Plot: Miguel’s family has detested music for generations ever since his great-great grandfather abandoned his family to become a musician. Forced to follow his love of music and the famous musician Ernesto de la Cruz in secret, Miguel attempts to follow his dream of becoming a musician on Dia de Muertos by entering a music competition.
His grandma, having found out about his secret, destroys the guitar he built, leaving him with no means of participating in the competition. In an effort to secure a guitar in time, Miguel winds up getting trapped in the land of the dead when he tries to steal de la Cruz’s guitar from his tomb. Only the blessing of his deceased family members can send him back home, but they’ll only do it under the condition that he never play music again. Miguel scrambles to find another way home without sacrificing his love of music before sunrise or else he’ll be trapped in the land of the dead forever.
Breakdown: Warning – While I did my best to avoid spoilers in this review, I couldn’t avoid talking about some of them so, spoiler warning.
I have scoured far and wide for animated Halloween specials and movies, it never really occurred to me to look for any animated media about Dia de Muertos or the Day of the Dead until I decided to finally watch Coco. Let me be very clear – I’m aware that the Day of the Dead is not Halloween nor does Halloween’s roots really come from the Day of the Dead. They seem similar due to imagery such as graveyards and skulls and a few traditions such as dressing in costumes lining up, but they are not one in the same and come from very different backgrounds. Day of the Dead is also not celebrated on October 31st – although it does come immediately afterward on November 1st.
That being said, I still feel like this counts because….pbbttt….I want it to. Animating Halloween entries technically don’t have to be about Halloween, and it fits the general criteria so I’m counting it.
Onto more important matters, I need to get this out of my system, holy frickin’ rendering, this movie is GORGEOUS. Every frame of this movie is like it’s begging you to pause and stare at each image….which I did a few times. Pixar keeps outdoing itself at every turn. It’s beyond impressive. The details on the clothing and the faces, the hair, every little item and building, the textures, the animation, the absolutely heart-stopping coloring, the amazing stylization – I want to watch it all over again just to soak in more of those visuals. They’re so good.
This movie really aimed to celebrate Mexican culture, and while I can’t attest to any inaccuracies or the like since I am not Mexican or of Latin descent, I believe it achieved this goal in spades. It definitely serves as being a fantastic Dia de Muertos movie. It lends proper focus to the main themes and traditions of the holiday without beating you over the head with the message too much. I want to read up on it as much as I can because it looks like such a cool holiday that I wish we had in the States.
In regards to the story, it had its ups and downs. I think the premise is incredibly interesting and the story as a whole is well-executed, but that doesn’t mean it’s not without flaws. One of the biggest problems being that 90% of the movie is very predictable.
I’m going to say something silly right now, but believe me I have my reasons…..this is pretty much The Little Mermaid for the first 45 minutes. I’m not saying it’s about mermaids – there are approximately zero mermaids in the movie – I mean the general story notes hit the same. Something is banned and hated from the MC’s family/world, but the MC really adores the banned thing. MC enjoys the banned thing in secret until their fangirl/boyness gets found out. Parental figure destroys their hidden shrine to the banned thing, including one particularly important thing. MC runs off because of how awful and unfair they’re being. They accidentally enter another world by doing something unethical/wrong and they need to fix their mistakes without sacrificing their love of banned thing. In the end, both worlds combine and everyone’s happy. Bonus – the heavy music themes.
Even taking my comparison to The Little Mermaid out of the equation, it’s still a pretty predictable story for 90% of its runtime. However, it’s very much saved by two things; 1) The overall ride of the visuals, music and characters make this story memorable and unique. Remember, cliches and predictability are only as bad as you make them due to lack of style and innovation. 2) I said 90% of the storyline because there is a huge plot twist near the end that I never saw coming. I was really thrown for a loop when that was revealed. I knew that de la Cruz would turn out to be a bad guy because movies always tend to drive home a ‘don’t meet your heroes’ message for whatever reason, and the guy was simply hero worshipped by too many people to not turn out to be an awful person, but I never expected the other half of that reveal. I was completely blindsided.
Another issue was that I thought the family’s hatred of music was overkill to say the least. I can understand Imelda (Great-great grandmother) hating music that much, but not the entire family – most of which never even met the great-great grandfather. He could have abandoned his family for any profession. If he ran off to become a famous chef, would they all hate and banish food?
It’s revealed near the end that Coco never stopped loving her father and kept all of the letters and ‘poems’ he sent to her before his death, so why didn’t she stop this cycle of hatred? I’m not putting the full blame on her, since her mother seemed like a very outspoken person who likely passed on her hatred to Coco’s children without Coco getting a word in edgewise, but it still seems like something she had some modicum of control over, especially after Imelda died.
Give Triton credit. At least his hatred of humans and the surface world has quite a bit of justification behind it. Humans were a huge threat to sea creatures and they were responsible for killing his wife. Abandoning your family is a crappy thing to do no matter the reason, but music wasn’t responsible for him making that crappy decision. It just happened to be the dream he was pursuing. There’s nothing inherently bad about music. To have such a deep hatred of it that you harass people on the street for playing music, yell at family members for so much as humming or act like your son is a terrible person for wanting to be a musician is just crazy.
This was probably intentional, but the hypocritical aspect of Miguel’s family holding the concept of family so dear while also damning one of their family for something as silly as playing music is definitely not lost on me.
Of course, Miguel also had to learn the importance of family while both sides had to learn to balance family and passion, which was a sweet sentiment.
Being completely honest, in the end, Hector’s story was more interesting that Miguel’s journey, but I can’t go into that very much without spoiling a lot.
Miguel is a very nice and realistic boy, and, despite some hiccups, I never stopped rooting for him to both get back to the land of the living and retain his ability to practice music. Over the course of the story, it shifts from being simply about him pursuing his own dreams to also about bringing music back to his family.
The story as a whole is a great way to tackle the subject of death with children in a manner that is extremely respectful and not scary – at least in my opinion. No matter your beliefs on an afterlife, Coco isn’t afraid to talk about death, depict it and explore it in a manner that a child would understand fairly easily without too much to worry about in regards to frightening them.
There is one aspect of this lore that is scary and depressing even to adults – the concept of being forgotten. I think a lot of people have had that existential crisis where we think about what happens after we’re long gone and forgotten. Thinking about that in the scope of the physical world is enough of a heavy topic to weigh on any adult’s shoulders. Coco, however, introduces the concept of what I’ll call a double death.
When you die, you go to the land of the dead, which is basically our world only awesome because everyone’s a cool-ass skeleton and there’s a massive city with lots of neon lights, there are insanely cool spirit animals and everything’s incredible, but not in a heavenly perfect way.
Every Dia de Muertos, those in the land of the dead are allowed to pass over to the living world to visit their relatives and enjoy the festivities. You’re allowed to enter the physical world if your family has put up your photo in their ofrenda, which is a shrine where the photos of lost loved ones are displayed and offerings are placed during Dia de Muertos. Typically, as long as your photo is kept up every year, you’re not forgotten.
However, the depressing part comes for anyone who is forgotten. If your family or another loved one hasn’t put up your photo in an ofrenda and no one in the living world who knew you when you were alive still remembers you, you disappear…forever. You doubly die. How depressing is it to have an afterlife where you can die again, this time permanently, and the death is caused by your memory fading from the physical realm?
Hector even says disappearing in this manner happens to everyone eventually, which does make sense but geez, what a depressing concept.
Music being a central theme in this movie means the music has to be top-notch here, and I’m happy to report that it is. Both the orchestral score and the lyrical songs are phenomenal. It’s a soundtrack I’d gladly purchase.
The voice acting was also very well done. The movie has an almost entirely Latin cast, which is very appreciated, and everyone did quite well in their roles. I liked that they had Miguel be a decent singer but very obviously still sound like he’s rough and inexperienced. His passion for music and his skills with guitar playing shine through during these moments and make his performance both incredibly real and impacting without being distracting.
I loved Coco from start to finish, even if I was mostly latched onto the visuals for the first chunk of the movie before the story really took off. It’s one of Pixar’s best movies, if you ask me. I didn’t tear up at any point, but I had a blast watching it, and it did get me a tiny bit emotional near the end.
Recommended Audience: As I mentioned, this movie basically needs to talk about death and the afterlife a whole lot, which may be a touchy subject for children, but I believe it covers this topic so well that it wouldn’t be too risky for young children. Still, be warned that the themes are here and more sensitive children might not be receptive to it even with the happy and optimistic tone. It should also be noted that murder is brought up once. I don’t think there is anything else questionable or offensive etc. in this movie, so 6+.
Final Notes: Can we keep up discussing how awful Blu-ray cover art usually is? Look at the awesome poster I used for this review and then compare that with the Blu-ray.
This entire movie is chalked up to ‘Boy with guitar.’ Get your crap together, Blu-ray.
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Hello visitors of this little ol’ blog. Hope you’re all staying healthy and happy.
October is just around the corner, which means Animating Halloween is coming up real soon. With that, I have some good news and some bad news.
The good news is Yami Shibai has released twonew seasons since the last Animating Halloween, which is AWESOME because I really thought Yami Shibai was over and done with. The tradition continues!
The bad news is things are kinda hectic right now. I’m moving soon-ish (numerous variables are keeping that up in the air. It’s kinda frustrating.) and I still have to do a bunch of stuff in preparation of that. Plus I have other personal things to handle. Animating Halloween is still on for sure, but posting once a day as I usually do during October may not work for me right now. To not rob you of Animating Halloween goodness, I will do a rollover AH day into November for each day I miss in October.
I know my posting habits aren’t spot-on either way, but I wanted to at least give you guys a heads up this year. I love doing these month-long review specials and it always makes me disappointed when I don’t manage to complete it, both for you guys and myself. Halloween is one of my favorite holidays, and I want you guys to be able to celebrate alongside me. 🙂
Finally, if you have anything you’d like to see me review for Animating Halloween, feel free to make suggestions. As a reminder, I will review anything as long as it’s mostly animated or is a graphic novel/manga of some sort and, of course, related to either Halloween or horror.
Have a Happy and SpooOooooOOOOoooookkkkyyyy Halloween, everyone! And thank you all for reading! 🧡
Finally, after years of doing Episode One-Derlands, I actually finished a cartoon that I featured there.
ToonMarty is a French-Canadian cartoon created in 2017 by Sardine Productions for our old friends, Teletoon. It’s about a happy optimistic boy named Marty who gets into various shenanigans in the toony world of Toonville with his friends, Burnie and Holly.
When I first watched this show, I was pleasantly surprised because, honestly, it didn’t look like it’d be worth much of a damn, but I actually found myself liking it. It wasn’t making me bust a gut or anything, but I fully enjoyed the episode that I had watched.
Cut to nearly a year later, and I’m reminded of ToonMarty as I’m looking through my saved series on Tubi, so I thought why not binge watch it and finally get one of these full-series cartoon reviews completed for a change?
