back and reveals he had faked his death somehow. Naraku not dying for reeelz!? NOH WEI! What a complete new plot development this is for the series as a whole.

He did this to lure Kaguya out to absorb her powers…..Why he couldn’t have just summoned her himself is beyond me. The items to summon her were crazy easy to find and there’s no explanation as to why Kaguya wouldn’t want to appear while Naraku was alive….

Naraku attacks Kaguya and their battle starts to bring the castle down. Naraku disappears, and Inuyasha decides to finish off both of them, Kaguya first. Kagome realizes that the only way to take down Kaguya for good is to destroy her mirror. She asks Shippo to turn into a bow while she uses Miroku’s staff as an arrow…which I don’t think would work in the slightest. His staff seems too heavy to work as an arrow, too long to wield properly, plus the décor at the top would make it too heavy at one end to fly even a little, but whatever. It works, and Inuyasha kills her at the same time with a Wind Scar.

Inuyasha movie 02 Screen5

Hooray, our heroes have won! But wait, the dream castle is collapsing.

Kim Possible: “Just once, I wish the bad guy’s lair didn’t have to blow up.”

Precisely! Cue escape scene that you know is pointless because it would be insanely dumb to have them die in a collapsing building after just surviving the final battle.

While escaping, Kaguya in bad CGI smoke cloud form kidnaps Kagome….again, because padding, and conveniently drops her on a beam that Naraku just happens to be on for no reason. He uses Kagome as a lure to get Kaguya, but he’s attacked by Inuyasha before she can get to them. And Miroku uses his windtunnel to suck up Kaguya’s smoke form………well, that was anticlimactic.

Naraku, Kagura, who somehow made it back from whatever dimension she was in, and Kohaku jump through the portal made by the mirror, which shouldn’t work since it’s broken, to escape into the real world, and Inuyasha and the others follow suit.

They see the castle reflection disappear and Hachi and Hojo’s ancestor get freed from the spell. Hojo’s ancestor also miraculously got the robe back instantly after the castle disappeared.

They then continue their journey to defeat Naraku because that’s how everything Inuyasha related ends barring Final Act

Oh and for anyone wondering whatever happens to Hojo’s ancestor, it’s revealed in the TV series that his flighty and shallow love for Kagome ran so deep that he forced his future wife to change her name to Kagome. Creepy creeper.

Art and Animation: The animation was roughly the same as the TV series was a bulk of the time. The art was kinda awkward in it’s style and overall quality. It’s especially apparent in one of the scenes where you see Inuyasha’s human form in the mirror and see that one of his eye reflections is much bigger than the other. However, it had much crisper coloring than the first movie and the TV series.

Music: Same as the TV series, which is fantastic. The movie-exclusive vocal songs are great with Yurayura being one of my favorites.

Voice acting: English Some of the dialogue and acting in this movie was somewhat hokey, but other than that it was on par with the TV series, which is pretty good.

Bottomline: As you probably guessed from my commentary, I don’t like this movie as much as I used to when I was a huge Inuyasha fan. Kaguya’s a decent villain, but she’s just like a mix between Naraku and Kanna without as much threat. Movie villains for anime series never seem to be as threatening because you know by the end of the movie they’ll be defeated (because movie canon hardly ever seems to carry over into series canon) whereas the villains of the TV series go on for ages.

In addition, you knew from the very beginning that Kaguya was just a distraction meant to pass the time until Naraku showed his face again. It’s not an awful or even bad movie by any means, but it’s still not that good. Quite frankly, I think the main reason it’s even given a little notoriety is because it’s where Inuyasha and Kagome share their first kiss, but whether or not this is actually canon is highly questionable.

If you’re a big Inuyasha fan, maybe give it another point, but for casual fans or people relatively unfamiliar to the series (In which case, why are you watching the second movie based on it?) then a six stands just fine.

