Yosuga no Sora Arc Breakdown Episode 7 (Foundation of Nao and Sora’s Arcs)

YNS Ep 7 Screen1

Plot: Branching back to episode one, this episode creates the building blocks of Nao’s arc and Sora’s arc. Nao and Haru are developing feelings for each other again after being separated for four years, but a sin in Nao’s past from that last summer with Haru is haunting her. In addition, Sora does not support their budding romance at all to say the least.

Breakdown: I want to explore this topic all in one go since it’s so heavy and complicated, so be warned that this part of the review will spoil some parts of Nao’s arc, if you care.

One of the reasons I was very wary of addressing this episode wasn’t simply that rape is a part of it. I’ve talked about that several times already, and even though I still don’t like discussing it, I feel like I can do so without much hesitation. The actual reason was because 1) The rape is a big part of the backstory of the NaoxHaru pairing and 2) the rape in question is of the kind in which I have very little knowledge. It’s such an odd circumstance that I had great difficulty broaching the topic, especially in regards to any future relationship between the two.

I did my best, is all I can say. Which is at least better than what the writers did.

While episode seven does technically set the foundation of Nao and Sora’s arcs, unlike episode two which was pretty evenly set between Kazuha and Akira in regards to romantic development, episode seven is extremely slanted towards Nao to the point where it could technically just be a part of her arc entirely. In fact, Nao and Haru are officially together by the end of the episode, which is another thing that will make Sora’s arc all the more painful.

Haru and Nao knew each other from when he last visited the village as a child. One day, Nao ran away from her house after hearing her parents arguing again. She went to Haru’s house where he was laying in the doorway to the porch. Suddenly, we cut to her on top of him and she just….rapes him.

YNS Ep 7 Screen2

There is literally no more to that backstory. She was upset, she found Haru and raped him. She appears happy after it happens and only expresses guilt and shame after she sees Haru sprawled out on the floor with his shorts down with an empty look on his face.

Now…first and foremost, obviously rape is wrong. There is no arguing that. There is also no argument that boys can’t be raped for any stupid reason like guys are too strong in comparison to girls to be raped, or guys always want sex anyway so they can’t be raped. Those are incredibly harmful mindsets that only perpetuate the problem and stigma of sexual assault against men and boys.

What Nao did was wrong. She realizes this too late, but she does realize this.

The circumstances, however, and the lack of details make me question how drastically this skews my opinion on….pretty much everything involving Nao’s arc.

They’re twelve here (they’re 16 now and this happened four years ago), and she obviously knows what sex is because she easily does it (she’s on top) and is even guiding him to grope her breasts. However, is she too young to understand that forcing sex on someone is wrong, even when it’s a female on male situation? Is she even making the connection that Haru doesn’t want this due to his seeming lack of resistance? She understands afterward, and he didn’t really change his expression the entire time, so what dots aren’t connecting here?

Note – I’m not saying lack of resistance or negative response is consent, it’s certainly not, but is she at an age where she knows this and can process this?

I feel kinda shitty thinking about this so hard, because I think, if the circumstances were reversed (IE the genders were reversed), my knee-jerk reaction would be one of anger and blame without really taking into consideration the age or maturity level.

YNS Ep 7 Screen3

My position here is pretty frustrating, though, due to the lack of information. For all I know, she went there intentionally and planned to have sex with him because she saw him as a comfort to the arguing we heard for all of 10 seconds, I guess, instead of just stumbling upon him and making the quick decision to jump him for comfort. All I know for certain is that she had sex with him to make herself feel better about her home life.

Even the Wiki page is very low on details about this or her connection to Haru. “When the Kasugano twins last visited the area, their departure was particularly painful for Nao, who, for some reason, had grown quite close to Haruka, after having raped him on one occasion, about which she expresses guilt.”

I briefly flipped through episodes eight and nine to get a better idea of this situation. I did get a tiny bit more insight into why Nao liked Haru back then, but it’s super short and kinda stupid. He comforted her when she was crying once and, not lying, said she was prettier when she smiled. Plenty basis for a crush. Not so much on the rape.

This problem still extends into present time. Nao feels guilty about what she did, and has since that day, which is why she tries to shoot down any suggestion that Haru has feelings for her or that they should get together. However, she still starts a relationship with Haru. She is plenty old enough to know what rape is now, and she SHOULD be fully aware that she raped him. Starting a relationship with Haru, even if he seems game, should be the last thing she should think about doing. No basis of a healthy relationship involves rape.

In addition, once you reach the ending you get the idea that she moreso thought Haru hated her for what she did or that he simply didn’t like the sex or her, not that she wanted to avoid a relationship with him out of guilt and shame for, ya know, being his rapist.

I didn’t want to paint Nao as a monster if she really didn’t understand what she was doing, but I also DEFINITELY don’t want it to seem like I’m giving her a pass or over-sympathizing with her because she’s a girl – that’s completely unfair.