So I did!
And I ended up feeling….very, very, very mixed.
I ended up also using this binge watch as an experimental show to try making a tweet thread about my thoughts on each episode, so if you want to see my brief responses to each episode, click here.
The experiment failed, by the way. I won’t be doing that again.
As you can tell just by skimming the thread, this series has pretty decent highs and fairly low lows. One minute, I’d be singing its praises, and the next I’d be frustrated beyond belief, then I’d be very bored. To get a better idea of what’s right and wrong with ToonMarty, let’s break everything down.
The Citizens of ToonVille
Marty is our main character. When lightning struck a billboard for ToonMart, ToonMart Marty being the mascot, he was brought to life. I mentioned in my Episode One-Derland post that I thought it was odd that they never explained his origins in the first episode, nor do they explain it in the theme song. He obviously has no parents and seems to live in ToonMart, which is very weird without context. If I had never read the description in the Wiki, I’d be terribly confused. I assumed that they would explore his origins in the second episode or at least later on – it’s the friggin’ plot to the show and the backstory to the main character.
We never learn, outside of meta information, what Marty is. We just know he’s the mascot of ToonMart for some reason. For all the average viewer knows, Jack just hired someone off the street and used their image for advertising. It doesn’t ever really matter, but it’s still a very weird detail to overlook.
Onto Marty himself, he has very poor character consistency. Sometimes, he’ll be sweet and adorable and precious, but then other times he’ll be very selfish and childish, and many times he’ll be incredibly obnoxious.
I mentioned that Marty reminded me of Spongebob quite a bit, only not quite as annoying, but I take back that last part. They’re about even on that playing ground now. Marty lives for his job, is extremely happy and peppy, and is quite clueless and naive. On the more negative side, Marty loves playing pranks, being loud and destructive. That’s why he’s such good friends with Burnie, a character we will definitely need to talk more about in a second. He’s usually harmless, but he doesn’t seem to realize where the line is until he’s long since crossed it.
The show has a habit of finding ways to torment Marty for no reason. It’s not constant, but it is there and it did get very frustrating. They acknowledge that Marty is meant to be this pure, cute beacon of sunshine that everyone loves, but the show still loves to find ways to make him suffer a lot when he doesn’t deserve it. This happens a lot in episodes where either he and Burnie do something together and he gets the blame or Burnie does something on his own and Marty gets the blame.
Marty is always at his best when he’s just embracing being a toon. He’s very proud of his toon nature, and it’s always entertaining to see him bouncing around and goofing off. I wish they had just kept him that way the entire time.
Burnie is a human pustule. He’s Marty’s best friend – the Patrick to his Spongebob for sure. He’s a lazy, food-obsessed moron. The thing that sets him apart is that he’s the son of a super villain and has fire powers and flight. I mentioned in the Twitter thread that Burnie was starting to come off like a middleground between early seasons Patrick, where he’s a dummy but he’s adorable and entertaining, and late seasons Patrick where he’s just a complete and utter asshole.
I am here to report that I was also wrong on this part. He’s late seasons Patrick – in fact, he’s worse, in my opinion.
Burnie’s shtick is that he’s a lazy idiot, sure, but his more spotlighted character traits are that he’s a selfish, destructive, uncaring pile of sun-baked garbage. He hates Holly for no reason and is constantly making fun of her, pulling pranks on her or making her life miserable, and he’s always getting Marty into trouble. He only cares about himself, and unlike Spongebob and Patrick, you never really feel like their friendship is genuine.
It always feels like Burnie is just friends with Marty because the writers say so. Marty is friends with Burnie because he’s too much of a goshdarn nice guy to see the problems with Burnie most of the time. He has fun playing pranks with him, but that’s about it. He hardly ever holds Burnie accountable for his actions, and Burnie NEVER holds himself accountable for his actions. He’s usually being reeled in by Holly, but Holly almost always ends up being ignored, insulted, harmed in some way or D) all of the above.
You’d think a character like him would constantly get comeuppance, but he doesn’t most of the time. He comes in, causes trouble, acts like a prick, then the episode ends without him paying any price usually. The few times he does get his just desserts, it is beyond a welcomed sight.
Burnie has a pretty good and unique backstory in being the son of a super villain, but they surprisingly don’t do much with that aspect of his character. He frequently uses his fire powers and uses his flight to avoid walking, but outside of some clear daddy issues and some infrequent encounters with his father, it’s very much an underutilized part of his character, which is a shame. I’d much rather explore that than deal with him being a jerkass.
I did mention in the Twitter thread that, at the very least, they acknowledge that Burnie’s a complete annoying asshole….but asshole characters are only really funny if they get their comeuppance, and just because your other characters recognize that a character is annoying doesn’t mean that he’s not still annoying. You have to introduce some likable character traits to him otherwise you’ll just spend every second of his screentime wishing he’d be locked in a cage at the center of the earth.
Holly is like some mixture of Sandy and Squidward. She’s a robot, but also the token girl of the group. She’s the smartest, most mature, and she acts as a grumpy straightman to Marty and Burnie’s shenanigans. Holly is constantly on the receiving end of torment from these two, which is never justified like it commonly is with Squidward. And like I said, she and Burnie hate each other with a passion for really no reason.
I really liked Holly. Outside of one or two instances, she was likable, nice and interesting. Her being a robot is especially interesting because, despite being a cartoon, robots are not technically ‘toons’ in the traditional sense. That’s one of the reasons why Holly’s the straightman in their dynamic. As a robot, she has a weird/sometimes quite poor sense of humor, and she’s always the voice of reason. They act like Holly doesn’t actually have emotions sometimes, but that’s very much not true. I don’t know why they imply that.
Unlike Burnie’s backstory, I don’t think they squander Holly’s robot nature too much. I wish they had done a bit more with it, but it was the best out of the three main characters.
Toonville is filled with many other frequent faces like Jack, the owner of ToonMart and Marty’s boss/father figure. I would say he’s the Mr. Krabs here, but he’s really not. He’s an old curmudgeon who keeps Marty in line when he can, and that’s about it. I liked him for the most part.
Suki is a spoof of anime, most specifically Sailor Moon. I thought Suki would be way more important than she actually was. She’s right up front in the title card, she’s in the promo poster, and the first episode put her on display for quite a bit. Plus, she’s Marty’s love interest. However, she is mostly just a background character for nearly the entire show. She pops up in nearly every episode, but it’s only for about 15 seconds and usually has absolutely nothing to do with the plot.
She had one episode where she was the focus, and that was mostly it for Suki doing damn near anything of note in this series.
There are many more problems with her character that I will discuss later.
Then you have Dr. Smartypants, who was my favorite character of the show. She has great lines, a very memorable personality, and I adore her comedic timing. She’s a monkey and the doctor of Toonville. She actually manages to appear more frequently than Suki despite not even appearing in the opening theme.
Super Simon is the resident superhero. He usually battles Burnie’s dad, Burnatron. While he initially comes off as very heroic and nice, he, for some reason, becomes an ass later on.
Burnatron is a villain. There’s not much to say here. He’s a slight ass to his son, but it’s never enough to justify Burnie’s terrible behavior. Burnatron can be pretty entertaining because he’s one of those villains who are more talk than action.
Carly is a parody of Hello Kitty. She’s pretty funny, and I usually enjoyed any scene that focused on her.
Lenny is a depressed sentient bench, who might as well be Eeyore. He could be kinda funny sometimes, especially in To Be Continued.
Hobo Jeb was about the closest the series had to a consistent villain. He’s a grumpy old classically designed toon. He and Marty hate each other for absolutely no reason. I understand Jeb hating Marty since Jeb’s just a mean person, but I have no clue why Marty hates him so much.
Then there’s Grizelda, who is a witch. She hates toons and goofiness, but she could be pretty funny sometimes.
Chef and Saucy Chicken are local celebrities because they star in a show that is mirroring any chase dynamic in classic cartoons like Tom and Jerry, Bugs and Elmer, Sylvester and Tweety, Roadrunner and Wile E. Coyote etc. They were pretty entertaining, but their shtick gets old real fast. There are two separate episodes that explore the fact that these two need each other in order to be happy/funny. It’s basically the same story with slightly different details. Considering these two are far from main characters, this was very odd and a waste of an episode.
What ToonMarty Does Right
One of my favorite things about this show is that it celebrates, well, toons. I adore animation, and I love when shows also clearly display a love of cartoons. Everyone’s a toon who knows they’re a toon. The world they live in follows toon rules. And several of the episodes take common cartoon tropes/mechanics and play around with them in a manner that is fun, clever and unique. Anyone who enjoys animation as a whole or even simply a fan of old classic cartoons is sure to find some episodes that will get a laugh out of them.
Animated by Snipple Animation, who have their hands in a variety of projects such as the Ducktales reboot, Phineas and Ferb, the Animaniacs reboot and even the upcoming Proud Family reboot, the animation of ToonMarty is very fluid, energetic and does a good job at capturing the over exaggerated squashy-stretchy tooniness of classic cartoons. They even change up the animation style depending on the character. For instance, the characters based on older classic cartoons tend to bounce a bit more, and Suki’s animation sometimes has missing tweens and is more limited than the others.
ToonMarty also has a pretty good sense of humor. Even in the episodes that were mediocre or even bad, there was usually at least one moment that made me crack a smile. In their best moments, they made me giggle or at least consistently smile throughout an episode. ToonMarty tends to have fun with itself, and I appreciate that.
The voice acting was very well done. Everyone was very fitting in their roles, and they all brought just the right levels of energy to the characters.
The character designs are okay. They’re not most memorable or creative things in the world, but they have enough distinguishing markers to make them easily recognizable via silhouette.
The music is also alright. The opening theme really turned into such an earworm for me. I can’t go one day without randomly playing it in my head. The BGM music is okay too, but there’s one aspect of it that I’ll have to return to later.
What ToonMarty Does Wrong
There are numerous episodes that just seem mean-spirited. I already mentioned how there are several occasions where Marty gets tormented for little to no reason. In the episode Chicken Fricassee, Chef comes into ToonMart to complain about their products not being good enough to kill Saucy Chicken. In order to help his customer, Marty offers numerous products that eventually do kill Chicken, but then everyone, including Chef, Holly and Burnie, all of whom were helping him, turn on Marty and make him an outcast because Chef’s life basically relies on Chicken. Without Chicken to chase, he has no purpose as a toon. Turns out, Chicken was faking her death for the sake of having some down time, knowing Marty was suffering for it and not caring.
There’s another episode called You’re It! where Marty is randomly made It in a game of tag, but it turns out being ‘It’ is actually a disease that will kill him unless he passes it on or finds a cure. He suffers throughout all of the episode, and then the Wise Tree tricks him into doing a bunch of BS chores to unlock the secret to the cure, but she doesn’t actually know what it is.