Additional Information and Notes: Inuyasha was based on a manga of the same name by Rumiko Takahashi. The Castle Beyond the Looking Glass was directed by Toshiya Shinohara, who directed all of the Inuyasha films, and did some directorial work on Black Butler, Crest of the Stars, 2001 Nights and Gurren Lagann. The screenplay was written by Katsuyuki Sumisawa, who also wrote the scripts for many episodes of Dragon Ball Z, Inuyasha, Blue Dragon, all but one episode of Inuyasha: Final Act and Yu Yu Hakusho.

It was produced by Sunrise and is currently licensed in the US by Viz Media.

Runtime: 99 Minutes

Year: 2002

Recommended Audience: Violence, some blood, nothing worse than the TV series. 12+

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The Salty Anime Challenge Day 19: Least Favorite -dere Character

Oh the possibilities with this one. Since it’s just -dere and there’s around a billion -dere types, I decided to split this into two entries: One for tsundere and another for yandere.

Yandere – Mayo from Fushigi Yuugi Eikoden

I forgot about her.

I wish I still forgot about her.

For today’s entry, I wanted to be accurate, so I looked up a list of tsun and yanderes on TV Tropes and lookee who I found! One of the world’s biggest irredeemable bitches in animation.

Fushigi Yuugi Eikoden is animated fanfiction. That is not a lie.

Mayo is a whiny little brat who devolves into a massive, malicious, malignant tumor of a person. She starts off the series whining about nearly everything in her life, treats everyone who cares about her like garbage and believes she’s entitled to Taka, the reincarnation of Tamahome and now husband of Miaka, because she had a crush on him for three years.

She hates Miaka because they got together, and she uses the book of the Universe of the Four Gods to become the new priestess of Suzaku, grant her wish of forcing Taka into loving her, magically steals Miaka’s baby from her womb, causes Miaka to go into a coma and doesn’t give a crap about her life, gives zero shits about the danger within the book because the Suzaku Seven protect the priestess and she gives even fewer shits about their lives, sans Taka, threatens to kill Miaka and Taka’s unborn child if Taka doesn’t love her and do what she says—I cannot go through the entirety of all the bullshit she pulls over the course of the four episodes of the OVA.

All that was from ONE EPISODE.

See here for a complete collection of Mayo’s Horribitch moments. Be warned, though – this review is old so the writing’s kinda iffy. Facts are facts, though.

Let me just say….While Yuka from 11Eyes is indeed terrible, Mayo’s on a different level. I can’t believe I forgot Mayo this whole time. I must’ve been subconsciously blocking her from my memory to avoid having a massive rage-induced coronary.

“But wait!” you say “How can she be a yandere where there’s no ‘dere’ side?”

Well, near the end, she pulls a 180 and acts all damaged and sweet and apologetic. And, even though she did some incredibly terrible, horrible, evil things, the other characters all up and forgive her without a thought or a doubt. She’s completely redeemed, ends up helping Miaka save the day and becomes besties with everyone.

Fuck. Off.

I’M CHEATING! 😀 Tsundere – Naru from Love Hina

Ah, Love Hina – one of the most well-known and treasured harem romcom anime. Love Hina was surprisingly popular back in the early 2000s, and it was one of those shows that was everywhere, but moreso in the AMV community. It was always a part of collabs somehow, and nearly every love song, comedy or otherwise, has been put to it.

Why is this entry cheating? I’ve never actually watched Love Hina.

Why am I putting Naru on this entry if I’ve never seen Love Hina? She’s the reason I’ve never watched Love Hina.

I was a part of the AMV scene back in its glory days. I made ‘em, I watched ‘em a lot – it was a fun expression of the fandom. Because of this, I saw a lot of Love Hina clips and learned the basic gist of the series.

The basic gist is that Naru hits Keitaro a lot, usually for no reason. But they’re totally in love and junk.

This series is basically famous for how much Naru hits Keitaro. She’s an OG tsundere.