One of the main factors that helped clear the air for me was, oddly enough, Sora’s view on this.

YNS Ep 7 Screen4

In episode eight, we’ll learn that Sora was watching the rape as it happened. Two things are brought to light that solidified that I do indeed need to press Nao as badly as I would in any normal situation because of what was said regarding the situation in Sora’s memory of it.

Keep in mind, Sora is the same age as Haru and Nao.

The first was what Sora says about her view on the situation:

Sora: “I didn’t know what you were doing at first (Nao knew what she was doing) but I knew you were doing something bad.” It’s possible that she was just talking about sex being something they shouldn’t be doing, but in the end she knows that this situation is bad, which is something Nao should know. What they are doing is wrong. She’s ignoring Haru’s reactions until the deed is already done and never stops to realize he’s not actively participating or question why – she just keeps going.

The second was something Nao says in this flashback. You distinctly hear Nao say “I’m sorry.” while the rape is happening. She’s off-screen, but there’s no reason for her to say that unless she’s realizing that there’s something wrong about what she’s doing.

So, logically, her sudden mood shift after the act from happiness to remorse is either her delusion fading, something isn’t matching properly in continuity or she was satisfied with herself without realizing what she did to Haru or taking his feelings into consideration, which is very feasible. Remember, she only went into this to get comfort for herself and assumed Haru would be good with it.

Back to….I guess I’ll say ‘motive,’ I’m certainly not going to give her a pass for whatever fleeting emotional stress she was going through because her parents were arguing a lot at the time. Many parents argue a lot, some of which to point of physical violence and constant disdain, and their children don’t suddenly burst into the rape scene. Running away like she did? Gotcha. Understandable. Crying? Definitely. Rape? No. It would be a stretch to say any 12 year old in her shoes would even seek consensual sex (with someone her age) in this situation.

And lastly, when Nao finally apologizes for it (which is in this episode) it’s not treated as a rape. Haru says he didn’t dislike it. He was just nervous because it was his first time and couldn’t say anything or even react much, I guess even several moments after it was over too. And immediately after saying that, he says they can finally move on.

YNS Ep 7 Screen5

Fuck you, Yosuga no Sora. You just dropped child on child rape onto my head and made me damn near go insane trying to properly approach this topic and write about it with respect, fairness, and understanding while still maintaining the seriousness of the situation and attributing proper blame to it, only for me to find out that you took this same topic, wiped your ass with it and flushed it down the toilet.

Let me admit something here. I know the ED for this show is usually around the 20 minute mark because of the omake and the two separate EDs, and I jumped the gun a little writing this analysis because I had a lot to say and wanted to write it out while I was still in the proper mindset. So I stopped the video at 18 and a half minutes, right after they fall on each other in the locker room. I knew they kissed after this and what happened in the short scene with Sora at the very end, since I had seen it flipping through, so I thought I was safe to start writing. I got a bit out of hand before it was too late, because that’s just what happens with me sometimes.

I only had one and half minutes – count it – ONE AND A HALF MINUTES left on the runtime for this episode when I felt the need to start writing. As I was wrapping up this part, I finish off the episode and suddenly there’s the resolution to the rape plot – written away as if it’s not even a rape plot, so let’s move on. Fuck you.

Rape is such a difficult topic to be included in stories without feeling gratuitous for shock value or for the sake of sex and fanservice, and this one just feels like it was for sex and fanservice, which is especially disturbing because these are kids. Ultimately, the rape was a plot device written to give a reason for Nao’s initial reluctance to get together with Haru and an additional reason for Sora to hate Nao and be afraid of her relationship with Haru – both of which can EASILY be accomplished with even more weight without the rape.

YNS Ep 7 Screen6
Hahahaha, not addressing serious issues of sexual assault on minors with any sort of gravity is hilarious.

Have Haru and Nao get really close and spend a ton of time together while Haru is visiting because her parents are always fighting and she needs a distraction, cheering up and comfort. Have Haru accidentally neglect Sora during this time because of all the time he’s spending with Nao. Maybe break a promise or something. Then have Nao think Haru hated her because he broke a promise to do something with her too because he went to do something with Sora to make up for neglecting her or something. Haru was unable to figure out anything was wrong or mend bridges with Nao before he left for home that summer. Then Haru and Nao clear up the misunderstanding four years later when they’re lead to the pool by Ryouhei and Akira.

Boom. Done. A rapeless equally effective setup.

I’m done talking about this stupidity. I am legitmately angry. Partially at myself because I wrote this much for a plot that is basically swept under the rug, but I didn’t want to blow by it either. Unlike the writers, I actually give a few shits.

As for how this affects my view on what happens between them in Nao’s arc, well, I don’t support any relationship where it’s a rapist and his/her victim getting it on. Even if this circumstance in particular is iffy, I don’t support it. The resonance this should have with Haru and Nao won’t come to pass. It will not be felt at all beyond this point other than with Sora, and I couldn’t give a frog fart about Sora’s feelings.