Holly also gets a hell of a lot of abuse. In the episode, Spare Parts, Marty’s tasked with fixing Holly after she gets banged up while playing with Marty. She has only one stipulation for repairing her – don’t let Burnie be involved at all. Marty turns her off so he can repair her and, Burnie being Burnie, he shows up immediately after Marty deactivates her. Marty can’t stop Burnie, because Burnie’s a human canker sore who doesn’t listen to anybody, he takes great pleasure in destroying her body then throwing her parts in a box labeled ‘Free Garbage.’ Her parts end up scattered throughout all of Toonville, and Marty has to gather them all to reassemble her.
When Holly wakes up, even though she realizes it was probably Burnie who was responsible for her state, she still puts all of the blame on Marty and even organizes an army of cute woodland animals and brainwashes them to be bent on hating Marty.
Speaking of Burnie, I literally have written as a bullet point for this section ‘Burnie.’ I think I’ve driven the point home that Burnie is a thoroughly unlikable character, but I really need to emphasize how much he damages the show entirely.
There are so many episodes where my overall view was dragged down simply because Burnie was there and being obnoxious. No matter if he has bearing on the plot or not, his selfish, mean, rude, uncaring behavior and attitude was always a chore to sit through.
You can have characters be terrible people and still be well-written and fun. Angelica from Rugrats is a great example of that. She was the ultimate brat. She lived for tormenting the babies whether it really benefited her or not, but she had much more to her than just being a bully, and she almost always got her comeuppance for being a little toad.
Megan from Drake and Josh is a good example of a middleground between Angelica and Burnie. She was also a nightmare who loved playing pranks on her brothers, but there was a charm about her and there were some moments that legitimately redeemed her. The major issue with her, though, was that she rarely ever got comeuppance. She never got punished for her terrible behavior or her rude comments, and even though she never made it a secret that she was a demon, her parents never recognized that she was constantly doing terrible things to her brothers. This aspect of her character made her much harder to watch.
Burnie’s not just horrible on his own – he’s also a terrible influence on Marty, but I’ll explore more of that mess later.
I know some people might defend him on the grounds that he’s the son of a super villain so it makes sense that he’s so terrible, but I don’t buy that. His upbringing may have spoiled him and made him lazy and selfish, but 1) He doesn’t much care for the super villain lifestyle. He doesn’t get along with his father and is constantly rebelling against him when they’re shown together. If anything, it makes more sense and would be funnier if he were a nice and benevolent guy. He’s a huge fan of Super Simon, Burnatron’s archnemesis, so he’s already halfway there. And 2) They don’t utilize that aspect of his character enough to justify that explanation.
There are numerous inconsistency issues throughout the show. Some of them can be hand-waved due to cartoon logic, but others are harder to justify. Characters change personalities quickly, the rules of their world change a lot, and sometimes things just make no sense.
For example, in an episode called 15 Minutes to Save the World, the group realizes that, because they live in a cartoon world, reality resets at the end of the day. They decide to do whatever they want, free of consequences because the world will just reset afterwards. They’re shocked to find that, the next day, everything’s still a mess. They wonder what triggers the reset, and in the end they discover that the end of the episode marks the reset….however, that’s not the way it was shown in the episode. They showed how the reset worked earlier in the episode by having the world reset after a zombie apocalypse the instant the sun came up. Now it’s the end of the episode that triggers the reset even though the beginning of the episode is kinda, ya know, the opposite of the end?
There are some other more damning examples I’ll discuss later.
The show as a whole never reaches a point where it really breached the line into ‘great.’ Despite having some really good episodes, it just doesn’t stick in your brain very well. Even though I mostly enjoyed watching this series, I can totally see myself forgetting I ever watched it in a month or so.
ToonMarty never truly finds its footing and really lacks a distinct personality. It bounces back and forth between being about toons being toony and just being a typical cartoon sitcom. I really think if they had committed more to taking aspects of animation and being creative with them in a nearly meta way it would have done wonders for this show’s identity. Even just taking the aspect of the ToonMart and running with it to show funny shenanigans with the gadgets and the characters who use them would have been a good option.
Instead, it’s like it’s uncomfortable being itself and keeps trying to emulate other shows……which brings me to…
Is ToonMarty a Rip-Off?
I have been making a stronger effort recently to not jump on rip-off accusations. Not saying things can’t be ripped off, but I really think that the term ‘rip-off’ gets thrown around way too much lately. People really have to just accept that some archetypes, stories, dynamics etc. are common tropes in media and have likely been for years. Just because someone uses the same tropes but isn’t as successful with them doesn’t mean they’re a rip-off.
That being said, there were several times over the course of watching this show where I got major Spongebob vibes, and it wasn’t just from the main characters. Some of the stories are also reminiscent of Spongebob episodes.
Apparently, I’m not the only one getting these vibes. In my research on this show, I found one of the very few articles on the Internet that discusses ToonMarty – an entry in Terrible Shows & Episodes Wiki (Yikes) with a bullet point list of the negatives and positives of the show as a whole, and one of the points was that it is really similar to Spongebob.
The first time I really started going ‘Hey…wait a minute….’ was in the first act of Where There’s Smoke, There’s Marty, which is very similar to Employee of the Month during the first act, right down to the ridiculous wall of Employee of the Month photos and being motivated by trying to beat someone else for the title, only here it’s against Hobo Jeb for the record holder of most EotM awards. I don’t know how a guy like Hobo Jeb earned so many EotM awards, but maybe it’s just a default thing because…Marty’s the only one who works at ToonMart now, and Jack’s not going to give himself the award.
That’s suspicious, but the rest of the episode was entirely different, so I don’t think I can justify calling ‘rip-off’ there.
Then there was The Suit Makes the Super Hero, where Marty and Burnie get trapped in Super Simon’s suit and gain his super powers as a result, prompting them to cause a lot of chaos and trying to cover up that they took the suit without asking, like Spongebob did when he got Mermaidman’s belt in Mermaidman and BarnacleBoy IV, but there was no shrinking powers involved with this story.
The most shocking moment of this came in the episode Marty’s Bright Idea. This episode feels entirely unique until the ending. Toons rely on idea bulbs to stay intelligent. This is another inconsistency in the show as they barely, if ever, actually use idea bulbs in the series, but it’s a cute play on this old classic cartoon trademark. Jack gets the year’s supply of idea bulbs from his supplier and tasks Marty with safely storing them because they can’t get anymore until next year.
Burnie, of course, coerces him into using the bulbs for random stupid crap. They go through all of the bulbs in just one day. Toonville soon devolves into a brainless wasteland, so Burnie and Marty head to the location of the supplier. When I mentioned this episode in my tweet thread, I hinted as to what the big ‘rip-off’ moment was by mentioning the episode of Futurama where they discover the origin of Slurm, Fry and the Slurm Factory.
If you’ve never seen Futurama (you should), in that episode, the crew wins a tour of the Slurm factory. Slurm is an incredibly popular drink that Fry is basically addicted to. In the factory, they’re shocked to find that Slurm is actually a bunch of goo that is expelled from the butt of a giant slug/worm creature.
And, well, guess where the idea bulbs come from. Yup. The butt of a giant slug/worm creature.
It’s completely random for such a detail to be shoved into an episode that otherwise has nothing to do with Futurama, but I can’t imagine something as specific as this was not just ripped straight from Fry and the Slurm Factory. The other stuff I can find a way to excuse quite easily, but this is too on-the-nose.
Looping back to Spongebob, ToonMarty also has some background music tracks that sound reminiscent of Spongebob music in that they use lap steel guitars. Spongebob’s trademark BGM is loaded with lap steel guitars to make their music sound more Hawaiian, tropical and ocean-esque. Their most iconic musical sting is one in which a lap steel guitar is used.
ToonMarty doesn’t use these tracks very often, and it’s usually briefly, but when they do it’s very distracting. It’s not only very Spongebob-y, but it doesn’t fit very well with the small town setting they’ve presented us with.
There’s a fine, fine line between ripping something off and gaining inspiration from something. This is a subject I really had to mull over after seeing something else shocking.
In the episode,You’re It!, they show a closeup of a progression drawing to explain how this It disease has been passed on through the years. The drawing at the end is clearly Spongebob.
Being fair, there’s also a drawing of a character clearly meant to be Mickey Mouse, and another…..that I feel I should know based on the art style alone, but I can’t place it.
Considering all of the nods that they give to classic cartoons like Mickey Mouse, does this mean that they’re treating Spongebob as one of those cartoons and are just gaining inspiration from them and giving them a nod?
I have no clue why that’s there or what that could be implying. If they really were ripping off Spongebob, I doubt they’d be dumb enough to draw attention to that by having a blatant image of Spongebob right there in the middle of an episode.
So my final verdict on this matter is no. I don’t think ToonMarty is a rip-off. I just think it has such identity issues that it borrows from other shows sometimes in order to feel more secure instead of really embracing the fairly fresh concept that they had all the way through.
Marty’s Bright Idea is a perfect encapsulation of that whole problem. It’s fully embracing its own toony meta identity for most of the runtime and then BOOM suddenly you’re thrust into an episode of Futurama for a few minutes. (For the record, I do think that one moment was entirely ripped off.)
The identity issues aren’t just present in the borrowing of material. The way that the characters will change personalities on a whim or the inconsistency issues I mentioned before are both symptoms of this. I really think if ToonMarty maybe got one more season it could have cemented itself a little more and improved overall, but, sadly, it never got a chance.
Top Five Best Episodes
Before I go over my actual favorites list, I’m going to share some honorable mentions.
9A: The Barber of Toonville – A pretty funny episode that plays with the trope of toons never changing their appearance, so they obviously never get haircuts, but Burnie needs one. After he gets his haircut, it snowballs into a really good episode of funny nonsense that I greatly enjoyed.
11A: Toon-derworld – Just a really good Halloween episode that I will probably cover in full this October for Animating Halloween.
12B: Hot Tub Toon Machine – The only episode that completely centers on the classic cartoons of yesteryear also does a good job of shining a spotlight on them. I love old cartoons and wish they got more appreciation by modern audiences, so I think it’s great that they were celebrated here.
Marty ends up losing his color and becoming wrinkled and sore after spending way too much time relaxing in Burnie’s hot tub. As a result, he’s sent to an old toons home where he meets other toons that have aged out of the public eye. Marty, however, remembers all of them. When Marty winds up being in trouble after trying to help them, the old toons team up and get their old acts together to help him get his colors back and escape. In the end, the old toons stay retired and enjoy their naps, but it was nice to see them get back in the game.
15A: Senseless Burnie (The Good Parts) – This episode had a really unique, creative, and downright trippy premise that was really fun to play around with. However, the thing that dragged this episode down will be covered in the worst list….
Onto the main list….
