Hell Girl: Three Vessels Episode 18: Special Radio Review

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Plot: Chiriko is a big fan of a popular local radio show called The Midnight Silence. She sends in letters to the show frequently, which are sometimes read on air by the dreamy host Jotarou. She’s become one of the most featured fans under the nickname Chi-Chan, and she’s even become popular at school for her status on the show. However, the “truth” behind the show may not be to everyone’s liking.

Breakdown:

Don’t say it. Don’t say it. Don’t Say it. Don’t say it. Don’t say it. Don’t Say it.

This episode was stuuuuu—-

Stop! No!  ~Positive vibes~

This episode….rrrgh….was…….SO DUM–

Come on, you can do this. Deep breath.

This episode has a severe problem with being good.

In that it’s not.

Well…..baby steps, I guess.

I know I’ve brought this up before, but you know how, in the first season, it was difficult to sympathize with Hajime’s crusade to stop the use of Hell Correspondence because he kept finding cases where it either seemed incredibly justified or the person in question pulled the string at a moment where it saved their lives?

This case should have been in season one because it’s just the type of pointless abuse of the system that Hajime was looking for.

Okay, ‘abuse’ is a strong word, but to say the client today had a ridiculous reason for contacting Hell Girl is an understatement.

Before we cover that, though, I have a question – are radio shows still that popular? At least with teenagers. I feel like I’m watching an old school early 90s anime. Every person in Chiriko’s class (especially the girls) either currently are or quickly become huge fans of this radio show where it’s literally just some guy who sounds attractive saying really cheesy stuff to make the girls all swoon. He reads fanmail on the air, and Chiriko becomes very popular suddenly because she’s one of the most frequently read writers to the show under the pseudonym ‘Chi-Chan.’

Not only do all these girls own a boombox, but they’re all entranced every night listening to this dude and doing nothing else but staring at the stereo.

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This series was made in 2008-9, so it’s not that recent, but still. Maybe radio’s popularity has stayed stronger in Japan or maybe I’m out of the loop with anything popular. I dunno. Just seemed strange to me.

Anyhoo, as I said, Chiriko, or Chi-Chan, is a big fan of this radio show, hosted by the swoony Jotarou. Every time he reads a letter on air, he sends the writer a bell as a gift. Chiriko has collected several of these bells and lovingly wears them on a bracelet.

After she’s ousted and made popular as Chi-Chan, she meets another fan of the show, Kaname. She’s had more fan letters read by Jotarou than Chi-Chan has, going under the moniker of ‘Frog Princess.’ They become fast friends, and Kaname suggests that they both head down to the radio station to thank Jotarou for everything he’s done for them.

When they arrive, they manage to bump into Jotarou’s co-host, Yume. Turns out, Kaname is also a big fan of Yume because she’s such a great scriptwriter. (Yeah….One of the segments of the show had Yume asking what behaviors Jotarou likes in a girl. He was scripted to respond with “I like a girl who dries her hair after a shower and one that uses shampoo.” I get that, like boy band songs, when the intention is to woo a bunch of teenage girls you have to be vague and act like whomever is being addressed could possibly be any girl who is listening, but this is so bad I legit can’t tell if it’s a joke. High quality writing, Yume.) Kaname is an aspiring scenario writer, and she dreams of working on a radio show some day. Both Kaname and Yume enjoy a pleasant exchange, but Chiriko is in a state of shock……because she never realized the show was scripted.

That, my dear friends, is the motivation for the client this week.

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No, I’m not kidding. Chiriko contacts Hell Girl that very night and pulls the string the next day as she’s walking into school with Kaname. She sends Kaname to hell purely because she revealed that Jotarou’s show was scripted.

I am currently in the process of trying to be less harsh on the stuff I’m reviewing – try to be more positive – but COME. ON. What IS this?

Let me be clear – Kaname is completely innocent in this. She didn’t reveal that the show was scripted just to be an ass to Chiriko. She legitimately loved the writing on the show and thought Chiriko knew it was scripted. She never once appeared like she had malicious intent in her actions. Not even Yume was being condescending or cruel with her words. In fact, she gave a copy of the newest script to Kaname and encouraged her in regards to her dream of becoming a scenario writer. She was perfectly pleasant when she could’ve easily been a typical famous snob.

After Kaname is sent to hell, Chiriko enters a complete delusion that the show’s not scripted and essentially goes bananas. Her bracelet is now absolutely loaded with bells, and she loving hugs her radio when she’s listening to the program.

There was never, not once, ever any indication that this girl was this obsessed with Jotarou or this show. Not to the point of sending someone to hell over it, and not to the point of going coo-coo for Coco Puffs once she finds out it’s scripted. She was a big fan, sure, but nothing ever indicated that she was anything more than that. I wouldn’t even call her a super fan or anything of the like. She also definitely had a crush on Jotarou (whose face is never shown, by the way) as well, but, again, nothing ever indicated that she was obsessed with him or even in love with the guy.

Everything in this episode was so normal that most of the runtime didn’t even feel like a Hell Girl episode. In fact, if Ai and the others didn’t pop up a few times over the course of this episode, I’d probably forget it even was a Hell Girl episode until the very end.

Speaking of Ai and the others, they were acting strangely in this episode. Ai seemed like she was actually interested in the show and Kikuri was making Yamawaro write in a bunch of letters to the show so she could get featured.*shrug*

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Back to the topic at hand, I was thinking maybe Jotarou would turn out to be a jerk, or Chiriko would be superficial and Jotarou would turn out to be unattractive, or Kaname would send Chiriko to hell for impeding on her status as the most-read fan letter writer of the show, but no. Granted, those motivations are silly too, but they’re both better than this.

Chiriko’s a teenager. She has to be aware that most things in media are scripted and fake. How many shows go completely off the cuff? Even if she didn’t know, why does the show being fake have to impact her views on Jotarou? Maybe he actually is a really charming, handsome and romantic guy in real life. Just because he’s fed lines to say doesn’t mean he’s not still someone she can admire.

Why target Kaname, for that matter? Shouldn’t she be more upset with Yume for helping create this illusion or Jotarou himself for seemingly being a liar? Why target Kaname just for accidentally revealing the truth to her? She also pulled the string immediately after making sure Kaname didn’t tell any of the other girls about the fact that the show was scripted, like she’s protecting them or something. Chiriko, I doubt all of the girls in school are as naive as you. Heck, Kaname didn’t just know the show was scripted – she knew Yume was the writer. It’s not like they’re keeping it a secret.

Now Kaname’s in hell and Chiriko’s bound for hell all for what? Nothing. There have been some really silly and ridiculous reasons to send people to hell in this show, but this one might just top them all.

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Oh and Yuzuki? She’s here. She’s just watching from the background until the very end where she’s seen running up to Chiriko seconds after she had already pulled the string and then we later see her flopping over onto her desk in exasperation as she listens to a staticy radio with Ai looming behind her.

I kinda wanted to yell when she did this. She’s acting like she’s exhausted from all this Hell Girl business when she literally did nothing – again. She had a vision and jogged for a few seconds.

Sorry I kinda failed in my quest to be a little more positive today, but sometimes you can’t avoid biting into a bad apple.

Oh well, maybe next episode will be a bit better.


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Hell Girl: Three Vessels | Episode 17: Inside the Straw Review

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Plot: Yamawaro’s backstory unfolds and….I dunno. Fitting that he’s a mushroom spirit, because I feel like I just took a bunch.

Breakdown:

I don’t even know where to begin with this. When I saw the preview for this episode, I was uninterested because I don’t much care about Yamawaro’s origins, but now that I do know Yamawaro’s origins, I feel a strange cocktail of emotions beginning with an ounce of confused and topping off with ten gallons of “What is actually happening right now? I feel like my brain is trying to escape my skull.”

I’ll try to summarize best I can.

Yamawaro was a mountain spirit or a mushroom spirit who spent his time alone in the mountains. Sometimes, he would, for some reason, take the form of a naked boy. Other times, he would take the form of a bunch of mushrooms. And still other times he would take the form of a naked boy…..covered in mushrooms….Don’t ask. I don’t know.

Ai stumbled upon him and invited him to join her group, but he initially declined because he believed being alone was just how you were supposed to live.

Later, he found a happy family living in a house near the mountain – two loving parents, Fujiko and Risaburo Ashiya, and their young son who looked incredibly similar to Yamawaro’s human form. The son, Hikaru, tragically died shortly thereafter in an accident in the swamp. His parents were devastated.

Cut to several decades later, the mother, now an old woman, is bedridden and reaching the end of her life. She wishes to reunite with Hikaru and knows she will soon see him in the afterlife.

Yamawaro, for reasons beyond even his understanding, decides to appear to her (naked again) claiming he’s Hikaru so she can give the woman’s life some happiness before she passes. The father is wary of him and later we’ll find out that he knows Yamawaro’s not human, but he doesn’t want to break the illusion and hurt his wife.

The father also happens to be a…doctor…scientist….botanist…medicine man? Some combination of the three? He’s been trying to grow something called caterpillar fungus, which, he surmises, can somehow be used to make a medicine that will bolster a person’s health and grant them longevity. He wants, more than anything, to give his ailing wife more time on this earth. He requests Yamawaro to assist him in his research. Caterpillar fungus needs to grow on a living being, but every animal he’s tried to grow it on hasn’t produced adequate results. He knows Yamawaro is a supernatural being, so he hopes that the fungus will react better with his body. What a coinky dink that Yamawaro happens to be living mushrooms…..I think….right? Why is this Yamawaro’s backstory episode and I’m still confused as to what he actually is?

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This better not be some sort of weird-ass Mario crossover.

Next comes a….very, very uncomfortable scene where the father applies a special medicine to a fully naked (barring a towel) Yamawaro’s back while chanting something that supposedly makes the medicine work? This is bad enough, but Yamawaro starts moaning and develops a blush on his face…then he starts….panting and sweating….

Look, I get that he’s moaning in pain and the blush, panting and sweating are probably a result of a high fever, but this is still extremely disconcerting to watch.

Spores and mushrooms start growing very quickly all over Yamawaro’s body to the point where he’s basically entombed in them. Slicing off some pieces from the growth, Risaburo makes his concoction, that he calls Ambrosia, and gives it to his wife.

The potion actually works. A little too well, actually. Fujiko reverts back to her thirties somehow. The experiment was a massive success, but Fujiko couldn’t stand what her husband was doing to Yamawaro. The poor boy was wrapped up from head to toe in bandages, because he took so many of the spores I presume, even though the first sample seemed like enough, and she was concerned that Risaburo would continue to experiment on him. She secretly brought him back to the mountains and told him to run away, which he did. Eventually, he must have made his way to Ai to join her team.

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In present day, things only continue to get more confusing, if you can believe that.

Ai has a request from Fujiko, and Yamawaro insists that he be the one given the job. Ai agrees. He doesn’t plan on stopping the ferrying if she chooses to pull the string, but he hopes that he can convince her to not pull the string at all. Technically, they’re not supposed to interfere with cases, but they seem to have thrown that rule out the window at this point.

Kikuri later finds the straw-dolled Yamawaro lying in a bed in the Ashiya household while Fujiko falls back under the delusion that Yamawaro is Hikaru…..even though….ya know….he’s a straw doll now. Yamawaro also shows his doll’s insides to Kikuri, which, as shown before, is a bunch of fungus. The dialogue points at this being a result of the experiments, but wasn’t he a mushroom spirit before? Did he just turn into a bunch of mushrooms for funsies?

Fujiko has called Hell Girl to send her husband to hell for making Yamawaro suffer for his experiments. Fair enough, I suppose, but why did it take her so long to call her? And if she was considering doing that anyway, why not call her, pull the string and not send Yamawaro off into the woods? Then she could live the rest of her days happily with ‘Hikaru.’

Now…here’s another weird thing. Fujiko contacted Hell Correspondence…..via a newspaper. This isn’t a new thing – Ai used to get her clients from blank newspaper ads back before the Internet, but the scene where they show her doing this is in black and white and she’s young again. She’s still young in present time because of the potion, but the use of the newspaper and the scene being black and white makes me think this was way back when Hikaru died. I guess this is meant to be recently, because they never say she got a doll back then, but they made this shot look way too similar to a distant flashback for me to be certain about it.

Fujiko is suddenly old again now….??? She was in her thirties literally ten seconds ago. She aged fifty years between shots……Whatever. She finally confronts her husband with the doll, accusing him of also having something to do with Hikaru’s death, but he denies this and says it was just a sad accident.