Oh yeah, I have to save some anger because we still haven’t talked about Sora’s role here.

Sora’s still a useless inactive waste of molecules. Since this is also the foundation of Sora’s arc, we get more fanservice with the continuation of the uncomfortable undressing scene from episode one that stupidly results in her asking him to get her measurements (neither version explains what the hell she was talking about with the ‘Let me come’ stuff.)

In this version, she actually kills the mosquito she was chasing in episode two by slapping it across Haru’s face, which is at least better than creating a bomb out of her room with endless hair spray. However, we also get more fanservice as she itches a bug bite on her upper thigh.

Since there’s so much focus on Haru’s relationship with Nao here, Sora obviously gets very jealous, childish and pissy. I can’t believe I had to hear Haru tell Nao that Sora is ‘cranky because she just woke up.’ Keep talking about her like the toddler she seemingly believes she is – you’re just going to make me more uncomfortable during her sex scenes in her arc.

She gets mad that Nao sews her uniform buttons on (It’s a school tradition for girls to do it themselves, like I mentioned before, but Sora and Haru both don’t know how, so in this version Nao did it.) This does drive Sora to teach herself how to sew, but it’s never made clear if she actually succeeds or not.

And, uh, that’s it.

Oh no.

Hang on.

Wait.

I did mention that there was a tiny bit with Sora at the very end of the episode. Yes, yes.

After Haru and Nao make up about the rape and make out at the pool, we cut to Sora who is typing at her computer.

Guess what she’s doing.

She’s typing “I hate Nao.” obsessively, over and over, like she’s in The goddamn Shining.

YNS Ep 7 Screen7

How can anyone with an ounce of sanity or intelligence in their bodies like this insane possessive little leech?

Oh and the cherry on top? The Motoka omake today also basically includes a rape scene on Haru. She rips his clothes off out of nowhere, literally jumps him while stripping, and after that we hear non-sexy screams from Haru coupled with very fast bed squeaking sounds before cutting to them sleeping naked in bed. Then Motoka feels deep shame for taking advantage of Haru while she was in a drunken rage, calling herself a terrible person….

…..THEN HARU BLAMES HIMSELF FOR IT. Because he was busy or neglecting her or whatever (They’re dating at this point).

In any other episode, I probably wouldn’t have gotten too angry at this, but this piled on top of the Nao stuff just cemented the insulting feeling all the more. So, one more time, fuck you, Yosuga no Sora.

Oh and yeah, can’t forget the lovely people in the comments section of the website I watched this on, where any time someone pointed out the rape it was met with either wishing they were Haru or acting like it wasn’t a problem because it was girl on guy, or acting like it wasn’t a rape because his lack of verbal or physical resistance and response basically implied consent to them.

Remember, kids. Never read the comments section if you treasure your brain cells.

Next up is Nao’s arc. I can’t promise I’ll be any less angry. I hope I got most of it out here. If Nao’s arc requires just as much of my anger reserves, I’ll probably die trying to do Sora’s.


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Yosuga no Sora Arc Breakdown Episodes 5 and 6 (Akira’s Arc)

YNS EP 4

Plot: Haru and Akira develop a relationship while Haru tries to help Akira determine her true parentage and unlock the secrets of her past.

Breakdown: Akira is my favorite character on this series and seemingly has the most interesting story, so it’s no real surprise that I liked this arc.

The relationship between Haru and Akira isn’t even really put front and center, either. In fact, if I had one real issue with this arc it’s that this romance seems even more rushed and sloppy than Kazuha’s. We do find out that Haru and Akira knew each other very briefly as children, which leads to Haru going to ridiculous lengths to fix something from that time.

Akira had lost her mother’s pendant while they were playing. They searched and searched, but couldn’t find it. Haru, realizing the importance of that pendant now, goes to great lengths to find it, even though the terrain has changed since they last time he visited. His efforts are indeed sweet, but after they search in vain for the pendant, they’re already having sex.

They don’t show the sex scene on screen, and it’s possible they didn’t even have sex, but let me break it down.

They both get completely filthy looking for the pendant. Instead of going home and taking a bath in his own house like a normal person, he is invited to bathe at Akira’s home while she washes their clothes. Akira barges in and eventually makes her way into the bathtub with him, sitting on his lap, where she not-so-subtly nudges him into sex.

The scene cuts away after they start kissing, and Haru later explains that they passed out in the bath, but Akira seems to pray for forgiveness for her impure actions and they’re both blushing, which could be due to the bath, so it’s really unclear. Still doesn’t change the fact that they were in a bath together, her sitting on him, him groping her boobs and eventually making out. Mere hours after Akira even realized she liked him romantically….