5: 20A – Marty’s Theme
This episode was a great play on the concept of a character’s theme music. In this world, a character’s theme music drives their emotions. If happy music is playing, they’re happy. Sad music for sad etc. Without a theme band inside their heads, toons don’t feel emotions properly. Marty loses his band after they have a big fight and break up. They leave his head to go pursue independent careers.
Marty shops for a new source of theme music and decides upon a yodeling crocodile who doesn’t understand English. This makes him happy all the time, which causes a lot of problems in his life.
This episode is loaded with funny moments and is very memorable. My only note is that it would have been better if the entire episode only played whatever was set as Marty’s theme music. That way we could react along with him. Instead we get the normal score and Marty’s theme music, so it kinda loses impact.
4: 16B – Psych-O-Marty
I know I’ve written a lot about how insufferable Burnie is, but this episode helps heal that wound slightly. Dr. Smartypants gives Marty the job of ‘tooning up’ the toons of Toonville in her stead since she needs a vacation. He does a surprisingly good job with everyone except Burnie.
Through a multitude of mental conditioning techniques, including a reference to A Clockwork Orange of all things, Marty makes Burnie realize that he’s a terrible person, so he dedicates himself to being good from now on. Problem is, the fabric of the world’s reality is dependent on toons staying in their typical roles. Burnie being the polar opposite of how he normally is starts causing everything to break apart. Marty scrambles to get him to be a jerk again, but Burnie won’t budge.
There’s this…weird glossed over detail of Burnie having an evil teddy bear as a child that may have made him a jerk? It’s just “He used to say an evil teddy bear made him do everything.” ….Oh. Okay. Is that for real or did little kid!Burnie just make that up as an excuse whenever he did bad things? We never find out. We never even see the bear outside of the costume version Marty makes for himself.
The ending was the best part of the episode because it comes out of nowhere and is pretty shocking.
The only thing I didn’t enjoy about this episode was the implication that they have to keep Burnie as this horrible nightmare person because that’s just the way he is and you can’t upset the natural order or whatever. Also, it’s a bit alarming because that means literally no character can grow or change lest the world be destroyed as a result.
Technically, this is just mirroring a facet of animation. Many cartoons, especially classic ones, wouldn’t have character development, or, if they did, it would just be in one episode and wouldn’t stick through any other episode. It was the consistent formula that kept people coming back. However, when you’re talking about one of the most obnoxious characters I’ve seen in recent years, I’d rather not have the idea of him not being an asshole sandwich be shot down so firmly.
Other than that, it was a really funny episode that I greatly enjoyed.
3: 7A: 15 Minutes to Save the World
I already said quite a bit about this episode, but I did really enjoy the way they played with the cartoon trope of the world resetting once an adventure is over. I also like that they got a bit dark with it by having Jack legitimately die and stay dead until the very end. The weakest aspect of this episode, however, is how it starkly contradicts itself as I mentioned earlier.
2:3A – Where There’s Smoke, There’s Marty
Yet another great example of them exploring cartoon trademarks and playing around with them. Marty is trying his best to earn Employee of the Month because he only needs four more of those awards to beat Hobo Jeb’s record. Marty rushes around the store trying to do a bunch of work, but all the zooming back and forth is exhausting his smoketoon. A smoketoon is the smoke version of a toon that they leave behind when they speed off somewhere. All toons need their smoketoons to travel at any decent level of speed. Marty’s smoketoon gets so fed up with his constantly zooming around that he detaches himself from Marty and leaves. Because of this, Marty is too slow to do basically any work around the store.
With his record in jeopardy, he asks to borrow Burnie’s smoketoon, who, in a polar opposite situation to Marty’s smoketoon, is actually pent up with a lot of energy because Burnie’s so lazy that he’s doesn’t tend to use his smoketoon. Burnie’s smoketoon rushes Marty around to work, which makes him exhausted and allows him to understand how his smoketoon feels. In the end, both Marty and Burnie are reunited with their smoketoons under the conditions that Marty will take it easy sometimes and Burnie will try to not be so lazy.
I really enjoyed this episode a lot. My favorite part was when the smoketoons got into a fight and created a fight dust cloud. That kinda bent my mind and gave me a good chuckle.
1: 10B – Batteries Included
I’ve always loved the idea of a magic universal remote that can do anything to the world around you. This episode is one of the best takes on that premise. I especially loved when Holly made Burnie speak Spanish and kept him that way throughout much of the episode, when they added audio descriptions to Suki (making one of about three times Suki has a good joke/scene in the series) and when their batteries ran out pressing ‘slow mo’ and they had to wait centuries for the batteries to recharge even a tiny bit. That whole time they were basically in slow mo limbo was awesome. Very memorable episode, and one I would definitely deem my favorite.
Bottom Five Worst Episodes
Time for some dishonorable mentions…
5A: The No-Toon Bro Zone – This was the first sign of rough waters ahead for ToonMarty. It was the first episode I disliked. Burnie and Marty are being complete douchebags acting as “bros” and annoying Holly to the point where she goes to her private space to relax. The boys find her in the space and realize that it’s essentially a reality-bending area where you can get anything you want if you just say it out loud.
While Holly’s gone, the boys take advantage of the space and completely trash it. Marty also spreads the word of the place to plan a massive destructive party for everyone in town. Marty’s big mouth causes everyone to move into Holly’s place, and Marty, Burnie and Holly are not allowed in. When she tries to make the best of their time in normal reality, Marty and Burnie act like bored jerks not even trying to have fun.
The only reasons that I am a little lenient with this episode are that Holly gets her space back in the end, Marty and Burnie get punished for what they did, Holly learns how to relax a little better thanks to her time with Marty and Burnie being a fellow ‘bro’ and the jokes were alright.
6A: Candy Cute – This episode has many problems – all of them focusing on why Suki doesn’t work as a character.
This is the one and only episode that focuses on Suki. As I mentioned before, Suki is the character meant to be a parody of anime, most specifically magical girl anime like Sailor Moon. Sadly, however, it’s very clear that no one in the writer’s room actually knows much about anime to make this character work well.
You guys remember when really the only exposure people had to anime were things like Speed Racer, Sailor Moon and Pokemon? And how the bare bones of jokes involving anime based purely on a single digit number of shows were ‘The animation is cheap’ ‘The characters don’t blink’ ‘Woosh lines in the background whenever anything happens.’ ‘They overemote to things and gasp a lot.’ and ‘The lip-syncing is bad.’
Well, if you know that, you don’t need to watch this episode at all or pay attention to Suki.
Bear in mind, this show was made in 2017, long after we got a torrential flood of anime in the west and after it became basically mainstream to like anime. There’s no reason the jokes should be this lazy. The only kinda modern anime reference they make with Suki is that she also has cat ears, which I’m only giving a pass to because, despite cat girls being around for a long time, they weren’t really common over here for a while.
Then there’s the Japanese stereotyping. Suki is voiced by a white woman but speaks in an embellished Japanese accent. This is not only problematic, but it also makes no sense. Hardly any character in an English dubbed anime has a Japanese accent.
If they’re poking fun at non-dubbed anime….why is she not just speaking Japanese? Why not give her subtitles? You can even poke fun at the silly details of fansubs or something. Why make her speak English with a Japanese accent? That doesn’t convey ‘anime’ to me. It conveys….I dunno, weeaboo? Or a Japanese person cosplaying while speaking English for some reason.
She’s also very much into DDR, virtual reality and she’s, for some reason, completely obsessed with candy. Is that a Japanese stereotype? I can’t imagine it’s an anime thing…right? I know Japanese candy is supposedly really awesome, though I’ve never had any, but making her obsessed with it doesn’t make much sense to me if it’s a joke or reference.
Her candy actually seems like it has powers? In this episode, there’s been a string of shoplifting incidents in ToonMart, so Marty is tasked with taking everyone’s pockets at the door (Not checking – taking). Suki leaves behind her skirt, I guess, and Burnie being Burnie convinces Marty to rummage through her pockets. She keeps a ton of candy in there and Burnie just helps himself.
Eating the candy gives Burnie cat ears, which, by the way, look nothing like cat ears. Until this episode, I thought Suki had short bunny ears, and I’m still not convinced they’re not even though they specifically called them cat ears.
Suki adores candy and Burnie becomes much more fun when he’s on the candy (this is sounding like an anti-drug episode for some reason.) However, in a very surprisingly twist, Marty reveals that he’s allergic to sugar and eating more than just a teeny, tiny microspeck of it will make him really, really crazy and sick, so he can’t have candy. He likes Suki, however, and wants to have just as much fun with her as Burnie’s having, so he pretends like he’s eating candy for a while until he flips out, eats the candy anyway and goes on a sugar-fueled rampage.
This episode as a whole is largely mediocre, but I couldn’t get over how badly they screwed up making a parody of anime. They play with so much when it comes to other cartoon tropes, but it’s like they were contractually obligated to have a character who was based on anime since it was booming in popularity, but they didn’t know what to do with her because no one on the crew knew enough about anime to actually make creative and new jokes, which is a shame.
7B – Spare Parts – I’ve already said my piece on this episode, but it really is a terrible one. At the very least, Burnie gets “cuddled” by the giant Cuddles in the end, even if Marty and Holly also get squished.
And now for the lowest of the low points of ToonMarty….
5: 10A – ToonScout Marty
Super Simon’s at his absolute worst here. He’s trying to get merit badges in the scouts with Marty. He basically treats it like a joke, wants Marty to do everything for him, and acts like an oblivious jerk the entire time. He keeps earning merit badges for stuff Marty is doing and taking full credit without a single thought. Meanwhile, Marty, who was a model scout and loves all of these activities, ends up getting scolded constantly and has all of his badges taken away in the end.
The wrap-up to this episode plus some genuinely funny moments kept the episode from being unsalvagable, but it’s really annoying to sit through.
4: 12A – ToonMart Mutt
The reason I don’t care for this episode is the rampant animal abuse. Marty is a horrible, horrible, horrible pet owner who kills every pet he gets (usually a fish.) He asked Jack if he could get a dog, and Jack agreed, but only if he could keep a fish alive for one year. Marty unknowingly killed a fish once a day for 365 days, and Holly just kept replacing them behind his back to help him get a dog, which is absolutely abhorrent.
Holly means well, but she’s knowingly getting hundreds of fish horribly killed by Marty’s hands just to give him access to a dog that he will likely also kill?
Speaking of that, Marty does get permission to get his dog, but when Burnie realizes how much of a cushy life the dog will have (he’s not aware that Marty’s a horrible pet owner) he magically swaps places with the dog that Marty would most likely want.
Marty tortures Burnie in this episode, even though he thinks he’s being a good pet owner. He’s like Elmyra only worse. I can’t believe this episode actually made me feel bad for Burnie, but when we see his horrible, swollen, injured, hungry form after just one day with Marty, I was starting to get upset.
I would normally be right on board with Burnie getting some punishment, but 1) He didn’t deserve it in this episode, really, and 2) I can’t help but imagine Marty doing this to a not-Burnie dog, and that just makes me even more upset.
