AniManga Clash! Yu Yu Hakusho Volume 2

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Chapter 9: The Momentary Resurrection

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Picking up where we last left off, Keiko was in the hands of the thug, Daisuke, who brought her back to some seedy bar to show her off to his friends. She doesn’t go quietly, however, especially when they start trying to do pervy things to her. They beat her up and knock her unconscious, leaving them open to sexually assaulting her. However, Yusuke, who comes in wearing a mask he won at a pachinko parlor, rescues her before they do anything.

Kuwabara, who got the news when Yusuke did, arrives on scene to save her, but Yusuke hands over the unconscious Keiko to Kuwabara so he can pretend he saved her – making it so she won’t ask questions or realize he’s alive for a day.

I don’t know why Yusuke is allowed to talk to Kuwabara but not Keiko or his mom. Also, Keiko is just faking being unconscious right now, she woke up a little earlier…so…what’s the rules there? She’s allowed to acknowledge that he’s temporarily alive, touch him and hear him speak, but as long as he doesn’t speak to her and vice versa….it’s fine? That’s so dumb….

Keiko continues to fake being unconscious for several more hours, I guess to force Yusuke to not go traipsing around town and risking his body like that. When she leaves, Yusuke realizes she put a little kissy mark on his face.

This was…a fairly okay little arc. It was cool to see Yusuke back in action, and his ridiculous masks were hilarious. Plus, this was a cute little moment between Keiko and Yusuke, but this is just one of so many instances of Keiko being a damsel in distress. And the continued aspect of threatening sexual assault is uncomfortable.

Not to mention that I just find the whole aspect of him being able to see and converse with literally anyone else BUT Keiko and his mom is a grade A plot device that doesn’t even function logically. Yusuke put on a mask so Keiko wouldn’t recognize him, but it turns out she can acknowledge everything about his existence except communicate with him. And if he wrote that note to Keiko at the end, the one where he acts as if he’s Kuwabara, doesn’t that count as communicating with her?

I can definitely see why they didn’t put this in the anime.

Chapter 10: Forbidden Games

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Another manga exclusive story, this chapter returns us to Shouta, the boy from a few chapters back who was dealing with confidence issues and the loss of his beloved dog, Jiro. Now, Shouta is doing pretty good in life, but he’s haunted by the spirit of a girl named Sayaka. She’s dragging him out of his body every night to play with her because she’s so lonely, as she was also very lonely in life. Shouta doesn’t remember these encounters after he wakes up, but when he’s in spirit form he resists going with Yusuke and abandoning Sayaka because he doesn’t want her to be lonely.

This is the first spirit Yusuke actually fights in the manga – and he loses pretty badly. Sayaka’s loneliness has created a deep darkness in her heart, and it’s granted her incredible power that Yusuke just can’t stand up against. If Sayaka continues to take Shouta’s soul out of his body night after night, she’ll eventually weaken his soul enough to drag him to the afterlife with her, but since her soul is so corrupted by loneliness, she’ll only be entering a world of darkness and despair with him.

After a few days of being Yusuke being unconscious (how that works as a ghost, I don’t know) we discover that Shouta is becoming pretty weak, though still not realizing what’s happening at night. Yusuke goes to confront Sayaka once more, but she refuses. She wants to finally bring Shouta to what she believes is heaven, but when she goes to force Yusuke away again, she finds her powers to be entirely diminished.

It seems that hanging out with Shouta so much has quelled the loneliness in her heart, and her powers have greatly weakened because of it. She still doesn’t want to leave Shouta and vice versa, however, so Yusuke happily offers to be a big brother to her and play with her until she’s finally ready to pass on for real.

She agrees, and Shouta returns to his regular life, healthy as a child should be, but it seems Sayaka is sticking around for longer than they thought.

I really liked this story and, truth be told, it’s better than the anime version of Sayaka.

Yes, Sayaka exists in the anime, but she’s basically changed so much that she’s not even the same character outside of the design. In the anime, she’s a one-episode character, taking the role of a spirit investigator sent to determine if Yusuke is really worth saving. She evaluates Yusuke’s friends and family as well as Yusuke and his relationship to them. Most notably, she investigates the relationship that Keiko and Yusuke have. She’s uncertain about her findings until Yusuke willfully sacrifices his spirit egg, his one chance at returning to life, in order to save Keiko’s life.

Sayaka’s report on the matter impresses Koenma, who agrees to bring him back anyway since he showed such selflessness.

Sayaka just always seemed like an unnecessary character. Isn’t Botan doing enough investigating and reporting on Yusuke’s attitude and relationships that Sayaka’s role is redundant? I never disliked her in the anime or anything, but she wasn’t really made interesting and, like I said, her presence seemed pointless.

In the manga, her story is much more interesting, and even somewhat heartbreaking. I absolutely loved that Yusuke offered to be her big brother and play with her without any hesitation. He knows she’s not a bad kid, she’s just lonely and sad. It was also nice to see Shouta again. It’s good that he’s still doing well and is turning into such a sweet kid, even if it is slightly implied that he’s becoming a bit of a ladies man….as much as an eight year old can be, anyway. I dunno why they needed that implication. Can’t he just be a nice kid to both genders without implying that he’s being nice to girls to impress them?

I was a bit sad that Shouta didn’t even mention Jiro, but Yusuke brought up his promise to Jiro, and that was really sweet. We’ll have to wait and see what Sayaka’s continued presence will bring to the series.

Chapter 11-12 A Broken Friendship/Demonic Hand

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This is a two-parter story involving two best friends, Emi and Natsuko. They’re both top of their respective classes, and they’re competing for the lone spot offered by their school to go to N High School – a very prestigious school that everyone’s pressuring them to attend.

Recently, Emi has been having very ominous feelings, as if something is watching her or causing her to suffer misfortune. Yusuke spots the seeming culprit, the spirit of a boy who used to attend the school five years ago. He committed suicide, and I quote “due to some setback” but very much regrets his decision.

He’s not really the problem, though. He was attracted to Emi due to a dark power resonated from her because of an amulet. Natsuko had placed a curse on Emi to cause her to slip up in her studies and stop being competition for her for the spot in N High School. Natsuko was pressured even more by everyone else, especially her family, to get the N High School spot. This pressure was compounded by the fact that Natsuko was consistently second place to Emi throughout their entire friendship. She resented her for it, but those feelings would usually quickly dissipate after saving Emi from bullies or spending time with her.

Evil and corrupted spirits were attracted to the amulet, making it more powerful. However, the boy’s evil energy started fading when he kept seeing what a kind person Emi was. He didn’t fall in love with her or anything, but she showed him a light that drove back the darkness.

Meanwhile, Natsuko started regretting her decision after hearing Emi talk about not wanting to bother Natsuko with her worries, especially since Natsuko believes in the paranormal and may freak out.

Natsuko rips up the ‘amulet’ which I think is moreso a talisman, but okay. However, she’s shocked to find the mark of the amulet now tattooed on her wrist. At the same time, Emi is being pulled across the railroad tracks by a dark entity right as a train approaches.

The boy vanishes before the second half of the story. Yusuke asks if he’s moving on now, and Botan says suicide is too grave a sin to move on yet. He has a lot of repentance to do before he can do so.

Sayaka, who alerted them to Emi’s problems in the first place, notifies them of Emi’s current situation. However, they can’t do anything about it since spirits can’t really interfere much with human matters, and this evil entity is too powerful for any of them to take on. That’s not enough for Yusuke, however, as he rushes in and tries to bite the entity into submission, but he’s literally chucked all the way into space as a result.

The boy’s spirit returns and manages to bring Natsuko to the tracks to save Emi. That’s all he’s able to do before he disappears once more.

Natsuko pleads with the entity to let her go, and after a touching speech, the entity finally vanishes, as does the mark, and Natsuko saves Emi.

Later, at school, Natsuko and Emi tell their respective teachers, who have been pressuring them a lot since the class of the student who goes to N High School will get a lot of respect and adoration (and Natsuko and Emi are from two different classes) that they want the school to take them out of consideration for the N High School spot. They’ve both decided to not listen to anyone who is pressuring them anymore. They want to make their own decisions from now on. They’ve decided to go to S High School together, much to their teachers’ dismay.

This story was pretty good, even if I’m not sure it warranted being a two-parter. Emi and Natsuko have a very realistic friendship. Even the best of friends can have hidden resentments and anger amongst them while still being very strong friends, and such massive pressure on the both them could easily make them do crazy things, especially if they believe it won’t actually work. Despite believing in the paranormal, Natsuko didn’t believe her silly spell would work until she realized something was actually troubling Emi, and when she realized it was real she almost sacrificed her life to make things right.

My two main problems with this story are the boy spirit and the roles of Yusuke, Botan and Sayaka. The boy spirit, who is never named, mind you, seems like he could have an interesting story. He’s a kid who committed suicide at the very school the girls are currently attending, but we get an almost insultingly pitiful amount of information on him. Not only do we never learn his name, but we never learn of his story or why he committed suicide in the first place. “Due to some setback” is so vague it’s almost irritating. It was only five years ago. Why is he so unspecific about it?

And even though I get that suicide is taboo in a lot of religions, it does bother me that even in YYH suicide is apparently so grave a sin that you can’t go to heaven once you do it. They never imply he’s in hell or anything, just that he has to do god knows how many good deeds as a spirit before he can move on, but still. The kid was suffering so much that he killed himself and now, as a ghost, realizes he lost everything and regrets it. Isn’t that bad enough?

He does come back and help Natsuko save Emi, but then he vanishes and is never even brought up again. It’s a sad ending to an already sad story and it’s pretty much glossed over.

In regards to Yusuke, Botan and Sayaka, this is another story where they might as well have not even been there in the first place. You could completely remove them from this story and everything would have been exactly the same. The trio basically just acted as audience surrogates – creating an avenue for the characters to give exposition without it being narration or something, and that wasn’t necessary because…yeah, just have it be narration.

It’s not like Yusuke did any Spirit Detective-ing either. He literally just talked to the ghost stalking Emi and asked what’s up. The boy ghost was even the one who found out it was Natsuko who cursed Emi.

Yusuke attacked the entity, and that was a little funny, but it did absolutely nothing and the girls weren’t even able to notice he did it.

So, in conclusion, decent story but it didn’t have to be a YYH story nor a two-parter.

Chapters 13-14: Prerequisites of a Loved One/Inside the Flames

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Ah, finally. We’re at another chapter that was reflected in the anime – Prerequisites for Lovers.

As I mentioned before, Sayaka is not a spirit investigator in the manga as she is in the anime – she’s just the spirit of a little girl. She has grown extremely attached to Yusuke, and she and Botan basically follow Keiko around so Sayaka can see if Keiko and Yusuke’s relationship is true love.

Everything else in the story is exactly the same barring the very ending. In the anime, Yusuke was told that the only way to save Keiko’s life was to use the power that has been stored up in his spirit egg to create a pathway in the fire. This would mean sacrificing his one chance at coming back to life, but Yusuke does it anyway since Keiko’s life means more to him than his.

After the ordeal, Koenma appears. He’s so impressed by Yusuke’s selflessness that he agrees to bring him back to life anyway.

In the manga, Koenma appears during the fire and explains to Yusuke that he’ll have to agree to a deal for Koenma to use his power to save Keiko. Yusuke doesn’t let him explain what it is as he’s far too impatient to wait for Keiko to be safe. Koenma uses his power and opens a pathway in the flames. Later, Botan explains that, in order for Koenma to make a miracle, like saving Keiko, he needed to use human virtue. Since Yusuke was the other half of the deal, he used the virtue that Yusuke had been saving up in his body to use his power.

However, unlike in the anime where this meant he sacrificed his chance to come back to life, in the manga, this simply means that it will take longer for Yusuke to build up more virtue and return to life. And he really doesn’t care, so this doesn’t seem like nearly the same kind of massive sacrifice as Yusuke made in the anime, which is disappointing.

Granted, the anime also doesn’t make a lot of sense because it’s revealed later that, despite the egg being destroyed in the fire, his spirit egg hatched further down the line and became Puu. Still, you lose a lot of the emotional impact when you replace ‘You can never be resurrected’ with ‘it’ll take a bit longer to be resurrected.’

The manga also goes a bit further in the story. Kuwabara shows up and takes Keiko and Yusuke’s body to his house to help cover up Yusuke’s secret. His sister, Shizuru, loans Keiko some clothes to replace her burned ones, and she cuts Keiko’s hair since it was singed. We also learn Shizuru wants to be a beautician, which is something I don’t believe was ever conveyed in the anime.

Shizuru, having even stronger spiritual powers than Kuwabara, can actually see Yusuke’s spirit around Keiko. She comments that he seems to be a good guy and asks if she likes him. She says yes and Yusuke looks a little embarrassed.

Meanwhile, Sayaka also bids her farewell. She accepts that Yusuke and Keiko are a great pair. She doesn’t like the idea of relying on anyone else’s boyfriend, so she decides to pass on and find her own boyfriend in the afterlife. She even suggests Koenma is kinda cute and might seek him out next. She tells Yusuke to have two kids with Keiko, a boy and a girl, before finally departing.

There’s also a small part where Koenma shows back up after Sayaka leaves. He tells Yusuke that, since he had to save Keiko’s life and interfere in real world matters, he took a body part from her. Yusuke freaks out and rushes to Keiko and Koenma giggles and points out that he took her hair (since she just got a haircut.)

You’ll notice that another scene is missing from the manga, and that’s the scene after the fire is put out. Keiko stands by with Yusuke’s body in a wheelchair, believing he saved her from the fire. Atsuko, in a kind of annoying ‘I’m not really taking this seriously’ tone goes on about how sorry she is that she wasn’t there, but she’s thankful Yusuke is alive and will do better for him from now on.

I do kinda wish the manga had some scene with Atsuko, because this is literally all her fault. Like I said in my review of the anime episode, I almost feel like it was originally planned to have Atsuko accidentally set the fire due to her negligence but they decided against it to not make Atsuko too unlikable. Instead, she left the windows unlocked and covered her son in dust and garbage, giving the arsonist easy access and allowing the fire to spread easily.

This was definitely a sweet story in both versions, but I can’t help but prefer the anime’s retelling a little more. Yusuke knowingly and willingly sacrificing his one shot at being brought back to life is just better than him needing to be a ghost for a while longer. He didn’t know what he was agreeing to in the first place, and he didn’t care at all when he found out the cost.