Doesn’t really help that this entire scene is made a little creepy because Akira is talking about how nice it is to hear other people in the bathroom again because she used to take baths with the old man who ran the shrine/adopted her. And she’d sit on his lap in the tub….She mentions this a minute or two before she jumps on Haru’s lap and feels his hard-on pressing into her back….

Akira takes the reigns in this relationship, which is fine and fairly fitting because she’s so affectionate and physical in her emotional expressions, commonly hugging people and putting her arms around them.

Haru is somehow more pushy than he was with Kazuha, though. In her arc, he supported her and gave her space when she needed it but also helped her out whenever he could without overstepping his bounds. Here, when he learns a secret about Akira’s parentage, he decides to go out and get a DNA test to figure it out, even though it seems like Akira doesn’t really want this, and what they learn from the test could drastically affect the lives of both Akira and Kazuha.

He bounces back and forth between being pushy about it because he feels it’s his responsibility to clear this up to try and make her happy, even though this could easily create many more problems than good outcomes, and backing off. I do appreciate that, at a certain point, he admits he went too far and seems to fully relent, letting Akira make the decision for herself.

The storyline involving her family is pretty interesting. At the end of the day, I still have a bad taste in my mouth towards Mrs. Migiwa. I’m not saying she should have taken Akira in or anything, though that would’ve been nice, but she didn’t need to act like such a cold-hearted bitch towards her. Acknowledging that you realize Akira has doesn’t have the ability to choose who her parents are doesn’t excuse treating her badly.

The finale sex scene is very….random. Haru and Akira are sitting on the porch after she resolves the stuff with her family and she proposes sex….and they do. The end. It’s not really random in the grand scheme of things, but it’s just like ‘Oh yeah we end all of these arcs with sex scenes, right. Get naked, Akira.’

Sora’s role in this arc is very minimal. She spends much of episode five brushing her teeth for some reason and really just….existing. She does explain more about the cross necklace, though – that it was a present Haru gave to her when they were kids.

In episode six, they make it a point to show Sora existing sadly at home while Akira talked about how she doesn’t want to end up alone, which was very….disturbing. Were they trying to make us feel bad about Sora in that scene? Like if Haru kept dating Akira, Sora would be lonely and betraying her or something? Why do so many people in this show think that dating someone instantly means neglecting everyone important to you?

The Motoka omakes are getting more graphic. Each one for this arc had a sex scene in some capacity – both of which with Haru and Motoka, of course. I feel like they’re treating this like an extra arc, though it’s all non-canon.

All in all, this is another arc that I could easily see being pretty good as the main arc for the series.

But it’s not, so—

At this point, I was going to make another joke about dumping a previous non-canon arc and moving onto the next one, like I did in Kazuha’s arc….but I can’t.

I thought I’d still get to enjoy a reprieve for the next few episodes considering we still have three episodes (Foundation episode and Nao’s arc) before we get into Sora’s inevitably painful arc, even though the two arcs are somewhat intertwined. I didn’t know anything about Nao’s arc since it was in an entirely different branch from Kazuha and Akira’s section, so I did a little snooping on Wiki, flipped through episode seven real quick and uhm, let’s just say my days of relaxing during this series are over.

I won’t spoil anything, but let’s just say the next arc involves rape…..rape of a minor……perpetrated by a minor….*sigh*


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Yosuga no Sora Arc Breakdown – Episode 2 (Base of Kazuha and Akira’s Arcs)

YNS EP2

Plot: Starting off the branching storylines of Kazuha and Akira, Haru gets to know the girls better and becomes very curious as to what they really are to each other.

Breakdown: I mentioned in my Episode One-Derland entry for this series that I was going to continue looking into this show on my own while also denying giving it the green light to continue because I, personally, wanted to see how screwed up this series got. I finished episode five when I realized something very odd about this anime.

You remember in my review of Amnesia where I said the format was perfect at least in regards to letting the MC date all of the possible suitors (or explore all of the visual novel dating routes) without cheating or seeming like a tramp because she could cross dimensions and take over the life of the heroine from that world where she was currently dating one of the guys? Yosuga no Sora does something similar, but it doesn’t even bother trying to actually frame the different routes with some other plot.

Instead it just opens a new story where Haru is entering into a relationship with one of the girls. When the story is over, or when the two of them crotch wrestle, they end the story, even putting ‘The end’ on the screen and the next episode starts a new route.

There are three episodes detached from this structure, according to the incredibly helpful flow chart on the Wiki (Thanks for that, whoever made it!) The only way these arcs are framed is through episodes one, two and seven. One introduces the full story and branches off into either two or seven. Two, our episode today, is our gateway into the Kazuha and Akira arcs. Seven is the gateway to the Nao and, yes, Sora arcs.

Since the structure is as such, I thought it might be better to review the series in segments based on arc instead of eventually reviewing the entire thing as a whole. However, episode two is one of the base episodes, so we don’t really have an arc to review here.

So what does episode two entail, you might ask? Not a lot.