A clip from AMV Hell 7 sums it up quite nicely. Naru and the others are questioning Shinobu (a young, shy girl) about something. She cries just because they’re insinuating that she might maybe know something about it. Naru, out of friggin’ nowhere, yells ‘Keitaro, this is all your fault!’ and punches him, sending him flying nearly off the porch. Then Keitaro says ‘What did I do!?’ and this sound clip plays.

Seriously, what the hell is her problem? Everything I read about her makes me not want to watch this series even more.

Here are some other stupid highlights brought to you by TV Tropes.

– Once she walks in on Keitaro changing and she punches him anyway! Naru justifies herself saying it was “a reflex”.

– One time, she tries to hit Keitaro on the grounds that he must be thinking something perverted.

– Another time, Tama-chan the turtle has gone missing, and Naru and Keitaro are looking for it. Shinobu has just got home and is changing her clothes, when she is scared by Tama-chan and comes running up to them clad only in her camisole, grabbing Keitaro in panic. He’s too busy trying not to choke to notice her, yet Naru still hits him “just in case”.

– Once ridiculed Keitaro’s hopes of getting with his promise girl on the basis that he’s a spineless dork. Keitaro retaliated by saying that Naru could never get with her promise guy because she’s violent. Instead of realizing how mean she was being, Naru just bursts into tears, making Keitaro feel guilty for something she started.

I’m not sure how much -dere there even is to her. I’ve seen some ‘sweet’ clips of her and Keitaro, but according to what I’ve read, she’s rarely ever nice and stagnates in character development regarding accepting her feelings for Keitaro and refraining from being violent until the very end of the series.

Non-Cheat Entry – Tsundere: Kagome from Inuyasha

Kagome’s not a big tsundere. She’s usually nice, but it is insanely common for her and Inuyasha to get into shouting matches. Plus, there’s the staple of the series in her ‘SIT BOY!’ ability, which creates the physical abuse.

Admittedly, the SIT BOY thing is funnier than the average punches and kicks, considering he’s a dog demon and all, but she’s still slamming the guy into the ground for offenses that are frequently just him putting his foot in his mouth. It was originally meant to keep him in line in terms of stealing the jewel or doing particularly bad things – it wasn’t meant to punish him for not liking a part of the lunch she made for him.

I’ve always found Kagome to be very grating. She screeches a lot, she screams a lot, she’s always yelling Inuyasha’s name and getting into danger so Inuyasha can save her.

I’ve learned to give her more leeway because she’s a teenager girl thrust into a dangerous world. Sango was born and raised a demon slayer, that’s why she’s so badass, and Kikyo was similarly brought up to be a powerful priestess. But Kagome still had plenty of time to get more useful in battle or to become a more interesting character. She does get some moments where her bow and arrow save the day, but it’s almost all Inuyasha and the others.

For the most part, she’s defined by her relationship with Inuyasha. We never learn what she really wants to be in the future or what she likes outside of typical modern day amenities. The only thing she strives to be is a person who stays by Inuyasha’s side, and she becomes Inuyasha’s wife in the end, leaving the present day world behind her. I would ask how that doesn’t massively change the ‘present day’ or her existence, but Back to the Future Part III has taught me that that doesn’t matter.

The Salty Anime Challenge Day 14: An Anime that Shouldn’t Have Been as Long as it Was

This one was actually easy – Inuyasha.

Don’t get me wrong. I loved Inuyasha…to a point. It was one of those classic anime I got watch in the heyday. But it just overstayed its welcome.

Being fair, Inuyasha merely caught up with the manga at the time, so, like other shows such as Naruto, they spun their wheels until the manga could be finished and then the anime could finish. Problem is that Inuyasha started doing this for quite a while and then got canned because Rumiko Takahashi was also spinning her wheels with the manga. To her own admission, she just didn’t know how to conclude everything, particularly the relationship between Inuyasha and Kagome.

By the way, she made that admission in 2001 (The manga started in 1996). It would take her until 2008 to finally finish the manga. Inuyasha’s original run was between 2000 and 2004. Inuyasha: The Final Act wouldn’t air until 2009.