Yusuke, in the anime, after everything was said and done, had a bit of a blowup. He yelled out to his mom, Keiko and Kuwabara to stop talking to what was now an actual dead body. He yelled at his mom to stop apologizing because he’ll never be around to say it’s okay, and he accepted that he was dead for good. He even started crying a little before telling Botan to just take him heaven or hell or wherever he was supposed to go now.

This blowup doesn’t mean he regrets saving Keiko, of course he doesn’t, but it’s very genuine to also show that the cost deeply affected him. A sacrifice isn’t really much of a sacrifice if the loss doesn’t hurt you.

Chapters 15-16: Target! A Victory/Victory Depends on Guts

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As he’s floating around town, Yusuke spots an old classmate of his, Suekichi, being bullied by a group of thugs. Back when they were kids, Suekichi was always being bullied and Yusuke would save him from the bullies….for a fee, of course. He was so spineless and weak that the other kids had nicknamed him Suekichi the idiot.

Yusuke couldn’t stand watching Suekichi be ruthlessly beaten into the ground anymore, so once he was knocked unconscious Yusuke jumped into his body, ignoring the warnings of Botan. Yusukichi easily flattened all of the thugs in one fell swoop, but Yusuke became locked in Suekichi’s body.

Meanwhile, Koenma appears before Botan and explains that a decision was made on Yusuke’s revival. They will allow Yusuke to be brought back to life even without him regaining the virtue he lost earlier. They explored Yusuke’s heart and found that he wasn’t evil, but he wasn’t entirely noble either. He very much acts without thinking, but many of his acts lead him to noble deeds….and some not so noble.

They’ve concluded that he’s a ‘bubblehead’ who can’t be accurately judged in his spirit form, so they’re taking the opportunity to see what he’ll do in a regular body..

Once Suekichi’s consciousness was reawakened, he freaked out at the invasion of Yusuke’s spirit, but Yusuke explained that he wished to help him. Suekichi is an aspiring boxer and he’s loved the sport of boxing since he was a kid. However, he’s never won a single match, which is really all he wants to do. Being bullied his whole life, he has a nasty habit of closing his eyes when the opponent is about to strike, so he always loses.

He does have a wealth of knowledge on boxing and great technique, but when it comes to applying it, he’s a total mess. However, he was chosen to partake in a competition as a representative of their school’s boxing society. He was one of only two candidates with the other being a thug named Itou who lost the position due to skipping too many practices. Itou’s cohorts were the ones beating on him in the start of the story, trying to get him to relinquish his spot. Itou himself starts wailing on him to get him to give up, but once again Yusuke takes over and beats the snot out of him.

Yusuke keeps trying to get Suekichi to believe in himself and have fighting spirit, but no matter the situation, he always folds.

One day, they bump into Tachikawa, who is meant to be his opponent in the match. He’s a dirty fighter who is known for purposely breaking bones and blinding his opponents in order to win. Yusuke took over his body and stood up to him for Suekichi, but when the time came for the match and he tried to get Suekichi to rise to the occasion, Suekichi simply couldn’t do it.

Yusuke finally got fed up and punched Suekichi (and by extension himself) in the face. With one final…let’s call it a pep talk Yusuke-style, Suekichi bites the bullet and heads out, which allows Yusuke to leave his body.

During the match, he does quite well. He doesn’t close his eyes and he has a newfound confidence. Even after he takes a hit, he’s able to power through because Yusuke’s punch was a lot worse. Tachikawa then aims to elbow him in the eyes to blind him, but Suekichi blocks with his head gear and socks Tachikawa in the face, laying him out and winning him the match. He cheers to Yusuke, even though he’s gone from his body, and Yusuke looks on with a smile.

I gotta say, if this was the main crux they were using for Yusuke earning his right to be revived….what a shitty story to do that with. It’s not a terrible story, it’s just largely uninteresting and not worth being so important. And haven’t we already had a story when Yusuke helps some bullied kid be brave? Nothing is riding on this competition besides some vow he made to himself several years ago, the outcome is entirely predictable, Suekichi is not an engaging character at all, and Yusuke was able to help him by beating up a dozen people and punching Suekichi in the face? Are you kidding me? THAT’S the act that instantly shows the higher ups in Spirit World that Yusuke’s worth bringing back to life?

Why couldn’t they have just made it so him sacrificing his ‘life’ for Keiko was the big act that convinced them? Why did he need to something in a human body to show this? Didn’t he also do good deeds the few times he possessed people? Hell, just look to the brief period he was brought back to life and how he saved Keiko from that gang, even risking losing his chance at coming back to life if she spoke to him. It’s so backwards. This should have been one of the first ‘Yusuke proves he’s an alright guy’ stories not the final one.

Chapter 17: The Golden Awakening

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I love how the action lines are also inside Yusuke’s mouth.

Ah, we’ve finally reached Yusuke’s awakening, and it’s pretty much exactly as it was in the anime. The only real change I saw was that, at least in the English dub, Yusuke claims Atsuko had good insurance and that’s how they got such a good apartment after the fire. In the manga, a text box explains that Atsuko got money from pimps to pay for it…..I don’t know if they’re insinuating that Atsuko’s a prostitute or she just knows pimps who would give her money, but….there’s that.

Speaking of Atsuko, another thing that stayed the same was Atsuko going out and getting plastered, leaving Yusuke’s body all alone AGAIN. I know I’ve already complained about that when talking about the anime, but REALLY. She nearly loses her son AGAIN to a house fire because she was out getting shitfaced, and she decides it’s a good idea to yet again leave her son alone while she goes to get shitfaced. Bloody hell….

As a few final notes, the anime did add a scene where Yusuke tries to corral Kuwabara while he’s at the arcade, but his efforts fail, and the anime’s shot of Keiko kissing Yusuke was just plain better in the manga. The actual kiss is covered, but the angle is a lot better than the weird sideways kiss she gives him in the anime.

….Oh and also, the previous two chapters were even more pointless if he was just going to be revived immediately after.

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And that was volume two! Quite the long road to Yusuke getting revived, but we’re finally getting him into Spirit Detective mode.

As for this volume’s journey to getting him there….Eh. The filler was okay, but I didn’t feel particularly impacted to the point where I was like ‘Whoa, I’m sad they never adapted this to the anime.’ The arc with Suekichi only gets increasingly frustrating the more I think about it. It’s boring padding that definitely didn’t deserve to be the defining moment for proving Yusuke’s worth as a person.

The manga just seems to have a problem with making stories that otherwise don’t really need Yusuke and Botan around. It doesn’t feel like Yu Yu Hakusho – it feels like an anthology. A Yu Yu Hakusho anthology-esque section could very well work if they focused more on giving Yusuke and Botan more stuff to do instead of reacting to what’s going on around them.

The arc with Yusuke’s temporary resurrection was okay, and the ending with Keiko was a little sweet, but I still find the conditions of this temporary arrangement to be bunk. It really just felt like a forced plot device to ensure Keiko and Yusuke don’t have some sort of reunion before he actually revives.

When it came to storylines that were adapted into the anime for this volume, everything seems in order, barring that one moment at the end of Prerequisites for a Loved One where the anime just did it objectively better all around. The manga did Sayaka’s role a lot better, but in comparison to the ending changes, it’s not much consolation.

Hm…..I feel like it’s a bit of a close call, but, ultimately, I’d give this round to the anime. If the anime had omitted more memorable stories and moments, I’d definitely give it to the manga, but they just made too many missteps here.

Winner: Anime


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Space-Time Detective Genshi-kun/Flint the Time Detective | Episode 11: Get Fired Up! Nekketsu Sub/Dub Comparison

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Plot: Genshi, Sora and Tokio head to America in 1906 where the Space-Time monster, Nekketsu, has befriended an 11-year-old George Herman Ruth, known later as the legendary baseball player, Babe Ruth.

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They add in a stock shot of Ms. Jinguji talking between when the kids enter the building and when they pan across the room.

Name Change: Nekketsu is changed to Batterball

The original doesn’t state that Nekketsu has the power to instill people with great athletic prowess like the dub does. All he does is control any type of ball and create balls.

There’s no excuse for this change. In the original, Genshi hears “batter” and mistakes it for the word “butter” and gets excited. In the dub, he hears clearly but thinks they’re talking about batter for pancakes. Granted, the joke here isn’t better or worse than the one in the original, but there was no reason to change it.

Title Change: Get Fired Up! Nekketsu is changed to Batterball

The original just says they’re heading to 20th century America. In the dub, they specifically say 1906. I don’t know why the dub is consistently more accurate on the year than the original is, but give Saban their props. When the original keeps saying (#)th century, it’s way too vague. Technically, this episode was made in the 20th century, for crying out loud, and 1906 is just barely on the cusp of the 20th century.

As usual, the dub chooses to show the kids getting on Ridon up on the second floor and descending down to the transport bay while the original hasn’t shown that in a while.

Nekketsu’s name plate is removed.

Subbed: STDGKEP11SCREEN2

Dubbed: STDGKEP11SCREEN3

Originally, George asks Genshi if he’s okay. In the dub, they make him an idiot by making him ask if Flint’s an asteroid.

Apparently, Saban transformed the shoes of those bullies who were kicking Batterball into clown shoes because they add horn honking sound effects whenever they stomp on Batterball.

I think this has happened enough now to add this note.

Entire Series Edit: In the original, the Space-Time Monsters can’t talk. They just say their names or make random sounds, like Pokemon. In the dub, they can seemingly all speak English fluently.

In the original, Genshi introduces himself as a friend and then proceeds to dance around while singing his ‘Friends’ song. In the dub, Flint says he’s there to protect George and Batterball. George asks what a small kid like him can do, and Flint just…..dances to the chanting from the theme song for some reason.

George wonders if Genshi even understands what he’s talking about. In the dub, he says Flint probably takes a lot of vitamins. Fun fact: vitamins were discovered by Casimir Funk who coined the term “vitamins” (originally ‘vitamines’) in 1912, a full six years after this episode takes place. I honestly just checked that for the hell of it, thinking vitamins were way older and this joke worked, but nope.

Sora tries to remind Genshi that playing baseball is not what they came here to do. In the dub, Sarah says giving Flint a mitt will keep the ball out of his mouth….??

Tokio then says it’s not fair for Genshi to catch and that he should have a shot at bat…….Dude, he literally just caught ONE ball. George literally batted ONCE. You’re saying that arrangement is unfair? In the dub, Tony suggests letting Flint take a few swings while they look for a mitt. That’s better, admittedly, but George has a mitt. We just saw it a second ago.

Putera says that’s not what Sora was talking about, and Sora laments that even Tokio’s not focused on work anymore. In the dub, Pterry says he bets Flint can hit and Sarah says she hopes Flint doesn’t mistake the bat for a French fry. Ahahahah, and all, but they do realize that Flint’s a caveman…..bats are basically just thinner clubs.

What’s with these baseballs, by the way? They have no stitching. Were actual baseballs really expensive back then or did the animators just not put them on for some reason?

Sooooooooooooooo…..Tokio’s all like ‘This isn’t fair!’ when Genshi is made the catcher ONCE, but Genshi using his stone hammer as a baseball bat, that’s perfectly fine?

Dub!George: “No way he’s going to hit my curve.” I know jack shit about baseball and even I can tell that pitch wasn’t a curveball. It just kinda swayed back and forth.

Yes, George did cheat by using Nekketsu/Batterball, but, again, it’s also cheating that Genshi/Flint used his massive stone hammer when batting….

Pterry: “Boys will be boys.” I friggin’ hate that saying.

Getalong: “But why?”

Sarah: “Why? Because I think boys are ridiculous and juvenile.” Ah the common casual sexism in children. One of many things in the ‘Problematic yet generally overlooked’ bucket.

……..Also, Sarah, that does not answer Getalong’s question at all.

Sora originally said that she doesn’t understand why boys get so heated over stuff like this, which is still sexist but not nearly to the extent Sarah was being.

I love how TP Lady/Petra Fina, Dyno/Dyna and Mite are all super happy with themselves for pulling off their plan of grabbing Nekketsu/Batterball while everyone was distracted, even pointing out that that was, specifically, their plan……when…ya know….they could’ve just made off with Nekketsu scot-free if they just left the kids to their personal squabbles instead of drawing attention to the fact that they were stealing the Space-Time Monster/Time Shifter….

The Masked Man originally suggests making doubles with him in real life. In the dub, he tells Petra that her serve is almost as beautiful as she is.

Oh god, the original actually plays the ‘Wahh wahh’ horn when TP Lady gives in to the taunting and agrees to the game when she said the taunting wouldn’t work. Give the dub credit, they didn’t mirror that music cue….

Putera and Love-Love originally pretend they’re the announcers for the game. In the dub, Pterry explains that, per the rules of the game, Petra’s team pitches first since they’re the visiting team (aren’t they all technically visiting, though? Barring George.)

Honestly, this IS is a stupid idea considering TP Lady has control over Nekketsu…the Space-Time monster who controls balls….Spoiler alert, but the only way they win is through convenient stupidity.

They flip the shot of Tokio hopping around to get the ball and repeat it after Petra starts running.

When the scene returns to normal play, they also flip the shot of Sora running after the ball for some reason.

It’s really weird that George is blaming Genshi/Flint for getting hit with the ball. It’s obvious Nekketsu did that.

They mirror the shot of Flint running through the wall, I guess to make it not as obvious that they reused that shot in the original……Who the hell keeps putting random walls on the field?

Still running commentary, Putera asks Love-Love about her opinions on the game. Since Love-Love can’t talk, she just mutters her name over and over. In the dub, Pterry asks Getalong what they should do. Getalong says “Who cares? It’s just a game of baseball.” Uh….yeah….it’s a game of baseball where the lives of one of your fellow Time Shifters hangs on the outcome…..Pterry points this out, but but since when is Getalong such a jerk?

Right before showing George getting emotional, they insert a shot of Pterry talking into the camera to Petra Fina, for some reason, apologizing for Flint and Tony’s catch……???

Sora says it feels like everyone’s been best friends for a long time. Sarah tells the others that they have a game to play.

Alright, if just using Oto-tan as a bat isn’t against the rules, surely using Fighting Spirit when at bat is. Again, TP Lady’s team is cheating too, so it doesn’t matter, but I’m still a little hungup on Tokio’s comment from earlier.

Name Change: Reiketsu is changed to Batterball-con

Name plate removed.

Subbed: STDGKEP11SCREEN4

Dubbed: STDGKEP11SCREEN5

Reiketsu seems to only be able to say “Unbelievable” and grumbles in English. In the dub, he can still speak full fluent English.