Sora proves what a clingy, creepy and useless human being she is yet again. Haru leaves for school, and he’s not more than three steps out the door before she’s screaming bloody murder…over a mosquito. If you know me, you know I absolutely deplore mosquitoes, and even I would never freak out a fraction as badly as she is in this scene over one. And yes, it’s just one.

But that’s not all – she’s absolutely filling her bedroom with spray trying to kill it……Hair spray.

And when Haru tries to go off to kill it, she vehemently refuses to not cling to him, in her flimsy might-as-well-be-lingerie nightgown. Oh and later she gets all pissy when Haru texts her and says he’ll be a bit late because he’s stopping off at Akira’s place to get mosquito netting for her.

Then, when Kazuha comes over to sew the buttons on Sora’s school uniform, because Sora can’t do that either, of course, Sora just pouts in other rooms….and eats a popsicle in a suggestive manner…..Then later has a pouty tantrum when he gives her the uniform.

As Haru’s off in school having all the girls, though in this case Kazuha and Akira, try to hide that they’re all swampy for him, Sora stays at home being bored, lazing about and eating chips. If only there was a place people her age could go to spend time during the day. Doing productive things like learning and socializing. Oh my bad, she couldn’t go to one of those places even if they did exist because she is so clearly too weak and sickly. Look at her, running around like crazy over a mosquito and not even coughing in a room filled with hair spray. Why isn’t she hospitalized? 😐

(Being fair, by the end of the episode, she is in school, but it still miffs me that she was ever kept out of school for that excuse in the first place.)

Other than Sora, we have the plot with Kazuha and Akira, showing off their dynamic as friends. Akira is very much a people pleaser, typically tending to the needs of others before thinking of herself, and everyone asks her for help with various things so she tends to leave herself to the wayside quite often, even refusing to go to excuse herself to the bathroom when someone needs help. In addition, she’s an ‘orphan’ who lives alone in a massive shrine, meaning she’s forced to take care of herself, though she does have Akira and the local candy shop owner, Hiro, looking after her.

Meanwhile, Kazuha is very proper and responsible, basically to the point of nagging and scolding Akira all the time, but she actually cares very deeply for Akira and wants her to be happy and healthy.

It’s a bit weird in regards to setting up the two arcs, because it puts quite a bit more focus on Akira than it does Kazuha but Kazuha is the arc that occurs first. Akira is my favorite character, so I guess setting up her story better is a good thing, but it’s still weird.

Also, they’re cleaning the pool this episode so wet fanservice abounds. Also also, they purposely make it sound like Akira and Kazuha are having sex in the changing room because audio fanservice.

And then the bomb is dropped that Kazuha and Akira might actually be sisters.

————————————

Admittedly, this episode was a lot better than the first one. It’s still covered in every breathing human with a vagina lusting after Haru (Except, refreshingly, Hiro, but she’s just rude so it even out on annoyingness.) but the plot with Kazuha and Akira is actually quite interesting and leaves me intrigued to learn more.

Sora is once again the weakest link here because she’s obnoxious in her nothingness. She’s so useless and overly clingy I’m surprised she’s able to breathe without Haru inflating and deflating her lungs for her. She is probably the closest I’ll ever get to finding a character as useless and flat as Herione from Amnesia with the only difference being that Sora is far too much of a brat, meaning she does at least have a notable personality trait unlike Herione.

The other incredibly annoying character was Ryouhei who’s only purpose in this show so far is to be as big of a pervert as humanly possible. That’s it. Every line out of his mouth is somehow perving on one of the girls. What is it with harems and having the main guy have an obnoxious pervert friend? Usually it’s to make the horrible scumbag main character look better by comparison, but there’s nothing really wrong with Haru so I don’t understand his purpose.

Also, the little short omake animation with Motoka the maid has her showing off her panties to Haru and grabbing Haru’s ding-dong totally ‘on accident.’ Lovely. She’s an adult, by the way. They never confirm her age, but she’s old enough to drink and he’s 16.

(Final note: I’m aware Haru’s name is actually Haruka, but he keeps getting called Haru so I’ve taken to calling him that.)

Coming up next, a full review of the Kazuha arc, episodes 3 and 4.


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Episode One-Derland: Yosuga no Sora

kzr00hs

Plot: Sora and Haru are twins whose parents just recently passed away. They decide to sell their apartment and go back to their old house in a very small town in the country. Every female, including his sister, wants to ride Haru’s meat wagon, and that’s pretty much all you need to know.

Breakdown:

“But FiddleTwix, you said you hate harems and actively try to avoid them!” you yell through your computer screen.

Oh yes, yes I do. But I also have a problem with reading terrible reviews on anime. On one hand, I give some of these shows a shot just to see if they have earned some form of redemption in my eyes. On the other hand, boy is it fun to watch terrible anime and then tear it a new one.

My first glimpse into this was through THEM Anime Reviews who basically said it was crappy soft-core hentai. They left it at a one paragraph review amounting the show to being less enjoyable to merely watching 12 episodes of blank screen. Now that is something to spur my interest.