The dialogue is really unclear for the rest of the scene. The best I can make of it is that Risaburo was actually more intent on just finding the secret to eternal life more than he was in helping his wife, I guess. He just said that to trick Yamawaro into helping him….I think. He knew he needed a non-human specimen for his research…somehow…and pure luck lead Yamawaro to them so he took advantage of that. But then he muses that it actually worked and that it saved him trouble? Why is he so confused about why it worked?

Fujiko pulls the string and Risaburo is sent to hell.

However, the weirdness doesn’t even end there. After the string is pulled and everything’s all said and done, Yamawaro rushes to the Ashiya mansion to witness it….sinking into the lake….for some reason. Also, Fujiko’s in there….young again….holding Hikaru…..Is she already dead? Why is the house sinking? There was never any indication that the house was at risk of sinking. Truth be told, I didn’t even fully realize it was situated on water. I knew they were near a swamp, but that’s about it.

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So, class, can one of you please enlighten me on what the hell I just watched?

I kinda feel like the Hell Girl stuff was unnecessary. Was the guy a terrible person? Yeah. Did he deserve to go hell? Probably. But the timing was really weird, and I honestly didn’t feel like I hated the guy enough to want him to be sent to hell. I don’t much care that he did, but I wasn’t rooting for it.

This is another one of those times where I feel worse for the client because now she really won’t ever be back together with Hikaru again, no matter what was shown in the window. Unless Hikaru’s in hell too for whatever reason.

She should have taken this into consideration when she called Hell Girl. She’s been so intent on reuniting with Hikaru one day. It’s been her one driving focus in her days after Hikaru died. Why would she sacrifice reuniting with her son in peace in Heaven just to send Risaburo to hell for kinda hurting someone who’s not even human? She could’ve just left him or stopped consuming the potion. She would eventually die a natural death, and Risaburo, without Yamawaro around, would die some years down the line and be sent to hell anyway. It’s rather pointless.

The story, boiled down, is fine. Yamawaro connected with some grieving parents in the twilight of their lives because he took pity on them after they lost their son and decided to fill the void for them. He eventually needed to leave, and, realizing the benefits of relationships to other people, he decided to join the Hell Team. But when everything else is added to the mix, it just becomes too confusing and weird to be worth any real value.

The only two things I gained from this episode are learning a little more about Yamawaro, kinda, I still don’t even have a good grip on what he actually is, and seeing Kikuri be *gasp* nice and tolerable for a change. She’s actually having a good discussion with Yamawaro and is defending him. It’s like she’s a completely different person in this episode (and she didn’t need to be wound once for some reason.)

…….Am I forgetting something?……….

……………………OH YEAH, Yuzuki! She exists! Right. She was here for literally one minute of screentime. She went to the Ashiya mansion to talk to Fujiko about Hell Girl. She thought the person would be in her eighties, but the only people living there were in their thirties, so she just….frickin’ left and never came back.

Protagonist of the year.

Didn’t investigate further. Didn’t ask for their names. Didn’t ask if she had contacted Hell Girl or anything. Just ‘Oh I must have the wrong house. Guess I’ll leave the episode now.’


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Hell Girl: Three Vessels | Episode 14: The Street Corner of Bitterness Review

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Plot: Yuzuki now possesses the ability to sense people who are going to contact Hell Correspondence soon. The next client is a girl named Hidemi who accidentally garnered a bad reputation after being photographed with a delinquent in the city. She plans on sending the person who spread the photo of her to hell for ruining her life.

Breakdown: (Note: I somehow overlooked posting this episode’s review in the proper order, but it was just brought to my attention today, so better late than never. Sorry about that. Enjoy! :))

…..*lip smack* This is what we’re starting the second half of the season off with, eh?

Okie dokie.

First of all, Yuzuki is basically now all but cemented as being a less interesting fusion of Tsugumi and Hajime. At least she’s actively trying to stop people from using the service now, but she’s bad at it. She’s also bad at seeming like she’s emotionally invested in anything. At the end of the episode, she’s overwhelmed with the amount of people she’s sensing will contact Hell Girl and is clutching her head trying to get the bell sounds to stop, but I don’t really believe her response. She’s acting way too unemotional about it. Even when she was begging Ai to bring Akie back she was just barely emoting.

Also, side note, apparently Yuzuki’s friends haven’t been bothered all that much by Akie disappearing. I understand that because even I forgot for a little while.

Second of all, this story is a massive mess from start to finish.

Hidemi was in the city for a test, she spent too much time at her friends’ house and ended up missing the last train home. She also broke her cell phone. Unlike most people who would visit various shops, or even stop people on this busy street in this highly populated city, and ask if she can use their phone to call her parents or even the friends she was visiting, she decides the best course of action would be to spend some money at the arcade trying to get a stuffed cat, then sit on the sidewalk and fall asleep…

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It’s implied that she was worried about getting caught by the cops because she was young and out late at night, but is anyone really going to press charges against this kid for missing the train? Also, if she’s worried the cops might hassle her, why did she choose, of all places, the middle of the sidewalk to sit down and even fall asleep?

She’s awoken by aforementioned delinquent, Kinya, and he offers to take her back to the convenience store in which he works where the only other person there is a guy who looks just as skeevy if not moreso as Kinya does.

She finally has the opportunity to call home, though….and chooses not to….because she sees this as an adventure or something. Let me make it clear that Hidemi is very much a shy and proper young woman. Nothing about her even suggests that she has hidden desires to be any sort of rebel or anything. She comes off as the kind of girl who would find not putting the chip clip back on the reduced salt kettle chip bag as an act of rebellion. I’m not saying she can’t just be really good at concealing this part of her, but I am saying that it is strange. Not to mention the fact that it’s a dickish thing to do to stay out in a strange city all night and neglect to call your parents. Even if you want to have some neat little convenience store adventure, they’re still probably worried sick and it’s rude to not at least tell them that you’ll be okay on your own until the trains start back up.

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She spends the night there, and Kinya walks her to the train station in the morning, which is where she gets her picture taken by someone off-screen. It’s in the morning, not at night, and it’s not like there’s any implication that she’s romantically with him or that she’s a prostitute or anything. She’s literally just walking next to him and talking.

The photo spreads and ‘ruins’ her life, which I don’t get. Do people really have nothing better to do than gossip about a photo that looks about as incriminating as a picture of her jaywalking? And that’s all they’re doing by the way – gossiping. No one’s treating her differently outside of whispering around her. Yet that’s somehow enough for her to wish whoever spread the picture to be sent to hell.

The only way it gets worse is through more stupidity.

Kinya was a punk, but he was legitimately nice to Hidemi because some old guy in an alleyway was nice to him and told him that being nice was good or whatever.

It seemed like Kinya might actually be turning into a decent guy, but then, after the commercial break, Kinya’s suddenly viciously beating the old guy in the alleyway because he believes he’s secretly super rich. His reason for thinking this? The old guy wears a big coat when it’s really hot out….so he’s…hiding…money in it something, I dunno. Why he suddenly starting thinking this I also don’t know.

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He gets arrested for the assault, but he also acts like he’s proud of it. He wants to be a big shot and getting arrested by the police will only increase his prestige. He even plans on bragging to the cops about everything else he’s done….This guy is a major league moron.

Yuzuki had convinced Hidemi to go with her to see Kinya in order to help clear her name and improve her reputation, but they both witness his spectacle as he gets arrested. She flips out because he’ll probably be featured in the papers (doubt it) and people will connect him back to the photo. Fair enough in that respect, I guess. She immediately contacts Hell Correspondence on Kinya.

Kinya….Oh geez…*sigh*….Kinya escapes police custody, obtains a gun and takes Yuzuki hostage. No I’m not kidding. No, I also have no idea how those events transpired.

The point is, Hidemi sees him do this. Kinya doesn’t even recognize her until Yuzuki mentions her name, so she pulls the string.

The hell torture is okay. Everyone’s giant-ish and intimidating Kinya. Ai is massive, like kaiju-sized. It’s playing off of the fact that he said he wanted to be a big shot, but now he’s little. Haha.

As he’s ferried away, he laments being nice to Hidemi, but, uh, dude, do you really think letting some lost girl take shelter in a convenience store you don’t even own, feeding her stale bread and then walking her to a train station is properly weighted against beating a poor old homeless dude in an alley, escaping the police, popping off some shots and taking a teenage girl hostage?

Yuzuki waits for Hidemi and, here’s where I get REALLY confused. A girl with completely different hair both in style and color, a much more revealing sense of fashion, tons of jewelry, makeup and a tattoo suddenly bursts in and…that’s Hidemi. She has the little stuffed cat she wanted earlier and the curse mark on her chest, so that’s proof it’s her.

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Why does she suddenly look like this, especially since there’s no implied time skip of any kind after the hell torture? How do you go from “Oh dear, my life is ruined because I was photographed talking to a punk.” to “I’m going to change my appearance so drastically that the gossiping people from before will basically feel justified in believing I was a girl of loose morals, and more rumors will spread about me and ruin my life some more! Ya know, the reason I was miserable enough to call Hell Girl to begin with! I love being smart!” not just in general but in minutes/hours? I almost wanted to believe it was days later, but Yuzuki’s wearing the exact same clothes between when she’s taken hostage by Kinya and when we see the new Hidemi. I don’t get it.

Time issues aside, again, maybe she was just really, really good at concealing a desire to be a more rebellious girl, but they didn’t do a good job of making this connection with the audience outside of one line which could easily just imply a desire for a little more independence not that she suddenly wants to completely change herself both inside and out. Kinya’s character turn was a little more understandable because we knew he was a punk at the start, even though he was on the receiving end of the violence there, but even then he was nearly as bad in his car crash of a personality shift.

Finally, Ai’s back to being Ai fully, which is good, even if I feel bad she has to return to this job at all. They brought back the classic scene of her preparing to take someone to hell, including…her grandma….Yup. Grandma’s back. Where did she go and why is she back? No idea. She’s just here again. Somehow. I like Grandma and everything, but I never once understood her character.

Ai’s trying to teach Yuzuki about the futility of trying to save Hell Girl clients, which is more poking at Tsugumi and Hajime. I know this is for the sake of training her to be a new Hell Girl, but I am so far from caring about that plot element. She better have some gem of a backstory otherwise I’ll just feel like her entire story was a wash.

Overall, this episode was confusing and blah and I really hope things actually pick up soon, especially when it comes to Yuzuki.


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Hell Girl: Three Vessels | Episode 16: The Trap of Temptation Review

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Plot: Naowa is seen as a creepy man by his colleagues because he spends a lot of his free time playing with a local little girl named Kayo. He has no ill intentions, he just legitimately loves kids. Still, he has a shadow hanging over his head and a familiar curse mark emblazoned on his chest. He has already used Hell Correspondence, but who did he send to hell and why?

Breakdown: This episode left me feeling so conflicted.

The start is fairly unique because we’re focusing on someone who has already pulled the string. That doesn’t happen very often.

Even though this particular story is also pretty unique, I found that the events were somehow quite predictable. A new woman named Yuki joins the factory in which Naowa works and she becomes focused on him very quickly. My mind immediately shifted to ‘She has some relation to the person Naowa sent to hell and wants revenge.’ And lo and behold that’s exactly what happened.

What I didn’t expect was that Nakajima, the man Naowa sent to hell, was just like Naowa with one big difference – he actually was a pedophile. He didn’t do anything directly to Kayo, but he did take a bunch of pictures of her, clearly trying to get upskirt shots, and even kept them in an album. He told Naowa that he wouldn’t do anything to Kayo, though such a claim is obviously not to be trusted, and he blackmailed Naowa by saying, if he told anyone about what he was doing, he’d tell everyone that Naowa is just like him. Considering everyone already thinks he’s creepy, that threat definitely has weight to it.

Worried for Kayo’s safety, Naowa sent Nakajima to hell.

We learn all of this because Naowa is telling Yuki that they shouldn’t be together in a romantic sense because he’s bound for hell and won’t be able to find any happiness in the end. He also shows proof that Nakajima was a pedo by showing her the album of pictures he found at Nakajima’s apartment, which gave me quite a bit of pause.

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Why….did he keep that? Why didn’t he burn it or something? Even if he took it for the sake of evidence, which is dumb because there’s no way to prove it was Nakajima’s, he didn’t intend on having Nakajima arrested, and, at this point, has already sent him to hell. If anyone found that album, he’d be buried in so much shit he’d drown in it. Anyone finding it is bad enough, but he’s willingly showing this album to Yuki. While I know why she believes it’s Nakajima’s in hindsight, she has no reason to believe Naowa that the album was Nakajima’s.

He had absolutely no reason to keep that unless it was for his own sick purposes.

Onto Yuki, she is the proper client today. She was high school sweethearts with Nakajima (called it) and knew about his “other interests” but loved him anyway. When he suddenly went missing, she decided to investigate his disappearance for herself since the police wouldn’t help. She got hired at the factory in which Nakajima and Naowa both worked, and, knowing Naowa was close with Nakajima, decided to get close to him for information. When Naowa told her what he did, she called Hell Girl and pulled the string.

