“Why Bother?” You’re Your Own Worst Enemy in Art

pencil drawing gif

Even though I don’t talk about it much here, because it doesn’t tend to have much relevance to what I blog about (ironically?), I love drawing. I’ve been drawing for as long as I can remember. I even give drawings to my friends and family as gifts for holidays sometimes. But in the past decade or so I have repeatedly gotten into extremely bad art slumps that lead to me quitting on numerous occasions either for a few months or over a year or more at a time.

‘Why bother? My art sucks. I’m nowhere near the level of people who have a fraction of my experience or people who are half my age.’

That is the main thought I have whenever I drop my art. Currently, I am in a ‘dropped’ phase of my art, as you can probably see from my ghost town dArt page. I haven’t drawn anything worth a crap in months and I haven’t uploaded anything since 2016. I’ve had to force myself to draw a few times in these months, and I haven’t been happy with any of it.

I used to draw religiously every single day. I used to draw so much that I ruined my mattress from wearing it out because I used to spend hours of every day drawing while sitting on the corner of my bed. I’d draw anything I wanted whenever I wanted and I loved it. When I started getting on the Internet, I eventually bought a scanner and then a tablet to put my artwork online.

While I have gotten plenty of good feedback, I have also gotten my share of bad responses. I’m the type of person who over-exaggerates negatives while downplaying the positives. These negative responses never hindered me enough to quit drawing. Definitely put me in a bad mood, but never outright quit.

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You are your own worst critic, as they say. As I reached my late teens and started having ‘issues’ for lack of a better term, I found myself getting increasingly depressed about my artwork. Despite working for years and years on my drawings, I’d keep seeing people online or even artwork shown in fairs that would drive me down.

A beautiful, realistic and detailed drawing of a deer in a field that I could maybe hope to achieve years in the future with much more practice.

Done by someone aged nine.

A gorgeous, expansive, intricate landscape with creative ideas and unique designs.

The description says it’s ‘just a quick doodle’.

A hilarious comic with stylized artwork and wonderful formatting and comedic timing.

“Hey guys, I just decided to start doing comics. This is my first one. What do you think?”

A fun, slick digital painting of a sports car that looks so good you feel you could ride in it.

“Eh, I’m not all that happy with this one, but I just threw it together in an hour so it’s alright.”

I am so happy for each and every person who finds something they’re good at and runs with it. I am also not under the mindset that talent alone, without hard work, is worth much. But it is always such a massive punch in the face to me whenever I see amazing artwork and my internal voice says something along the lines of “Wow, I’ll never be able to do that.” or “Over twenty years of practice, and I can’t do anything nearly that good. Why bother?”

I can’t respond to that question when I ask myself that. Why bother? Why would I bother? Why would I go through hours of hard work and frustration just to make something that’s, at best, okay? Why would I continue with my crappy artwork when so many people out there do so much better, even if they’re much younger than me or have much less experience? If even the artists themselves describe some of their beautiful works as ‘doodles’ and ‘something I threw together’, what does that make my work? Total garbage I wasted hours, days, even weeks on?

I used to want to make animations and comics, but I never did much with those ideas because I kept getting into the ‘Why bother?’ slump. I’m still in one of those slumps. A bad one. So why am I even writing this blog post?

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A useful therapeutic technique for beating negative inner voices is trying to talk to yourself like you would to a friend or family member who is hearing those same things. Most people wouldn’t talk to themselves as they would someone else. If your friend said ‘My artwork sucks. It’s nowhere near as good as millions of other artists. Why bother even continuing?’ I doubt you’d respond with ‘Yeah, you’re right. Your art is garbage. You should quit.’ Unless you’re going the route of reverse psychology, which is an iffy road to say the least, and really doesn’t work when applying it to yourself.

This obviously isn’t an end-all solution. Convincing yourself that what you’re saying is true, in a positive sense, can be very difficult. You’re basically trying to pump up your positive inner voice to beat your negative inner voice in a boxing match while your negative inner voice has metal spiked gloves with flamethrowers and your positive one has plastic bags filled with go-gurt.

Don’t you want to see how good you could be? Even if you can’t see the top of the stairs, don’t you want to at least say you made it up a few more steps? Despite me being down on myself and my work, I can’t deny that I’ve definitely gotten better over time. I look back at pictures I made as a kid and I want to just throw them all away. (Upside-down house head was a common affliction to my characters. Terrible disease) but I don’t because they’re important to me and they’re reminders that I have improved a lot.