So I got around to watching the first episode and just from this episode alone I can see all sorts of problems.

First of all, there’s no story so far. Yup. One whole episode and no story outside of the plot synopsis I just gave you, and that information is only given to us in the middle of the episode. Narrative story flow? What’s that?

Want me to give you a full synopsis of the entire episode?

Okay.

Sora and Haru arrive in the town, grocery shop, greet the neighbors, Haru goes to school (Sora can’t because she suffers from ‘wtfistheresomethinginthewaterinJapanincrediblyweakyetgivennodiagnosis-itis’ and believe it or not, Haru actually describes her problem as ‘She’s weak and whatnot.’ Thanks, Doctor.), we find out that Haru and Sora kissed when they were like ten (And I mean, legit kissed, not a little peck), Sora gets mad that he was late coming home, everyone with a vagina pervs on Haru and we end the episode with Sora imagining Haru about to French her as an apology for forgetting his phone at home with the episode-ending ‘cliffhanger’ being a horny Sora taking off her clothes at Haru’s bed propositioning him for sex.

Yep, that’s it.

Second, the other characters. There are several other characters introduced here, all of which being girls because duh. I can at least give most other harems some slack for usually taking time with the interactions with the main male lead and not flying head first into ‘Every girl needs to change her panties at the sight of him’ stuff. This show, oh god, no. Every girl, and I mean every single one, coming to a grand total of six, so far, is lusting after Haru like this is an all-girl’s school built on an aphrodisiac factory immediately after catching sight of him.

Okay, not all of them are really lusting after him at this point, but most of them are, and the ones who haven’t gotten to the point of causing moisture damage to their desk chairs whenever his name is brought up very clearly have a gigantic crush on him just by glancing at his perfect face.

Because of this, they have to give a car crash of introductions to make sure that fans of every route get a little taste of their lust for him before the episode’s over. Did I say ‘route’? Why, that would indicate that this is based on an H-game. Boy howdy, a crappy softcore hentai harem anime based off of an H-game? That never happens!

While we do get little tidbits into the personalities of each girl, I honestly couldn’t keep up enough to even get their names partway memorized. It takes some kind of talent to make the audience have difficulty keeping up with a show that has absolutely no story so far.

The only two you really need to worry about at this point are Sora and Haru. How do they fare as characters?

Haru’s fine. He’s….perfect. He’s kind, smart, caring, very responsible, sociable, hard working, overall very happy, a teenage Adonis with the light and breezes of heaven following him around in case a girl gawks at him—he’s a Gary Stu. There ya go. If there’s one negative character trait that I’ve been able to squeeze out of him so far is a very common one of Gary Stus….he’s a doormat. Otherwise known as the ‘my only flaw is that I’m too nice’ flaw.

Sora, on the other hand, is a completely unlikable little twat. It seems like they’re trying for the tsundere trope with her, but she is just a complete little grumpy bitch. Yeah, I understand that their parents died…some time ago, but she never seems to think about them nor bring them up – all of her thoughts are wet dreams about Haru.

The only way they seem to be gunning for even remotely tsundere-like qualities in regards to the other half of the equation is that when Sora is done being a bitch, she grabs onto Haru’s shirt with a few fingers. This in combination with her clinging to her stuffed rabbit and the fact that her alternate hairstyle is pigtails pretty much establish her as a loli trope above all else. Did I mention she’s 16?

She’s entitled, she likes absolutely nothing but junk food, the internet and Haru, she rarely smiles, she’s jealous of every girl who comes near Haru, she’s very abrasive and bossy, taking stuff that doesn’t belong to her with a snide remark, and wasting their measly grocery budget on junk food (Gee, I wonder why she’s so weak.) and she’s just plain creepy with how horny she is for her twin brother.

That ending scene I mentioned? She’s not even sweetly or shyly asking Haru to ‘make love’ to her or anything. She is repeatedly asking him in a creepy voice to make her orgasm while she strips.

And let me make it clear that while the target of her affections being her brother does make the situation squickier, the way she acts would be creepy with anyone.

You like Haru because the show kinda forces you to, especially giving him the bonus sympathy angle of being an orphan, but the only other really prominent main character is so hate-worthy that you can’t stand watching any scene with her. The other girls are annoying in their own rights, mostly with their crushes on Haru, but their scenes with him are way more tolerable than any scene with her.

Oh yeah, there’s a chibi-comedy rehash of an early scene as a pre-end-credits scene in which one of the girls, lonely (apparently going to a singles group when she’s still in high school….) and recently catching a glimpse of sex incarnate himself, goes home to have a completely necessary masturbation scene. Yup.

The art, animation and music are really the only saving graces so far, and even that’s not fantastic. Some of the design choices are questionable, such as making some of the characters look too thin and sometimes having odd faces, but it’s overall pretty decent. The backgrounds are really well detailed and the environments, while not being particularly memorable, are well designed.