At least, at the end of the episode, Marty agrees with everyone that he’s a terrible pet owner and probably shouldn’t ever get a pet ever again, but goddamn that was rough to watch.
3: 15A – Senseless Burnie (The Bad Parts)
While this episode was very funny, weird and creative, I hit a wall of hatred with this episode when Burnie started insisting that Marty eat some super duper candy coated mega burger.
Burnie loses all of his senses after being exposed to yak hair. In order to sense things again, Dr. Smartypants suggests putting a brain leech into Burnie and Marty’s heads. Burnie’s will accept transmissions of sensory input, and Marty’s will transmit the sensations. Through Marty, Burnie can use all of his senses again. Problem is, he still can’t sense anything himself. IE if he wants to smell a flower, Marty has to sniff the flower for him.
Burnie has been really looking forward to eating this super special candy coated burger thing that is loaded with sugar, but since he can’t taste anything on his own right now, he wants Marty to eat it for him. Marty is allergic to sugar. It makes his head explode. (Yes, that doesn’t mesh entirely with what was mentioned in Candy Cute.) He wants to keep helping Burnie, but that’s basically asking him to kill himself, so he refuses.
In retaliation, since Marty claims he will do literally anything else….*sigh* Burnie forces him to do a series of horrible things to himself, literally torturing him until he gives in and eats the suicide burger.
The only thing that makes this even slightly acceptable is that Burnie still feels everything Marty is feeling, so he’s being tortured too. However, when you really think about it, this just makes Burnie look even worse as a person. He’s such a monster that he’s willing to torture himself to torture his best friend to force him into doing something that will seemingly KILL HIM just because he wants to eat a burger. Fuck Burnie, I swear.
He actually sneezes out his brain leech thing while torturing Marty, regains his own senses, but then keeps torturing Marty and tries to find the brain leech because he thinks the burger will taste better with Marty’s senses than his own.
Oh and one more thing. Burnie was also taking advantage of the fact that Marty thought he was the cause of Burnie’s senselessness by exposing him to some yak hair a while back. Turns out, Burnie owns a goddamn pet yak and is extremely close to it……even lickings its eyeballs…..
The fact that the rest of this episode is so good just makes me angrier at the bad parts.
2: 13A – How Marty Got His Toon Back
This episode I dislike for three reasons; 1) It’s just boring. 2) It is the absolute worst example of poor consistency in this show. And 3) It makes 100% no sense.
Grizelda hates toons and tooniness. On her birthday, she just wants some normalcy, but the toons are irritating her everywhere. She finally snaps and starts zapping every toony thing around her and taking away their tooniness, which kinda means she’s committing mass murder in a sense because most of the things she’s zapping are sentient and they lose their sentience when she zaps them. They’re just normal objects afterward.
In comes Marty, who is at his tooniest and causing trouble for her right before giving her an explosive when he finds out it’s her birthday. She zaps him too, taking away his tooniness and making him a regular person. He now has the capacity to feel pain and can die.
There are so many things wrong with this episode I have no idea where to begin.
Let’s just start at the basics. This premise is based on the trope that cartoons can’t feel pain, get injured or die. They just squash and stretch and turn into accordions, etc. no matter what happens.
Thing is, that’s not how cartoons work, nor has it ever been that way. Cartoons survive a hell of a lot, yeah, and like 15 Minutes to Save the World explains, the world just resets once the episode is over. The status quo is never challenged once the credits run. However, the way pain, injury and death works in cartoons is that they selectively choose when to have these things happen.
For example, a cartoon gets crushed by an anvil. It would be terrible and gross for the cartoon to explode in a bunch of meaty chunks and then end the episode because it’s now dead. It’s funny to watch him get flattened into a pancake and walk off angrily.
Likewise, it usually isn’t funny if a cartoon gets bit or burns themselves or sticks their hands in a mousetrap etc. and doesn’t respond with pain.
Death can also be worked with. I just watched a classic cartoon where the main characters die in an explosion in the end and hang out in heaven playing harps and it worked just fine.
As a result, this entire episode doesn’t make any sense even in concept. And it only gets worse from here. There have been and will continue to be plenty of instances of pain, injury and even death in ToonMarty, so even in-universe this premise makes no sense.
This is basically spelled out for us because Dr. Smartypants is telling Marty about his condition….I’m sorry Dr. Smartypants, what exactly do you do all day if toons never feel pain, get injured or die?
You want to know what episode immediately follows this one? Marty’s Exploding Head – where Marty learns so much so quickly that his brain is at risk of exploding and killing him.
But it doesn’t stop there. Even if you ignore literally everything about the way cartoons typically work or even how ToonMarty usually works, they’re still completely screwing up this premise. Why? Because Marty only barely loses SOME of his tooniness. He can’t change his outfit by spinning around really fast. He can’t crash through a wall and leave behind his outline. And he feels pain and is supposedly mortal now. These are really the only noticeable changes Marty undergoes when he’s de-tooned.
Yeah, he can’t change his clothes when he spins around really fast, but golly he sure is spinning really fast for someone with no toon powers.
Yeah, he can’t zoom through a wall and leave behind an outline, but he was still moving his legs so fast that they made that cartoon wheel of legs, which shouldn’t happen if he has no toon powers.
Here’s a brief list of every instance of Marty supposedly experiencing a lack of tooniness in this episode.
Burnie drops an anvil on Marty’s head. Marty just goes ‘ow.’
Burnie drops a piano on Marty’s head. Marty hurts, but still bursts through the piano without a scratch. He does mention he doesn’t get piano teeth or a circle of birds over his head, but that’s not the problem. If you were not toony, you’d be ultra dead right now.
Burnie torments him by creating a pellet of insanely spicy stuff. Burnie bites it and just bursts out with fire breath, but Marty is forcibly fed it and experiences a lot of pain with the level of spiciness. Okay, I’ll give them this one I guess, but they’re still making him do toony stuff by making his eyes literally glow red in response. Also, eating spicy things and experiencing pain while also breathing fire – typical things toons do because the idea of eating the spicy thing and not feeling pain is typically not funny.
Burnie pushes him off a high dive. Marty crashes into the ground, leaving a crater, feels pain….but also isn’t dead or visibly injured at all.
Burnie rolls his eyes at the idea of bringing Marty to the doctor, and even repeatedly says the word ‘Waaambulance’ (remember that meme from ten years before this show was made?) Even when he’s calling an ambulance, he tells the operator to send a ‘Waaaambulance’ for the ‘huge baby.’ That doesn’t have any bearing on the logic of the plot, but I just wanted to highlight what a pile of crusty used band-aids Burnie is again.
Dr. Smartypants shows that tons of Marty’s bones are broken in an x-ray, yet he’s not in constant ridiculous levels of pain, nor is he given anything more than a head bandage…..his skull was one of the few parts of him not damaged in the x-ray, by the way.
Marty is crushed in the screen wipe transition. Being affected by transition effects isn’t a toon thing….????
Marty catches his leg in Grizelda’s door, feels pain but his leg is still stretching out quite a bit, and he comically paused for several seconds before he actually reacted to the pain, which is another thing toons do when they get hurt.
Marty jumps up and stays in the air for several seconds, which is something he should not be able to do if he doesn’t have toon powers.
Marty puts a massive pile of explosives under Grizelda’s house to make a prank so funny she’ll give back his tooniness, but then he realizes that all Grizelda wants is normalcy, not pranks and tooniness. He takes the pile of explosives away, Burnie detonates them behind Marty because I wish Burnie would die already, leaving him singed and in a big crater with no other visible injuries….and not dead.
In the next scene, he has bandages on his torso, an arm cast and he’s using a crutch.
To get the ingredients for the nice, normal cupcake Grizelda wants, they climb a mountain and Burnie chucks the dino eggs that they’re trying to get at Marty, because I really hate Burnie. The dino attacks Marty. I’d think the dino would attack Burnie for not only having the eggs but also destroying them, but why not torment Marty some more for no reason?
In the next scene, Marty doesn’t have anymore bandages or wounds than he did before. They’re getting petals from some flower, and the flower is happily offering some to Marty, but then Burnie just yanks some off of the flower because *various anger noises*. The plant grows to massive size, develops huge spikes all over it and attacks Marty, because again, let’s torment Marty for shit Burnie is doing.
A few more bandages around Marty’s face as he goes to get the lava. You’d think Burnie, the one with fire powers and flight, would be the logical choice to get this, but no. Marty has to hang down right by the lava on a rope and get it with a coffee mug. Him being this close to lava without getting burned is already pushing it for me, but the point where I really said ‘screw this episode’ was when Burnie does a goddamn cannonball into the lava, because why wouldn’t he do the absolute worst thing you can possibly imagine to Marty right now, creating a massive wave of lava that crashes over Marty….and the only additional damage we see in the next scene is more bandages. They don’t even do the typical burned look with his hair slightly on fire like the way toons normally react to getting burned.
I know I said it wouldn’t be funny to have a cartoon get realistically injured or die horrifically like they would in these real-life scenarios, and I’m not saying that should be happening in the episode, but that’s a large part of the main issue here. They shouldn’t have even tried to do all of these stupid stunts. They should have made something funny out of Marty trying to avoid getting hurt as much as possible because he’s mortal now. If pain and death are such a huge risk to him now, it’s just plain stupid to keep having him get into situations where anyone without toon powers would easily be horrendously wounded or killed.
Maybe have Holly and Burnie scramble in a panic constantly over trying to help Marty avoid all of the hazards of their world and this very dangerous adventure. Have them use their toon powers to help make up for his lack of tooniness. Or is it much harder to make something funny out of that when “Hurr hurr, Marty suffering” is so much easier to write?
After Grizelda gets her dino lava whatever cake, Marty asks if she’ll turn him back into a toon. She agrees as long as he doesn’t do anything toony until her birthday is over. He agrees to the terms and gets his powers back, but Marty quickly explodes with tooniness all over and goes nuts. Grizelda actually understands Marty’s inability to control himself, but she can’t control herself when it comes to using magic, so she turns everyone in the room into frogs.
You’d think that’d be the end of the problems in the episode, but we’re still not done.
Everyone is turned into a frog except Burnie, who is kissed on the cheek by Grizelda, which turns him into…Merlin, but it’s just Burnie in a Merlin costume, basically. Grizelda was shown earlier to have the hots for Merlin….so uhh…she picks him up and says “Happy Birthday to me.” with bedroom eyes, porn-ish music playing and Burnie quietly begging for help.
…What the hell was that? Again, I’m all for punishing Burnie, especially in this frickin’ episode, but this is crossing a lot of lines. Not only is this creepy as shit in regards to consent, but Burnie can’t be older than maybe his mid-teens at absolute best. I’d say he’s probably 12 or 13 or something, honestly. I would rather the episode ended simply with the group being frogs, but if this terrible joke did have to be in here, why not transform Jack? Earlier in the episode, it was shown that Jack was one of Grizelda’s childhood friends who also keeps playing pranks on her for her birthday. You could have worked that into it instead of basically turning her into a pedophile.