And now it’s time for a….

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Okay, technically it was a premonition Yuzuki was having the whole time as she watched Naowa pull the string, but same difference. I guess Ai was trying to convince her that cycles of revenge are constant and inevitable, which is weird because I thought she had learned that wasn’t true at the end of the second season, but whatever. Yuzuki still wants to try to stop all that from happening, though, so Ai releases her from being frozen in place or whatever was happening there and allows her to chase after Naowa after witnessing him pull the string. The episode ends with Yuzuki trying to find Naowa.

I thought this would be a clever ending because it would be ambiguous on whether or not she succeeded in stopping it, but they ruin it by having Yuki’s candle appear at the end, confirming that Yuzuki didn’t stop it and Naowa was sent to hell anyway. So…..that twist was more pointless than a circle.

Obviously, we have to discuss the uncomfortable aspect of this entire episode. Now, I understand that there’s a stigma about single adults having pretty much any contact with children unless it’s their job or something, and this is especially true of single adult men. Some adults do genuinely like kids and want to spend time with them even if they’re not related to them or don’t have a job in childcare or anything. And that’s perfectly fine. Naowa has proven….besides the ‘keeping the album’ thing…..that he doesn’t have any harmful thoughts or intentions towards Kayo or any other child. Naowa is a perfectly fine main character that you can connect with…..Again, barring the album thing.

That being said, it’s also completely understandable why so many people find him to be creepy. Naowa keeps to himself a lot, doesn’t have really any interests, seems uninterested in dating, and spends an inordinate amount of time playing with Kayo. Every day after work he spends hours playing with her and no other kids. Her parents are never around (except once at the start of the episode I think her mom appears and apologizes to Naowa for something. Maybe him spending time with Kayo because she works a lot or something? She seems perfectly cool with him spending so much time with Kayo.) and she’s never with other children.

The way the Hell Team addresses this, albeit briefly, is strange. Hone Onna points out that it’s obviously weird for a grown man to be playing with little girls, and Wanyuudou responds “Even though, in the past, looking with such eyes was weirder.” What does that mean? Are his eyes strange or is he saying watching little girls was seen as weirder than playing with them back in his time? I don’t even know if there’s an argument to be had there. Then Yamawaro says “That’s called ‘eras’, right?”

I dunno. Maybe? Things do drastically change between eras, even when it comes to perceptions of social appropriateness. Even just a few decades can make behaviors that weren’t initially unacceptable in acceptable and vice versa.

Plus, it makes the situation and stigma even worse when you introduce a character who, on the surface, is basically identical to Naowa…..only he IS a pedo. I was starting to feel a tiny bit bad for side-eyeing Naowa so much when he legitimately cared for Kayo, but then justification for those feelings entered the mix when they basically confirmed that the not-innocent version of this type of person is very much valid and probably more common.

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And then there’s Yuki…….*sigh* I usually feel compassion for clients, but this time, no. Her boyfriend was a pedophile, she knew this and didn’t care. Join him in hell. Just go. You’re just as guilty as he is.

In the end, I still don’t know how I feel about this episode. I guess it’s simply middle-of-the-road. It doesn’t do anything outlandish or terrible enough to make me angry at it, which, considering the subject matter, you’d think it would, nor does it do anything particularly noteworthy or interesting to make it actually good – we don’t even get Nakajima’s hell torture. It’s just okay.


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Hell Girl: Three Vessels | Episode 15 – The Tortoise and the Hare Review

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Plot: Usagi is known by many people as a ‘tortoise’ because she’s mentally slow. In contrast, her brother seems to be quite successful as a DJ. What could possibly lead either of these two to contacting Hell Girl?

Breakdown: I’m gonna need you to bear with me because, dear god, this episode requires so much unpacking.

It is, for the most part, certainly one of the best and most thought-provoking episodes we’ve had in Three Vessels so far. However, with that comes a lot of horribleness and questions I never thought to ask about this series before.

First of all, I never thought this series would touch upon anyone with special needs. I am actually quite baffled they went there. They never outright say Usagi has special needs, but there’s no dancing around it – she does. She can’t make a decision on what to get out of a drink vending machine without a line of 20 people forming behind her, when she always gets the same drink every time. She can’t figure out how to open her drink, which is basically a juice box, or cut a pizza. She takes a very long time to organize her thoughts and schoolwork, it even takes her a very long time to pack her school bag. She doesn’t react verbally immediately when approached. I’m not going to diagnose her with anything specific, I’m definitely not the person to do that, but it’s obvious that she has some form of special needs.

Everyone acknowledges this, it seems, but she doesn’t receive any actual help from anyone. It’s one of those situations where people acknowledge it and they make adjustments but no one’s trying to actually provide her with true care of any kind. Again, I can’t diagnose her with anything so, for all I know, she doesn’t absolutely need any sort of professional care, but I feel like someone should be doing something for her.

Second of all, the kinda obvious play on words. Usagi’s called a ‘tortoise’ implying she’s slow, but her name is ‘Usagi’ which means rabbit, implying she may actually be faster, so to speak, than people might think. Which kinda makes sense considering the ending, but we’ll get there when we get there.

Third, back on the special needs thing……I am extremely, extremely, extremely uncomfortable at the confirmation that people with special needs can not only be clients of Hell Girl, but they can also be targets. Usagi’s not terribly impaired. She makes her way through school relatively fine, I think, and her parents apparently think she’s capable of becoming a nurse because they come to her with a plan for making that her career path. But there’s no getting around the fact that she is impaired in some fashion.

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The fact that people with mental disabilities can be clients and targets of Hell Girl is horrifying and horrible. I guess if kids can be clients and targets too then Hell Correspondence really has no limits. That’s rather frightening and upsetting.

Then there’s point four, which is how badly Usagi is treated by others. In general, people tend to treat Usagi poorly because she’s viewed as annoying and hopeless, but she gets the worst of it from the people who are closest to her.

There are her three friends, who constantly express how annoyed they are that they have to take care Usagi. They talk about her like she isn’t literally inches away from them, and they directly tell her that she should show more gratefulness for them being so caring when she’s such a bother to them.

When Usagi gets a boyfriend, meaning she won’t be relying on her friends quite so much, they get mocked by some bitches who point out that someone like Usagi got a boyfriend before them – IE the tortoise managed to pass them all, which makes them all very upset so they start making fun of her even worse behind her back, calling her a perverted tortoise grabbing at men.

Then you have Usagi’s parents, who do seem to care about her and love her, but not enough to actually get her any real help or even properly acknowledge her struggles. They ask her to make a decision about a career path, and while she has been reading up on culinary school, she can’t bring herself to say anything about it. When she fails to bring up her decision, they say, somewhat kindly, that they figured as much, so they proposed making her a nurse since she’s so nice, which Usagi accepts even though it doesn’t seem to be something she wants to do.

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Usagi later expresses that she knows her parents have given up on her and that her friends make fun of her. She works hard, but she can’t make progress because she’s ‘a tortoise.’ She smiles through everything they do either to or for her to help bear the pain, which is one of the saddest things I’ve ever heard in this show.

Finally, we have her brother, Michito, who is seen as the reliable and successful sibling. He has a seemingly good career as a DJ and was even featured in a magazine (full page article and everything) and has his own CD. Her friends even fawn over him and ask Usagi for his autograph the next time he’s in town.

Michito, however, is also an asshole to Usagi. Like her friends, Michito outwardly expresses frustration with having to deal with Usagi, even/especially when they were young kids, and also partakes in calling her a tortoise. However, there is some part of him that cares about her. When he realized that Usagi had actually chosen something to do as a career but couldn’t bring herself to say it and just accepted what her parents had chosen, he confronted her about it, seemingly upset that she wasn’t confident enough to assert her own desires over those of her parents, who didn’t even think she’d be able to choose anything.

Their relationship as a whole is rather warped, though.

Yes, people, we’re touching upon incest….again.

Usagi has an admirer named Endo who appears to legitimately have feelings for Usagi. He asks her out, and they start dating. When Michito hears the news, he is enraged. Soon after, Usagi finds photos in her mailbox of Endo dating other women. On their next date, Endo explains that Michito invited him out the other night to some music event. Without explaining exactly what happened, he apologizes to her and says he has no right to be with her.

Later, Usagi meets up with Michito and it’s revealed that they’re both the clients and they’re both the targets.

Usagi is targeting Michito because he was the reason Endo broke up with her (the Wiki says Michito forced Endo to hang out with those other girls so he could frame him and force him to break up with Usagi. I guess that can be inferred by the available information, but it’s unclear. Endo did seem to legitimately have feelings for her, and he was actually upset that he had to break up with her, so I’ll believe that.)

In turn, Michito is targeting Usagi because he is jealous of the fact that he perceived her as the fortunate one. He believes she never tries hard yet always has people doing stuff for her, making life easy for her and giving her attention. He resented the fact that he was seen as the reliable and stable one, so everyone just expected great things of him and didn’t give him as much attention as Usagi.

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Yeah, I don’t much get it either. To make matters more confusing, he claims he’s quitting music because it’s not working out for him, which is directly in contradiction to everything we’ve learned of him to this point. Michito responded to that point by saying their parents misunderstood……Misunderstood what? We saw the article and the CD seems legit too. What is being misunderstood here? He is working at a convenience store, but I just thought that music still can’t pay the bills even with his success, which, considering the fickle nature of the music business, is entirely understandable. Really don’t understand his situation, but the bottomline is that he’s jealous of Usagi.

They agree to drop their dolls into the river and forget the whole thing. Michito tells her that, even as a ‘tortoise’ she can work hard and find one of many good men out there to find love with, which gives her pause because, well, he was the one who orchestrated Endo ‘cheating’ on her and their break-up in the first place.

He returns home, and SURPRISE, he’s now locked in a hell torture. Usagi went into the river after Michito left, retrieved her doll and pulled the string. Why? Flashback to a time when they were kids. Usagi declared that she wanted to someday be Michito’s bride. Michito, however, scoffed at this idea, stating no one would ever want to marry such a tortoise. We only saw that part of the flashback earlier in the episode, but now we get a continuation where Michito returns and says he’ll agree to let her be his bride IF she becomes beautiful.

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Basically, Usagi was in love with her brother since they were kids, but he always manipulated her and treated her badly. I feel like he does have feelings for her too, slightly, but he’s more invested in just keeping her down than he is interested in anything romantic with her. Control over affection, basically. Usagi got sick of Michito manipulating her like that and using her love for him against her while not reciprocating it, so she decided to pull the string.

The last shot of Usagi is her laughing maniacally while still standing in the river proclaiming that she really can do her best despite being a tortoise, which I suppose is in pride of her making the decision to pull the string when she’s had such difficulty making decisions on her own.

God. Damn. That poor kid.

Of course, the sadness of this situation is cut by the hell torture. Michito is placed within a tortoise shell in a wild west setting and the hell team, dressed as cowpokes, shoots at him with a bunch of guns, so he retreats into his shell, which gets spun around. He doesn’t believe Usagi would pull the string after they decided to get along, and he’s thrust into hell by a missile explosion.

Not the goofiest hell torture we’ve seen, but more than enough to kinda wreck the tone of what was happening here.

Overall, though, this was truly a ride to say the least. A really uncomfortable and terrible ride, but a ride nonetheless. I certainly sympathized with the client and pretty much hated the target, but I don’t feel any real catharsis at him being sent to hell, and I feel worse than normal for the client in question. It’s just a terrible situation…..

Oh yeah, Yuzuki came up. She asked Usagi to not use Hell Correspondence when Usagi didn’t even know of such a thing at the time, meaning she may have very well put the idea in her mind.


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I Played Corpse Party: Book of Shadows and Had Opinions About it

Note: I am not a video game reviewer, so forgive my terrible format and analysis as a game. Thank you.

Recently, I reviewed the anime Corpse Party: Tortured Souls for Animating Halloween, and it got me wanting to play some of the other Corpse Party games since I really hadn’t played any of them besides the first game and basically a retooled version of the first game…again. A good place to start from there appeared to be Corpse Party: Book of Shadows since that was a direct sequel to the original (though, again, remade again) game.

So I played through the whole thing and I’m uhm…..Kinda…confused.

The game isn’t really a sequel so much as it is a pre-mid-sequel. And that’s strange because the cutscene that plays each time you load the game is directly following the events of the first game (in one of the Wrong Ends – 6*8, which leads the Kisaragi students through a time loop of the events of Heavenly Host.) Naomi is near catatonic and her mother is distraught because she keeps talking about her ‘imaginary’ friend, Seiko, when Seiko’s existence was wiped from the earth after dying in Heavenly Host. It’s basically a longer version of what we got at the end of Tortured Souls.