There was filler, obviously, but that’s not really the main issue.

Even without the filler, which, admittedly, could’ve been a lot worse given the length of the series (35/167 episodes), the main storyline felt like it was dragging on forever. 167 episodes of trying to piece together the jewel and defeat Naraku – two tasks which shouldn’t take anywhere near this long to complete. And that’s it. That’s the main goal. Nearly every new hurdle or enemy just felt like it was an unnecessary detour meant to keep you going in circles.

Compare these goals to the goals of other long shows. For example, Luffy wants to be pirate king in One Piece. This is a very big dream that would obviously take a lot of time and various adventures. As ridiculously long as the series is, I understand why it is still going.

Ash wants to be a Pokemon Master….have you met Ash? That’ll obviously take forever.

Defeating one demon who basically leaves a trail wherever he goes and sticks his nose into everyone’s lives because evil shouldn’t take nearly 200 episodes plus a 26 episode sequel and four movies.

I considered Naruto for this entry because it has over 100 episodes (!) of filler, and it’s a similar case of the series catching up with manga (only with Naruto they kept it on the air with filler until Shippuden was nearly ready) but I’ll come to its defense – I quite like Naruto’s filler episodes usually. I may be in the minority, but they’re typically fun and take the time to focus on other characters and different dynamics. I like having day by day adventures where the action and character interactions are still nice to watch without having the pressure of the main plot butting its head in.

Imagine if they went the way of Inuyasha – it’d be over 100 episodes of nearly catching Orochimaru or one of the Akatsuki members as they travel the villages doing random misdeeds and Naruto demanding to know where Sasuke is.

Inuyasha tends to have boring filler, especially when it centers on Shippo. And let’s not forget those stupid filler episodes that they pretend they tie into the main plot by saying ‘Rrrgh, Naraku’s behind this.’

Like I mentioned in the runner-up section of day 7, Naraku himself is a big contributor to why Inuyasha takes this spot. Naraku’s shtick gets so old and his constant escaping in the nick of time is infuriating. He’s like Dr. Claw. He gets to a point where he’s so cocky and overly evil that you want him to die because he’s so annoying, not because of the terrible things he’s done.

Naraku seems to spin his wheels just as much as everyone else. I really feel like Naraku should’ve died mid-way into the series and a bigger bad should’ve taken his place. It definitely would’ve done the pacing a favor. They have so much buildup to his final battle and, in this series, we never get it.

That’s another reason why I chose Inuyasha – it has a non-ending. It is literally ‘well, our adventures will continue on until we get the full Shikon Jewel and Naraku is defeated, but you won’t see that! Bye everyone!’

I can’t tell you how robbed I felt when the series ended like that – and I stopped following like 30 episodes before then. I’m glad we got The Final Act, but that was still five years of ‘I can’t believe that series bitchslapped me like that. I gave them the best years of my life.’

Naruto ended on a similar note, but they were already in the process of starting Shippuden by then. And it wasn’t so much a ‘bye’ as it was ‘see ya in a while!’ I addition, I don’t feel as robbed when the series basically turns into an episodic show until the very end.

Edit – I had the episode numbers wrong since the filler website included The Final Act for some reason. Fix’d.

The Salty Anime Challenge Day 12: Least Favorite Male/Female/Sidekick Character

This one kinda confused me because ‘sidekicks’ in anime typically refers to animals, but the fact that it includes ‘male/female’ makes me think it means human character, like best friends such as Krillin or Kuwabara (examples: I love those two) (Also, I’m aware animals have sexes. It’s just that you usually don’t bring up that differentiation when talking about animals, so I got confused.) Soooooo, I’m gonna do both!

Animal Sidekick – Plue from Rave Master and Fairy Tail

I feel slightly guilty about this once since Plue, unlike a lot of animal sidekicks, actually serves battle purposes in both Rave Master and Fairy Tail – plus, he serves as a rave stone detector in Rave Master. However…..I friggin’ hate this thing. When he’s not being a tool of battle, Plue is a creepy, perpetually trembling little snowman….thinger who shrivels and has a weird manner of speech. He’s just overall unsettling to watch. I hate his face, I hate his ridiculous proportions (his neck should be all kinds of broken) I hate the way he eats, I hate his soulless black eyes – I hate him.