They repeat a shot of Batterball-Con juggling Flint and Rocky before George yells at him.

Wow, George sounds way too old when he says “Batterball, put ‘em down!”

They repeat the closer shot of Flint and Rocky being juggled before Petra laughs.

Merlock: “Hello, Pretty Sarah.” Hello, Creepy Merlock.

Did….did Kyoichiro’s legs seriously give out from under him and cause him to roll down the hill?…..Why? Because…he was flustered by Sora? What?

They change the shot of Flint talking to George to a repeat shot of him talking from a few seconds before.

They insert the shot they cut in order to place that repeat shot in there to right after George starts to rear up for his hit. Such purposeful edits today.

TP Lady angrily lamented that she’d never be able to make doubles with the Masked Man now. In the dub, she comments that they won by being nice and she hates nice more than anything.

They extend the scene of Petra, Dyno and Mite leaving by showing them in the time stream and showing Petra yanking on Dyno and Mite’s heads.

They remove a short scene with Toki-G explaining everything. Old Timer says the same dialogue in narration, though.

STDGKEP11SCREEN6STDGKEP11SCREEN7

Another instance of a day shot being swapped for a sunset shot. This makes even less sense because the shot immediately following this one takes place outside where it’s clearly day again….

The original more or less implies that Nekketsu is depressed because he had to leave George. In the dub, they claim it’s because he hasn’t been able to play baseball since he arrived in the 25th century.

In the original, since I guess we didn’t have enough story to fill the full 20 minutes, they add a new segment called Toki-G’s Space-Time Monster Course where Toki-G explains the specifics on some of the Space-Time monsters discovered so far. In the dub, they make up an entirely new segment that’s not so much a proper segment (Where Sarah would be acting as a host speaking directly to us) and instead cuts to a scene where Sarah is updating her ‘Flint File’ which hasn’t been mentioned until now, and she basically does the exact same thing, only she goes over more Time Shifters and forms than Toki-G did.

The segment also continues on with Tony telling Sarah to come along since they’re taking Batterball to a baseball game. She refuses because they have too much homework. They fight, just like in the episode from which these clips are taken, but at the very last second they makeup and say they’ll do what the other wants.

————————————–

So that was……an episode.

What a dreadfully boring episode, to be honest. I might be slightly biased because I already find baseball to be a snorefest (although, fun fact, I wrote a paper on Babe Ruth when I was in middle school. I had to dress up like a baseball paper to deliver it too. Don’t remember why, but there it is.) but, seriously, there is NOTHING to this episode besides the gimmick of baseball. NOTHING. It’s the same song and dance we’ve seen nearly a dozen times already without any substance to it.

At least they didn’t pull a Rodin and imply that Babe Ruth got his athletic ability from a Space-Time monster, but outside of hitting Baseball!Genshi, George didn’t do anything of note. He hit one good home run, which Genshi caught in his teeth after jumping up about six stories, and then he cheated after he took a turn pitching by using Nekketsu to manipulate the ball so he could make an impossible catch. George didn’t come off as an unlikable kid, but he wasn’t that likable and did nothing impressive. The ‘emotional’ parts also felt very shoehorned in. He was pretty boring.

Nekketsu is also a weird Space-Time monster. He controls…..balls? He turns things into balls?….Wow? Impressive? Not to mention that Nekketsu’s voice is very odd. It’s too deep.

Granted, Reiketsu’s a little better. Wielding four spiked clubs and being able to shoot nearly endless amounts of baseballs at high speeds is pretty intimidating. Truth be told, I’ve always wanted to try a batting cage but I’ve always been worried the machine would go nuts and shoot balls at me. Silly, yes, but leave me alone.

To make matters more boring, we don’t get a new good transformation of one of the Space-Time monsters today. They don’t even call for backup in this episode.

At least Genshi didn’t get hungry in this episode, but that’s not much consolation.

I didn’t even get to really research anything today, and that just overcooks my noodles.

All I got to research today was vitamins.

VITAMINS.

Based entirely on an off-handed remark.

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VITAMINS!

….Moving on….

Next episode seems a bit strange….We’re introduced to a Space-Time monster called Ammon, who is hanging out with…..Dracula….so….either he’s hanging around a fictional character and acting as if he’s a historical figure…..OR…..we’re going to be focusing on Vlad the Impaler, the actual inspiration behind Dracula…..who was one of the most cruel mass murderers in history…..Uh huh….I get that there’s a lot of ‘Well, Vlad had a point’ in regards to his leadership and rule, but dude was still bathing in the blood of tens of thousands of people. So, uh, I dunno where this episode will lead us, but we’ll have to wait and find out.


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Space-Time Detective Genshi-Kun/Flint the Time Detective | Episode 10: Love-Love Rhapsody Sub/Dub Comparison

STDGKEP10SCREEN1

Plot: TP Lady sets her sights on Love-Love and sets a trap in medieval Baghdad to capture her.

———————————

They add a circular ‘droplet’ kind of transition when Petra has her fantasy.

I don’t understand TP Lady/Petra Fina’s idea here. Love-Love/Getalong only makes people set aside their differences and get along. She doesn’t make them fall in love.

The original fantasy doesn’t show any reluctance on the Masked Man’s part, making Love-Love’s interference seem strange. In the dub, they have the Masked Man say that he’s not sure they’re ready for marriage, which is what prompts Petra to use Getalong. It makes more sense in the dub – kudos for once, Saban – but, again, Getalong doesn’t do that….Also, it’s kinda silly to say you might not be ready for marriage when you’re already at the church and wearing a tuxedo. Maybe I should just chalk up the nonsensicalness to it being TP Lady’s/Petra Fina’s fantasy….

Love-Love’s name plate is removed.

Subbed: STDGKEP10SCREEN2

Dubbed: STDGKEP10SCREEN3

Another droplet transition after the fantasy ends.

It VERY briefly cuts to black when Petra is hit by the soccer ball. I’m going to assume that’s just a problem on the copy, because there’s no way that censored the hit.

Title Change: Love-Love Rhapsody is changed to Go Getalong.

They move a shot of the kids from after TP Lady speaks to them to right before then because the dub removed the title card, which originally appeared between when TP Lady got hit and when she started talking to the kids.

Okay….what…the hell….was that phone conversation? TP Lady called the Time Bureau to tell them, in a childish kind of voice, that she had found a monster….in medieval Baghdad? …What….just….what? Wouldn’t they ask how she’s calling them from medieval Baghdad?

Surprisingly, the exact same conversation happens in the dub. Is this just a joke that does not land very well or what’s happening here?

They changed another establishing shot to one in the evening.

In the original, Toki-G mutters “Ms. Jinguuji” in his sleep. In the dub, he doesn’t mutter anything.

They, again, add in Flint grabbing the time card and the kids rushing to the Time Cycle in between when the card is ejected and when they’re leaving. In the dub, Dr. Goodman also adds in that Baghdad was part of the Ottoman empire at the time period they’re visiting (This never matters, but educational nonetheless). Also, they specify that they’re going to Baghdad in 1539. In the original, they just say they’re going to medieval Baghdad.

Saban adds a shot of the kids coming out of the time stream in the dub.

Originally, Mite nearly mentioned Dyna’s name and Tokio caught it for a second. In the dub, he does no such thing, but Tony recognizes his voice for a second.

Dyna and Mite originally introduce themselves. In the dub, they introduce each other.

What the frick? They, for some reason, mirror flipped the shot of Putera telling Love-Love he did a good job? For what possible reason?

What’s ever weirder is there’s an identical shot a few shots later and it’s left alone. What the?

They remove the second time Love-Love uses her power and the subsequent effects scene as well as TP Lady saying she needs to get Love-Love quickly because she doesn’t think she can take much more of this.

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Tokio just said to get TP Lady and the others. In the dub, he tells Getalong to use her love beam.

Putera originally points out that the effects of Love-Love’s beam are getting shorter each time she uses it. In the dub, Pterry says ‘There’s about as much love in this room as a piranha in a goldfish bowl.’

After TP Lady’s ship is crashed into the house, Putera asks the kids if they’re okay. Sora responds that she thought she was going to die, and Tokio says that was a reckless thing to do. In the dub, for some reason, Pterry tells the kids to get along, Sarah says “So this is what love is like.” and Tony says the most obvious addition to this sequence of dialogue “Love hurts, doesn’t it?” I have no idea why they changed this because it doesn’t make any sense. The only way these jokes would work is if Getalong made the ship crash into the house, but she didn’t – TP Lady did.

Sora doesn’t suggest running like Sarah does.

In the original, all Genshi says is that he’s hungry (and yes, they’re doing that shtick again) In the dub, he says he wants macaroni.

Dyna and Mite originally suggest boiling or frying Genshi when he’s captured. In the dub, they sarcastically suggest being his friend or offering a spot of tea. Technically, I think the dub works a little better because they’re mocking what happened earlier.

I concede on this one as there’s just no way they could have added this in English and had it make any sense. When TP lady is squeezing Genshi over and over in the robot, she says “Oshikura manju! Anko-juu!” Oshikura manju is a game kids play in Japan, usually on cold days in order to stay warm. A group of kids will link their arms and form a circle with their backs to the inside of the circle. When prompted, the group all pushes into each other with their backs chanting “Oshikura Manju osarete nakuna.” The game can simply be played as a means of warming up, meaning no one technically wins or loses, or a large circle can be drawn on the floor and the object becomes to push people out of the circle until only one remains.

Anko-juu is short for anko manju, which is a type of cake filled with red bean paste.

I don’t really see what the original was going for. People aren’t squished in the Oshikura manju game, but I guess they’re acting like Genshi is an anko manju and they’re trying to….squish the paste out of him? Ew.

In the dub, they change this to “What’s the matter, Flint? Cat got your lung? Oops, I mean ‘tongue’!” While I think it would’ve been funnier if they left out the correction part, this was a very suitable and fairly funny replacement line for the original joke. I actually prefer it to the original because, like I said, it doesn’t make much sense to me.

The net wasn’t electromagnetic or anything like it is in the dub. They even added electric sound effects. Guys, it’s a net….they’re tangled in a net…..You don’t need to add anything more complicated to that to explain why they’re trapped….It’s a net….It’s what nets do.

Pterry: “Flint! I’ve got the Time Cycle programmed to produce a time shifter!” That makes it sound like the Time Cycle is making a time shifter, not transporting one.

TP Lady originally points out that Talun’s only power is to enter into storybooks, so she’s not concerned. In the dub, she just gloats about her robot’s teeth. Gotta say, she had a good point. What exactly could Talun do here?

Tokio’s an asshole to Love-Love in the original. He yells to Sora that all space-time monsters can transform, so either Love-Love has that ability too or she’s a useless space-time monster. In the dub, he only says that they have no other choice but for Getalong to transform otherwise Petra will win. The really sad part about this is that Love-Love doesn’t transform in this episode, nor does she in the entire series.

I don’t really know why TP Lady even still wants Love-Love. Not to also be an asshole to Love-Love, but they’ve proven that her abilities last only a few minutes at most and they get weaker the more times she uses it in succession. The Masked Man won’t fall for TP Lady forever with Love-Love’s powers.

Tokio tearfully tells Love-Love to stop attacking the robot. In the dub, he emotionlessly (yet still with tears in his eyes) just explains what’s going on right now.

They insert a shot of Sora yelling to Genshi right before he mutters his line. Also, Genshi originally muttered Love-Love’s name. In the dub, he says “Ugh, who turned out the lights?”

The next attack, Genshi tells Love-Love to stop attacking. In the dub, he says “That looks like Getalong.” I only keep mentioning these slight changes because they keep draining the emotion out of this sequence for no reason.

Originally, the TP trio talks about how they messed up. In the dub, Petra asks if they have a warranty on the robot, Mite says not in medieval times and Dyno says the nearest repair shop is 1000 years from now.

I will give credit – Tokio apologized for the ‘useless’ comment.

Sora offers to make Genshi some food when they get home. In the dub, she says they should order some pizza.

More external shots of the bureau are changed for some reason. They don’t change the time of day, so I dunno.

And Saban just went full 4Kids by replacing the Japanese text in Tokio’s journal with scribbles.

Subbed: STDGKEP10SCREEN9

Dubbed: STDGKEP10SCREEN10

In the original, Love-Love just ‘sings’ a song with the only lyrics being ‘Love-Love’ because that’s all she can say. In the dub, Getalong sings about getting along to the tune of Mary Had a Little Lamb.

They add an establishing shot of the outside of the Land of Time before showing Toki-G wake up….He’s been knocked out all this time? Dude needs an ambulance.

Tokio says to himself that maybe Love-Love’s not hiding anything (implying he’s overestimating Love-Love’s abilities.) In the dub, Tony wonders if Getalong has some sort of secret power.

They change a couple of shots at the very end to just different angles of Love-Love and Toki-G (as well as adding another establishing shot of the Land of Time.)

Even more is added after that – They repeat the shot of Getalong singing and have Tony ask her to stop because he wants to write in his journal to help him become a Time Detective some day. Finally, we end on the same old evening shot of the Time Bureau.

————————————

I thought I’d be disappointed with this episode, but it was one of the stronger stories of the series so far. The main issue I thought I’d have with the story was that Love-Love would be given focus but wouldn’t transform into her super form. While it would be nice to see Love-Love’s super form, this episode was all about how she doesn’t need to change herself in order to prove her worth as a teammate. Love-Love doing her damnedest to fight the robot was touching and very sad. A little lame of a resolution, but I’ll forgive it. I can totally believe Dyna and Mite were too incompetent to secure the bolts well enough to withstand Love-Love’s assault, though it was moreso the robot continuously swatting her away that loosened them I think.

HOWEVER, I don’t think I can forgive the fact that, in the end, Genshi defeated the giant robot and TP Lady without ever getting any food. I thought Talun went into the book to get Genshi some food, but he and Putera never came out. Genshi was just freed because the robot’s arm came off, Ototan used Fighting Spirit, and somehow Genshi had the strength to pull off the attack….Meaning, he could’ve won this entire time and Love-Love didn’t need to nearly kill herself to save Genshi.

I also assumed I’d be disappointed by the lack of both a historical figure and a new space-time monster. I would’ve liked to have seen both, but the humorous parts plus the emotional battle were enough to make up for it.

Next time, in 20th century America, Genshi and the others meet Nekketsu – a space-time monster that can turn anything into a ball. Fitting, as he stumbles upon none other than Babe Ruth.