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The point is, I really wish I hadn’t quit all those times because I missed out on a lot of improvement and learning. I missed out on the fun I could’ve had wrestling with a new drawing and finally finishing it. I just flatout missed out. I’m still missing out. You should always aim to improve and be open to constructive criticism, but comparing yourself to others, in basically anything, is frequently a detriment to your growth in that area.

You could say striving to be as good as other people inspires you to improve, which might be true for some people, but, and this might seem silly, look at shows like DBZ and Yugioh. Characters like Kaiba and Vegeta worked their asses off to get better than one particular person and, during that time, aforementioned rival also improved a great deal, meaning the gap between them either stayed the same or barely moved even a little. (Some exceptions apply)

In both situations, despite them both becoming awesome and powerful in their own right, they basically relegated themselves to never achieving true victory over their rival, though not for lack of trying. Both still very much enjoy trying to achieve victory to the very end of their series.

I suppose the difference here is that those people do have intense confidence in themselves already. Their defeats and constant reminders that they’re not as skilled as someone else just drives them to improve more and more in the hopes that they can beat their rival and finally earn their ‘rightful’ title as the best. In some circumstances, they want to earn that title just so they can see how their rival will turn around and try to get it back. It’s a passion fueled by competition.

Going into this same situation with a negative attitude basically sets you up for a fall and creates the ‘why bother?’ response. You no longer look to these rivals as hurdles you need to jump over, but instead as walls you’ll crash into. You don’t appreciate your own improvement anymore because you’re surrounded by walls. Why bother getting excited over going a few more steps when there’s probably a wall at the top?

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It’s more cliches, but there is always someone better, and, realistically, you’re likely always better than someone else. That’s not meant to be cruel to others or to build your confidence on the downfall of others, it’s just a fact if we’re meant to take the first part of that statement as truth. It may be in different areas, mediums, styles, or even just one incredibly small thing like using a color better than others, but it’s true. I don’t believe in people being the absolute worst or the absolute best at something. There’s always room for growth and improvement, and as long as you’re trying there’s always quality to your work.

Even if you feel surrounded by walls, what’s stopping you from grabbing a grappling hook and climbing the wall? Batman does that.

What’s stopping you from bursting through the wall? The Kool-Aid man does that.

Okay, you probably want to strive to be Batman over the Kool-Aid man….Though he does survive all of those crashes without a scratch despite being a glass pitcher. There’s a metaphor in there somewhere.

Just like there’s a point in this post somewhere.

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Another anime I’m reminded of is Chihayafuru. In it, the main character, Chihaya, falls in love with the game of karuta. Seeing the passion for the game in her friend, Ayata’s, eyes spurred a similar fire in her heart for it.

But she absolutely couldn’t hold a single candle to Ayata when they first played. Ayata was a card chucking ninja robot and Chihaya couldn’t do a thing. That is until she managed to get one card before he did. Just one. She lost horribly, but she was so happy just to get that one card. She worked harder and harder to improve over the years, even if interest in the game was extremely low in her school and her friends had drifted apart. She didn’t work her butt off to slam victory over Ayata’s head or anything, she did it because the game made her happy and reminded her of how much she and her friends used to love playing together.

A favorite of mine in regards to breaking out of regular ‘I have no inspiration’ slumps is the ‘just draw’ approach. Scribble, doodle, make random lines, just draw something, anything, and it can lead to a great idea.

It’s a common practice in writing too. Just write whatever you want, not taking grammar, spelling, etc. into consideration and eventually you’ll stumble upon something you want to write about in a more clear-cut manner. If not for the goal of drawing, writing, building, sculpting etc. something you think will be a great masterpiece, at the very least it will be something you’ll hopefully enjoy making. I miss the enjoyment I’d get out of just sitting on my bed drawing and not caring who thought my drawings were good besides me.

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Art, in any form, is as much personal as it is something to share with others. It’s an expression of yourself in small and large ways. It should always be something for you far before it becomes something for other people. Who cares if you’re not on the same level as someone else, no matter the difference in age or experience? Who cares if some people seem blasé about their astounding works of art when you work your ass off to crank out something that doesn’t breathe the same air as that artwork? Who cares if only a few people see it?

Being so critical of yourself can actually be a good thing. If you’re able to see all of the negative aspects of something you’ve made, you can pinpoint these problems and know exactly where you need to focus your work. I remember looking up lineart tutorials because I thought about how crappy my lines always looked. They’re still not great, in fact it’s still fairly sloppy, but they’re better.