Each episode covers a different story. No episode intersects with another nor is there any cohesion in creating an overall plot. It’s just a lot of different stories bundled together.

Episode One: Seal

The first episode does pickup where the opening cutscene left off, kinda. Naomi did suffer from a breakdown due to the events of the first game and is desperately trying to cope with the fact that her best friend and love interest, Seiko, is not only dead, but her existence was wiped from the world. However, that’s just a blip at the beginning. The real story is about the time loop the characters are currently in.

The Wrong End that they’re basing this game off of involves several of the characters surviving the events of Heavenly Host and leaving, but, tragically, they find themselves caught in a time loop. They are damned to suffer the events of Heavenly Host over and over for all eternity.

How do you build a story out of this type of ending?

Well….You don’t, really.

Much of the story shows what happened with Naomi and Seiko before the events of the first game. They enjoyed their first ever sleepover together and bonded more. Naomi notices a strange bruise forming on Seiko’s neck, but they don’t think much of it.

Then, when they get to school the following day, the events of the first game start to transpire. The one difference is that Satoshi starts freaking out when Ayumi brings up the Sachiko Ever After ritual. He panics and says it’s a horrible idea because, somehow, Satoshi is the only one who has memories of Heavenly Host right now. He explains that they’re in a time loop, but doesn’t actually convey any important information or try to destroy the paper doll or anything. Instead, he just flips and resigns himself to doing the ritual so he can at least help try to do something in Heavenly Host.

Satoshi, by the way, never gets his own story in this game. He gets a minor role in episode three and that’s the end of his role in this game entirely.

Naomi has been experiencing some instances of deja vu, but she’s not bothered enough by it to listen to Satoshi’s words, thus they’re all set to Heavenly Host.

Once everything is set into motion, Naomi starts getting more of her memories back, and she remembers that Seiko died via hanging in the girls’ bathroom. She becomes determined to save Seiko from that fate.

I became quite intrigued when this occurred because I thought the game would be about redoing the events but the survivors regain their memories and try to save the ones who canonically died in the first game.

That is not what happened.

Well, okay, that’s not true.

That’s kinda what happens, but in a horrible, horrible way.

Naomi DOES save Seiko from being hanged, but she forgot one key detail of Seiko’s death in the first game. Naomi was actually Seiko’s killer. Naomi had succumbed to something called the darkening, which is basically a dark influence the school has on its inhabitants over time that worsens with negative thoughts, feelings and witnessing stuff like dead bodies, gore and ghosts. While Naomi was in her darkened state, she hanged Seiko in the bathrooms, but she also completely forgot about it. She later has to face what she had done and make amends with Seiko’s spirit to free herself from the darkening and leave the school.

When Naomi saves Seiko from the noose, Seiko flips out at seeing the girl who tried to kill her and runs off.

Let me back up a tad and explain that, earlier, I had to disable a piano wire trap in order to pass through certain sections of the school. One wire could not be cut, and it was a neck-height wire on the stairs.

Guess what Seiko runs into.

Yup, she’s instantly beheaded by the piano wire, much to Naomi’s horror. Sachiko explains what this time loop actually is. While it is technically a time loop where everything happens exactly the same, there are some circumstances where the people will regain their memories and try to stop those who died from meeting their ultimate fates. She explains that this is not only pointless – it’s actually ill-advised and horrible for those who died. If these people are saved from what initially killed them, the school will actually devise a way for them to die anyway in a manner that is similar to their initial death but certainly worse.

IE, Seiko originally died via hanging and now she died via beheading, and both involved the mark on her neck.

I’m not sure I agree with that, though, because I think slowly suffocating while hanging and knowing your best friend – the girl you’re in love with – put you there is worse than being quickly beheaded on accident. I get that the latter is bloodier, but still.

The end of the episode is Naomi cradling Seiko’s disembodied head as she mourns the loss of her best friend once more.

What we have established here is, for any episode involving a character who canonically died in the first game, there is no saving them whatsoever. And if they do get ‘saved’ it’s only so they can suffer a worse fate, so why even try? I thought this would be a continuing problem throughout the game, but it really wasn’t – and not for the reasons you might think.

Episode Two: Demise

The aforementioned problem shines brilliantly in this episode as we follow Mayu who was the first to die in the original game. She became a wall sloppy joe via the three children ghosts. Now that the loop is occurring, she has spotty memories of that happening. She has a very foreboding bruise on her stomach that branches outward, and she spends a good chunk of the episode being concerned about it, but tries to ignore it.

This episode did give us a really nice moment between Ayumi and Yoshiki, ending up in the two of them embracing and even falling asleep on each other, so that was really nice, but the niceness ends there.

Also, this is the only episode in which Ayumi and Yoshiki show up (well, technically Ayumi shows up later, but I’ll get to that.) so we don’t learn much else about their stories, which kinda makes sense because they both canonically survived. Also, despite Ayumi’s heightened spiritual powers, neither she nor Yoshiki has any memories of Heavenly Host, so I guess they’d just do pretty much the same things they did before, barring this one part with Mayu since she died long before anyone else came into contact with her.

Mayu and Yoshiki also rescue a girl from another school named Nana, who has similarly foreboding bruises in the forms of straight crisscrossing lines on her thighs, even though, as far as I know, she never died from that. (In the first game, she dies from having her tongue ripped out.)

Nana is in some weird trap involving her being tied to a bust on a desk. The bust is tied to a bucket of sharp items over her head. If she flails too much or if someone tries to save her recklessly, the bucket will fall and she’ll surely die from the wounds. I have no clue why she’s in this trap or who put her in it. I’d assume it was Yoshikazu, but for what purpose? Why not just kill her where she stands like he killed everyone else? Also, her original death couldn’t have been retconned to the bucket thing because then she’d have bruises all over her face, right? I just don’t understand this trap.

Anyway, the bruises get worse the closer a character is to their time of dying. Nana’s get noticeably worse and, when she goes off by herself to try and find her friends – alone, because she’s a dumbass – she gets caught by Yoshikazu and we discover why she has bruises on her thighs – Yoshikazu smashed her legs off with his giant hammer. Not sure if this is canonical either because, despite the certainty that something must’ve happened to her legs in her first death, the bruises were clean lines, which wouldn’t happen if her legs were smashed off.

That’s not even her cause of death anyway. Yes, this really, really awful injury doesn’t kill her, which just makes this death sequence all the more horrific. Mayu is forced to just sit there and watch as Yoshikazu drags Nana away as she’s screaming for help because Mayu knows Nana’s probably as good as dead anyway, and Mayu would never survive trying to go against Yoshikazu. Nana’s actual death scene comes in a different episode.

Seeing Nana get her legs lopped off like that did make Mayu significantly more concerned about her own situation. She dared to check up on her own bruises, which had gotten drastically darker in color. She even started getting one on her face. Mayu starts panicking because she knows what’s coming and is quickly realizing she won’t be able to avoid it.

Now, at this point, I was wondering how the hell you could make Mayu’s death worse. The poor girl was flung into a wall at like 60 MPH and exploded into a mass of unrecognizable guts and gore. How could that be made worse?

Well, Sachiko found a way. Mayu is cornered in the infirmary, a place she should have been avoiding anyway because that’s where the ghosts of the children initially started influencing her before they killed her. Her bruises get so bad that they start bleeding. Sachiko brings in the ghosts of the children to give her a fate worse that her original one, which is being slowly ripped apart by the bare hands of the ghosts.

Yup….yup…that’s definitely worse. As if that wasn’t bad enough, we still play as Mayu as she dies. You know the instant she passes on. It’s pretty heartbreaking.

This episode did a good job in making me care more about Mayu, but she’s still a pretty bland character. She has a love of theater, loves Morishige and is good at covering a wide range of jobs. She’s also very kind and sweet. I appreciate them giving Mayu more of a role in this game since she was pretty much just there to be the first shock death in the original game. You’d think they would’ve done more for her character originally since she was the main reason they did the Sachiko Ever After ritual, but nah.

Episode Three: Encounter

Now we’re into full prequel territory. This episode focuses on Yui Shishido, the teacher of the class that gets sent to Heavenly Host. I believe it’s the day before the events of Corpse Party go down. She’s horrendously sick, and Satoshi, through a lot of convoluted writing, ends up taking care of her in her home since she’s completely out of it. As Yui slumbers, she thinks back to when she was a student in Kisaragi Academy. She had always aspired to be a teacher, and her dream was finally becoming a reality.

She had a crush on a guy named Tsukasa, who became a close friend to her as they neared graduation.

One day, she’s approached by an old woman in the pouring rain who tries to warn her of the dangers of Kisaragi Academy. She told her to not go to school that day and even tried to give her a paper charm to protect her. Yui, ultimately, cannot heed her warnings because she had an important interview at school that day. The woman, who turns out to be Makina Shinozaki, Sachiko’s great aunt, collapses in the rain and Yui is forced to leave her mother and the paramedics to care for Makina as she goes to school. Everything with the interview goes well, but Makina dies while Yui is at school.

Later that night, Yui rushes back to school to retrieve Tsukasa’s special lucky pencil. However, as midnight approaches, she’s reminded of an old ghost story her friends were telling her about, which is the story of Yoshie, Sachiko’s mother. She haunts the school at night, and her friends thought Yoshie might target Yui specifically since she wants to be a teacher and Yoshie was a school nurse.

Sure enough, weird things start happening in the school, and Yui gets targeted by Yoshie’s spirit. With the help of Tsukasa and the spirit of Makina, Yui is able to escape, though she does still experience great pain in her arm after Yoshie tried to crush it. This whole event is played off like it was a dream. They suggest that Yui fell unconscious after getting to the school and just imagined everything that happened, but she still had a severe pain in her arm that couldn’t be explained. In the end, it’s rather sweet because she holds hands with Tsukasa in the light of the sunrise. However, we never learn what became of Tsukasa after they graduated.

Sadly, when Yui wakes up and speaks with Satoshi, we see that she has a big bruise on her arm, which is poking at the fact that her arm was crushed under the cabinet before she died in Heavenly Host. This is the only episode where Yui has a role, so we’re basically left to assume that she’s barreling towards death in the time loop too. Luckily, we don’t have to watch that here.

This is definitely the best episode in the game. I love Yui, and it was nice to see her get a sweet and happy backstory, even if she is destined for a horrible, albeit still noble and the least gratuitous of the bunch, death. I wish she ended up with Tsukasa. He was a sweetheart, and I would’ve liked her to have all the happiness in the world if she was just going to be wiped from existence later.

Episode Four: Purgatory

Focusing on Naho’s friend, Sayaka, it’s basically just a retelling of Naho’s story with lots of filler put into it. Naho is a perfectly normal girl until Kou went to Heavenly Host without her – then she just goes off the deep end, sacrificing her best friend, Sayaka, so she could go after him, and putting up the wrong instructions for the Sachiko Ever After ritual on her blog so more people would wind up in Heavenly Host as ‘samples’ for Kou to study. It’s a complete 180 that comes out of nowhere. Maybe she just snapped because she thought she lost Kou already, but there is seriously nothing properly leading up to this sudden change in behavior. I’d say maybe it was Sachiko’s influence since her presence was following her before this happened, but I can’t be certain. I’ve never seen an instance of darkening outside of Heavenly Host.

After they enter Heavenly Host, it’s just a waiting game until Sayaka dies. I say this not only because Sayaka is canonically dead in the first game, long before the group ever shows up, but also because the very first scene is of her being attacked by Yoshikazu. The rest of the episode is a flashback showing how she reached this point.

The very last scene did make me a little sad for her because that was a terrible way to go out, and Sachiko was a total bitch. Like many others in Heavenly Host, she was starting to die anyway since she spent days wandering around the school with no food or water. In the original game, she dies from succumbing to the darkening. In this game, she nearly does so but is then caught by Yoshikazu and beaten to death with his sledgehammer.

Oh and as some added misery, we witness Nana dying via getting her tongue ripped out. That poor girl can’t catch a break. It was a horrible scene to sit through….

Episode Five: Shangri-La

This episode follows Morishige throughout his time in Heavenly Host. I found this episode to be the most pointless because not only does he pretty much not do anything we don’t already know he was doing, but it doesn’t even follow his story to the end. He never finds out that this ‘beautiful’ ripped apart corpse he finds is Mayu, and he doesn’t even have any bruises on his face to indicate he’s going to smash his face into a window and kill himself in grief over her death and the realization he’s been defiling her corpse this entire time. His last lines are talking about how he’s going to just hide his corpse pictures when he gets back to the regular world instead of deleting them like he was planning to do.