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Ojamajo Doremi/Magical Doremi | Episode 6: A Liar’s First Friendship Sub/Dub Comparison

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Plot: The girls’ classmate, Nobuko, is a notorious liar. Doremi and Hazuki know this, but since Aiko is new, she’s unaware and falls for her lies. One lie goes over the line and enrages Aiko. Can Nobuko find it within herself to be honest for a change and make amends?

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Both the pre-theme song cold open with a kid detective, later known as Nobuo, facing off against who will be revealed as the Bone Bone Army and the pre-title-card open with Doremi flying to get to school on time are removed.

Doremi says if she uses magic she’ll never be late to school anymore. Since they cut out her flying to get to school faster, they changed this to her saying she’s thinking of using magic to cheat on her math test tomorrow.

Hazuki responds by saying “What if someone sees you?” which makes Doremi freak out because she hadn’t thought of that. In the dub, Reanne responds by saying the test is actually today, which makes Dorie freak out because she hasn’t studied. I don’t get the dub because, if she was intending on using magic to cheat anyway, why does it matter when the test is or whether she studied or not?

Name Change: Nobuko Yokokawa is changed to Belinda Higgins.

Dorie: “You’ll believe anything, Ray.” Uhm….her name’s Reanne…..Is Ray a common shortening of Reanne?

Nobuko said the boys thought her hair was pretty. In the dub, she says they said she was totally cute and that one of them was thinking of asking her to the dance.

Text removal (The same text is also removed from Doremi’s book):

Subbed:

Dubbed:

More text removed from the note. They also added “Patina” to the corner, so I don’t know why they didn’t just translate the entire text and write it in.

Subbed:

Dubbed:

The idol Doremi was taking about was Norihiro. In the dub, he’s Randall. Also, she was talking about the look on his face not a backflip he did.

Likewise, the group Norihiro is from is called The Wonderfuls. In the dub, they’re the Three of Hearts. Dub has a better name, honestly.

Aiko likes Yutaka. In the dub, she likes Jefferson.

Hazuki likes Yukio. In the dub, she likes Chazz.

Nobuko says the girls are naive about The Wonderfuls and then goes on to explain bad “facts” about them to prove it.

– Norihiro is a cheapskate

– Yutaka has a mother complex

– Yukio sews in his spare time (and that’s a bad thing….because?)

In the dub, Belinda acts like she know more about the group than they do.

– Randall is a vegetarian

– Jefferson speaks French

– Chazz is a crybaby

Nobuko just says she’s a relative of Yutaka. In the dub, she claims Jefferson is her first cousin.

What is up with this shot of Aiko? She’s missing a pupil….

Hmm, I feel like this episode is meant to be a double moral. Nobuko needs to learn not to lie and Aiko needs to learn it’s not nice to use people and claim they’re your friends when you’re just using them to get stuff you want….

Hazuki tells Mirabelle that Nobuko lied when she said she knew Mizuki, who is a famous manga artist. Doremi also says she lied about knowing the president of the United States. In the dub, Reanne says Belinda lied and said her dog knew how to read the newspaper. The second lie is kinda kept because Dorie claims Belinda said the president of the United States used to be her babysitter.

Doremi says her mom loves Nobuko’s adventure stories. Hazuki says she loves Nobuko’s story of the wounded man. In the dub, Dorie says she loves Belinda’s story about the grizzly bear and Reanne says she loved the story of the carrot soup.

Doremi corrects Hazuki and says it was the story of the drunk man. In the dub, I guess as a really weird way of avoiding this mention of drunkenness, they claim the story of the carrot soup was one she told at lunch and they flash back to it. They remove a shot of a confused Aiko as a result, but it will be replaced after the flashback is over. I’m also pretty certain they loop the shot to make it last longer there.

The “flashback” to the carrot soup story is actually just the next scene playing out only it has that white flashback filter.

They remove a shot of Aiko reacting to the story Nobuko is telling some kid in their class.

In the story, Nobuko is talking about her grandfather. Belinda is talking about her great-grandfather.

I have no idea how this ever happened, but the rest of the story is left entirely alone. The only reason I say that is because, even though it’s obviously a lie, it implies that Nobuko’s/Belinda’s granddad married and had sex with a living carrot.

No.

No, I won’t give you context.

It won’t help, and it’s funnier this way.

The rest of the scene is cut off.

The text on the board was original Japanese writing. In the dub, it was changed to math equations.

Subbed:

Dubbed:

4Kids – ruiner of jokes that are perfectly translatable. Nobuko collapses to the floor claiming she’s dizzy. Her classmate, Reika, irritatingly glares at her saying to not claim that when she’s clenching her stomach. In the dub, Belinda claims she has cramps and her classmate, who doesn’t get a dub name, tells her to not be a drama queen.

Another joke gone, though this time I understand. Nobuko claims stomachaches are caused by the DNA in your stomach, and that DNA stands for “Doushitemo Nontonaku Atarui” which I guess translates to “always causing trouble somehow.” I don’t really see how 4Kids could have worked with this, so I’ll give them a pass here. Instead, they just say Belinda gets stomach cramps if she’s exposed to too much chalk dust.

Aiko tells Nobuko that she doesn’t need to hurry in getting the autograph. In the dub, she asks if Belinda will call or send an email to get it.

Nobuko claims her mom works at a TV station. In the dub, it’s a record label.

Okay, okay, okay……They’ve doing a decent-ish job at making Nobuko out to be a harmless liar. She makes up crazy stories and once you realize she’s a total liar you just accept her antics and enjoy her stories, even if they’re kinda mean sometimes….

BUT

Aiko tells Nobuko that her mom’s gone (her parents are divorced, but she just says “My mom’s gone.”) and Nobuko’s response is to lie and say her dad probably died while adventuring…..That’s….just….a dick move. Even if you’re a kid, you have to understand that feigning empathy for a loved one’s death by lying and claiming your loved one also died is just a terrible thing to do. You’re essentially joking about their situation and/or using it to gain sympathy for yourself.

They turn it around later because Aiko encourages her to not give up hope that her dad’s still alive, so Nobuko tells Aiko to cheer up too…Yeah, Aiko, cheer up. You implied that your mother is dead and this serial liar just compared your situation to a ridiculous lie about her dad being lost in the jungle, possibly dead. Chin up, ol’ chap. This is one time 4Kids actually has a hand over the original because they make it clear that her parents are divorced. They don’t imply that her mom is dead. It’s still shitty to try and bond with someone over having an absent/missing parent when your parents are both fine, but at least it’s a tiny bit better in the dub.

Nobuko claimed her dad was a famous adventurer researching the Angkor ruins. Belinda claimed her dad was a scientist researching something about deadly rabbits.

Her dad went to Cambodia in the original whereas he went to Brazil in the dub. That’s uh….quite the locale change, there, 4Kids. Changed the country, continent AND hemisphere. Being extra today, are we?

There’s no mention of Nobuko’s father’s real occupation in the original. They just say he was at Parent’s Day. In the dub, they claim he’s an insurance salesman that they met at Belinda’s birthday party last month.

Mirabelle: “ARGH I CAN’T BELIEVE THIS! She’d rather climb a tree and lie to you than stay on the ground and tell you the truth!” …..Wha…I mean, yeah, she obviously loves telling lies more than telling the truth but I don’t understand the tree part.

In the original, Aiko just yells that she thought Nobuko knew the difference between a good lie and a bad lie.

Aiko starts getting super angry when she hears the girls start praising Nobuko’s acting skills. In the dub, Reanne says “No offense, but whoever heard of a deadly rabbit?”

I dunno, this rabbit kills me all the time.

Dorie: “We told you that Belinda’s a Be-liar.” *sigh*

Also, in either version, they should be a bit annoyed in defense of their friend because, even if lies are to be expected of someone, lying about a parent being missing and possibly dead as a response to a friend telling you their mother is “gone” or their parents are divorced is still a dick move.

Name Change: Ms. Yuki is changed to Ms. Shannon.

Books:

Subbed:

Dubbed:

Oh my god, they actually replaced the text in Nubuko’s book instead of just erasing it all. AND they bothered to have the writing look like a child’s handwriting. Good work, 4Kids.

Subbed:

Dubbed:

The kid detective in Nobuko’s book is called Nobuo Takekawa. In the dub, he’s Slim Higgins.

In the original, Nobuo says if there are lost kittens in the north, he’ll find them, and if there are gangsters in the south he’ll beat them up. In the dub, Slim says he knows the secrets of the underworld and he has pledged to fight evil.

The Bone Bone Army is changed to the Bone Brothers.

The words on the bombs and the sign are removed.

Subbed:

Dubbed:

The professor was originally named after Hazuki. In the dub, he’s Professor Rayner. They still make the connection that the characters are meant to be the same based sole on the fact that Rayner….I dunno. Starts with an R? The only other connections the two characters have are being smart and having glasses. Like I said, her name is REanee, not Rayanne or some other iteration. It would’ve made a lot more sense to just name the guy Professor Griffith as that’s Reanne’s last name.

Nobuko doesn’t do anything with Aiko’s name when she uses it for her character. In the dub, her name is Mira Bell, which is a lot more clever than what they did with Reanne.

I do have to ask why Aiko’s the only one who looks exactly the same as her character. Nobuko was genderflipped and got a detective-y outfit. Hazuki looks like a balding old scientist man. But outside of getting a hat and jacket Aiko looks no different.

Oh and Doremi is the dog, which I thought was very funny. In the original, her name is kept, but in the dub they change it to ‘Roary’ or ‘Rory.’

I get that this is a story written by a kid, but Aiko’s introduction was seemingly her first meeting with Nobuo. Why would she proclaim that they’re best friends at the end? I get that it’s a throwback to Aiko saying they were best friends in real life, but it’s still kinda weird. In the dub, they actually fix this by having Mira tell Slim to call her by her first name since they’re friends NOW. Stop making me praise 4Kids, please.

I love how they recognized their own characters immediately, even if they were drastically changed, but it took them until they were done reading the story to realize Nobuo was Nobuko/Belinda Higgins was Slim Higgins. It’s even weirder in the dub because most of their names were barely the same.

They omit a the first few clips of the flashbacks, showing Aiko proclaiming she and Nobuko are best friends now.

In the original, the last clip in the flashback is a closeup of the paper Nobuko was writing on with the line “Ain’t we best friends?” highlighted. In the dub, they completely omit this I guess because they didn’t keep the part about throwing back to the best friends line in Nobuko’s story.

Instead of showing them transforming one by one, the dub mashes all of their transformations together, using slightly different clips. Pointless change, but I have no problem with it. Considering all of their transformation sequences are exactly the same, unlike most magical girl shows, the original seems repetitive while the dub is quick and concise.

Dub Spell Change for Aiko:

Hair for hair,

Limb for limb

Turn me into detective Slim!

That’s actually not bad—Urgh….Praising 4Kids too much…..Urgghh….My soul can’t handle it.

Dub Spell Change for Doremi:

I wish that I could change this story

But for now I’ll be….

…The little dog, Rory.

That one’s really good. It’s clever and captures the same reluctance and unhappiness Doremi had – URGH! My soul! I’m going to have do an emergency SDC for an episode of One Piece if this praise doesn’t stop.

Dub Spell Change for Hazuki:

Give me a mustache and a giant brainer.

I can turn into Dr. Rainer!

Okay, phew. That one sucked. I feel a little better.

Give me a….giant brainer? I feel like that’s a euphemism, and I’m very uncomfortable.

No one was suggesting that Aiko lost her mind, like they do in the dub. They just say she’s very angry. Why would the dub change it to her being ‘crazy’?

You know who’s really crazy?…The girl who is strangely accepting of having a conversation with three real-life versions of characters she made up in a notebook that she doesn’t let anyone read.

Originally, Nobuko only bids goodbye to Nobuo. In the dub, she says goodbye to all of them, which is a little better and more respectful than the original.

So the lie wasn’t even for the sake of giving Aiko someone to empathize with so she’d feel better about her situation, even though they kinda make it seem like that was the intention – it was so she’d think they were more alike and they could develop a friendship over that. I’m trying really hard to not pick apart this plot because she’s just a kid and kids do this kind of stuff, they need to learn, but it’s just so messed up. Thank god Doremi and Hazuki cleared up this lie immediately. Imagine if she kept that up and then, suddenly, her dad appeared and Nobuko had to explain herself.

The cover of Nobuko’s book is changed.

Subbed:

Dubbed:

Nobuko rejects Doremi’s suggestion that Doremi the dog is actually a princess under a spell, but she adds that the dog character has powers like the ability to run super fast and understand human speech. In the dub, she accepts Dorie’s interpretation of Rory but adds that she can do all sorts of dog tricks.

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I may have gone a bit overboard with the nitpicking regarding the lie Nobuko told, but I did really enjoy this episode. It was cute and pretty funny. Chronic liar characters are really hard to make likable, and I think they did a pretty good job with Nobuko/Belinda. She’s a little annoying, particularly in the dub, but not that bad. And, from all I’ve read, she’s not a one-off character, so it won’t feel like it was a waste to have her character be one longing for friendship only to vanish into the ether after one episode.

I think the use of magic in this episode was creative, and I can give the realism regarding Nobuko/Belinda’s reaction a pass because, again, this is a young child. I think she should be old enough to be questioning this more, but eh.

The episode had a really good moral regarding lying and even properly establishing that some lies can be put to good use by simply making them fictional stories, but, sadly, they never brought up the fact that Aiko using Nobuko’s connections for her own benefit and making a ‘friendship’ out of that wasn’t right either. I truly believe they’re friends now, but their first interaction was her becoming best friends with Nobuko just because she promised to get Aiko an autograph.

My pride is swallowed for today – 4Kids did a decent job dubbing this episode. Still had to run myself ragged getting screencaps, but content-wise it wasn’t that bad. The changes they made were the norm for them, Japanese text and whatnot, and I am damn near baffled at how many changes they made that I actually liked or even preferred over the original.

The one change that gave me pause was the weird flashback thing. Why bother making that a flashback? I don’t get it.

Next episode, the girls have an important witch test coming up, but Doremi has to watch her little sister, Pop.