Your artwork, no matter the medium, is yours and yours alone. No one can take that from you. As long as you have a desire to learn, grow, improve and, most of all, have fun doing it, that should be all you need to continue.

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As I said before, it can be very difficult to convince yourself that what you’re saying is true, especially in a positive sense. I’m saying this entire blog post to myself as much as I am to you. I doubt I’ll sit down and actually draw something after I hit ‘save’ or ‘publish’, and I doubt that nagging negative inner voice won’t flamethrower through my brain as I attempt to even try to pick up a pencil or plug in my tablet, but hopefully I’ll feel a little more compelled to doodle or something some time in the near future.

Honestly, I didn’t start writing this with the hopes or intentions of breaking numerous people out of their negative thoughts about their artwork. I didn’t even intend to give myself a pep talk. I just felt the desire to write this, so I did.

Is it any good? I don’t know. I did my best, and that’s all I can hope to do. Will this help anybody? I hope so, but who knows?

I will say one thing, though. I’m glad I wrote it.

Omake Gif Anime - Konohana Kitan - Episode 8 - Rei Draws Yuzu

Episode One-Derland (Cartoons) Zeke’s Pad

Plot: Zeke Palmer has a magic electric drawing pad that allows him to alter reality and create things from thin air just by drawing them.

Breakdown: It’s like Chalkzone mixed with Fairly Odd Parents only not nearly as imaginative, funny, or with as much freedom.

The end

I know, I’ve done similar bits before, but it’s true. This concept, on paper (….puns?), is a very good one that hasn’t been done to death but has been done, ala Chalkzone. But its execution here is just plain not good.

First and foremost, this is not an origin story episode, which is….alright, because we can get the gist of the main plot from the theme song and the episode itself. Zeke has some sort of tablet (called ‘the pad’. How creative) that can create anything he draws. It seems like this ‘power’ is a secret, but I don’t really know. His best friend knows, and that’s all I got.

The origins of the pad are rushed through in the theme song and still make no sense. An electronic drawing pad was being assembled at a factory when the machine suddenly malfunctioned and caused lots of sparks and….magic? The machine threw it out, seeing it as defective, but it bounced out of the bin and out the window where Zeke caught it, somehow instantly knew its powers and how to use it and used to it get away from a dog that was chasing them…..Okie.

Next, Zeke is bland and forgettable with his only notable traits being that he’s lazy, selfish and inconsiderate. Because that’s what I want in my main character – nothing but unlikable traits.

To give you the low down, let’s go through Zeke’s actions throughout the course of the episode.

We spend well over two minutes hearing him bitch and moan and having a breakdown over getting served porridge for breakfast yet again. Apparently his insanely neurotic mother makes it every single day. However, this ‘joke’ has no real setup because we don’t go in knowing this, and the joke runs for way too long and amounts to nothing.

After he has a minor porridge breakdown, he bitches and moans that they never have something good like pancakes for breakfast. Aw, poor baby. Your loving mother takes the time out to make you breakfast every morning and it’s not what you want. If you want pancakes, get off your ass and make them.

And he takes my advice…..by going to his room and drawing a huge pile of pancakes on the pad, which materialize before him. And by ‘huge pile’ I mean he stockpiles his room nearly to the ceiling with pancakes and he chows them all down….without syrup or butter. I know that would be messy, but without syrup or butter, you might as well be eating mattress foam.

He gets a huge gut because of this, and, continuity honored, his gut stays this way for the entirety of the episode. However, he completely fails a fitness test at school because of it. Why the hell would you draw a room full of pancakes to eat when you have a fitness test that day? Huge gut and cartoonish appetite aside, eating even a regular helping of pancakes before strenuous exercise would make anyone feel like garbage.

He got the worst grades on the test in school history, so he’s sent to a fitness camp to bulk up and pass. He exercises a little, and gets so fed up with the whole thing that he draws a hot air balloon to escape, but drew it with a nearly empty fuel gauge and crashes…..Yeah, don’t ask me why he did that. He brings it up (“I had to draw it with a FULL fuel gauge?!”) but it still makes no sense (Why would you draw it with an empty gauge to begin with?….or a fuel gauge at all?). Anyway, he makes it home and obviously gets found out because his crazy camp counselor instantly finds he’s escaped, goes straight to his house, searches it and finds Zeke.