The best this episode did was acknowledge that some people just don’t like pranks and it’s not right to try to force them to enjoy them. If they want to have some peace and normalcy, respect that.
1: 17A – A Friend Too Close
I hate this episode because it’s not only bad it’s basically doing the same thing Psych-O-Marty did only worse.
In this episode, Marty and Burnie realize that they’re so destructive and obnoxious together that they’ve literally been banned from everywhere in Toonville as a duo. They get into a big argument blaming the other for being the troublesome one, and then they decide to stop being friends.
Marty starts doing well because everyone likes Marty, but Burnie’s all alone and miserable because no one wants to be his friend because he’s the human equivalent of the teeny tiny x on mobile ads that you can never hit exactly right the first three times so you end up getting redirected over and over. Unlike in, say, Drake and Josh where they did a similar plot in Josh is Done, this doesn’t result in some sweet moment or self-realization.
Instead, Marty, despite having a blast with his new friends, suddenly finds them all boring because they suddenly start talking about boring stuff. Apparently none of them want to play pranks either, even though that’s a trademark toon thing to do, as shown in How Marty Got His Toon Back. It’s not exclusively something only Marty and Burnie do. Hell, that episode even showed that Jack loved pranks, and he’s an old fogey most of the time.
On the other side of the coin, Burnie starts going insane with loneliness, even though it’s been half a day and Holly’s tending to him. He can’t stop crying, he’s pretending a plant is his friend, and he can’t even maintain a healthy relationship with his plant friend.
It’s gets so bad, and I can’t even believe I have to say this, but Burnie actually builds a bomb and says its for when he gets “a little angry and destroy-y.”……..Are we going to find some poorly written manifesto after this?
It later turns out to be a garbage and slime bomb, but they treat it like a real bomb until the end. Holly, the robot, even recognizes it as a legitimate bomb and rushes to deactivate it.
In the end, they act like Marty and Burnie are worse apart than they are together, which couldn’t be less true. Despite having Marty for herself for a while, Holly doesn’t get to spend more time with Marty because he’s too busy with his new friends. Meanwhile, Burnie’s annoying Holly because he’s so miserable when she can easily just leave. Everyone else is just fine. No one is being bothered. It’s a bright and sunny day in Toonville.
The only third party being negatively affected here is Holly, and that’s easily fixed without getting them back together. They had to tack on the bomb thing to add more severity to this situation, which is very messed up. Like, “No, Holly. You can’t leave him alone. He might commit a terrorist act.”
Here’s my solution – Marty spends more time with Holly now that he’s free of Burnie. Burnie suffers for however long by himself because he realizes no one wants to be friends with such a terrible person. Then he gets jealous of Holly and Marty getting along so well. He wants to go full-blown super villain as revenge, but he can’t bring himself to do it. In the end, I dunno….I can’t suggest any sort of ending where Marty and Burnie get back together because I just find this friendship to be extremely toxic.
Marty’s always a worse person with Burnie, and Burnie’s always an unrestrained typhoon when he’s with Marty. Marty’s a great friend to Burnie, and Burnie’s a horrible friend to Marty. The only person who keeps them under wraps SOMETIMES is Holly, and they just end up making her the butt of the joke. I didn’t come away from this episode with any sense that we got the better outcome. Burnie should just be written out.
I tried really hard to find information online about ToonMarty, but it’s mostly a dry well. It’s a weird instance of a show popping into existence and flooring it into nonexistence. The show debuted on May 1, 2017 and aired an episode almost every single day until May 25, 2017 and then the show got canceled. I have no clue why they aired it like this. Power-airing a full season of a show in just one month is kinda crazy, and sounds like some form of sabotage, but I can’t be certain. There’s so little information surrounding this show that I can’t really know anything.
Nickelodeon gained the international rights to the show, but it apparently never aired in the US during its initial run, only in France, Latin America, Italy and Canada. Practically every video I find on the show is a promo from Nickelodeon France’s Youtube channel. It doesn’t seem like anyone has talked much about it. Outside of the Terrible Shows and Episodes Wiki entry, I found one IMDB review, one forum thread talking about distribution of the show, a couple of brief news articles and that was about it.
Oddly, though, Sardine Productions did create an online game based on the show called Marty’s Special Delivery, but it doesn’t seem to work anymore. I found two links for it – one is broken, and the other is Sardine Productions own web page for the game where it leads to nothing but a JPG.
The Facebook page for ToonMarty last updated on March 4, 2021 to announce that the show was heading to KiDoodle.tv, something that was also celebrated by Marty’s voice actor, Brian Froud, on his Instagram. However, the ToonMarty Facebook page hadn’t been updated since 2019 before that and then 2017 before that.
Oddly, they never noted that ToonMarty was heading to Tubi to get a US release.
I won’t lie, I was a little disappointed when I finished the show because I had higher hopes for it. Not massively high, but high-ish. In the end, I think it’s good at absolute best. It can be smart and funny, and the main basis of the show is strong, but I can’t deny that the low points are exceedingly low.
I think a major factor in your enjoyment level of this show is how much you can stomach obnoxious behavior. Because, while I can handle a few bad episodes just fine, the fact that Burnie is here…..existing, is a problem for me all the way through. He was constantly ruining scenes or even whole episodes just by being there, and there’s never an episode where he’s not there. Then the frequent torment of characters who usually don’t deserve it makes things even harder to enjoy.
I don’t regret watching this show all the way through. Like I said, even in the worst episodes, I’d still crack at least one smile, and it usually had me either smiling frequently and/or laughing a few times. Plus, there were some concrete moments of high-quality comedy and goofy fun. However, whether I recommend it is another story.
I’d say it’s definitely worth a watch of at least a handful of episodes. I don’t think you’ll regret it. On the other hand, if you watch those few episodes and still want to walk away, I definitely won’t be jumping up to make an argument against your decision.
ToonMarty is not a show that was slept on or is a hidden/forgotten gem. It’s just a pretty decent show that came and went so fast, I’d expect it to have its own smoketoon. It was a fun ride for sure, but there were many problems with the show that needed be ironed out in a second season that never came. I really believe if it did get a second season, it would have made a good effort to fix the kinks and leveled up to having at least a couple ‘great’ episodes. Then again, I could be wrong and they could have just doubled down on the mess and made it worse. We’ll never know.
The good news is, if the show does interest you even a little it’s available for free on Tubi, available for free (?) on KiDoodle.TV, and Amazon Prime Video also has the series for free streaming with ads with options to purchase the episodes.
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Plot: 4A – Baby Commercial: Phil and Lil recall their experiences filming a diaper commercial.
4B – Little Dude: Tommy is brought to be a learning aid at Didi’s high school Home Ec. class.
Breakdown: 4A – Baby Commercial: This is the first episode to mostly center on Phil and Lil, and it’s largely poking fun at the entertainment industry while also having a lot of random slapstick that Rugrats really loved in the early days.
One thing I really remembered about this episode was the director guy, Jonathan’s, obsession with his diaper box pyramid. That detail is mostly unimportant, but the whole time I was rewatching the episode, I was waiting for when we got to the point where he’d yell “MY PYRAMID!” Like the Cabbage Merchant from Avatar the Last Airbender.
Other than that, we have adults either not understanding babies or not giving a single dime store fuck about them. Ya know, the hallmark of all Rugrats episodes.
Here, we have the director guy acting like a one and half year old would know how to take stage directions on his own, Betty handing off Lil to a random slob she doesn’t know, and the random slob instantly placing her on the floor and completely neglecting to watch her because he wants to continue stuffing his face with donuts and being incoherent.
He’s wearing a t-shirt that says ‘Best Boy’ and I never got that joke, nor do I get it now. Is there some joke in the industry that best boys are useless sacks of crap? If you don’t know what a best boy is, they’re basically, what Wiki describes as, the ‘foremans’ of their respective crews, either electric or grips. They’re not the heads of their crews, that would be the gaffer (for electric) and key grip, but they are responsible for a lot of scheduling, hiring and general management. Sounds like they have a pretty important job. Why is the parody of it being portrayed like this? Am I not getting something?
For all of you playing at home, Lil ends up in the goddamn rafters and nearly dies because of course she does.
Then the unsupervised Phil climbs on a camera and drives it around the set, nearly crashing the diaper pyramid down. However, another staple of Rugrats episodes is that all of this chaos usually results in a happy if not unrealistic ending. The advertising execs love the footage of the babies wreaking havoc, and they launch the commercial. Jonathan, having fired the kids and Betty before the execs gave their seal of approval, comes to their house to beg and plead for them to shoot more commercials for them. Betty vehemently refuses because she didn’t like how they were treated, which is probably our first parenting win in this series.
This episode was kinda drab, but it was fun enough to hold my attention.
4B – Little Dude:
This is one my absolute favorite early season episodes. It’s extremely cute and funny with many memorable moments, but the highlight is Ramone/Rocko.
Before we get started, does anyone remember that Didi was a high school Home Ec. teacher? It’s really, really easy to forget because they hardly ever talk about it or show her at school. I was a die-hard Rugrats fan for well over a decade and even I barely remembered that she was a teacher.
Anyhoo, Didi brings Tommy to school as a learning aid as she teaches her class how to change a diaper, which I can’t decide if that’s a parenting fail or not. Don’t they usually use baby dolls for this? Isn’t it kinda weird to use an actual baby with an actual poopy diaper? Isn’t it just flatout better to use a baby doll anyway because it’s not like everyone in the class can change Tommy. Not everyone would get a chance to do it themselves.
Like typical teenagers, they can’t bring themselves to change him because ew, but then the coolest guy ever walks in – Ramone also known as Rocko. Ramone looks like a typical ‘cool’ guy. He’s got the leather jacket, the slicked back hair, the sunglasses, the chains etc. But unlike your cliché leather-toting ‘cool’ guy, Ramone actually is incredibly cool. He walks in like a boss, has everyone step aside and changes Tommy flawlessly. Tommy then adorably steals and wears his sunglasses, which Ramone thinks is very cool. I agree, Tommy looks really cool with those glasses on.
Ramone explains that he has a baby brother at home so he’s used to changing diapers. Using his comb, he dubs him ‘Little Dude’ and Tommy instantly takes a shine to him.
Once class is dismissed, some girls convince Didi to let them hang out with Tommy while she’s on her lunch break and she agrees. The girls really like Tommy, but while they’re dealing with some jerk football player they accidentally leave him on the tailgate of a truck that pulls away without them noticing.
I am going to give the girls a break for ignoring Tommy for a bit, but I’m going to ding them for leaving him on the tailgate. He could’ve easily fallen off and gotten severely injured or killed either by wandering off the edge or by the force of the truck pulling away. To their credit, they do quickly realize he’s missing and run all over the place trying to find him, but still.