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One Piece (4Kids) | Episode 5: Terror and a Mysterious Power! Pirate Captain Buggy the Clown! Sub/Dub Comparison

Plot: Nami runs into Luffy while running away from Buggy’s pirates and pretends that he’s her boss so that she can get away while they’re distracted by him. However, much to Nami’s surprise, Luffy easily defeats the pirates. While Nami treats him to some food, Luffy asks her to be his navigator, but she refuses when she finds out that he’s a pirate. However, she seemingly changes her mind and agrees to be his navigator if he agrees to see Buggy with her first. Luffy agrees, but she betrays him and pretends that she’s handing over her boss and the map to the Grand Line to be on Buggy’s team as a ruse to get both the map and Buggy’s treasure. However, when she’s told to kill Luffy as a sign of loyalty to Buggy, she finds herself trapped in a moral dilemma.

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Title Change: Terror and a Mysterious Power! Pirate Captain Buggy the Clown! Is changed to The Circus Comes to Town.

Title Card Change:

Subbed:

Dubbed:

I love how the 4Kids version really does act like it’s possible that Luffy died from that fall. Right. That’d certainly be a funny way to end the series. “I’m gonna be king of the pirates! -SPLAT- The end!”

Luffy’s punch to one of the pirates is edited out.

They edit out Luffy’s Gum Gum Pistol hitting the other two pirates in the face.

The words ‘Drinker Pub’ are edited off of a sign.

Subbed:

Dubbed:

In the original, there’s a bit of pun where Buggy’s pirate tells him that they left the key in the lock. Tsukeppanshi means “left in” but Buggy mistakes it for tsukeppana which means “Fake Nose.” In the dub, the pirate says “Only the robber knows…” and Buggy mistakes that for “Rubber nose” I don’t know what the pirate was going to say there. Only the robber knows….where the map she stole is? But you gotta give 4Kids credit for trying to put that pun in there.

However, they kinda screw it up later in the scene. Buggy flips out and yells at the pirate insinuating that his nose is big and red and looks fake. The pirate in the dub says “It’s a mistake!” in regards to hearing him incorrectly, but Buggy says “So now it looks like a steak?!” Well, steaks ARE red, but they’re not usually round and ball-like. I’ll leave your points where they are but that was kinda weak, 4Kids.

The original has Buggy ask the pirate what he does to traitors, and the pirate says he flashily kills them. In the dub, this is replaced by the pirate begging for his life.

In the original, Nami likes money and mikan, which are Japanese citrus fruit. In the dub, she likes money and tangerines…..They’re different. It counts.

And nooooooowwwwwwwww….the moment some of you have probably been waiting for maybe….Yet another of the most infamous One Piece edits! One of Captain Buggy’s pirates, the one who announces that Nami has arrived, was originally black. 4Kids, sensing that this may cause some racial backlash, decided to solidify that this would cause racial backlash by digitally painting the black guy into a white guy.

No….no, I am not kidding. I wish I was, but I’m not. I think a rep for 4Kids said that having a black pirate lackey could somehow be construed as racist so they turned him white (Don’t quote me on that, but I distinctly remember being told that). This in turn made them actually seem racist when they more than likely wouldn’t have had they left it alone. If they had left it alone and gotten criticism for it, which is unlikely, but still, they could have just blamed the original show creators. But this is 4Kids. The day they leave something alone is the day riceballs aren’t donuts.

Subbed:

Dubbed:

Originally, Luffy asks why he’s in a cage. In the dub, he tells Nami to forget about being on his crew.

A scene of one of the pirates chugging a barrel of booze is edited out as is most of the scene with the party which includes some guy with like eight small casks of booze in his mouth. Also, a bottle on Nami’s table is edited away. What little scene there is is edited to make the beer look like orange juice, but I was too busy looking at that one pirate near Nami. Originally, he had a sword in his mouth and was balancing a bottle on it. In the dub, he’s got a balloon animal balloon in his mouth. Why? I dunno.

Subbed:

Dubbed:

Extras:

Yup yup. The drink they have is grapefruit punch in the dub…..Guh, I hate grapefruit juice. Whoever named grapefruits should be jailed for besmirching the good name of the delicious grape.

Dub Nami: “At this rate, they’ll all pass out from acid indigestion and then their treasure will be mine.”…This….I can’t even…..First of all, who passes out from acid indigestion? You’d need immediate medical attention if that was true. Second, who the hell thinks that? Third, this line is made even more stupid because the original says nothing about waiting for them to pass out. You’d think the original was waiting for them to get so drunk that they all pass out so that she can get the map, but nope. She just thinks she’ll bide her time until she can swipe the map again and get Buggy’s treasure while she’s at it.

Oops, 4Kids didn’t notice that the black/white guy from before was in this shot. Whoopsiediddledaisydoo.

They replay that scene with the guy chugging those small casks and 4Kids doesn’t edit out this one….*shrug*

At this point I should mention that there are tons of occasions where Buggy has this weird Yami-Marik type filter on his voice in the dub. No type of filter is used in the original.

Buggy’s Buggy Bombs got changed to Buggy Balls. -giggle-innuendo-giggle-

And the black guy’s changed back to white again.

A bottle on the floor gets edited away after Buggy launches his Buggy Bomb.

Subbed:

Dubbed:

The panning shot of the pirates is shortened.

The scene where Nami’s deciding whether or not to light the cannon has also been shortened.

Originally, the sound cuts out all but Nami and Luffy speaking to each other. This is shown as we see the pirates cheering, but don’t hear them. Luffy tells Nami that she shouldn’t go up against pirates if she doesn’t have the determination. Nami says “What? Determination to kill people without hesitation?” And Luffy says “No. The determination to put your life on the line.”

In the dub, the sound is unaffected, and Luffy tells Nami that, because she’s shaking while considering attacking him, she really doesn’t hate pirates as much as she says. Nami responds by saying “I don’t hate pirates because I’m not willing to blast one like it’s no big deal?” Luffy responds by saying if she feels so strongly that she has to put everything on the line.

The scene where the pirate is about the light the fuse is sped up.

After Nami hits the pirate with her staff, we see him pop up in a goofy manner with a pink mark on his face. This is edited out of the dub, which is weird because you’d think they’d be glad to leave in a shot where it shows that the pirate is relatively okay.

The scene where Nami uses her hands to extinguish the fuse is shortened.

In the dub, Zolo, who just showed up literally a few seconds ago says, “Nami, are you hurt?” How do you know her name? You never met her.

A shot of Buggy twirling his knives and him licking his knife are edited out.

Even though the silhouette of Buggy getting cut up was left in (Was floored by that), any shot showing Buggy cut up is edited out, until after we hear Nami and Luffy talk, then they put it back in….I dunno what’s going on there.

When Zoro gets stabbed, we see the blade protruding from his abdomen, blood seeping through his sash, a backshot of his wound and the blade being removed. All of this is edited out/painted away.

Subbed:

Dubbed:

Extras:

Originally, Nami says she didn’t believe devil fruits were real. In the dub, Nami asks what kind of cursed fruit he ate, even though he just outright said the name directly before she asked that.

For more awkwardness, originally Luffy said “A splitting man?! He’s some kind of monster!” Then we comically see a text box with an arrow pointing to Luffy saying “Rubberman” In the dub, the dialogue is kept basically the same, but the text box is edited away. Also, they keep the length of that scene exactly the same, so we’re left awkwardly waiting for the next shot when there was supposed to be a joke there. Really, 4Kids? Was it too difficult to merely white out the text in the box and replace it with “Rubberman”? Or at the very least trim the shot so we’re not sitting there awkwardly like some laugh track is missing?

Subbed:

Dubbed:

In the original, we see Luffy caught the knife Buggy shot at him with his teeth. He then says while laughing and breaking the blade with his teeth “I’m gonna kick your ass!” In the dub, they just reverse the scene of Luffy getting hit with the blade so it looks like the blade bounced off of him or he somehow shot it from his body, I dunno. Were they worried kids were going to try and catch knives with their mouths?

……Mmmmm……Errrr…..well….yeah, okay, I guess I can see some kids doing that. You get a pass there, 4Kids.

Subbed:

Dubbed:

And, I know they can’t say ‘ass’, but Luffy saying “I’m gonna clobber you!” just seems lame. Reminds me of the swear edits in the Cartoon Network airing of Yu Yu Hakusho

They add in a shot of Nami and Zoro and the pirates after Luffy shoots the knife back so he can have his dialogue.

The scene where Luffy just smiles in response to Nami asking how he’s gonna escape is shortened blah blah.

Any subsequent shot of the blood stain on Zolo’s shirt is edited away in the dub. So we’re supposed to think he’s wounded when there’s no blood, rip or….wound….well, okay.

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This episode was a good introduction to Buggy. It definitely establishes that while he may be a clown with silly quirks, he is a bastard who will do the most terrible things as long as it benefits him. Luffy and Zolo got some great kick-ass moments and we end on a pretty good cliffhanger too.

Dub-wise, it’s certainly not getting any better. I mean, we don’t have hammer guns in this episode, and the knife-catching scene edit was understandable, though annoying due to loss of kickassery, but man, the whitewashing. That’s another league for them.

Next episode, Luffy has to find some way to escape certain death.


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AniManga Clash! Yu-Gi-Oh! Season Zero Episode 7/Manga Chapter 21

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Plot: Evil sentient Tamagotchis!

Breakdown: So this story is really….strange, even for Season Zero. Today’s episode centers around digital keychain pets – more commonly known as Gigapets, Tamagotchi and Nanopets. They’re the latest craze in school. Everyone has them – even the Yu-Gi-Oh gang.

All this talk about the digital pets is truly nostalgic, and boy does it make me feel old. The rough pixel animations, the LCD screen, the 8-bit sounds. It’s just so….outdated. I can bet any kid watching this today would laugh at it. Granted, these pets are a little cooler than the ones we had in real life in that they, somehow, take on the characteristics and physical traits of their owners.

It’s actually even weirder than you might think. In the Yu-Gi-Oh world, they’ll soon develop a holographic system meant to create projections so real that you can feel air pressure and even smell them (And stand on them sometimes….) This technology is designed for use with a trading card game. And yet these little pixel-y games are popular in the same couple of years.

Originally, our very clear antagonist was a boy named Kujirada. Kujira means ‘whale’ and just guess why he’s named that. Yes, he’s fat. But he’s not just fat – he’s ridiculous in his design too. His face is about ten sizes too small for his head and he has ears that could easily cover his entire face.

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In the anime, they add in that he’s also rich and literally throws money at any problem that he usually creates.

The manga chapter is actually pretty uneventful, so a lot of the anime episode is loaded with subplot and an extension of the original plot. Honda is bummed because Miho missed first period, and he shows extra grumpiness about it by going on about how much of a waste of time the digital pets are. He’s not going to waste time cleaning up digital pet poop when he is dedicated to cleaning up the real world. I’m not gonna say he doesn’t have a point, but he’s being a real ass about it. Digital pets are no more a ‘waste of time’ than any other game. It’s called fun, Honda.

Miho shows up before second period starts, and she explains that she missed first period because she was so busy taking care of her digital pet last night that she slept late. She’s been trying really hard to raise a good pet because the company that makes them is having a pet competition. The owner of the best pet will win a trip to Australia.

Miho shows her manipulative bitch ways again by oh so subtly wishing that someone could take care of her pet for her so she could win the trip without having to…ya know…do the work herself. Just like in that episode where she manipulated Honda into standing in line for an unreasonable amount of time so she could get some fancy watch.

They act like she’s an airhead, but she knows exactly what’s she’s doing to poor, pathetic Honda – especially when she mentions that the trip is for two. And, for God’s sake, Honda. You may be boring in the 2000 show, and you may have a similar patheti-sad puppy love for Shizuka there too, but this is just upsetting.

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At this point, I really don’t know why Honda or Miho exist. I mentioned last time that I thought Honda having a past with Jonouchi was at least interesting, but the focus was still purely on Jonouchi and Yugi’s friendship above all else. You could’ve made it so Yugi used to be friends with Jonouchi at a young age, but then he fell in with a bad crowd when his parents started getting divorced and then he just turned into an asshole until he made up with Yugi.

Even in the 2000 anime, I find it hard to justify Honda’s presence. He doesn’t do anything on his own, and if his role is simply ‘Jonouchi’s good friend’ Yugi already takes that role in an exemplary fashion. Their friendship is legendary. Not saying Honda has no right to exist at all or that Jonouchi can’t have more than one friend, but he should’ve been a much more minor character if they weren’t going to bother trying to make him interesting.

Honda then has to be two-faced when Jonouchi calls him out for accepting the task by explaining that he suddenly realized the digital world and reality are the same….Uh huh.

He even takes the next day off at school so he can care for the digital pet. Also, Honda’s definitely not a pure puppy dog about this, because he clearly shouts that he’s thinking about having sex with Miho (Though feels he can’t as he and Miho aren’t married yet. He’s enjoying the thought of her in a swimsuit, though. Guess that will have to tide him over.)

At least Anzu kinda calls out Miho’s manipulation later, especially when she shows her hypocrisy in saying Kujirada is wrong for using pets other people have raised to win the contest….

Another addition to the anime version is a new character called Haiyama. He’s a very shy and lonely boy who reminds Yugi a lot of himself before he made friends with the others. Yugi’s worried about him since he’s very reserved and seems to be paying off Kujirada for something in private. He tries to make friends with him and tells him he can always talk with him whenever he wants. Yugi also gives Haiyama a spare digital pet he has in order for him to join in on the fun.

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I said that Kujirada was originally the obvious main antagonist of the manga chapter of which this episode’s story derived from because, in the anime version, while he is the antagonist for a while, it’s eventually revealed that the main enemy all along was Haiyama.

But before we get to Haiyama, let’s talk about Kujirada’s role in the manga. Originally, he was just a big brute who used his limited edition ‘hidden character’ pet (and you know it’s limited edition because it has a star on it) to bully the pets of Jonouchi and Yugi through the linking capability (They call it dating/mating, but it’s really just linking) Outside of the star, nothing else makes the pet special besides that it has a longer life span than other pets.

Apparently, all digital pets die after 20 days, which is reasonable considering, from what I’ve read, the average lifespan of a real-life digital pet was around 12 days with the maximum being 25 days. Apparently, the world record is 89 days, which kinda confuses me because these pets are designed to die by old age, so I have no clue how they managed to work around that to keep one alive for 89 days, but that’s cool anyway.

When Kujirada went home, he realized his pet had become sentient and evil. The pet demanded more food, but he wasn’t satisfied with the pittance that the game itself offered so he demanded to be fed other people’s pets.