That was a pointless waste of time because of stupid, by the way. Of course they’d find out and call his parents. Of course they’d look for him. Of course the first place they’d look is his house. Maybe they wouldn’t practically break in and search without asking permission, but they wouldn’t just leave him be. And he knows this camp is necessary to get him a passing grade, so he should know escaping is pointless. If he were smart, he’d draw a way to make the camp or test easy as hell to pass. Hell, he has reality altering powers, just draw a test with an A grade on it.

Also, just to get this plot hole/annoyance out of the way, Zeke’s father, despite hearing that Zeke has to go to fitness camp to pass his test, for some reason thinks it’s ridiculous that Zeke would be a camper at a fitness camp and that him, being an artist, must be at an art camp. Even after telling him that and being found at the house, escaping from the fitness camp, Zeke exclaims later that his dad still thinks he’s at art camp…..Is his dad an idiot or is this very poorly written? I can’t tell.

Zeke recruits his best friend, Jay, in the middle of the night to help him pass his test. He claims he can’t just draw himself before he ate all those pancakes because going back, deleting and erasing always goes horribly wrong. We just have to take his word for it, but uh…..just draw yourself in a fit way you’ve never been. That way it’s an alteration not a redo or a deletion. It’s not that hard.

Just a note, Jay does not help him at all. Not for lack of trying or because Jay’s a bad friend, but because he has no way of helping him. Zeke has the pad, and Jay could easily give him advice over the phone, but he begs him to put aside his studying for an algebra exam to help him at the camp and he, reluctantly, goes. When Zeke’s pad gets taken away by the counselor, they both sneak into his office to get it, but it’s entirely unnecessary for Jay to be there. He doesn’t do anything because there’s nothing for him to do. He does point out that Zeke is running away faster than he is and asks if he’s been working out, but bite me, Zeke’s Pad. There’s no way a day and half of moderate exercise with a huge gut hanging over his pants made him fit enough for there to be any noticeable improvement in his physical ability.

When he gets his pad back, he thinks of the perfect solution. He draws them at Art Camp, which alters reality….somehow, to making everything an art test and art challenges, which Zeke excels at.

The only repercussions of Zeke’s selfish and lazy actions is that Ike, his older jock brother who both gave him the initial fitness test and worked as a counselor at the fitness camp, is still rough on him, they have to draw Ike in his boxers (Jay’s still at the camp because of no reason whatsoever.) and Zeke’s mom makes him pancakes when he gets home as a gift for passing his test, which, wahmp wahmp, makes Zeke freak out….Also, he’s instantly thin again when he changes the camp to an art camp…..continuity makes sense, right!?

Nothing about this episode was funny. Not a damn thing made me even want to put effort into moving my lip muscles into a smile shape. I’m watching a lazy inconsiderate idiot get himself into trouble, easily get out of it and get what he wants all the while bothering his friends and scarily manipulating reality and those around him. Not to mention a total lack of a lesson being learned or comeuppance for his behavior. He could at least have done something nice for someone else with that pad (like, maybe something to help Jay with his algebra test), but he just uses it stupidly for stuff he wants and is too lazy to do himself.

There’s also a subplot with the rest of his forgettable family with his mother making them work out and eat healthy non-stop. It goes the way you think and ends the way you think.

The jokes they attempt have no thought put into them. Most of them are unfunny slapstick gags, burp jokes and a fart joke, the rest is just cartoon zaniness in how quickly and sporadically they move, which may as well be slapstick.

As an artist who would value this power like a gift from the gods, it bugs the hell out of me that this is such wasted potential. I would love another Chalkzone-esque show. It allows for such amazing creative freedom in plots, characters and powers. However, it is just not used well here. There are vague and undefined restrictions by default, and they can’t use the power many times because the thing needs to be charged.

Not to mention the fact that there’s no artistic merit going into these drawings. We never see him actually ‘draw’ anything. We get some weird overdone transition, see the finished drawing for about a second and then cut to the thing appearing or reality changed. We don’t even see him draw anything for the hell of it or at all despite the fact that people keep saying he’s creative and loves to draw.

Even in the very end where he gets his altered test to draw Ike, we don’t get to see him draw or see his finished drawing. This is a show based around art-fueled powers….with no art.

Speaking of art, the CGI cel-shaded art for the show is really blah with no real style to it. The colors are bright and appealing, but that’s about it. These graphics look pretty dated for a show that was supposedly made in 2010, and the animation, while not having many errors, doesn’t have a good fluidity about it. Half the time it’s jarring shifts and the other it’s slow moving in a sliding fashion.