I was always annoyed by him years ago when I watched Rave Master, and I thought I was going crazy when he suddenly appeared in Fairy Tail years later. Why would this creepy little bastard warrant a cross-series revival?

Middleground Entry/ Runner-Up

Shippo from Inuyasha. Not sure….where he would place because he’s like half animal half person. Shippo just annoys the hell out of me. He helps out in battle kinda, but his only real point in usefulness is transportation as a big balloon thing. He has what should be an incredibly useful transformation ability but they barely ever use it. Shippo is an annoying little brat who doesn’t really grow or develop at all over the series, even in The Final Act.

Human Sidekick – Sakura from Naruto

I am so original.

Note, I mean the first series. I know she gets more useful in Shippuden…..but she still doesn’t get….quite……useful enough.

Not to mention that all this time has gone by and I still have yet to hear her doing anything that would be deemed really awesome or impressive. She pulled off a really difficult medical procedure once or twice, and that’s all I heard. I’m trying to watch Naruto not House. But I’m not going to harp on her later versions because I’m not caught up nearly enough to give a strong rant there.

Let’s just focus on the original Sakura. She is obviously a very easy target, but I can’t help it. And, sure, you can argue she’s not a sidekick…..but she totally is. If Naruto and Sasuke are the main focuses, Sakura is a sidekick. She’s useless in nearly every battle situation and constantly gets saved by one or the other.

Sakura’s character is based fully on her crush of Sasuke – a crush that should’ve died out as time went on, but dammit she is the most determined fangirl ever. I was astounded when I heard they actually got married – and trust me that’s a rant for another day. She is obsessed with him, but he doesn’t return her feelings at all. She loves him, but she doesn’t really know him. All she knows is that he’s cool and hot and says angsty things, which are totally dreamy.

She grew out her hair long for him since she heard from the grapevine that he likes girls with long hair, and she broke ties with her best friend for several years because they got into a fight over him (and that rivalry really only fizzled out completely once Ino got with Sasuke stand-In, Sai. Between that and Ino later become a medical-nin too, I can see why she’s gained a reputation as living off of Sakura’s scraps)

But like any interesting and well-written character, she has a sad backstory. Her ‘sad backstory’ is that she was picked on for having a big forehead…..and it’s not even noticeably large. Aw, why don’t you go tell Sasuke that sob story as he mourns over the mass Uchiha grave? Or maybe you can tell orphan Naruto about it while he’s being treated like a literal monster by everyone in the village for something he can’t control, doesn’t understand and doesn’t even know about.

Speaking of Naruto, she treats him very poorly. Everyone treats Naruto like crap, and he can be very annoying, especially in the first series, but when one of the first lines you hear out of a character’s mouth is a completely unwarranted ‘And I hate Naruto!’ when the poor kid is just sitting there, it’s hard not to instantly dislike her.

She’s always putting him down and punching him in the face and treating him like dirt. Sometimes, he deserves it, but it’s frequently unprompted and unwarranted.

Sakura’s main talents are in her chakra control, which isn’t useful for anything worth a crap in this series (for her anyway) and only benefit her in Shippuden and Boruto, and…..she’s….smart. I guess. That’s about it.

While everyone else, even flash in the pan characters, usually get a shining moment of badassery, Sakura gets two moments of ‘wow, are you kidding? That’s supposed to be badass?’

The first is when she is captured by the enemy. One of them has her by the hair. They don’t think about restraining her arms because why bother? This is Sakura. But then, in a shining moment of implied badassery, she grabs a kunai and cuts her hair….yup. That’s it. She cuts her hair.