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The next day at school, Kujirada fed his pet Jonouchi and Anzu’s pets. His pet was was about to eat Yugi’s pet, Yuu-2, but it suddenly evolved (thanks to the data exchange from Jonouchi’s pet from earlier) and just…kicked the evil sentient digital pet’s ass and….that’s it. The end.

You see what I meant by this chapter being strange? Yugi never turns into Yami, there’s no shadow game nor is there any explanation as to why and how this digital pet became sentient and evil, and after his pet is defeated, Kujirada just walks away literally going ‘Oh well, at least I can sleep now.’ The chapter ends with Yugi watching Yuu-2 eating because he knows he’ll vanish the next day due to the life span limit.

What is even this story?

In the anime, as I mentioned before, Kujirada is super rich now. They make it a point a few times to say he used to be a kind kid but then his family fell into money and he suddenly became a massive asshole. He smashes the window to some shop selling an incredibly rare golden digital pet device for 50,000 yen (Around 500 USD) and takes it from the display, then he rains a bunch of cash on the owner to cover the cost of the pet and the window….He could’ve just walked in and bought the thing, but this is Season Zero where 99% of people who aren’t the main characters are cartoonishly evil super villains.

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Also, there’s no reason this dude is so happy right now. Kujirada said that was enough money to cover the pet and the damage, meaning he’s breaking even right now. Plus, he has the headache of having to cover the window, clean up all the broken glass, looking bad in front of customers and having to get a repair service down to replace the window….

The pet is apparently not sentient or evil in this version, it’s just a monster because its owner is a dick. And it’s only eating pets because that will make it more impressive, which will make Kujirada a shoe-in to win the contest.

In the anime, before Kujirada’s pet, DevilMaster can try to eat Yuu-2, Honda shows up with Miho’s new and improved pet that he’s been slaving over called Ichigo. Since he’s been so attentive of the pet, it adopts Honda’s traits and becomes a cleaning fiend. Honda challenges DevilMaster with it and I don’t understand why he’s doing this.

He’s just spent two straight days tirelessly raising this thing for Miho, the girl he’s obsessed with and would do anything for. Why would he see pets being destroyed by Kujirada’s pet and then openly declare a challenge to him with Miho’s pet? Even if he didn’t have a thing for her, he’s still risking her pet on a gamble.

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And then…..

…..Honda actually wins.

He has trained Ichigo to be the ultimate beautification club member, and it eliminates all trash. DevilMaster’s evilness, I guess, makes it constitute as trash, so it was deleted. I actually don’t care about this change because, in all honesty, it’s not much better or worse than what the manga gave us.

Later, Kujirada supposedly kidnaps Miho and writes a ransom note to Honda telling him to meet him in a warehouse. When Honda arrives, however, he finds Kujirada unconscious with his back covered in whiplashes. Out from the shadows emerges Haiyama, who looks 1000% different than he did in the last scene he was in. His eyes are now crazy and about 500x bigger than they were before, his mouth is equally enlarged, and his hair went from black and blunt to purple and spiky. He actually reminds me of a weird version of Weevil.

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Haiyama reveals that Kujirada was his real-life pet this whole time. Like they feed digital pets to make them stronger, he ‘fed’ the weak-willed Kujirada loads of money to make him stronger. Haiyama’s abuse is what made Kujirada have such a change in character from the kind, timid boy he supposedly was before.

Also, apparently, before Haiyama got to him, Kujirada wasn’t overweight at all. I don’t know if they’re making some sort of symbolism here in regards to the fact he was ‘feeding’ Kujirada a lot of money, and he overdid it, which made him fat. (Also, it seems to have changed his hair color too?)

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Yugi arrives, having followed Haiyama because he was worried about him coming across Kujirada again. Haiyama throws the digital pet Yugi gave him on Kujirada’s back and calls Yugi a fool before whipping him aside. Honda tries to fight him, dodging his whip strikes, but his all-nighter starts getting to him so he just passes out.

Haiyama reveals the real reason he called Honda there – he wants Honda as his newest pet. Kujirada has proven a failure since he couldn’t even win at a digital pet game. Honda’s ‘feed’ will be…I guess….holding Miho captive and stripping her in front of him? What the hell?

Yugi transforms into Yami who challenges Haiyama to a shadow game.

Shadow Game

There’s nothing to compare here since the manga chapter didn’t have a shadow game, but the shadow game is, more or less, exactly the same as Yuu-2’s battle against Kujirada’s pet in the manga. Yuu-2 evolves because of the data exchange with Jounouchi’s pet from earlier and he wins. Here, it’s a little unfair, at least by logic in the writing, because Haiyama has clearly not been using that digital pet so Yuu-2 would obviously be, by default, stronger than Haiyama’s pet.

At the end of the match, Haiyama’s pet “eats” him, but it’s soon revealed that it was just an illusion and Haiyama is freaking out on the floor.

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The last scene of the episode shows Miho and Honda passed out on the floor and Miho says ‘Let’s go to Australia…Mama’….So yeah, Miho wasn’t even going to go to Australia with Honda in the end if she won – after all of that. Manipulative. Bitch.

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While this story as a whole is pretty strange, I will say this much – the anime is much better than the manga in this circumstance. The manga just feels so incomplete. Why was the digital pet sentient? Why was it evil? I guess it could’ve just been because Kujirada was evil, but that still doesn’t explain its sentience. How was the evil sentient pet defeated by a regular digital pet without any interference by the Millennium Puzzle? Why was there no shadow game? Why did Yami not appear? Why did Kujirada just give up after his pet was defeated? It’s a confusing mess.

The anime shifting focus to Honda and Miho while introducing a new antagonist in Haiyama was actually quite genius to help extend the episode. While I disagree with Honda bending over backwards for Miho and I hate Miho more with every new episode, their story did create an interesting new structure to expound upon what was there.

Haiyama was actually a pretty interesting antagonist. I was a little shocked to see that this little timid kid was managing to control such a huge brute like Kujirada, and his influence was so powerful he drastically changed Kujirada’s personality and basically turned him into a monster. I think the visible transformation of Haiyama into evil super villain Haiyama was a bit much though. The huge whip did not help. It would’ve been a bit more intimidating if he kept his regular design and mannerisms because there is certainly something very haunting about someone who seems innocent and reserved turning into a psychopath.

The shadow game was a little short and uninteresting, but hey….at least the anime had one. Although, maybe I should take points off anyway because the shadow game was really just the match Yugi had with Kujirada just with an added bit where he gets ‘eaten’ in the end.

I should also bring up that this episode certainly has a Digimon vibe to it. However, I’m not entirely certain I can say it had any influence on the story in the manga. Digimon as a brand started out in 1997. Yu-Gi-Oh’s manga run originally started in 1996, but the volume that contains this chapter was released in mid-1997. It’s a little too close for me to say it had any influence on this story, but it’s kinda interesting to think about.

Next time, we got some anime-exclusive stuff going down. Kaiba sends his Shitennou after Yugi for revenge.


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Shaman King | Episode 1: The Boy Who Dances with Ghosts Sub/Dub Comparison

Plot: Manta is a weird kid who loves nothing more than learning about the supernatural. However, he gets a big surprise when he stumbles upon a boy named Yoh at a nearby cemetery talking to real ghosts. No one believes him, and when he tries to prove it he ends up crossing paths with a nearby gang who promptly beat him up for trespassing on their turf. After talking with Yoh and learning that he is a Shaman, Yoh uses the power of the legendary samurai spirit Amidamaru to take care of the thugs.

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(I’ve had the first ten episodes of this show compared and sitting on my computer for years, and I only NOW realized I’ve never posted them here, so….err….enjoy! For future reference, Shaman King has now been added onto my rotation. I have no clue how I’ve overlooked it all this time. Also, sorry for any poor quality in the writing as a result of the age. I did go back and try to clean some things up but you can pretty much tell it’s an old post. ~Twix)

The titles are obviously changed for this series, but they never put them on screen in the dub so I won’t bother noting them when they come up. The titles aren’t even puns most of the time. In fact, this title is the only one that’s lame. Yoh, Morty! Get it? Yoh like ‘Yo’. It’s funny. The rest are perfectly normal…

I will, however, show each title screen since they’re edited away.

Text on the sign outside the school is removed.

Subbed:

Dubbed:

All the signs and logos are removed from the external shot.

Subbed:

Dubbed:

The book has Japanese on the cover, so this gets painted away and edited to “Ghost Stories.” Also, they changed the placement of the text because of the fact that Japanese is typically read from right to left instead of left to right.

Subbed:

Dubbed:

Text on a sign on the gate is edited away.

Subbed:

Dubbed:

All the text on the grave markers is painted away.

Subbed:

Dubbed:

Manta also looks up at the stars because Yoh says the stars look pretty tonight. In the dub, he hears weird ghost noises.

A very short part of the shot of Yoh getting up is edited out.

The theme song is completely changed for the dub. The song is actually pretty good, but the lyrics are fairly cliché and corny. The original song is good, too.

Also, the theme song is originally placed before any scenes are shown. In the dub, it’s placed right after Manta meets Yoh in the cemetery.

A sign outside of the school is painted away.

Subbed:

Dubbed:

The sign outside of the classroom door, surprisingly, is actually changed instead of removed. The sign actually said “Middle School Grade 1: Class C” In the dub, this is just painted away and replaced with 107.

Subbed:

Dubbed:

In the original, Manta’s rambling on and on about the ghosts which prompts one of his friends to ask if he’s okay. Manta asks in a surprised tone and expression why he asks and the friend responds that it’s because there’s no such thing as ghosts.

In the dub, the friend interrupts his rambling about the ghosts to ask him if he studied for the science test today to which he responds in a surprised tone and expression that he didn’t know that they had a test today. The friend just says that he’s kidding, but he’s worried that Manta’s losing his marbles. Why change that? That’s perfectly translatable, and what they made in its place seems completely random. Why stop his story to lie to him as a ribbing then turn around and continue the scene in the same way? That makes no sense.

His ‘friends’ don’t call him shorty and other nicknames in the original. He yells because he’s frustrated thaty no one believes him. In the dub, his initial yell is “MY NAME IS MORTIMER!” and then he follows it up by being mad about the ghost stuff.

Name Change: Manta is changed to Morty. So he’s the nice old man from the Swiffer commercials. Well, I guess he likes being called Mortimer, which, get it, Mortimer? Mort? Morte? Dead? He likes ghost stories. Haha. Also, oddly enough, looking at the Wiki, his last name in the dub seems to be Manta…..Start making sense 4Kids.

What kid is named Mortimer nowadays anyway?

Yoh is originally listening to music on his headphones, which is why he can’t hear Manta. In the dub, you can only hear the background music, which makes it seem like he’s just ignoring Manta.

Also, I’m almost certain the scene where Yoh’s trying to remember Manta is shortened in the dub.

The text on the board is changed to scribbles.

Subbed:

Dubbed:

Text on the boxes behind Manta is edited off.

Subbed:

Dubbed:

Instead of writing “Three hours later” like the original, 4Kids speeds up an animation of an analog clock imposed over the scene….Because kids who can’t read definitely know how to tell time with an analog clock, especially one with no visible numbers.

Subbed:

Dubbed:

The original has the word ‘here’ over the arrow pointing to Manta’s hiding spot. In the dub, they leave the arrow, but erase the text.

Subbed:

Dubbed:

Entire Series Edit: Just for the sake of saving me a LOT of time and screenshotting – if there’s a sign or gravestone/marker, just assume it originally had text on it. I’ll note important signs and whatnot, but there are too many to keep screenshotting.

Name change-ish?: Ryu is changed to Ryo for some reason. Also, Ryu’s usually called Ryu of the Wooden Sword. In the dub, he has no title.

Ahem, 4Kids, you know how we talked about missing the forest for the trees? Well, you kept a very Asian-style picture of a Japanese Samurai with a name like Amidamaru and decided to remove the small Japanese text that was on the side of the picture.

Subbed:

Dubbed:

Also, you keep a name like Amidamaru but you change Manta to Mortimer?

Ryu originally says he’ll make nattou (Japanese dish made with fermented beans and rice) out of the tombstone. In the dub, he just yells.

Ryu originally thinks Manta is the kid who has been trespassing in the cemetery at night. The dub doesn’t insinuate this.

Manta originally tells his friends that he was beaten up by Ryu. In the dub, he says he fell down a hill I guess while trying to run from Ryu. So…wait, we can’t insinuate that he got beat up? Even if we never see it on screen?

The eyecatches are removed of course.

Manta doesn’t mention anything about wanting to become a doctor in the original. He just says he needs to tend to his studies and that he can’t mess around like Yoh does.

Yoh tells Manta that his grandfather told him that evil people can’t see spirits and that since Manta could see the ghosts, he must be a good person. In the dub, he tells Manta that the cemetery is a great place to hang out and that they’ll deal with The Dead Enders while they’re there.

Amidamaru originally tells Ryu and the others that he is giving them a chance to redeem themselves for breaking his gravestone. Then we get a shot of his glowing, broken gravestone. In the dub, Amidamaru just thanks Yoh for giving him the opportunity to work with him. Is it some great honor to be called upon by Yoh? Also the shot of the gravestone is edited out entirely.

Over-Soul Merge is changed to Unity.

Amidamaru/Yoh originally tells Ryu that he won’t kill him because he doesn’t want a loser like Ryu to be a spirit like them. In the dub, he basically says next time he’ll do worse to him.

Manta originally explains exactly what transpired in his head. Yoh, and other shaman, can unite with spirits and basically become their mirror. Anyway that they move, the body of the host moves the same way with the same power. In the dub, Morty’s like “Wooooooowwww”

The word “Glue” is removed from the container of glue.

Subbed:

Dubbed:

After Yoh thanks Manta for helping him repair the stone, Manta wonders if it really matters since it looks awful and is covered in cracks, but Yoh says to not worry over such petty things. In the dub, he says he’d do anything after what he saw and then asks Yoh if he’d teach him to fight that way too, but Yoh politely declines saying the ghosts need a rest.

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I really enjoyed this episode. Hopefully this will be a series I’ll get attached to. As of this slightly revised writing, there’s a Shaman King reboot on the horizon, so hopefully that’s cool. I’ve wanted to check out the Shaman King manga too, so we’ll see where this journey takes us.


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Space-Time Detective Genshi-Kun/Flint the Time Detective Sub/Dub Comparison | Episode 9: Doodling Horurun

Plot: The next time shifter, Horurun, is spotted in 19th century France in the hands of a young Auguste Rodin, the famous artist.