While wandering, Tommy finds Ramone and picks up the comb he dropped accidentally. He then tries to find Ramone to return it to him. Tommy’s forlorn face when Ramone leaves the room without realizing he’s there is so heartbreaking.
Then we have the epic cafeteria scene where the jerk football player from before and Ramone end up facing off and wiping food on each other after Tommy accidentally gets pudding on the football guy’s jersey. When a full-on food fight breaks out, because cafeteria scene in the 90s, the football jerk angrily picks up Tommy. Ramone instantly stops all of the chaos with a single sentence when he demands the jerk give Tommy to him. He puts Tommy in his leather jacket, leaves the room and instantly allows the food fight to resume as he leaves the doorway.
This guy is too amazing for words.
Tommy is eventually returned to the girls, one of whom instantly falls in mutual love with Ramone at first sight. Aw that’s sweet…Girl, seriously, nab him up. He’ll be an awesome dad. If he treats you anywhere near as well as he treated Tommy here, or even Didi, he was very nice to her too, he’ll be a perfect guy for you.
The girls return Tommy to Didi, who is none the wiser of what happened but is happy to hear the girls learned a lot from their experience with Tommy. Returning Ramone’s comb to him, Ramone lets Tommy keep his sunglasses, which are still super cool, and Ramone bids farewell to the Little Dude.
I left some stuff out for the sake of brevity and because I’d just be ruining jokes for you, but this is a really great episode with some adorable and hilarious moments and a really cool and likable character. I would’ve loved to see Ramone/Rocko return, but alas, he was a one-off.
4A – I won’t ding Betty too much for handing off Lil to the Best Boy because she needed to be somewhere to help Phil and she probably just assumed he would be competent enough to hold a baby for five minutes, but I will ding the Best Boy because he didn’t even try to hold her for longer than five seconds. He instantly plopped her on the filthy floor and ignored her. That’s bad enough, but then she ends up climbing into the rafters and nearly falling to her death all because he’s a lazy gluttonous slob. X5
Once Lil has everyone’s attention, literally no one watches Phil, which leaves him open for causing havoc on the ground. He gets ahold of one of the cameras and nearly crashes into the diaper pyramid. X3
4B – Not much here. I’ll ding the tailgate thing (x3), as I said, but considering Didi was trying to teach her students about child care, there were three girls watching him and she was only allowing it for a lunch break, even telling them to find her if he gets fussy, I won’t get on her case.
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Plot: Tired of the monotony of life on the farm, Shaun and his fellow sheep concoct a plan to have a nice day off with their farmer being none the wiser. When their little stunt ends up sending their farmer to the big city with a case of amnesia, Shaun, Bitzer the dog, and the other sheep head off to bring him back while doing everything they can to avoid the malicious animal control officer.
Breakdown: I’m extremely unfamiliar with Shaun the Sheep. I’ve never seen the TV series or the shorts and I’m only barely familiar with Wallace and Gromit, the show from which Shaun is based. I didn’t really know what to expect from it, but I was very pleasantly surprised.
First thing you’ll note about this movie is that it is entirely dialogue-free. The animals don’t talk and the human characters ‘speak’ in intelligible murmurs. From my understanding, this is the same way in the TV series, but that decision was made for practical purposes. They didn’t have to keep it silent in the movie because they had the budget for it, but they decided to keep it silent for the sake of not disappointing people who were used to the TV show’s format. I greatly applaud this decision, even though I don’t know of the show myself. I think this movie works perfectly well silently. Dialogue would have tainted its charm quite a bit, if you ask me.
The models and animation are all very well done. Some really high-quality stop-motion work by Aardman yet again. I really like that all of the sheep have actual wool (cotton, I guess) on them instead of molding the clay to look like wool. The hair and clothes also look real and move well within their environments. The expressions and movements are well animated without being too over the top, which is key in a movie that relies solely on visual gags and slapstick.
The soundtrack was also very nice. There were many really catchy and fitting tracks that I greatly enjoyed.
The story is probably the only semi-weak part of the movie. The general beats are very predictable, and I was predicting the smaller beats very easily too. However, that’s not really a problem with this type of movie. You don’t really need some overly complex, groundbreaking or hard-hitting narrative to make an enjoyable movie. The story is simple, but the characters, gags and even the emotional moments make up for it in spades.
I loved the relationships between all of the characters, especially between Bitzer/Shaun, Shaun/Timmy (the baby lamb) and the farmer and the animals. Even though Bitzer and Shaun are kinda at odds with each other, they do hold a mutual respect for one another and work well together. Shaun in his big brother role with Timmy was adorable. And the farmer being a father figure to all of the animals was really sweet. The first thing he did when he regained his memory was give Bitzer and Shaun kisses on the foreheads, and that just warmed my heart.
I will say the animal control officer, Trumper, is the one aspect that kinda fell flat with me. He started out as just a normal animal control officer who took pride in his job, and I was pretty cool with that. A lot of family movies with animal main characters tended to make the animal control officer this ridiculously evil guy who despised animals and had some huge vendetta against the main cast, so just seeing a normal guy doing his job was refreshing.
That didn’t last long.
He went from fairly normal to the typical crazed chase scene starter quite quickly. The first red flag was him kicking down a sign for the pound’s adopt-a-pet day, which is quite confusing. He hates these animals, but he doesn’t want them to get adopted? That would mean he hates them so much that he wants to see them all rot in this place and never find happy homes, which is quite disturbing.
Next, he just decides to walk down the corridor of the animal cages purely to mock them. He walks by Shaun and starts mockingly ‘baa’-ing at him. Then he visits the stray dog, Slip, who is just minding his business eating his food. Trumper starts mocking the way he eats and even starts sloppily munching on chips in front of him to mock him further. Like, dude, get a life.
After that, he continues to go off the rails until he’s a full-on lunatic bordering on supervillain. He’s gearing up in special animal-catching gadgets and doing everything he can to catch these sheep. You’d think he’d stop chasing them once they reach the farm, but no. He’s so intent on getting these sheep that, even back on the farm and holed up in a shed, the guy still won’t stop and even intends on KILLING THEM. He picks up the shed with a tractor and drives it to a quarry to dump it in and kill them all. He does get his comeuppance in the end, of course, but wow.
Overall, this was a very fun movie that had me smiling consistently and even laughing out loud on more than one occasion. There are plenty of funny visuals gags and physical comedy to give anyone a giggle. It also got to me a little with the emotional bits. When Shaun finds the farmer, but he shoos him away because he doesn’t remember him, I felt so bad for Shaun, Bitzer and the others. Especially considering that, for a while, they didn’t understand that he had amnesia. They just thought he straight-up hated them.
I’m really looking forward to checking out the sequel, Shaun the Sheep: Farmageddon, later on, and maybe I’ll even see if I can check out the TV series.
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Plot: Growing up with the strongest superhero on earth, Omni-man, as a father, Mark always looked forward to the day he’d develop superpowers and follow his dad into the skies to fight crime. However, at age 17, he had yet to develop a single power. It seemed like Mark was destined for a life as a normal person, like his human mother, until he finally started displaying superhuman abilities. Under his father’s brutal yet caring tutelage, Mark finally suits up and gains his footing as the superhero Invincible.
Breakdown: As a big fan of superheroes and cartoons, I couldn’t ignore the hype train surrounding Invincible – especially after the finale aired and blew up Twitter with shocked and amazed reactions (I managed to avoid spoilers, though.) So, I grabbed a ticket for the aforementioned hype train, went down the tracks for a bit and….
Okay, backing up, the first half-hour of the episode is rather by-the-books coming of age superhero story – even hitting the old beats of ‘gets beat up by bully before powers, badasses the bully post-powers’ and ‘really stupid-looking makeshift first costume.’ However, even if it is a tale as old as time, it was a really well-done version of this old song and dance. Tropes and cliches are fine if you can spin them well enough and make them memorable in your own style.
I love how they set such a grounded tone, how well-written and realistic the dialogue was and how brutal Omni-Man proved he could be, even though it’s obvious he was doing it out of love and concern. When he hit Mark for real, I audibly gasped because damn I felt that. But I didn’t hate him for doing that because, well, yeah, he’s going to have to learn how to take hits like that and to always keep his guard up if he wants to be a superhero. It comes with the job. Better he learn that with his dad than out in the field where he could legitimately get hurt.
Mark’s a bit on the bland side so far, but he’s not annoying or unlikable, which is a great thing because he so very easily could have gone that way. I was rooting for him in the end, especially when he finally donned his proper suit.
I was enjoying it all well and good, but I still had the lingering thought in my head….’Hey, when do we get to all that brutal stuff everyone was talking about?’
Then I got to the last ten minutes.
That was one of the most shocking things I’ve seen in ages. It was like Ga Rei Zero’s first episode ending on steroids…and hulking out…..while going Super Saiyan. I really don’t want to say anything more to avoid spoilers, but I’m not kidding when I say my jaw was dropped for nearly all of the last ten minutes or so.
I was going to give this a strong ‘Yes’ before that point, but that ending just completely shattered the idea of thinking about saying ‘No.’ You can’t not continue after seeing that display.
I enjoyed this first outing immensely and I can’t wait to see the rest of the first season, especially if the finale is as shocking as everyone was saying it was. Probably not a suitable choice for people who don’t have a stomach for gore, and maybe not for people just not interested in the superhero genre (even though, honestly, I think even those people would find something to enjoy) but otherwise, this looks like a really incredible show.
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Plot: Happy Luau to You-Au – Reggie’s planning to have an awesome birthday party at Madtown Skate Park, but her plans are ruined when Otto gets all of them temporarily suspended from the park.
Rescue Rocket – Sam and Twister are forced into joining a junior lifeguard program. Despite a rocky start, they eventually find themselves enjoying the experience, much to Otto’s dismay.
Breakdown: Happy Luau to You-Au – Sometimes, Otto can be really full of himself. And other times, he can actually be pretty sweet.
Trying out a new game he came up with for Reggie’s birthday party in which everyone holds hands and skates in a chain, the group gets suspended from Madtown for one week. Despite being clearly a bad idea (maybe a fine idea in a skating rink, but not in a skate pool) Otto had innocent intentions here, and it would’ve been fine, technically, but their people-chain ended up knocking down basically every other person at the park.
They really should have stopped the instant one person went down because of them, since that’s just what most normal people would do, but they didn’t for whatever reason. As a result, they got suspended from the park for one week, which is honestly pretty lenient if you ask me, but it’s made all the worse because Reggie was planning on having her first big birthday party at Madtown. Usually she has ‘lame’ parties at the Shore Shack, but she’s finally breaking free and having her party somewhere more exciting. Since she’s suspended, she can’t have her party there.