Verdict:

750spsl

Okay, I’m cheating. This decision is really for your own sake. I’ll be continuing it just to see how far the rabbit hole really goes…..I’m regretting that choice of words immediately. But yeah, it’s really not worth a look at all unless you have a thing for incest or smacking around bad anime.

Edit: You can find my review of episode two here to start on a journey of absolute pain with me.

You can find the full review of this dumpster fire here.


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School Days Review


Plot: Makoto is a high-school boy who has a crush on a girl named Kotonoha. In an effort to become her boyfriend, he seeks the advice of her best friend, a girl named Sekai, who also has a thing for Makoto. She begins ‘training’ him to be Kotonoha’s boyfriend through anything from talking to her to sex. Eventually, Makoto evolved into the worst male protagonist I’ve ever seen, and I can’t believe I was so lenient on this show in the past.

Breakdown: Warning: Spoiling everything, but I’m basically doing you a favor.

School Days was one of the first anime that I ever reviewed.

I rated it fairly well.

I was dumb.

I was new as a reviewer when I wrote that, so hopefully everyone can forgive me. I believe the only reason I gave that show such high marks was simply because of the ending. *cracks knuckles* Let’s see if I can fix past!Me’s mistakes.

School Days, in a nutshell, is a mean-spirited slice-of-life anime drama that was based off an H-game. Now, before anyone goes ahead and says it’s acceptable that it sucks because of the h-game origins, let me introduce you to Rumbling Hearts, the Ef series and White Album 2.

School Days has been noted as being a realistic anime drama, but what kind of school did you go to where this is realistic? It starts out realistic enough – guy falls for girl he sees on a train, asks her best friend to help him woo her, they end up dating, that’s okay.

The best friend falling for the boy and slowly sneaking into his pants through the ‘training sessions’? Okay, I can buy that. We all fall prey to our hormones and whatnot.

Every girl in the goddamn school falling for Makoto and wanting to get into his pants? Sounds more like a guy’s wet dream more than realism. It’s so bad, I have taken to calling this ‘The School Days effect’ – Any scenario where the main lead is constantly having anyone of the opposite sex (and sometimes the same sex) falling for them. I can barely think of any girl in this series who didn’t want to jump Makoto’s bones, and from reading about the h-games (School Days, Summer Days and Cross Days) it seems he has actually hooked up with every single female character (and one guy), including Sekai’s mom and Kotonoha’s little sister.

This series just spirals out of control after that.

Him sleeping with most of the female cast and not one of them caring that he’s cheating on all of them with practically every girl in the school? What?

Having a school festival where tons of people have sex in a backroom where a group of deranged students film it and watches it to laugh at the people in the room? What the hell is wrong with these people!?

The best friend getting pregnant after a rendezvous with main lead? Okay, back to believable.

Oh, she was just faking being pregnant so she could have him all to herself. A little crazy, but I guess believable.

Girl stabs boy to death to prevent him from leaving her.……….

Girlfriend chops off dead boy’s head, keeps it in a duffel bag, shows it to best friend before stabbing her to death and carving her open like a Christmas turkey to prove she wasn’t really pregnant then sailing away with her Makoto head in the ocean on a homemade raft to inevitably die of dehydration or drown? What exactly do you say to something like that?

Seriously, I have no qualms with stabbing that bastard to death or even slicing his head off – he was an evil son of a bitch. And, no, of course I wouldn’t condone that in real life, but this is fiction, so stabbity stabbers. I just have to know how we went from typical high-school drama to Higurashi no Naku Koro Ni?

The characters don’t help the storyline at all. I’ve never hated so many characters in an anime before. From Makoto himself to his rapist best friend from Sekai to the field of whores that are 98% of the female student body – most everyone is deplorable and unlikable. The only exceptions are Sekai’s loli-esque best friend and Kotonoha…Poor, poor Kotonoha.

And you could even say their characters are slightly ruined given that, despite being nice and likable, they still love a heartless man-whore, but I can’t hate them too much for that.

Characters

Makoto – Makoto is the worst male protagonist I’ve ever seen in an anime. It’s very unclear whether we’re supposed to sympathize with him at all. I can’t imagine we are, but if that’s the case why is the main character and why is he basically any male viewer’s wish fulfillment up until the very end at least? He sleeps with anything that moves and doesn’t give a damn about anyone but himself. He doesn’t care that he’s cheating on like seven girls, he doesn’t care that he got Sekai pregnant and even cheats on her after she tells him she’s pregnant, he seems to allude to telling Sekai to get an abortion, he makes out with Kotonoha right in front of pregnant Sekai after basically telling her to get out of his life, and he’s just all around despicable. Why so many girls want to sleep with him is one of the biggest mysteries in anime.