Look, I get what this moment is really about, okay? As mentioned before, she grew her hair long because she heard Sasuke likes girls with long hair. This moment is supposed to not only be a show of her trying desperately to be useful (that is one of the points of this whole scene since she’s tired of Sasuke, Naruto and even Rock Lee coming to her rescue) but it’s also about her proving that she’s not just a Sasuke obsessed fangirl and that she’s a strong konoichi and blah blah….because hair doesn’t grow back, right? You’re not Guts, Sakura. You didn’t lop off an arm.

This moment doesn’t even have that weight to it because Sakura probably realizes at this juncture that the long hair thing was a stupid rumor because Sasuke has no interest in romance or attraction. He’s dead set on revenge.

Then there was her second moment of implied badassery in her ‘epic’ fight with Ino which was by far the most boring match of the whole chunin exam tournament.

They gave her nothing to do and nothing to be in the original series. I’ll definitely say she matured as the series went on as she’s not as much of a Sasuke fangirl by the end, but it’s just not enough by a long shot.

PRE-POST EDIT: I’ve been doing some entries backlogged, and after writing this entry, I found Fueled By Smiling’s entry and apparently this one was supposed to be Least Favorite Male Character, Female Character and Sidekick Character, not different versions of sidekicks…..So….I dun goofed….

I think I covered that here, though, for the most part, and this entry is pretty long, so I’ll just chuck a short blip for male characters. Add Hercule from DBZ and Touya from White Album.

I hate people who take credit for something other people have done, and Hercule takes all of the credit for the Z fighters’ accomplishments. He’s a massive coward with a massive ego, and that combination easily pushes my anger button. At least he tamed Buu and is kinda nice, but I can’t get beyond the glory theft aspect.

Touya’s basically Makoto from School days, but he arguably does worse. Arguably. They’re neck and neck. At the very least, Makoto dies. Touya ends up with a happy ending…. See here for full details.

30DAC – Day 15: Favorite Animal Sidekick, Pet or Summoning from Any Anime

Despite being an animal lover, I really get torn over animal sidekicks. Some of them are really cute and helpful, but quite a few of them are annoying comic relief. Just because I feel it’s slightly unfair, I’m not going to count Pokemon or Digimon here.

I’m going to go with Kirara from Inuyasha.

Her relationship with the group, especially Sango is just so strong, and Kirara is just such an awesome demon. In her small form, she’s a very tiny two-tailed cat that can fit in the palm of your hand, but when she transforms she’s a huge….I can’t really pin what kind of big cat she’s supposed to be. She doesn’t really look like any I’ve seen, but I assume it’s in the same vein as a saber-toothed tiger.

Yes, that was too obvious. Thanks for asking.

Anyway, she turns into a huge cat with gigantic fangs and the ability to fly. She’s stuck by Sango nearly her entire life as a demon slayer, and she kicks huge amounts of ass.

It’s obvious that Kirara is more of a best friend than a pet to Sango, and I still think their moment in the first movie was far more moving than the stuff with Inuyasha and Kagome.

Plus she’s so adorable ♥♥♥♥


Honorable Mentions: Amaedeo from 3000 Leagues in Search of Mother, the cat from Trigun and Appa from Avatar.

Inuyasha Movie 1 – Affections Touching Across Time Review

Rating: 7/10

Plot: After Kagome broke the Shikon Jewel, one of the shards was embedded in the resting place of Menomaru, the son of Hyoga, one of Inuyasha’s father’s, Inutaisho’s, greatest enemies. Menomaru sends out his henchmen to find the fang that sealed his father’s power away so that he can inherit it and rule the world. Oh and kill Inuyasha as trickled down revenge for his father, but for some reason not Sesshomaru.

Breakdown: Channeling my inner Inuyasha fan, this movie was pretty good. Most anime movies feel like an extended episode of the TV series, but this at least felt like a condensed arc of the series. It does seem weird to me that Inuyasha’s father only seems to be put into the series when a movie comes around.