The music’s alright, but forgettable. I listened to the theme song three times just five minutes ago and I’ve already forgotten it.

Verdict:

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Two-dimensional characters with the MC having no real good traits conveyed so far, poorly written story structure and dialogue, no good jokes and a complete waste of a fairly good plot and you leave me with no reason to want to continue.

Also, in spite of the fact that this show won two Elan awards for Best Animation TV Production and Art Direction, this show only lasted one season. Hm.


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GA: Geijutsuka Art Design Class Review

GA: Geijutsuka Art Design Class

Plot: A slice-of-life comedy anime about a group of girls in a school that specializes in art students.

Breakdown: Slice-of-life comedies have to be one of the hardest genres to review, especially when they have no real story to them beyond what the plot gives us. The genre is fairly saturated as well, in addition to shows like Azumanga Daioh being the frontrunner for quality in the genre.

GA does a very good job at both being funny and entertaining as well as being a neat feature for artists along the way. Despite a good chunk of the art related information given in this show being pretty basic, I still learned some stuff, and it was cool to see an anime that talks about art so energetically.

Character-wise, we have two groups of characters; our regular group and a side-group of older students who are in an art club. (GA has both a regular school and an art school, so I guess the art club’s meant for people who like art but not enough to be in the other part of the school.)

Main Group

Kisaragi: Kisaragi is a naïve worry wart who has a thing for cats. Practically everything that she draws has something to do with cats and…and…..I’m sorry, but there’s one detail about this girl that annoys me to hell – her glasses. Her glasses are HUGE and they’re so far down her face that, most of the time, it seems like they cover more of her cheeks than her eyes.

GLASSESSSSS

I thought the Chief from Beyblade’s glasses were annoying…

Tomokane: A hyper and very physical tomboy with short hair and a boy-ish voice. I actually thought Tomokane was a guy for the first half of the series, and I constantly kept calling her ‘him’ afterwards on accident. Tomokane frequently causes a lot of trouble with….

Noda: An equally hyper and extremely random girl who likes to cause trouble. Her older sister is a model whose face is masked for the entirety of the one episodes she’s featured in.

Kyouju: A dark and constantly straight-faced girl, Kyouju frequently freaks out the rest of the group with her deadpan delivery and dark style.

Namiko: Seemingly the oldest one of the group, Namiko frequently acts as the responsible one. She works hard to ensure that everyone’s working on their assignments as well as keeps the fun-loving group in check (especially Noda).

Side Group

Club President: Also energetic and random, the club president really loves her club and is always eager about making club activities and getting new members to keep the club alive.

Bucchi: Kisaragi’s friend who introduced her to GA, Bucchi I think is part of the art section of school. She also acts as a responsible member of the group.

Orange haired guy: He’s random and energetic but more down to earth than the club president.

Blue haired guy: The straight-man of the group for the most part.

Older Tomokane: Younger Tomokane’s older brother, he’s constantly ill to the point where he spends most of his schooltime in the nurse’s office and frequently faints. However, he loves nothing more than playing pranks on his younger sister.

You may notice something with the side group – I couldn’t remember most of their names. They’re a really forgettable bunch. The main reasons I remember Older Tomokane and Bucchi was because they were connected in one way or another to characters in the main group. They come in halfway through the series, and they don’t do much. Their segments also weren’t very funny barring maybe the Club President’s box.

The OVA isn’t really anything different from the regular series, except, I guess, we have more of an interaction between the two groups, and we learn why Kisaragi wanted to go to GA in the first place.

Art and Animation: The art and animation were bright, colorful and a joy to look at. It’s not amazing, but it’s pretty unique in its style and coloring. Also, I should note that these girls are supposed to be 15-16 years old, but they look and act like they’re about seven barring Namiko and Kyouju.

Music: The OP, lyrically, is weird, but it’s a catchy and cutesy theme. The ED’s okay, and the BG music is also good.

Voice Acting: Japanese – The voice acting was great. Everyone had plenty of energy and fit well within their roles.

Bottom Line: If you’re looking for a lighthearted SoL anime and don’t care much about linear storylines, this is a good one to check out. It’s also a cute show for anyone interested in art even as a slight hobby.

Additional Information and Notes: GA: Geijutsuka Art Design Class was directed by Hiroaki Sakurai and was produced by AIC.

Episodes: 12 plus a one episode OVA.

Year: 2009

Recommended Audience: There’s no questionable material. Rated E for everyone!


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