Sekai
– Sekai is a horrible best friend to Kotonoha. I’m almost positive she went into this whole ‘training’ thing with Makoto with full intentions of getting into his pants. She sleeps with Makoto behind Kotonoha’s back and pretended to be pregnant in order to keep him away from her and every other girl he sleeps with. She only gains points for stabbity stab.

Kotonoha – Poor Kotonoha is one of two likable characters in this series, and she is treated like garbage. She gets cheated on numerous times, dumped like a rock, becomes emotionally shattered, gets raped while in her emotionally shattered state (by her slimy boyfriend’s best friend for god’s sake), gets her boyfriend back for a few minutes only for him to die a couple days later, and then she spends her final days on a rickety raft in the ocean clutching the severed head of her boyfriend.

Wow.

The good thing is at least she didn’t sleep with Makoto – an irony I will never get over. His entire incentive to going with Sekai was to get with Kotonoha, but over the course of the entire series, he never sleeps with her.

Setsuna
– Setsuna is the aforementioned loli-best friend of Sekai. She is the second likable character in this series, but not very much. The only reason she is likable is because she knows that her liking Makoto is wrong because Sekai loves him and she *gasp* feels BAD for liking him and kissing him. Why it’s almost as if being romantically involved with someone who is already with someone is wrong or something. SCIENTIFIC BREAKTHROUGH.

Taisuke
– Taisuke is pretty bland and forgettable, just being a pervert throughout most of the series…Until he rapes Kotonoha in her emotionally shattered state. Yeah, that happens. Yeah, he’s also garbage.

The rest of the characters/most of the female student body – The rest of the girls just serve as heartless whores for Makoto to bang when he not emotionally or physically screwing Sekai or Kotonoha. They’re downright despicable in their own rights, not caring if Makoto is cheating on them with tons of girls as long as they get to be with him too. Some of them don’t even give a crap that they’re sleeping with him after they learn that Makoto got Sekai pregnant (Then they scold him while still naked in bed that he’s not doing anything about it. *facepalm*)

So the characters are more or less hate targets, the story’s not believable and it’s mean-spirited. What about the technical aspects?

The music’s downright forgettable, the art’s pretty decent with nice, though pretty bland, character designs, and the animation’s pretty lazy, looking more like one of those animated comics you see online sometimes over actual animation. This being a slice-of-life already means that there’s little animation going on, but that’s not a big excuse.

Bottom Line: I think I understand why I liked this show so much back in the day. It’s because there is so much hate fodder in this show. I love to rant, I love go off the handle, the ongoing hatred of things in this show kept me hooked, and when it topped it off with killing that womanizing bastard, I hit the roof. You gave me what I wanted, School Days, and I got temporarily blinded by the high of going ‘Yay! The bastard’s dead!’ Now that I have my head out of ass and can actually fairly review stuff without bringing in my own personal weirdness to cloud my judgment, I see this show for what this really is.

I will be completely honest and say I still get a little sadistically happy that they killed off Makoto in the end, but I don’t think that’s my being biased. I’m pretty sure anyone who has the fortitude to sit through this series and stomach Makoto would give it at least a little leeway for killing off Makoto.

Don’t make us hate someone without giving them proper comeuppance….which in this case would be every girl in the series turning their backs on him and him living a lonely existence with only hookers and a bottle of jack, but turning Makoto into a horror movie victim here in fiction-land is also A-Okay.

Additional Notes and Information: School Days was based on a series of hard hentai visual novels. It was directed by Keitaro Motonaga who also directed Getbackers, Ah, My Buddha and the Kikaider OVA.

It was written by Makoto Uezu who also wrote Ah, My Buddha, Danganronpa the Animation, Akame ga Kill and Seikon no Qwaser.

The show was produced by TNK, producer of anime such as Itsudatte My Santa, Highschool DxD, I, My, Me Strawberry Eggs and Papa to Kiss in the Dark.

That is a trifecta of a mixed bag if I ever saw one.

This series has two OVAs, Magical Heart Kokoro-Chan, and Valentines Days.

I should mention that there’s an odd instance of censorship in one version of the show. When the final episode (IE Slasher theatre) was first set to air, a 16 year old girl killed her father with an axe in Kyoto, spurring the episode to get pulled because of similar violent content.

In its place was a thirty minute slideshow that later spawned a somewhat popular meme ‘Nice Boat’ which would later be referenced in the School Days OVA, Magical Heart Kokoro-Chan.

When the episode was finally allowed to air, they were forced to censor the death scene, but nothing is actually cut out of it. Instead, they turned the blood black. Yeah, I don’t really get how that’s better, really just makes me think maybe Makoto is part squid, but there ya go. An uncensored version, one with red blood, was released later on, but the black blood version is still widely known and quite infamous.

Episodes: 12

Year: 2007

Recommended Audience:
There is a lot of fanservice and adult themes. There is plenty of implied sex scenes, dark moments, murder, rape, psychoness as well as being overall dark and unpleasant. 16+


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