Menomaru is a moth demon and he’s…a villain. He’s pretty boring, to be honest. He has no real personality beyond the typical revenge/rule the world chestnut. And I really would like an explanation as to why he never targeted Sesshomaru during this little crusade. He’s Inutaisho’s son too. The only reason he was even in this movie was because his minions mistook the Tenseiga for the Tetsusaiga as the fang that was needed to unseal Hyoga’s power.

In regards to the title of the movie, Menomaru has the power to control people through half taijitu jewels placed on the forehead. He controlled Kirara through one and Kagome with another. After attacking Kaede, Kagome targets Inuyasha while wearing priestess robes, making her look like Kikyo. Obviously, this is so they could make the replay of Kikyo shooting Inuyasha 50 years ago again. Because that scene needs to be shown over and over and over and over and over and over and over.

She chases him down right in front of the sacred tree, how convenient, and shoots him with an arrow. I think this is a mirror of something, but I can’t quite remember. If only I saw the scene a few thousand more times.

Kikyo happens upon the scene and sternly tells Kagome that she needs to go home and leave Inuyasha forever because she doesn’t belong in their era and she ended up injuring Inuyasha…I guess because of that fact? How does that make sense? Kikyo knows she was being controlled. She also tells her to take the Shikon jewel shard with her….well, that certainly doesn’t belong in her era. The only point in leaving her with those shards is to allow her to come back later.

She tells her that, since Menomaru has awakened the Tree of Ages and that the Bone-eaters’ well is made of wood from the Tree of Ages, that it will soon overgrow and she’ll no longer be able to go back to her world. Also, because of that, her era is now frozen over in an eternal winter….Ya know, usually when people say that an era is frozen in time they mean that time has stopped not that perpetual winter has struck.

Kagome doesn’t want to leave Inuyasha, but Kikyo’s mighty voice of yelling somehow pushes her into the well.

She finds that, indeed, her era is prematurely plunged into winter as snow comes down from the sky.

Fast forward, yada yada, she puts her hand to the sacred tree that Inuyasha’s still laying in front of in the feudal era and she talks to him through the trees because THE POWER OF LURV!!! ❤ Or Shikon jewel shards, they never make it clear. He….hugs her through some sort of weird purgatory world, I dunno, and she uses her sacred arrow to get rid of the branches and come back to him. And…that’s it, really. At least for that supposedly focal arc.

In my opinion, the storyline with Kirara and Sango was much more emotionally impacting. Sango refuses to fight Kirara and ends up getting hit by her and thrown through the air. As a tear from Sango hits Kirara’s taijitu thing, she snaps out of it and starts bashing her head against a tree to break the jewel. She does, exhausting herself in the process, and, together, they kick Menomaru’s minion’s ass. It is, by far, the best scene in the movie and it makes me want to cry.

For people who have never seen Inuyasha, it holds up okay. They pretty much explain everyone and the entirety of the plot, though I don’t think that they mention Naraku, which is odd. Kikyo seems a bit out of character in this movie, and Sesshomaru’s there for fanservice and not even the fun kind.

Art and Animation: The art actually seems like a step down from the usual fare. The animation’s a step up, though, so that’s something. There is some rather bad CGI in there too.

Music: Inuyasha’s soundtrack has always been wonderful, and it’s just as great here. The big climax is scored amazingly, and it still sends shivers up my spine. The ending theme is also memorable and great.

Voice Acting: English – Same as the TV series. There’s some lameness in the dub script, but it’s all good.

Bottomline: It’s a pretty good movie. Nothing fantastic, but still a great ride for Inuyasha lovers and a decent watch for anyone who’s never seen it.

Additional Information and Notes: Inuyasha: Affections Touching Across Time was directed by Toshiya Shinohara, who actually went on to direct all of the future Inuyasha movies.

It was produced by Sunrise, but, oddly enough, the production was not done by the same studio sub-division as the original series was.

Runtime: One hour and forty Minutes.

Year: 2001

Recommended Audience: No real blood, no nudity, no sex, Miroku’s usually lechery, some violence….10+?