Out of all of the characters who died, he’s the one I most wouldn’t mind seeing die again, but nope.

He also runs into some characters from Byakudan Senior High School, but he doesn’t really affect their story that much, other than freaking them out because he’s so creepy around corpses.

There’s an alternate ending that you have to get by going back once the episode is cleared. This ending shows Yuuya killing Fukuroi and Mitsuki, but that’s pretty much it.

Episode Six: Mire

Okay, here’s where things get a little more confusing. I thought this entire game was following the events of the Wrong End 6*8 (The time loop ending) but apparently that’s wrong. This episode takes place during the events of Wrong End 2*4, wherebasically everyone barring Ayumi either dies or succumbs to the darkening, leaving Ayumi alone and stranded in Heavenly Host because she has no one to do the ritual with. In regards to this episode in particular, this is the ending where both Yuka and Yuuya die – so most of it is stuff you’d already know if you got that ending. I never got that ending, so it was new for me, but if you did get it you’d be simply going through the motions.

We see Yuka after she’s been separated from Satoshi (Which should have been an indicator right there that we weren’t in the time loop because if Satoshi was dumb enough to let Yuka go off on her own again when he clearly has a good chunk of his memories, he’s too dumb to live.) She’s about to be killed by Yuuya, but her kindness causes him to have a breakdown. She then narrowly escapes Sachiko and Yoshikazu, not seeing Sachiko before fleeing due to a blackout.

She then gets shifted to the abandoned bomb shelter area where she comes face to face with Sachiko and decides to be kind to her since she seems to be a nice spirit, not realizing who Sachiko really is. Sachiko asks if Yuka will do anything for her and Yuka, taking a big sisterly type of role, says she will. Then Sachiko starts requesting things from her. She wants her socks because her feet are cold. She wants her shoes because her feet hurt. And she wants her hairpin because her hair keeps getting in her eyes. You’re finally given a decision in whether or not to listen to Sachiko’s requests at this point. You can either tell her she can’t have the hairpin or give it to her. Either way, Yuka dies, but the proper ending is obtained by giving the hairpin to Sachiko, which causes Yuka to start falling under the forces of the darkening. She starts giving Sachiko literally whatever she wants without question, even if she really doesn’t want to.

For example, Sachiko wants Yuka’s hair, and she obtains this by ripping her scalp nearly clean off with her bare hands. Yuka still goes on acting like this is normal, though internally she’s panicking. Sachiko asks for one more thing – her life. Yuka agrees. Yoshikazu then drops by to bludgeon Yuka in the head with his sledgehammer, killing her.

…..So…yeah this episode was also pretty pointless. All it served to do was show us more proof that Yuka is this innocent little kind angel girl before viciously caving in her head with a hammer.

Granted, it did also shows us some of Yuuya’s backstory, which can be summed up in ‘He’s always been a psychopath.’ We get a flashback to Yuuya as a child. The first thing he does of note is viciously beat up another child and laugh about it. Then he’s basically disowned by his family, though his big brother and sister still seem to care about him. Even then, Yuuya’s still a psycho. He kills ‘an animal’ (they never specify what it was) and thinks it’s funny, he gets into a fist fight with his older brother and he just generally acts like an asshole. He eventually started pretending he was a decent guy in order to fit int while secretly not giving a crap about anyone but himself.

He did, however, say he wanted a little brother or sister to see how his older siblings viewed him, which is where Yuka came in.

In this version, Yuuya kinda-ish turns good before he’s murdered by Yoshikazu, but there’s really no redeeming this guy so I didn’t care. Probably a mistake putting this episode right after the one in which, in the secret ending, he viciously stabs two of his friends to death. One of which, he actually gets pissed because she wouldn’t scream for him like he wanted. I know the darkening has some weight here, but you just confirmed he was a psychopathic murderer even before he came to Heavenly Host, so I don’t know what you want from me.

Episode Seven: Tooth

The final episode is a midquel to the first game in which we follow Tohko. I think I saved Naomi in the first game so I never got Tohko’s part. Though, according to what I read, that path just leads to a bad end anyway.

Tohko is one of several people from Byakudan Senior High School who is lost in Heavenly Host at the same time as the Kisaragi group. Yuuya is one of these students, and Tohko has a bit of a crush on him.

The story starts out with a little backstory on how they wound up doing the Sachiko Ever After ritual (though why they included Kai, a guy they all pretty much hate, I’ll never know.) We then skip forward a little bit to a point where Ryousuke has had his leg lopped off by a booby trap. They’re all frantically trying to find him some help before he bleeds out.

Long story short, Kai is an asshole who is the only person I’ve ever seen in Heavenly Host who tried to simply leave (Mayu mentioned trying to jump the fence behind the pool area to see if she could escape, but said she had a bad feeling it would either loop back around or she’d be lost in the darkness forever.) Spoiler Alert: We never really know what happened to him out there, but he comes back in a daze with his knife embedded in his chest. Tomohiro is loyal to Ryousuke to a fault and quickly goes crazy as he tries to deal with the situation. Yuuya is cool as a cucumber because he’s a psychopath, and Emi just kinda reacts to things and screams a lot. Mitsuki and Fukuroi are the only ones separated from them.

After Kai leaves them to go out the door without the others, Yuuya and Tohko return to where Ryousuke is being cared for only to find all of them with sullen faces. Ryousuke has taken a turn for the worse and they don’t believe he’ll make it even if, by some miracle, they do make it out and find help. They rush to get him out anyway, hanging on to a sliver of hope.

Tohko tries to find Mitsuki real quick before they leave since she thought she heard her calling out earlier. After she fails in her quest to find Mitsuki, she returns to the group to find that Ryousuke has passed away from his injuries.

Later, Yuuya is revealed to be full-on nutso as he kicks Ryousuke’s body down the stairs to prove that he’s actually dead to Tomohiro, who is so distraught that he refuses to believe Ryousuke is dead. Tomohiro accidentally breaks his arm by falling down the stairs in an attempt to get to Ryousuke and he flees from Yuuya, who is just standing by in eerie silence. Emi also runs from him, though she seemingly lies to Tohko about what Yuuya did – claiming Yuuya had kicked Tomohiro down the stairs and broke his arm.

Tohko then has to run from Yuuya, not believing that Yuuya did such a terrible thing, even though he also now has Kai’s bloody knife in his hands. She remains in disbelief until Yuuya starts beating her viciously with his fists. She manages to get away, but spits out one of her teeth as a result of the assault.

…..Ugh…..eh…Yuuya finds the tooth….and spends a ridiculous amount of time slowly licking it, chewing on it and finally swallowing it…….Euehgbhghdsfkjhdksajfhdslkfjhsdakfjh. It takes a lot to make me cringe and gag in horror – that did it for me. It was accompanied by gross sound effects and everything. Ugh. Why did he swallow it?! Even for a crazy person, that couldn’t have been pleasant.

Anyway, him eating the tooth is how the game ends.

No. I’m not kidding.

Well, technically, that’s how the game ends.

Before I get to that point, my thoughts on this episode are, it’s very much okay. It was nice to get a little more backstory on the other Byakudan students, but it wasn’t much and the episode just kinda stops. I’d say it’s probably the third best episode behind Encounter and Demise.

However, with this being the end, I do have to say that this game would be insanely confusing if you never played the first game. Hell, I played the first game more than once and I still ended up being confused at some points.

In regards to this being technically the final episode, there is one more episode but it’s not only locked it’s also hidden. The episodes are in a masterlist that you select one by one when you’re starting up the game (Unless you’re starting from a save file) You unlock a new episode with the completion of a previous chapter. When Tooth is done, the list is complete. There are no grayed out episodes to unlock.

However, there is one final episode, Prologue – Blood Drive, that can be revealed and unlocked under two circumstances – either 1) you have to transfer your data from a completed Corpse Party PC game (the re-re-remastered version), which I wasn’t going to do because that would mean completing the entire game again and I’ve done it more than enough on the older versions, or 2) you have to unlock every single ending in this game, which, well, fuck that.

Did I mention that this game is more of a visual novel than it is an actual game? There are hours of text scrolls that you have to go through to get to the options that present these various endings. This wouldn’t be so bad if you knew you had to do this to get the true ending and saved at each option, but I certainly didn’t know that. Hell, I didn’t even know you could save during an option until about two and half episodes in, and I never would have known there was a hidden final episode if I wasn’t reading a Wiki.

Not to mention that some endings are obtained not just through the options but also depend on whether you obtained certain items or did certain things. I know some people are completionists and would do this anyway, but a lot of people would miss out on the true ending either because they didn’t know that episode existed or didn’t want to spend hours upon hours trying to get the endings they missed.

Granted, considering this episode is called Prologue I can imagine Blood Drive would have this be their first episode, but I don’t know yet.

Prologue – Blood Drive

lol i cheetd

Okay I didn’t ‘cheat’ but I did just look up the final episode on Youtube to see what happens.

Even this episode doesn’t follow the storyline they were going for at the start of this game since it is building off the true ending where Naomi, Satoshi, Yuka, Yoshiki and Ayumi all survive, but they’re all still suffering because no one has any memories of those who were lost in Heavenly Host and any evidence they even existed is either gone or distorted (IE, any photos of them that the survivors had on their phones have the faces blacked out.)

Ayumi tells Naomi that she plans on going to the Shinozaki estate, Sachiko and Yoshie’s old house, to see if they can find anything that would help them bring their friends back. Naomi heads there with her, but when they get to the tiny quiet village they find that everyone starts acting very panicky when the Shinozaki estate is brought up. They hitch a ride with some truck driver to the estate, which is pretty far away from the main village, and the road leading there is so bad that it’s a stretch to even call it a road.

When they get as far as the truck driver can take them, they leave the truck, but the driver says he’ll wait for them since he doesn’t want to leave two teenage girls alone here, especially since it’s getting dark.

When they arrive at the estate, they’re shocked to see that the entire building was demolished. Nothing is left save for an old shed that, surprisingly, still has electricity. The shed contains some documents and such but nothing really that helpful to their cause.

It’s now dark out, so they head back to the truck, deciding to come back another time and investigate more then. However, another shock awaits them at the truck – the driver is gone, but the lights are on and the truck is running. They wait around for a bit, but it doesn’t seem like the driver is coming back. They can’t get into the vehicle to warm up and take shelter because it’s locked. They decide to head down the road on foot.

After a long while of walking, they’re devastated to find that they’ve somehow looped around back to the truck, which makes no sense to them because they were heading downhill the entire time. They try again a couple of times, but each time they loop back around to the truck.

At this point, two things are clear – the driver is seriously never coming back, and anyone would’ve just broken a window on the truck to warm up, get some shelter and maybe even just take the truck back down the hill. I mean, considering what’s happening, I can bet anything that even taking the truck would just loop them around, but it’d be smart to try.

Instead, they decide the best course of action is to go back uphill to the barn because there is electricity and some mats to sleep on until morning. Because taking shelter in the creepy abandoned shed previously owned by two murderous ghosts is very smart.

When they arrive, they get a third surprise – the Shinozaki estate is glowing and floating in front of them. Well, I guess if they can have a ghost school a ghost house isn’t to be questioned.

They decide to go in the house, which, despite being a ghost, is still corporeal. Like in Heavenly Host, everything is solid, but many of the items are secured to the floor or tables. We get some interesting background on the Shinozaki family tree. It’s filled with women who are ‘gifted’ as in they have strong spiritual powers that are linked to witchcraft. It seems Ayumi is part of Sachiko’s family afterall, which is why she has her own abilities to sense ghosts and whatnot. Ayumi also remembered her sistertelling her stories about witchcraft in the past which seemingly lines up with what they were reading. However, a weird fact about their family is that males are not born into it. Men typically marry into the family and then they all suddenly die after their child is born. Indeed, Sachiko’s father is not around and all pictures of him have his face blacked out.

They’re terrified to hear foreign footsteps around the house, so they hide in a mysterious small room which houses a creepy necromonicon-esque book – you guessed it, the titular Book of Shadows.

This is the first time the entire game that they’ve mentioned the Book of Shadows. The thing that this game is specifically named after isn’t even mentioned in the game, let alone shown, until the very end, and it’s in an episode that you might not even know exists and/or have to jump through hoops to unlock.

I am at a loss for words.

The Book of Shadows is some flesh-covered ancient tome that is filled with powerful spells. Ayumi is shocked the book is even in Japan let alone the Shinozaki’s ghost house.

Ayumi tries to read the book, but it’s mostly in French with some runes and whatnot peppered throughout. However, some notes on the side, supposedly written by Yoshie, are in Japanese. Ayumi reads for a bit and then, I’m not even kidding here, basically just says to herself “Eh…that’s good enough. Let’s raise the dead.”