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Title Change: Doodling Horurun is changed to Artie.

Name Change: Horurun is changed to Artie.

While both versions start out in the land of time, Saban opted to put a further establishing shot of the land of time right before the establishing shot that the original used for some reason.

The delivery robots made a joke that pretty much couldn’t be translated. They said “Aino ni takuhaibin” which translates to “A delivery for Aino.” but one of the robots joked “Aino takuhaibin” which means “A delivery of love.”

They remove a long behind shot of TP Lady grinding all up on the portrait and instead reverse a short sequence of Dyna and Mite shrugging in confusion about her.

An establishing shot of the lab is switched out for a different establishing shot of the lab/Bureau of Time and Space. The one they replaced it with is at sundown.

Oh my god…..Horurun is such a dorky little cutie pie. I love it too much.

They skip over the sequence of the kids traveling through space/time to get to 19th century Paris. In the dub, they use old recycled footage to insert their own sequence for this because it’s really necessary for some reason.

Also, they slightly shift the shot of the kids exiting the portal from after the establishing shot of Paris to before it.

Even though it is awful, none of the original kids say the first monster drawing they see was based on a ‘bad’ drawing done by a kid like Pterry does.

Flint: “Whoa, a little self-control, Getalong!” Pot, kettle, black.

Horurun’s name plate is removed.

Subbed:

Dubbed:

Oh wow….oh woooww…it’s like they paid Brian Donovan to give as few shits as possible when he was supposed to be in a lot of pain after getting his shin kicked.

Dyna and Mite originally point out that, even if TP Lady had Horurun bring the painting of the masked man to life, it wouldn’t be real. She responds that she doesn’t care because of the mysterious matters of a young maiden’s heart. In the dub, they don’t discuss this.

While the discussion of TP Lady’s age is kept, they don’t have them be so brash as to talk about her needing wrinkle cream.

They insert a far shot of Auguste running away before we cut back to Genshi after he jumps on TP Lady and the others.

In the original, Sora realizes the guy on the roof was Soichiro and goes “Ah! He disappeared again!” when he falls off the roof. In the dub, Sarah must believe he was a weathervane or something because, when he falls, she says “Ah! This whole town’s falling apart!” They’re continuously make Sarah oblivious to this dude in the dub, and what’s worse is that, in the original, Sora obviously knows Soichiro was trying to guide her, so she goes the direction he pointed, but in the dub it makes her look like she thinks she’s following the directions of a rickety weathervane….

A short reaction shot of Auguste is cut.

Excuse me. Are you telling me Auguste spent a full week with Horurun, constantly trying to make a drawing for his mom, and only now does Horurun use his ‘turn anyone into an amazing artist’ power on him? The day of his mother’s birthday?

Urghh they seriously just let him walk up and stamp Horurun…..Come on, guys.

Name Change: Waruhorurun (Geez, the awkwardness of that name.) is changed to Artiecon.

Name plate removed.

Subbed:

Dubbed:

The little boy trying to mess with the Time Cycle was originally trying to use it as a toilet. Saban obviously didn’t keep that little fact, changing it in dialogue to a rocking horse, but uh…..Saban….maybe be more careful with your frames. Why do I say that, you ask? This little boy clearly has no bottoms on. And I mean, he clearly has no bottoms on. Saban, you knew the original context of the scene. You had to have known he was trying to relieve himself….you had to have noticed….that, especially when the kid is flipped upside down and you can see it peeking out from under his shirt. Come on, Saban. Don’t make me whip out 4KidsPraising!Twix. Their frame by frame censors were next level and you even didn’t try. Shame.

They changed the sign for Sphin’s game show from “Sphin’s Riddle the World: Paris Edition” to “Riddle Griddle.”

Subbed:

Dubbed:

Forgive the partial screenshot. It pans and never shows the entire sign full out.

Why is the punishment for getting the riddles wrong now a big collection of monsters? I thought, if you get three riddles wrong, you end up mind-controlled by it.

Sphin’s first riddle is kept the same (The riddle is, Sphin was taking some color photos at the zoo, but they all came out black and white. Why?)

Sora and Sarah both stupidly blurt out the correct answer to Sphin’s riddle. (She said pandas, but I guessed zebras, which still would’ve been correct.)

A shot of Auguste appearing behind Waruhorurun is swapped from before the shot of him crying and opening his arms to afterward.

Waruhorurun doesn’t talk in the original. He has really bad dialogue in the dub.

Oh so Sphin doesn’t transform today…..What was his purpose being here, then?

I find it to be kinda depressing that, immediately after Auguste says he won’t forget Horurun, Putera mind wipes everyone…

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All in all, I really enjoyed this episode. I figured I would because I love art, even if it’s silly doodles, so this story’s right up my alley. Horurun is so adorable, and I love its power.

The story itself is very sweet. Rodin just wants to make a nice gift for his mother.

Believe it not, I really like that they showed him as a terrible artist. He is about ten years old here, and that’s right when he picked up drawing. Rodin did struggle a lot in the art world before he solidified his masterful skills. He had poor eyesight that made it difficult for him to follow along in school, but he found some solace in drawing because he could get the paper up close to his face to see his progress.

Despite having such passion for art that he enrolled in an art school when he was 13, he was rejected by Ecole des Beaux-Arts, a very prestigious art school in France, three times and denied entry into art exhibitions quite frequently. In fact, he wouldn’t really be recognized as a prominent artist until he was 35 when he became so inspired by the works of Michelangelo and Donatello on a trip to Italy that his work really started taking off.

This is not only (exaggerated, but) accurate to his story, but it is a great message for aspiring young artists. It doesn’t matter if you start out poorly. With enough work, dedication and passion, you can become an amazing artist, too.

…..That being said….

The actual message of the episode is problematic.

Why? Because Rodin suddenly got insanely good art skills via Horurun’s power and…..there’s never any indication that it wore off or anything. The Horurun he drew was made while utilizing those abilities, and that same drawing was brought to life by Horurun as a sculpture for his mom. (Isn’t that risky? Shouldn’t they have taken that from him before they left for the present?) We never see him draw again after that, so we don’t know if it was temporary or not.

Toki-G/Old Timer said that he was inspired to become a great artist because he still held Horurun/Artie in his heart somewhere, which is fine for this world’s canon, but it’s also implied that Rodin could become a great artist because of the power bestowed to him by Horurun/Artie, so it kinda ruins the whole narrative I had going there. Yeah, kids, if you start out bad at art, don’t worry. A time traveling chicken might pop up and magically give you great artistic capability! Then you’ll become one of the most famous artists in the world through your unearned art powers!

Finally, in spite of wondering just what purpose Sphin even had being in this episode (It showed up only to get knocked out and couldn’t actually helped because Sora’s an idiot.) I did think the scene with that little riddle game show was the best out of the episode because it was so funny.

Next time, no new Time-Space Monsters, it seems. Instead, TP Lady has her sights set back on Love-Love!


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AniManga Clash! Yu-Gi-Oh! Season Zero Episode 6/Manga Chapters 15-20

ANIMANGA CLASH YGO Ep6 screen1

Plot: Shadi is desperate to draw out Yugi’s other personality from the Millennium Puzzle. Still having unfinished business with Yoshimori, who excavated the artifacts Shadi believes should have stayed in their resting places, Shadi decides to use him as a puppet to corner Yugi. Also utilizing Anzu as a puppet and risking her life in a twisted Shadow Game, Shadi gets his wish and Yami emerges. Will Shadi regret what he has wished for, or will Yami pay the price?

Breakdown: This lone episode covers SIX chapters of the manga, so prepare for a lot of cuts.

In the manga, Kanekura was murdered by Shadi. In the anime, he just loses consciousness. They’re attributing that to the pharaoh’s curse, but that’s hardly newsworthy.

In the manga, Shadi entered Yoshimori’s mind room and found it full of artifacts and other items connected to archaeology. He also has a photo of his family collecting dust off to the side, symbolizing his neglected family due to his work. The mind room at the moment is dark and gloomy, symbolizing anxiety and dread. However, there’s a spark of light amongst the darkness – Yugi and the others, who are coming to visit him to help comfort him after Kanekura’s death. (Likewise, there’s a scene at school where the kids read about Kanekura’s death and they all decide to visit Yoshimori to comfort him, though Yugi has a bad feeling about it.)

Shadi takes this opportunity to draw out Yugi’s other self and challenge him on a more level playing field than last time. Using the power of his Millennium Ankh, he reorganizes Yoshimori’s mind room to make him into a puppet. When Yugi and the others arrive, they’re tricked by the INSANELY CREEPILY DRAWN Yoshimori (I swear to god, the way Yoshimori is drawn here is scarier than a good chunk of horror manga) who claims he killed Kanekura and tries to attack them.

ANIMANGA CLASH YGO Ep6 screen2

He starts by strangling Jonouchi. However, Anzu knocks Yoshimori over the head with a globe, freeing Jonouchi from his grasp, and she leads him away from the others. Yoshimori will not stop no matter what, per Shadi’s orders and powers, so Jonouchi tries to lead Yoshimori away while everyone else scrambles. Realizing he needs more than one puppet, he targets Anzu’s mind next. Her mind room is filled with mirrors and items relating to dancing and New York, symbolizing her confidence and her dreams of becoming a dancer in New York.

Oh and there’s also this picture….

ANIMANGA CLASH YGO Ep6 screen3

I have no idea what the hell that is. It’s a faceless ripoff of Superman? What does the G stand for?

Also, take a look at Anzu’s interpretation of the Statue of Liberty. It’s holding a dancing shoe, has ribbons around it and is holding a drink.

ANIMANGA CLASH YGO Ep6 screen4

Shadi feels more guilty screwing around with Anzu’s mind room since it’s so innocent and full of light, so he decides to make Anzu into a silent puppet instead of a crazed zombie like Kanekura.

Did you guys get all that? Because hardly any of it is in the anime. In that version, all we see is Shadi approaching Yoshimori, him freaking out, the Millennium Ankh glowing and then, as Sugoroku arrives to visit his friend, he sees Yoshimori busting through the window and falling to the ground below.

His injuries aren’t fatal, but we never see his mind room (which means we lose out on learning more about him, even if it is small. It also makes the point to show that, while Yoshimori is obsessed, he’s not greedy and uncaring like Kanekura was) he never turns into a crazed zombie or has a really long chase scene with Jonouchi, and he spends the rest of the episode in the hospital. Yugi and the others visit him in the hospital when they find out what happened, which is when Shadi catches onto Yugi’s presence again.

The group’s talk on the way back from the hospital might as well be a replacement for the discussion at school in the manga, I suppose.

As they walk home, Shadi plans his rematch with Yugi by targeting Anzu, who has split off from the group to head home. Shadi enters Anzu’s mind room to turn her into a puppet. They actually mirror (hehe, get it?) her mind room pretty well, even if I think the room should be much brighter. They don’t make the same alterations to the picture of lady liberty, however, yet they nearly perfectly match the very confusing picture of the G-man with no face.

In the manga, Anzu doesn’t really do much as Shadi’s puppet. She follows him to where he needs to place her and puts her in the Shadow Game trap almost immediately, after telling Yugi about it to prod Yami to come out, of course. He does trigger the shift by claiming that he can make Anzu do anything, even die, if he so wills it.

In the anime, Shadi doesn’t make himself known to Yugi for quite some time. He has secretly taken over Anzu and is using her as a silent puppet at school to try and trick Yugi into shifting into Yami by putting his life at risk – nearly causing a bunch of pipes to fall on him, making him fall down the stairs by dropping a basketball down them as he ascends (??????) and finally trying to strangle him in the infirmary.

ANIMANGA CLASH YGO Ep6 screen5
THE POWER OF FRIENDSHIP

Yugi is saved by Jonouchi and the rest of the group, and Anzu runs off. Everyone tries to find her, though they’re concerned she’s affected by the pharaoh’s curse and that any one of them could be next. They split up, and Yugi manages to spot Anzu. He follows her to the roof and we get the Shadow Game portion here.

(Side Note: Throughout all of this, Honda is taken over by Shadi and he basically takes Yoshimori’s place in the long chase scene. The only real difference is that now Miho is here. We also didn’t get to see Honda’s mind room, which is a shame….but I worry it might have been filled with pictures of Miho and rulebooks or something. Zombie!Honda is actually pretty frightening, but not as creepy as Yoshimori was. Miho is the one who sprays the zombie with the fire extinguisher whereas it was Jonouchi in the manga.)

Shadow Game

Anzu is on a plank over the edge of the roof. It is being held up by five ropes connected to the fence. Shadi holds her life and mind in his hands, and he will kill her if Yami doesn’t show up and play his game.

(The only real difference here is that the plank had a bunch of ancient Egyptian designs on it in the manga, but this didn’t transfer to the anime.)

Shadi’s ploy works – Yami emerges from the Puzzle to confront Shadi. Before he explains the rules, Shadi tells Yami that the Millennium Puzzle did not end up in his hands and was not solved by him through pure coincidence. He was chosen by the Puzzle after 3000 years of waiting. Shadi’s family was chosen by the Millennium Items as well. Yami doesn’t want to hear anymore, though, and just wants to know the rules. Shadi points out, however, that the game is well since underway.

The ropes connected to Anzu’s ‘bridge of life’ are connected to the fence through six items – five ushabti or ‘answerer’ figurines, four belonging to Yami and one belonging to Shadi, and Shadi’s Millennium Ankh.

One of the figurines suddenly breaks – this was due to Yami showing his inner fright over the powers of the Puzzle. Each ushabti will break whenever he has a weakness of heart. If all four of his statues break, Anzu will fall to her death.

ANIMANGA CLASH YGO Ep6 screen6

However, if Yami can somehow break Shadi’s lone ushabti, it will cause the Ankh to slide down the rope and into Anzu’s hands. The only thing that can break her trance without Shadi’s interference is by Anzu holding the Ankh.

The first proper trial starts. The ground breaks apart under Yami’s feet, revealing a slue of zombies grabbing for him. Shadi presents a riddle to Yami – “It crawls out of the earth and clings to a pillar – what am I?” After calming himself down, Yami correctly answers that it’s his shadow.

Yami passes the first test, which, logically, would mean he wins the whole thing because all three of those ushabti need to break in order for the platform to fall, but whatever.

In the anime, they skip ahead to the second test for the first test and completely omit the manga’s first test.

Everything about this test is kept the same, but the anime omits that the monster holding Yami, Amemit, might still be full from eating the soul of Kanekura since, in the anime, he was only left unconscious not killed.