And they do just that. They start a ritual to bring their friends back to life. All they need is a pentagram, some candles, three paper dolls to represent the two of them and their intended target and a photo of the deceased followed by a long, long, long spell. They decide to bring back Mayu first. Surprisingly, the spell works, but not really.

Like so many times with hinky witchcraft resurrections, the ‘Mayu’ they brought back isn’t really Mayu. Remember how I said any photos of the people who died in Heavenly Host had their faces blacked out? This Mayu has a blacked out face. She just kept calling for Morishige over and over until she suddenly fell to the ground. Bright red runes start appearing all over Mayu’s body and she pretty much exploded and died again.

Before they can even process what happened, those same runes appear on Ayumi’s body. Saw blades and screwdrivers from the shed start piercing those markings in an effort to kill her.

The paper doll that represented Ayumi is on fire. Believing this to be the cause of the problem, Naomi tries her best to extinguish the fire, but she’s unsuccessful. Naomi’s paper doll starts catching fire next, meaning they’re both sure to die in mere moments. Just then, Ayumi’s sister, Hinoe, bursts in and extinguishes the flames with a special powder, saving them both, even though Ayumi is still badly wounded. (How did she even know they were there?)

Ayumi cries in her sister’s arms, and all seems well and good…..

Until Hinoe’s head explodes.

I don’t know why.

And that’s the actual end of the game, which, like I said, is really a teaser for the following game, Blood Drive.

This was a pretty good episode. And it actually was a, get this, SEQUEL to the original game. Go figure. And no, I don’t count the time loop episodes as being sequels. They didn’t accomplish anything and they took place during the original game, technically.

Don’t get me wrong, the stories they had to tell here were okay for the most part, but besides Yui’s backstory and Mayu’s episode, I don’t feel like I really got much out of playing the game as a whole. There was no cohesion between the episodes, which can be fine but they went a bit too out of whack for my tastes, especially considering they’re building off a game with numerous endings and not sticking to one ending to act as its base. Plus, they ended on a completely random note.

It just baffles me that the one episode you’d think would be necessary to this game is actually hidden and requires a bunch of work to unlock. I’m not really angry at it, I’m just confused. This whole game confuses me.

Gameplay

It’s pretty standard point and click. Each room and hallway is a static screen. Your cursor turns into a reticle, and you enter into a scanning mode. In this mode, you can click on anything interactable and find key items, disable traps, read messages etc. Nearly all of the important items are marked with shining lights, making them even easier to suss out. There are some minor ‘puzzles’ you have to solve in order to move forward, but they’re very easy to figure out. I only got stuck twice, and even then it was just a matter of me not knowing I had to interact with something a second time to get what I needed.

You move through the rooms by bringing up your map via the center mouse button and selecting which room you want to travel to. Some areas are blocked off for whatever reason – locked doors, gaping holes in the floor, booby traps etc. And you either have to wait for a shift to occur to change the dimension in order to pass, or you have to find some way to unlock the door, get across the gap etc.

There were two timed events near the start of the game. I really thought they’d introduce more mechanics like that or increase the time crunch as the game went on, but sadly those were the only ones in the game and no other game mechanics were introduced. You also have an inventory, but it’s more or less pointless besides to show you that you still hold certain items in case you’re restarting after a Wrong End or something.

In addition to quick saves occurring after certain events, you can also save at any time by right-clicking – and I suggest you do this at pretty much any option screen in order to save yourself if you get a Wrong End or to help you along if you want to get every ending.

Final Thoughts

I did enjoy myself while playing this game, but it just seems like a jumbled mess of side stories instead of being a proper sequel to the original game. While some episodes did offer interesting perspectives and fleshed out some of the more minor characters further, I didn’t really care about what was presented to me outside of Yui’s backstory and Mayu’s episode. Most of the characters from Byakudan are pretty boring. Kai is interesting, but he’s also an asshole who really only gets one or two scenes of focus before he’s stabbed. I guess I also liked Fukuroi and Mitsuki, and they got a decent amount of focus, but it wasn’t worth the price of admission, ya know?

I’m also a bit disappointed that this is mostly a visual novel instead of being an RPG like the other games were. I can kinda forgive a lackluster story in a game if the gameplay is fun, but there really isn’t much to the point and click aspect. There are some interesting notes that you can read throughout, but that’s about it. Apparently Blood Drive is in more of an RPG format, so we’ll see how I do there.

Screencaps Courtesy of the Corpse Party Fandom Community.


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Hell Girl (Manga) Volume 3 Review

Chapter 11: A Gloomy Job

11

Another story that wasn’t mirrored in the anime, A Gloomy Job focuses on a middleschooler named Mayu who is trying to save up money for a trip to the beach with her friends, but she can’t earn the money quickly enough without a job. She decides to lie about her age in order to work in a theme park for just long enough to earn what she needs.

She lands the job and instantly befriends another employee named Aida. Working under the attractive and charming Nakatani, she enjoys her time working in the theme park. Until, that is, Aida falls ill and starts missing work. Mayu is concerned, but doesn’t think anything too severe has happened until she learns two things – Aida supposedly told Nakatani that she was leaving for another job after she came to pick up her check, and Aida’s sister told Mayu that she hasn’t seen Aida in three days.

She goes back to the theme park to pick up her check, but before she can ask Nakatani more questions she accidentally knocks a handbag over, spilling its contents. Among the items is Aida’s last paycheck.

Mayu confronts Nakatani about it, and he reveals everything. He sent Aida to work in a ‘shop.’ He shows a photo to Mayu depicting Aida crying as she’s grabbed by a bunch of seedy men. Apparently, Nakatani makes a habit out of luring young girls who are desperate for money down to the theme park for some good quick cash. Then, when he’s about to give them their paycheck, he blackmails them somehow and forces them to work in the ‘shop.’ For Aida, she needed the money from the job to pay for tuition to beauty school, and he blackmailed her by taking risque videos of her and posting them on the Internet. For Mayu, she needed money for her trip, and he found out she wasn’t allowed to be employed due to being too young.

Nakatani tries to get her to cooperate to work at the ‘shop’ too, but Mayu isn’t having it. To force her into submission, he throws her into the haunted house attraction that emulates a ride through hell. He pushes her into the pit, breaking her leg.

She still has her phone, so she threatens to call the cops, but Nakatani simply laughs and throws money onto her, claiming he’ll easily be able to frame it as an accident – a middleschooler faking her age for a job and trying to steal money from her employers accidentally falls into an attraction while trying to escape.

Instead, Mayu uses her phone to access Hell Correspondence and sends Nakatani to hell. After a pretty decent hell torture scene, we cut to a little while later where we see Mayu in the hospital recovering from her broken leg. A detective informs her that they were able to save Aida thanks to her testimony, but Nakatani is still missing.

With the familiar black curse mark emblazoned on her chest, Mayu laments that the grown-up world is no place for a kid like her.

I liked this story alright, but, logically, there’s a bunch of stuff that doesn’t make sense. Most blatantly being that of, golly gee Nakatani, I’m so sure no one will suspect you of wrongdoing considering every girl who comes under your employ goes missing or will be found murdered….There’s only so much fudging the time cards will do for ya, buddy.

And, really, “You can’t call the cops because it looks like you stole money and tried to escape.” Uhm, first of all, Aida is missing, and the last place she was seen was in the theme park, meaning Mayu has leverage in getting the cops to snoop around on that. You kept an incriminating photo of her on your phone and supposedly uploaded lewd videos of her to the Internet mere days before she went missing. Not to mention that you kept her paycheck and purse for no other reason than because you’re too stupid to destroy evidence.

Second of all, you really think Mayu’s stupid enough to DIE in this pit, suffering for days or weeks of a broken leg, starvation and dehydration just because she’s afraid that she might get charged with stealing $85? As a minor? And the theft story makes no sense anyway. She decided to steal from the place in which she was employed….on pay day? When the only reason she took the job was to get five days worth of wages, of which she was also getting overtime because Aida was missing? And, what, she decided the best escape route wasn’t just, ya know….taking any walkway in the park and instead thought it was better to go through the haunted house?

Come on, dude, be less dumb.

Chapter 12: The Cheat

1

No anime mirror this time either. This story focuses on Saori, a girl who is attending a prep school to get a recommendation for a prestigious high school. Her father used to teach at that school before he died, and she wants nothing more than to attend the school and make her father proud.

However, she does very poorly in classes because she’s not good at studying. She’s always bottom of the class in exams and worries that she’ll never be able to get into her father’s school.

The class president, Hayasaka, who is always number one in class, offers to tutor her, and he’s such a good teacher that she catches on extremely quickly to the material and shoots up in the exam scores. Hayasaka is so impressed with her hard work and progress that he asks her to go out with him and she happily accepts.

He gives her a nice ring, her mom gives her some money as a reward for doing well at school, which she spends on contacts to replace her glasses, and everything seems to be looking up. She even manages to beat out Hayasaka for the top spot in exam scores.

When that happens, everything starts going downhill again. She loses her ring, which devastates her, and she develops a cold after looking for it in the rain, which makes her unable to do as well on her next test.

The shit really hits the fan when her teacher calls her in and points out that her English paper is the exact same as Hayasaka’s, and since Hayasaka was a good student from the beginning, he instantly suspects her of cheating this whole time. He also says he was planning on writing a letter of recommendation for her father’s school, but now he’s reconsidering.

Every student goes really overboard with their reactions. The insults I get, but they started TEARING UP HER TEXTBOOKS the instant they hear about the accusations. She’s shocked when she tries to get Hayasaka to defend her and all he does is call her pitiful for what she has done.

No one, not even her mother, will believe that she didn’t cheat, so she decides to contact Hell Girl and send Hayasaka to hell….which is weird, because she doesn’t know at this point that Hayasaka did it.

I mean, there are no other suspects, but still. She doesn’t have all the information yet.

With a straw doll in hand, she overhears Hayasaka explain to one of his friends that she was legitimately being nice to Saori at first to help her out, but didn’t realize she would start surpassing him in scores. He couldn’t stand for that, so he decided to make her sick to start tanking her grades, then he swapped their answer sheets and copied her paper to frame her for cheating.

Upon hearing this, Saori pulled the string and Hayasaka was ferried to hell. His hell torture is pretty entertaining. The Hell Team tests him by asking him questions as he hangs over a pit filled with acid. For every wrong answer, he’ll be lowered in. He answers correctly, but is lowered anyway because they accuse him of cheating. After some more questions, Hayasaka’s rope breaks and he falls into the acid.

Afterwards, that familiar hellish magic seems to be worked again because Saori has been cleared of her accusations, everyone loves her now and she’s got the grades to go to any high school she wants. She aims to someday be a teacher like her dad, even with that curse mark emblazoned on her chest.

This story was very, very predictable. The instant you see Hayasaka you know he’ll be the target, and the instant he offers to help her you know he’ll sabotage her. Saori is a very likable main character, though. Her motives were sweet, and I really felt bad for her since she was trying her best but just couldn’t understand the material through studying or the manner in which her teachers were conveying.

It sucks that she was manipulated by Hayasaka. In another universe, that would have been a great origin for a romantic couple in a shoujo series. Cute class president helps a girl get into the school her deceased dad once taught at and helps her realize that she really is very smart but she just learns in a different manner than others. Meanwhile the guy could be under a lot of pressure to be perfect or something and she helps him relax and let go of perfectionism. But that’s a story for a different manga, I guess.

Chapter 13: Love Betrayed

1 love btrayed

This is the story of Kana, one of two managers of a soccer team captained by her boyfriend, Ogata. There are strict rules against interpersonal relationships between those in the soccer club, so they keep their relationship strictly under wraps.

The only one who knows of their relationship is Kana’s best friend and co-manager, Yukari, and she’s obviously the target. This is one of those stories where they try to keep the target a secret. They’re doing all sorts of shitty things to the MC and we have to figure out who it is before the MC does. But they make it very obvious. Razor in the laundry? Gee, the only other person who touches that is Yukari. Her new shoes that she bought to match Yukari’s all cut up? Gee, that’s another thing related to Yukari, and she also knows where your locker is. Window suddenly broke in the room you were alone in, burning your leg with scalding hot water? Gee, Yukari, the one who took you off field duty and knew it’d be your turn to make tea, do you know who did this?

Granted, it’s obvious from the get-go. Any story that has two girls who are best friends and one cute popular guy being involved with one of them will always play the ‘I hate you because I liked (Guy)!’ card.

To their credit, they did throw me off the scent for a minute. A guy on the soccer team named Yamane appeared and it seemed he might have been harassing Kana because he was jealous of Ogata, being passed over by a scout for him, and knew they were dating. A shirt of Ogata’s had also been destroyed, which indicated more of an attack on him than Kana. Yukari tells her that he called her and told her he was the harasser and that he was in a nearby park. She told Kana to meet her there so they could confront him.

Yamane approached her before Yukari could arrive and tried to stab her with a knife. Yukari arrived to stop the attack and convinced her to not tell anyone or else it could negatively affect Ogata and the team.

The next day at school, the coach calls Kana into his office and shows her a picture that was sent to him that depicted Yamane and Kana during the attack, but it was staged like he was embracing her. Since relationships between club members is strictly forbidden, he tells her she should quit.

Ogata is also about to confront Kana about a photo that was sent to him, but before he can talk much, Kana decides to break up with him, fearing for his safety.

Kana believed Yamane was responsible, Yukari suggested she call Hell Girl on him, and with a smirk, she basically gave herself away entirely – yeah she was behind everything, but let’s keep going. Kana is indeed about to call Hell Girl on Yamane, but Ogata suddenly calls and Yukari is sent to hell.

We finally get Yukari’s evil….and completely stupid plan. She was indeed the one who was harassing Kana, though Yamane was the one who ripped Ogata’s shirt. Yukari blackmailed him with that information into attacking Kana so she’d quit being manager. She wanted her to send Yamane to hell so her loose ends would be tied….but….that doesn’t make any sense nor does it solve anything.

Yukari’s main goal was to get Kana to quit as manager so she could go to the county sports meet with Ogata without Kana and possibly also get her to break up with Ogata. But if she sent who she believed to be her harasser to hell, she’d be free to go. So, if she just didn’t quit and said there was nothing going on between her and the now-gone Yamane, or if she said she saw the error of her ways and broke up with him, then….she’d be fine to go.

None of this should have lead to her breaking up with Ogata either. She wouldn’t even talk to him about the photo. And if she did believe Yamane was responsible for all this, then breaking up with him wouldn’t be for his safety since Ogata’s the main target of Yamane’s ire.

How does Kana sending Yamane to hell even help her? She was already blackmailing him so he’s not much of a loose end to tie up. She literally says “If you’d sent Yamane to hell, my plan would have worked!” Uhm, how? Does sending him to hell make her quit the club? She already broke up with Ogata, isn’t that what you wanted? She probably would have quit after that anyway because being in the club with her ex around, especially when she didn’t want to break up with him, would’ve been too tough for her.

Now you might be wondering how Yukari got caught and how the target shifted from Yamane to her. Well, right as she was about to enter Yamane’s name into the system, Ogata called and told her that the person who sent him the photo was someone who knew of their relationship. What the picture showed and what was in the message are never seen, but Kana figures it out since Yukari is the only one who knew of their relationship.

Her motives were not only her own love of Ogata but because she had never liked Kana. She always hated her, in fact. Yukari found Kana annoying, especially when she made gestures like buying the same sneakers as her.

Her hell torture is okay but kinda boring. Basically, she watches the school staff watch a bunch of videos depicting her concocting her schemes and then a fake Kana who is crying blood asks her questions about why she did it. In the end, she’s lost to a sea of skulls.

After that, Kana is happily back with Ogata, but she’s now destined for hell herself.

This story was a big mixed bag. On one hand, I applaud them for realizing the predictability of the plot they set for themselves and trying to throw the reader off course, but on the other hand….they just went with the obvious culprit in the end anyway, so their efforts were pretty much ruined. I was actually about to eat some humble pie when Yamane came up. I was like “Yup, Twix, that’s what you get when you’re all cocky. You were wrong and an idiot.” But nope. I was right and a smart brain person.

Bonus Chapter: Tacking Stitches

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Returning to the anime for a tad, we have Ai’s backstory, which is being given in a different manner. The backstory is the same, but how it’s presented is different from the anime.

A girl named Rie has been dating a boy named, coincidentally enough, Sentarou Shibata, for a few years now. However, she’s recently spotted him getting friendly with another girl, so she called Hell Correspondence to get revenge.

Rie starts having second thoughts and tries to give the doll back to Ai, but they try to explain to Rie that hatred drives humans. Living in hatred is much harder, and she’s taking the easy way out by giving the doll back. To highlight this, they give Ai’s backstory in regards to Sentarou and the Seven Sending ritual.

Ai is so pissed off about this case, considering the boy’s name, that she actually tries to kill the boy herself in order to prod Rie to pull the string. Rie refuses, however. She explains that she was too hasty and wants to believe in Sentarou more so she can have a future with good memories with him. She also tells Ai that the past Sentarou probably liked her too.

Ai quits her assault and leaves. Sentarou explains that the girl was his club manager and they became close while discussing problems in the club. He apologizes and says he’ll never give her a reason to feel insecure again.

Meanwhile, Hone Onna tells Ai that Sentarou (the original) actually built a shrine in her honor. While Ai can’t say she’s forgiven him, she does say this with a smile on her face, kinda implying that she has.

While this is a sweet enough story, it’s also very lame in comparison to the anime version. I get that the anime had all that buildup with Hajime and Tsugumi that the manga didn’t have, but this version is still kinda lame. She slaughtered a whole village and lived out 400 years immersed in hatred, but one conversation with a girl who barely knows her situation telling her ‘I think Sentarou liked you too’ is enough to chill her out and have her make some modicum of peace with her past?

As for why Hajime and Tsugumi don’t appear in this manga at all (at least yet, they might be thrown in there in future installments.) it’s supposedly for a simple and kinda stupid reason – Eto thought it’d be too difficult to work in the long-running story of a man throughout this series when it’s in a Nakayoshi style. Nakayoshi is a popular monthly shoujo manga series, and considering she specifically pointed out that Hajime’s a man, I guess she means she couldn’t figure out how to tell a man’s story in shoujo style….Then just have it more focused on Tsugumi?

I get if she really thought she couldn’t make it work, though. That kinda begs the question as to WHY the manga is in such a shoujo-y fashion anyway. It’s a very depressing horror series – why choose a shoujo style for it?

Anyway, there is one more bonus chapter called Sakura Uta, but it’s mostly just Ai having a nice dream about Sentarou back in the good ol’ days. It’s kinda sweet.

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And that’s it for volume three! Surprisingly, none of the stories were reflected in the anime, barring the bonus chapters, and even those were just loosely based on the anime stories. The chapters we do have were, admittedly, lackluster. While I didn’t hate or even seriously dislike any of the entries, I can’t deny that most of them are just too silly or nonsensical. My favorites of the volume are probably Love Betrayed and The Cheat. Admittedly, Love Betrayed is similarly nonsensical, but I like how Ogata and Kana worked together to take down Yukari, and The Cheat was the best story out of the whole lot in regards to overall quality.

As for the one story they did mirror from the anime, like I said, it was cool to see the backstory itself in manga form, but the bookend story was just lame. At least the main conflict had a sweet resolution, but that’s about all I can say for it.

Next time….


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Higanjima (Manga) Volume 5 Review

Plot: Akira manages to free Atsushi from Miyabi’s mind control, and the group makes their escape. Most of them make their way across a rope bridge, but Atsushi chooses to stay behind for the sake of buying them time and getting his revenge on Miyabi. As he brandishes his sword, we learn why exactly Atsushi has such a personal vendetta against Miyabi.

Breakdown: Fresh off the heels of Atsushi being mind-controlled by the newly revealed main baddie, Miyabi, and Yuki supposedly being stabbed by him, this volume is actually more about backstory than anything.

I was relieved that the most badass person on the team wasn’t going to be a puppet of Miyabi for long, although I have mixed feelings about the backstory between the two.

Two years ago, Atsushi came to the island to get a marriage blessing from his beloved Ryouko’s parents. To do so, he had to present an offering in a shrine that the villagers were afraid of. It’s fine if you leave it alone, but Atsushi’s curiosity got the better of him and he couldn’t help but enter. There were legends of vampires surrounding the shrine, and Ryouko desperately wanted to turn back.

When Atsushi heard a voice asking for help, that wasn’t an option anymore. In a room in the back of the shrine was Miyabi who seemingly feigned being ill so Atsushi would let him out and unleash him upon the island once more.

He did, and everyone on the island paid for it. The reason Atsushi hasn’t escaped the island in the two years he’s been there, despite having commandeered a boat, is because he feels guilty for letting the vampire virus loose on the island. And the reason he has a personal vendetta against Miyabi runs deeper than infecting everyone with this virus.

Miyabi got to Ryouko and paralyzed Atsushi with a quick bite before biting her and brutally raping her right in front of him. She died as a result of being drained.

Even though the Ryouko backstory’s a bit cliché, I liked how this entire volume played out. We end on another cliffhanger in present time, even though I sincerely doubt Miyabi’s dead.

Atsushi continues to be a badass, and I commend the others, despite being incredibly weak and wounded, for trying to help Atsushi however they can from the other side of the bridge. They could’ve been gone and in that boat ten times over in the time they had, but they stayed to ensure Atsushi had a fighting chance.

Something I should note, though doesn’t really bump up the content rating too much since we’ve had graphic sexual content already, is the rape scene. Not only is it a rape scene, so of course the content rating rises here, but they do a ridiculous job trying to ‘censor’ Miyabi’s genitals. There is a closeup shot, right on, fully erect, details intact, and they think it’s censored just because it’s in silhouette.

I’m very intrigued for the next volume, and I’m especially looking forward to more Atsushi badassery. Miyabi is shaping up to be a decent antagonist, but I’d like to see more to him besides ‘he’s evil just because evil.’

Rating: 8/10


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Hell Girl: Three Vessels Episode 13 – Six-Scripted Lanterns Review

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Plot: As the festival of the Six-Scripted Lanterns arrives, Yuzuki tries her best to forget about Hell Girl. However, she can’t hold herself back for long when she realizes that the latest client she saw in her visions happens to be Akie’s private tutor. She has a grudge against Akie’s father, a police chief, for seemingly abusing his power to screw over a case involving the assault of her father, who has spent several years in a vegetative state as a result of the assault. She has her doll in hand and is more than ready to use it, but she wants him to suffer first…

Breakdown: Oh my god, guys. PLOT! And Yuzuki DOING THINGS…..KINDA.

This episode is mostly Akie’s with Yuzuki just sorta hanging around again. Truth be told, even though Akie has been in nearly every instance that Yuzuki has shown up so far, I really don’t care that much about Akie. I mean, she has more personality than Yuzuki and she’s a little more likable, but that’s not saying much.

The client this time around is a complete idiot. And as a bonus she’s also decided to take on the role of the supervillain-y antagonist. Azusa’s father got in a fight with a drunk. The drunk guy hit her father and he fell over. He received a brain injury which caused him to slip into a vegetative state. The drunk happened to be the son of the head of a very powerful family, so he made it seem like the fight never happened and the accident was entirely Azusa’s father’s fault. Later, the son fled to America.

She tried to go to the police, but the police chief, Akie’s father, told his subordinate to make it seem like nothing happened. The investigation never came to be. As a result, she developed an intense grudge against the chief and called Hell Girl on him. However, she wants him to suffer before she pulls the string on him.

She somehow secretly gets hired as Akie’s private tutor and becomes very close to her (Again, some inappropriate behavior for an adult with a young teenager. What’s with this season?) After telling her story, she convinces Akie to move in with her (in the mansion Akie’s dad is ‘borrowing’? I don’t understand rich people.)

The Six-Scripted Lanterns festival is approaching around this time. During the Six-Scripted Lanterns festival, you’re meant to write down something you want to forget on a piece of paper, attach it to a lantern, put in some of your hair and send the lantern down the river to hopefully have your bad memory (or sin) discarded to hell. Coincidentally, the gates to hell do open briefly during this event, and Yuzuki stumbles upon the gateway. Seeing the silhouette of someone who looks oddly like herself beyond the gate, she tries to walk through, but the nurse from several episodes ago stops her, telling her that, if she goes beyond the gate, she will never return.

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We basically get confirmation that this is indeed Tsugumi when Yuzuki refers to her as Shibata-sensei, but other than giving her the warning Tsugumi doesn’t do anything in this episode.

Before she wandered to the gate, Yuzuki had put “Jigoku Shoujo” on her lantern and sent it down, but that obviously won’t work. Also, Akie tried to put “father” on her lantern, but she ultimately decided against it, blew out the candle on it and ran off.

I really don’t understand why Akie isn’t even trying to talk with her dad about this. She has absolutely no proof that her father did what Azusa is accusing him of, other than Azusa’s word, yet she dropped out of high school (I don’t really understand why she did that.) and moved out immediately after being told this story without giving a word of explanation to him as to why. She also nearly symbolically disowned her father entirely.