This game has Yami being held in place by an alligator-like monster named Amemit. Before him is a shinkei suijaku game – a game where you turn over one tile at a time and try to find matches. However, this one is different. There are nine tiles, not eight, meaning the middle tile stands alone. Yugi only has one opportunity to guess at what the slates show. The only clue he gets is that the slates are mirrors that reflect Amemit.

Yami eventually figures it out – The slates reflect Amemit’s appearance, meaning it has several pairs on its body: eyes, nostrils, hands, ears, which account for eight slates, but the lone feature, the middle slate, reflects its mouth.

ANIMANGA CLASH YGO Ep6 screen7

He passes this test, and we move onto the final round, which, of course, puts all three ushabti at risk of breaking because Shadi’s a cheating dick.

The final round, which is only the second but still final round in the anime, involves an illusion of Bully!Jonouchi from Yugi’s memories. Shadi is pitting Yami against the illusion in a game to the death. The floor falls around them, leaving only a small section to stand on. Using the Millennium Puzzle as a pointer, each person will roll the Puzzle like a die. Whichever direction it points to is the direction in which the other will have to take two steps. If Yugi can make Jonouchi fall first, he wins the game. If Jonouchi makes Yugi fall, he loses the entire Shadow Game and Anzu will fall to her death.

Yugi, not Yami, is the one being more harshly tested here because not only does Yami/Yugi not really know for absolute certain that this is not the real Jonouchi under a spell, possibly putting his best friend in mortal danger, but the memory of his friend as his old bully is revealing weaknesses in Yugi.

Just one line of mocking from the fake Jonouchi is enough to make two of Yami/Yugi’s sshabti’s shatter, leaving one to hold Anzu.

ANIMANGA CLASH YGO EP7 SCREEN8

Also, for some reason, the Puzzle sounds like it’s made of hollow plastic in the anime.

Jonouchi rolls the Puzzle, making Yami step forward. It’s Yami/Yugi’s turn, but he refuses to play this game with Jonouchi. Taking Yami’s turn as passed, the fake Jonouchi rolls the Puzzle again, making Yami take two more steps. Once again, Yami refuses to take his turn.

Shadi asks him if he’s forfeiting the game. Afterall, this challenge is about facing his past, the bully Jonouchi, and overcoming it by destroying it. Refusing to play and letting this memory push him over the edge must be a declaration of defeat. Yami, however, corrects him. He’s not conceding defeat – he just believes in his friends too much. He trusts Jonouchi, whether he be real or not, to not kill him like this.

Scoffing at this ideal, Shadi points out that such a mindset is what makes him weak. In order to truly show strength in this ordeal, he needs to only believe in himself. However, he’s not giving Yami any leeway either way and commands the fake Jonouchi to roll the Puzzle one more time, which would surely send Yami over the edge and end the game.

The illusion, however, refuses and eventually smiles and fades away. Yami/Yugi’s faith in his friend and his trust that Jonouchi has become a changed man since his days as a bully showed Yami/Yugi’s true strength and allowed him to win the game.

ANIMANGA CLASH YGO Ep6 screen8

Another problem arises when the lone rope holding Anzu starts breaking. Yami panics, but finds Jonouchi, the real one, holding up the plank Anzu is standing on.

Shadi watches in confusion. He’s shocked that Yami/Yugi’s friends are supporting each other. Yami declares that true strength doesn’t come from standing on your own – it comes from believing in your friends.

This actually shatters Shadi’s ushabti, sending the Ankh down to Anzu’s hand and freeing her from the trance. Jonouchi and Yugi help Anzu back up, though Honda is climbing up Jonouchi. In the manga, Yami is still the dominant one in Yugi’s body through the rest of this finale, but in the anime he switches back to Yugi when Anzu starts falling.

In the manga, Yami directs Jonouchi to touch Yoshimori’s hand to the Ankh to free him. In the anime, the plank holding the Ankh just conveniently smacks Honda on the back of the head, freeing him.

Yami has one last confrontation with Shadi before he leaves in the manga. He says he finally understands the power of the Puzzle. It’s the power of unity. He was able to connect with his friends and overcome these illusions and challenges because his friends were connected with him through it. Suddenly, all of Yugi’s friends, Yoshimori and his grandpa appear beside him. Then Jonouchi tells Shadi to stay out of their territory, which in this case is Yugi/Yami’s heart and mind, though I’m not sure how Jonouchi knows Shadi was responsible for all of this.

ANIMANGA CLASH YGO Ep6 screen9

Shadi grabs his Ankh and leaves, telling Yami he’s happy to have found people like him in possession of more Millennium Items and even asks if he can ‘Open the door.’

Jonouchi and Anzu wonder why Yugi looked so different, but when he turns around he’s back to normal so they just brush it off. Yoshimori’s fine, barring some soreness and loss of teeth thanks to Anzu, and they all go off to get something to eat, which is silly to do considering the teeth thing.

In the anime, Shadi leaves without confronting Yami again, though he does explain in voiceover that they’ll meet again and now Yugi has the mission to draw out the true power of the Puzzle.

——————————————-

Overall, I really liked this arc and episode, even if the finale was a tad on the cheesy side. The rematch with Shadi was really unfair since the odds were so highly stacked against Yami, but the challenges were pretty good and the stakes were high.

I’m not quite sure how much I care about Yoshimori literally being thrown out of this episode. Though, given the narrative they’ve made in the anime, I suppose it is more impacting to have Honda be the crazy zombie here. They pretty much left Yoshimori’s fate up in the air, though. For all we know, at this point, the poor guy will be in a coma forever like Kanekura.

They did match the creepiness factor of Zombie!Yoshimori pretty well, though. Not perfectly, but they did a good job.

I understand why they erased the first game, but at the same time I kinda don’t. If they had removed all of those parts with Anzu trying, in a really pathetic fashion barring the strangulation, to assault Yugi, they probably would have had time to include it. They were already pushing it, trying to include six chapters worth of material into one episode, why add filler?

Next chapter/episode, hey guys, remember Gigapets/Nanopets/Tamogotchi? Time to fly down a nostalgia hole within a nostalgia hole!


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AniManga Clash! Yu-Gi-Oh! Season Zero Episode 5/Manga Chapters 13-14

Animanga Clash YGO Ep5

Plot: The gang wants to head to an Egyptian exhibit at the Domino art museum where a friend of Yugi’s grandpa, Professor Yoshimori, is revealing some artifacts he found.

Before they enter the exhibit, they, along with Yugi’s grandpa, meet Yoshimori and the financial backer of the expedition that heralded many of the artifacts being presented today, Kanekura. In awe of Yugi’s Millennium Puzzle, he asks if he can put it in the exhibit, to which Yugi hesitantly agrees.

The gang goes to see the rest of the exhibit when Yoshimori explains that archaeologists don’t get to keep the items they discover since it’s illegal in Egypt. This surprises Yugi and the others since they believed archaeologists got rich off of the artifacts that they found and were typically greedy individuals.

Yugi spots an Egyptian man (Shadi) crying at the exhibit and asks him what’s wrong. He states that these tears are not his own – they’re those of the pharaoh who is mummified before them, unable to find rest in this state. Shadi pats his head and calls him a nice boy, which irritates Yugi. He also notes that the man carries around a scale, so he might be crazy.

Surprisingly absolutely no one, Kanekura is secretly a bad dude who wants to sell the Millennium Puzzle behind Yugi’s back, but not before Shadi targets him for a shadow game for his role in excavating all of these artifacts and looking to profit off of it.

Kanekura loses his shadow game, and, ultimately, his mind.

He grabs the Puzzle and leaves, bumping into Yugi, who notices the Puzzle in his hand and remarks on it. Upon learning that Yugi is the one who solved the Millennium Puzzle, he enters Yugi’s mind, which actually contains two rooms – one that is so innocent and child-like it almost seems like a baby’s room, and another that is frighteningly ominous. He meets Yami at the door, and he allows him into his room, which is a massive maze filled with hundreds of doors.

Yami posits a game, if Shadi can find the ‘true room’ in his mind’s room, then he can obtain the ‘treasure’ that awaits there. If not, he’ll be lost in his mind forever. Shadi’s is pretty confident he can do it because his Ankh/Key/Cross allows him to also alter the mind rooms of others, but the massive maze of Yami’s mind is too much to allow him to do this, so he opts to just visit each room individually, resulting in him finding a plethora of traps.

Yami saves Shadi from falling to his death (Or…mind death?) in one room, finally allowing him to leave. Shadi returns the Puzzle to Yugi and warns him of the power of the Puzzle as well as his other personality. Shadi reveals his name to Yugi before departing, aiming to test Yoshimori next.

Breakdown: Oh good. Anime!Honda wants to go to the Egyptian exhibit to scare Miho so she’ll fall into his arms. Nice…

Wait a second, so in 1922 the Egyptian government passed a legislation that made it so whatever ancient Egyptian artifacts were found in the country stayed in the country and did not belong to the person who discovered them (This isn’t something I researched independently – this was said in the manga and the anime.)

….But….Sugoroku found the Millennium Puzzle in the Valley of the Kings in the 1960s. Doesn’t that mean that, technically, the Puzzle doesn’t belong to him and he’s had an ancient Egyptian artifact illegally for over 40 years? How did he even get that out of the country?

Also……..Excuse me…..What?! Miho finds this mummy…this…dead person….CUTE? Because it has a bald head so it looks like a baby to her? Someone please get this increasingly difficult to watch character off of my screen.

They omit a small part in the manga where Kanekura goes off to display the Millennium Puzzle and Yugi thinks to himself that he feels like a worried parent. I’m not sure why, but the parent comment seemed very intriguing. It could be general unease at being away from something that is precious to him, but it could also be an anxiety brought on by his connection to the Puzzle, telling him something’s wrong.

Considering the bond between owner and item seems to stay intact no matter if the item isn’t on their person, this is very possible.

Both Manga and Anime!Yugi yell that he’s a high school student when Shadi calls him a ‘nice boy’ and pats his head, and he follows that up with calling him a weird Egyptian. The main change here is that Manga!Yugi says all of this in his head (thought balloon) whereas Anime!Yugi yells all of this out loud. The reason I bring this up is because that’s a really rude thing to yell and an even ruder and somewhat racist thing to say out loud, even if Shadi was already walking away by then. He didn’t yell out either of those things in the manga because Yugi’s not such a rude person, even if it is still in poor taste for him to think that ‘weird Egyptian’ comment.

Also, yeah Yugi, he must be insane because he carries around a scale. Now go walk around with a giant golden upside-down pyramid hanging from your neck you sane boy, you.

Why is that even seen as odd? He’s carrying around an Egyptian artifact in an Egyptian exhibit. For all Yugi knew, he was just moving the thing.

Speaking of which, the owner of the Millennium Scale kinda gets the raw end of the deal in regards to convenience, doesn’t he? Every other item can easily be carried on your person – the Puzzle, Ring, Key and Necklace are all worn around the neck, and the Rod can be holstered easily. However, the Scale has to be carried around by hand. The Eye is carried around in the user’s head, but I think we can all agree that the Eye is the worst item to actually obtain or have taken from you because it needs to be jammed into your eye and then plucked out.

Shadow Game

27

This Shadow Game is based entirely on the functions of the Millennium Scale. Shadi asks Kanekura questions, and the scale tips one way or another depending on how much sin he’s revealing, which is technically how much he’s lying in his responses.

Shadi’s first question is kept mostly the same, but the manga says the girl dropped money on the ground before she fell into the well, not a gold ring. Truth be told, though, I prefer the anime version because a gold ring is more valuable and more realistic to covet than ‘Oh yeah, I would let a girl die for whatever cash she just got from her piggy bank.’

In the end, Kanekura is ‘eaten’ by a demonic representation of the greed and evil in his mind’s room, as seen by Shadi’s Millennium Key/Cross/Ankh.

Manga!Yugi doesn’t think Shadi would know where his Puzzle would be, but in the anime, he noticed Shadi carrying the Puzzle and remarks on it. Small change, honestly, but the anime makes him look a little better because in the manga he’s, again, thinking Shadi is crazy for really no reason this time.

There are many more traps in the anime version of Yami’s mind than there are in the manga, which is fine, in my opinion.

——————————-

This episode covered two chapters this time, and I think it did a really good job reflecting the manga material. I like how we technically got two Shadow Games in this episode as a result – one run by Shadi and the other by Yami. The initial Shadow Game was a great intro to Shadi, and the second was a very interesting and intense start of the conflict between Shadi and Yami. It was also a really intriguing way of depicting Yami’s mind’s inner secrets.

Also, this panel:

Animanga Clash YGO Ep5 2

lolwut?

Final Notes: The 2000 anime did basically keep in the entirety of chapter 14/the second half of episode 5. The sequence in Yami’s mind room is almost exactly the same except three crucial details.

First, in the manga and Season Zero, Shadi and Yugi meet by chance at this Egyptian artifact exhibit. In the 2000 anime, they meet when Shadi comes to Pegasus’ castle looking to investigate a criminal who stole the Millennium Eye. (2000Anime!Shadi can also use portals because reasons.) Yugi happened to be there after the events of Duelist Kingdom concluded.

Second, the one who saves Shadi from Yami’s room is Yugi – not Yami. The reason for this, supposedly, is that Yugi recently realized and acknowledged that he had another spirit living within him and was able to save him. He was thereby able to learn more about the history of the items whereas in the manga and Season Zero he wasn’t all too aware of this for most of the run. However, the 2000 anime really makes Yami look like a dick who was going to let an innocent man lose his mind forever.

Finally, the 2000 anime adds an entirely new sequence. Yami supposedly lets both Yugi and Shadi out of his room, but it leads to a mysterious new room that seemingly showcases more things related to the backstory. They’re attacked by Yami’s mind’s guardian, Dark Magician, which is weird because Yami should have control over this place, despite not having his memories, and Dark Magician should instinctively know not to attack Yugi, but whatever.

Shadi tries to summon Blue-Eyes from a tablet on the floor, claiming it’s the only monster who can beat Dark Magician, but Yugi stops Dark Magician by merely talking to him, which shocks Shadi. (I’m fuzzy on the details of this arrangement, if it’s ever explained. If Seto always lost to Yami, then why is Blue-Eyes an instant win over Dark Magician even in the card game?) Dark Magician then releases them both from the mind room.

Next time, continuing on with the Shadi plot – we got a lot to cover in the next episode.


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