I should point out that she and her father had a very good relationship before this all went down. She definitely should have trusted him enough to at least bring up what was going on. But nope. The plot said we not only have to have Akie pick out her own tutor and never have her meet with Akie’s dad, so he wouldn’t recognize her as soon as he met her, but we also have to have her not discuss the reasons behind her moving out or turning her back on her father in the slightest. How do you expect us to fill twenty minutes?

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Her not talking to her father about Azusa’s situation is even worse than that because we as an audience never hear his side of the story. The only version of the story that we hear is Azusa’s. Maybe she’s delusional. Maybe this is a conspiracy theory. Maybe she’s just straight up lying. Maybe she’s mistaken. Who knows? It IS kinda weird that she somehow knows that the chief specifically told one of his subordinates to cover this up, to the point where she can quote him about it. Either way, her situation is sad, but she’s objectively a terrible person, as we’ll soon see.

When Akie comes back home during the festival, we get some more uncomfortable flirting, which leads to Azusa telling Akie that she should shower. I would say ‘Don’t worry. She’s not telling her that to prep her for sex’ but it seems kinda silly to focus on that once I explain why she actually told her to take a shower….

As Akie showers, Azusa calls some skeevy guy over and allows him into the shower to rape Akie. See? Terrible person. While this is going down, Azusa calls Akie’s father to taunt him about it, believing he’ll certainly be too late to stop it. However, Yuzuki….somehow knew Azusa was going to do something bad so she called Akie’s dad and rushed over to the mansion, catching them seemingly before the rape could happen, but considering how long he was in there I can assume she was definitely molested in other ways.

Realizing her plans were ruined, she makes a break for her straw doll, but Yuzuki wrestles it away from her and Azusa finally flees. Akie’s dad was going to pursue her, but Akie stopped him for some reason. I guess I won’t ding her much for this because she’s clearly traumatized, but dude, call for some other officers to find her. She just tried to have your daughter raped!

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Why is she smiling in this shot?

Akie is collapsed on the floor in tears, so Yuzuki thinks it best to leave for now. She wanders down the river when Ai’s spirit suddenly shoots into her. Ai emerges from Yuzuki’s body now with a new body of her own…..Okie….Dokie. At least we’re finally free of that magical girl transformation sequence.

Mysteriously, Ai says only “The rest is up to you…” before walking away from Yuzuki. She wonders what that could mean when the straw doll suddenly vanishes from her hands. She rushes back to Akie’s place where Akie is seemingly all better now? Dressed, happy to see Yuzuki and not a tear in her eye…..Okie….Dokie. They run to each other calling out their names and reaching for each other like the ending of a cheesy romance movie when Akie suddenly vanishes.

From the shadows, Azusa smirks with a red string hanging from her finger….

We’re spared a hell torture, but Yuzuki’s eyes flash red as she silently screams out Akie’s name in the rain.

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Okay, I’m going to try to explain what happened. So, here’s something I never considered before. It’s quite possible that Azusa changed her target. That would explain why the doll vanished from Yuzuki’s hand. I don’t think I’ve ever wondered how you would ‘fix’ it if you knew you chose the wrong target. Like, if you blamed someone for something happening but you later found out someone else was responsible. If you found that out before you pulled the string, I guess you can contact Ai again and get a different doll for the new target.

It’s either that or she was targeting Akie all along and the doll just returned to her somehow. I’m not very convinced this was the case though since the doll has never returned to anyone before, barring one or two occasions where Ai interfered, but she has no reason to do that here. I think she changed her target to Akie as a way of making Akie’s dad suffer since her plans to have her raped went bad. She was probably just planning to have her raped, let the dad stew for a bit and then she’d pull the string on him, but she changed her mind when the attempt was unsuccessful. Now Akie’s dad has to live the rest of his life mourning the loss of his daughter, which is a hell in itself.

It’s also possible that she did that to punish Yuzuki too since she was the reason her plans were foiled.

Nonetheless, they certainly provided enough proof that Azusa is a shitty and stupid human being.

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It was stupid enough for her to focus her rage on the police chief when it’s far more logical to target either the drunkard or his father, but the way we had to trickle down to Akie is more stupid than I can convey in words. Even when it came to the worst targets and the shittiest clients, they typically never considered sending someone to hell just to make someone else suffer – mostly because that’s not how Hell Girl works.

You’re only supposed to be able to input the name of the person you deem as causing you the most suffering – the person your vendetta is actually against. She shouldn’t be able to target Akie for revenge because, out of everyone involved in this story, Akie did the least to her. Hell, in the end she helped her by telling her dad to not pursue her. She had more reason to input Yuzuki’s name than she did Akie’s.

I believe it would have been the most logical to kill the drunkard. Not only is he the cause of all of this and a main target of Azusa’s anger, but sending him to hell would make his father suffer because he’d mourn his son’s death.

That still leaves the police chief, but the main people who were responsible for the suffering of her and her father would be taken care of.

Yet somehow we had to take the most convoluted and nonsensical paths possible to end up at Akie being the target.

And all for what? Just so Yuzuki would have the drive to actually get off her ass and do something about these Hell Girl visions instead of being a background prop the whole time.

Akie got fridged. Let’s just admit that. She needed to die, specifically via Hell Girl, in order for the “””””””””Hero”””””””””” to become driven enough to actually start being an active participant in the story. The writers just couldn’t come up with a decent way for someone to realistically target Akie directly, so they went to the hoop store and did some jumping.

When you really think about it, Akie would have been a better Ai replacement than Yuzuki. She has a little more personality, is a little more likable, has a more interesting background (that we’ve been made aware of, anyway) and this could have set up something for her easily. For example, say everything went nearly the same, maybe cleaning up some of the lazier and stupid aspects, but everything in the story goes roughly the same. Azusa sends Yuzuki to hell for ruining her plans and that’s the last mental straw for Akie to take at this point. It would still be fridging, technically, but it’d make more sense, and I’d rather lose Yuzuki than Akie, though it’s kinda hard to give a crap about either of them.

The very end of the episode has Yuzuki passing by a woman on the street and hearing bells. She informs us that a new pain was only just starting. Considering this was the mid-season finale, I get that.

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So…..that was a big stinky mess.

The only good things that came out of this episode are Ai getting her body back and the confirmation that the nurse from before was Tsugumi. Everything else is just a big tangled ball of plot contrivance and stupidity. Oh well, at least things are starting to happen in the main plot now. Here’s hoping Yuzuki becomes interesting in future episodes.

Rating: 2/10

Next episode….


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Animating Halloween (Finale) | Hell Girl: Three Vessels Episode 12 – Midsummer Graph Review

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Plot: Nobuo Nomura is an aspiring mangaka who spends his days getting irritated by pretty much everyone around him. It’s gotten so bad that he’s created a graph charting the various people who annoy him. When a specific person’s annoyance level reaches the goal point, he’ll use Hell Girl to send them to hell.

Breakdown: Sooooooooooooooooooooooooooo……..I’m very sorry we’re ending this year’s Animating Halloween with this pile of garbage episode.

It seems like Three Vessels has a habit of following up every good episode with a dumpster fire because my god this episode was a stupid salad from start to finish.

First off, Nobuo is not a likable client at all. There have been much worse clients, but he’s quite creepy, cringey, perverted and just an overall sourpuss to be around.

That graph I mentioned? It’s actually a poster of a girl in a bikini. And the measurements he uses are little stickers he makes with caricatures of everyone who annoys him throughout the day. Starting from the foot, he adds more stickers up the length of the girl’s body until he reaches his ‘goal’ which is, of course, her chesticles. And he gets a nosebleed when he gets close to putting a sticker on her Bermuda Triangle.

His motives don’t even really make sense. Even if he did send one of these annoying people to hell, what would that do? He’s obviously annoyed by numerous people. Sending one person to hell would only get rid of about 1/8 of his problems.

Being completely fair, Nobuo does experience a decent amount of crap. He’s harassed by rude people a lot and doesn’t seem to have any real friends outside of Yuzuki’s friend, Nozomi, who works with him, and referring to her as a friend is a bit of a stretch.

However, even if you can claim he’s a good guy, just a bit on the weird and cringey side, the argument falls apart because, when things start going his way, and by that I mean he wins a manga award that is even announced in a magazine and he works up the courage to ask Nozomi out, and she accepts, he still decides that he wants to send someone to hell once they annoy him enough.

Not to mention that he spends a lot of time drawing comics in which he sends his enemies to various hells and wins the affection of the bespectacled big-bouncy-boobed maid girl, who is drawn to look like Nozomi.

Secondly, the tone of this episode is mostly comedy. Some of the shots in this episode are just ridiculous. He’ll cheer in front of a real live-action tiger picture, he’ll be framed with flowers and pink lights when he’s thinking of his crush, Kokoro, and he flips his hair dramatically with sparkles all around him when he’s happily drawing….And lest we forget the typical feature of the shy anime dude who is secretly a pervert – he gets nosebleeds all the time when thinking of girls.

Hell Girl is perfectly allowed to have comedic moments, but when it tries to do comedic episodes it just doesn’t work. Unless you’re doing those little chibi yonkoma things in manga, it’s hard to make funny stories of a show where the premise of nearly every episode is sending other people to hell and damning your own soul to hell.

This issue is only highlighted more when a character tries to commit suicide later….

Third, the ending is ridiculously stupid. Grab a seat and let me tell you about the dumbest, most ungrateful girl in the world – Kokoro.

Nobuo knew Kokoro from around school, and she was fairly friendly with him. They weren’t friends, but they were on good terms. He had a crush on her, but she never knew it.

One of the people annoying Nobuo the most was Ryuu, who was Kokoro’s boyfriend. He wasn’t really doing anything outside of being affectionate with Kokoro, but it was obviously pissing off Nobuo greatly.

As Nobuo is getting his life together, he spots Kokoro about to jump off a bridge. Nobuo rushes over and saves her from committing suicide. She tells him that Ryuu was cheating on her with three girls, but Nobuo talks her down and cheers her up before walking her home.

However, Nobuo cannot forgive Ryuu. Yes, you guessed it. Ryuu reached the titties…..by reaching for other girls’ titties.

Hell time is nigh!

But wait! It seems that Nobuo can’t access Hell Correspondence. Well, golly, that’s strange. Wonder why. Hey, Ai, who is hovering behind Nobuo for some reason also we didn’t get a transformation sequence with Yuzuki this week, do you know what’s going on?

*gasp* NOBUO’S being targeted for hell!?

Who is sending him to hell and why?

The who is Kokoro.

The why is a black hole of dumb.

Kokoro regretted opening up to someone like Nobuo and believed he would spread what happened to everyone and embarrass her, even though he’s given no indication that he’d ever do that…..so…yeah, yeet to hell. Don’t send that cheating asshat of a boyfriend to hell. Oh no. Send the guy who saved your life, gave you a shoulder to cry on, gave you some inspiring words and walked you home to hell instead.

As if that wasn’t bad enough, while his hell torture is by far the most creative and cool hell torture we’ve ever had in Hell Girl, it’s also, sadly, by far, one of the most brutal. Because he’s a mangaka, the hell torture is performed as a paper doll ‘animation.’ I say ‘animation’ but it’s mostly paper doll puppetry with some camera editing tricks to ensure we never see the hands.

While this is absolutely cool to look at, poor Nobuo gets cut up into pieces with scissors, boiled alive, burned alive, skewered with staples and folded up into a paper airplane. There have been such terrible people who deserved hell tortures of this capacity that barely got a slap on the wrist, yet Nobuo gets the worst of it. I get that they probably had more freedom with the paper puppets, but still. Forgive the pun, but what the hell?

After Nobuo is sent to hell, Nozomi mourns him. And apparently her friends are mean enough to suggest he ran away from home because he didn’t want to date her? Huh? Nozomi doesn’t believe he’d do such a thing, though.

With Kokoro, she’s already got some new asshole to date. He tells her to wear a bikini instead of the one-piece she’s wearing, so she goes off to change, but is conflicted because the new black curse mark on her chest will be revealed if she wears it. #FirstWorldBitchProblems

And that’s it.

There’s not much more to say about this stupid episode other than, holy shit, guys, LOOK AT THIS POSTER.

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TATANIC!! DIRECTED BY HIROSHI WATANAHE! WHAT. IS. THIS?! Do they even have the right to use that image? Because that is very obviously a watered down version of the real poster and those are very obviously images of Leonardo DiCaprio and Kate Winslet.

This doesn’t even make sense as a joke. This series came out in 2008. Titanic came out in 1997. I don’t understand.

Hiroshi WatanaBE directed Three Vessels, but I still fail to make the connection as to what’s happening here. Is it an in-joke? Am I missing something? What’s going on?

Rating: 2/10 Score purely for the cool hell torture.


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