Reggie is devastated and very angry, especially at Otto, and for once Otto is genuinely sorry. He doesn’t argue, he doesn’t try to make excuses – he just accepts that he screwed up and feels very remorseful about it.
Reggie, on the other hand, is being a bit of a brat throughout the entire episode. Yeah, it’s understandable that she’s being a brat, but it’s also just slightly annoying.
In his guilt, Otto tells Mrs. Stimpleton about what happened. She takes it upon herself to throw Reggie a huge birthday bash – and if you know Mrs. Stimpleton, you already see why this is a big problem. She has a very kiddie and lame idea of what a teenager’s birthday party should be. She ends up hiring a really awful clown (who is even named Lame-O) and a terrible band that uses accordions.
When Reggie learns about this, she becomes even angrier and vows vengeance on the person who told Mrs. Stimpleton about her party – making Otto feel even worse. As if that weren’t bad enough, Mrs. Stimpleton is going to ridiculous lengths to get the word out on Reggie’s party. She’s put out a full-page ad in the paper and is driving around town with a huge loudspeaker announcing the party.
Otto, Twister, Sam, Raymundo and Tito set out to make things right.
Mrs. Stimpleton goads Reggie into coming to the party, and Reggie is shocked to find that the party is actually really cool. It’s being held at the Stimpleton’s pool, the band is using ‘cooler’ instruments, there’s good cake, the clown is basically being taken as a doofy street performer and everyone’s having a blast.
Reggie gets her awesome birthday party, Otto makes up for his mistake, he and Reggie make up and everything’s great……….This isn’t really a luau, so I dunno what the heck the title’s on about, but everything’s great otherwise.
This was just a really wholesome episode (Well, wholesome barring one scene where they’re clearly making that joke about a character ‘drinking’ their problems away at the bar, but in this case it’s Reggie eating fries and Tito cutting her off. He even asks if she’s driving home. Kinda surprising how many kids’ cartoons make this joke.) that, for once, didn’t center mostly on extreme sports. Otto’s being a sweetheart, and even his big mistake was just that – a mistake. It’s something a kid would totally do without realizing it’s a bad idea. Reggie’s being a little bit of a brat, but, again, it’s understandable, and she never goes too far with it.
I also really like that Otto didn’t slam Mrs. Stimpleton for what she was trying to do. He worked with her to turn her ideas into something Reggie would like instead of hurting her feelings and taking everything over himself. It was also really sweet how everyone came together in the end to help make things right for Reggie.
Overall, this is a really good and sweet story. I fully enjoyed it.
Breakdown: Rescue Rocket – Sometimes, Otto can be really sweet. And other times, he can be a dumbass.
Story B of today’s episode involves Sam and Twister being signed up for a junior lifeguard course by their parents. They’re both bummed about it at first, but Sam quickly takes to it, and even Twister eventually starts making a really solid effort to succeed in the course.
Otto and Reggie, however, are bummed because this course is eating up all of Twister and Sam’s time and energy, so they’re left to skate and play hockey by themselves.
Both Reggie and Otto express disdain towards the class, but Reggie soon starts showing interest and is even impressed by the feats they’re pulling off.
Otto, on the other hand, stays firm in his stance that lifeguards, and especially kids partaking in the junior lifeguard course, are all weenies and losers. He’s being totally in character here, both as a kid and just as Otto, plus I get his purpose in trying to show the audience, who may share his views, how cool and important lifeguards are, but he is being flatout annoying.
You’d think a guy who was practically born on a surfboard and was raised by an avid surfer right next to the ocean would have more respect for lifeguards, but he could not respect them less. Even after hearing Tito’s dramatic explanation (according to him anyway) about how, many years ago, lifeguards started out as wise people who respected the power of the ocean so much that they spread the word to people who worked and played in the waters and kept them safe from harm, Otto’s still not impressed. Reggie, however, is so impressed that she asks if she can join the junior lifeguards near the end.
Left on his own as the class winds down, Otto laments that everyone he knows is giving into the idea that the ‘lame’ lifeguards are interesting and cool.
As he mopes, Tito, who claims he’s collecting some seawater with a bucket on a rope for a secret recipe, suddenly falls from the pier and into the water. He’s tangled in the rope and can’t swim to safety.
Twister and Sam instantly grab their gear and establish a plan to save Tito. They work together to untangle Tito from the rope and tow him to safety.
…..And yeah, he was faking the whole time. It was Twister and Sam’s final test in the course, which is fine and cool and all, but….like….what about everyone else in the class?
Tito was actually a lifeguard back in Hawaii, a fact that makes Otto eat some crow when he realizes how he was accidentally insulting Tito when was slamming lifeguards. Otto has now gained a better appreciation for lifeguards and even compliments Twister and Sam for their skills in saving Tito.
I really liked this episode, too. While Otto was annoying, he was realistically annoying. Most kids think lifeguards are lame, and it’s understandable that Otto, hater of all rule enforcers, would be one of those kids. I just feel like, given how much of his life revolves around the ocean and extreme sports in the water, that he’d have a decent appreciation for lifeguards by now. Has he not ever witnessed anyone being rescued before?
I would say maybe he doesn’t have a grasp or mortality either, but….uh….his mom’s dead…..
Like many other times, this episode also shows the significant difference between Otto and Reggie, and that’s simply in the fact that Reggie is more mature and open-minded than he is (Uuuuuuusuallyyyyyyyy.) They both started out ragging on the junior lifeguards, but Otto did it more, worse, and Reggie warmed up to them much sooner.
This was a great episode for both Sam and Twister. It gave Sam some confidence, which I always love. Once he actually got invested in it, Twister also had some nice moments. It showed that he really can learn and do great things if you manage to keep his attention. Plus, I really like Twister and Sam’s friendship. They make a great team when Twister’s not being a jerk to Sam.
There were several funny moments in this episode, particularly when Sam and Twister were trying to save Lars and Sputz. Twister refuses to save his brother, and Sam actually stands up to Lars when he, predictably, starts mocking him. I loved when Sam said “Please grab the rescue can, MADAM, and I’ll tow you to safety.” Then Twister returned without Sputz because he couldn’t understand what Sputz was saying (He’s basically the Boomhauer of the show – speaking in mostly gibberish only a few select characters can understand.)
I love the overall message of this episode as well. As I mentioned, while connecting with Otto, it helps kids who think lifeguards are lame to gain a greater respect for them. It also encourages kids and teens to take safety courses and become lifeguards. That’s really great, especially for a show that puts so much focus on extreme sports in water. Any kid who wants to partake in these sports due to the influence of this show should take safety courses to ensure they stay as safe as possible and help other people. Admirable job, Rocket Power. You did good.
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Plot: In the golden age, superheroes were loved, admired and cherished by the masses. However, one lawsuit started a snowball effect that changed everything. Supers were suddenly vilified, and they had to go into hiding with government protection to avoid all of the backlash. Now living as normal, average citizens, Mr. Incredible and Elistigirl, also known as Bob and Helen Parr, try to raise their children, Violet, Dash and Jack-Jack in a superpower-free world.
Bob is not content with his normal life and wants nothing more than to return to his good ol’ days of heroism. A mysterious message puts all the cogs in motion to grant his wish, but he forgot that with heroics comes danger – and danger means more when your family’s in the crossfire.
Breakdown: The year is 2004.
Marvel cinematic universe? Doesn’t exist.
DC actively trying? FEH!
This is an era where superhero movies are little more than a joke. People looked forward to them about as much as they looked forward to video game adaptations. They’d try and try again to make them work, and while they may be a box office success sometimes, they’d usually wane heavily in the critic department.
Pixar saw this as an opportunity. The Incredibles is not based on an existing comic book. It’s entire universe is built from the ground up on the silver screen. In addition, it’s animated – not live-action as a majority of superhero movies were at the time. In hindsight, this seems like a big gamble. Especially since the director, Brad Bird, was coming fresh off of his first venture into directing, which ended up being a box office disappointment.
But some people need to be reminded to keep the faith. After all, that box office disappointment….was The Iron Giant. The box office does not always reflect quality.
Let’s not keep beating around the bush. The Incredibles is……incredible. Yeah, I made that joke. Fight me.
From start to finish, the movie is filled with great humor, fantastic action, memorable characters and pokes at the superhero genre as a whole. This is a very realistic family in a, well, I can’t really say ‘unique scenario’ because the concept has been done before (In fact, when this first came out, this movie reminded me quite a bit of the short-lived, basically forgotten Nickelodeon series, The X’s.), but it is a very interesting and fun scenario.
Back in ‘the good ol’ days,’ superheroes were always hailed, respected and beloved, but you know that some jackass somewhere would ruin it by suing them. Granted, superheroes do make big messes and wrack up massive bills in damages, even the MCU addresses this, but I think whatever damage the enemy would do is almost always greater. And at least we’re lead to assume that the heroes aren’t piling up huge body counts during these battles….most of the time.
The heroes go into hiding, and there seems to be two sides to this coin. You have people like Bob (Mr. Incredible) and Dash who want to embrace their powers and be heroes. Because they’re not allowed to do so, Bob becomes very depressed and withdrawn, doing heroics in secret whenever he can with his buddy Frozone, and Dash acts out.
Helen (Elastigirl) and Violet, on the other hand, want to be normal. They still use their powers sometimes in private, but they want to fit in – Helen so she can protect the family and Violet because she wants to be a regular teenager.
In the end, they all find a middleground. Bob gets to be a hero more often, but he also comes to understand the importance of his family. Dash learns to tone it down, but he’s also now allowed to participate in school sports as long as he doesn’t play unfairly. Violet gets more self-confidence and embraces her powers. And Helen learns to not be ashamed of her life as a superhero while also encouraging that type of attitude in her kids.
It’s great that they chose to go down this route instead of having it black and white ‘this side is right, and you’re wrong.’
Helen and Bob have a great dynamic, and even Violet and Dash were really good together. I like how they eventually used their powers together. That hamster-ball idea was so cool.
Another thing to commend this movie on is, most of the time, they don’t pull any punches with the darker aspects. Helen even outright tells her children, basically telling the audience directly, that these bad guys aren’t like the ones you’d see on Saturday morning cartoon shows. They won’t show restraint on children. They will kill them without hesitation. That’s pretty heavy for an animated superhero movie in a world where kid deaths are typically taboo.
In addition to that, people attempt suicide, there’s hints of adultery and alcohol, some sexual-ish content and lots and lots of death.
Even though I said they don’t cause a lot of civilian deaths, there are a ton of bad-guy minion deaths – a good deal of which are caused by Bob and Dash. They don’t ‘directly’ cause these deaths. For instance, nearly all of the deaths caused by Dash are collisions caused by those pursuing him because he managed to out-maneuver them, but still…lots of bodies.
The ones they seem directly responsible for they kinda skirt around. For instance, Bob throws a huge tram car at two guys from a mile away and they specifically show them moving and groaning to assure the audience that Bob didn’t straight-up murder those guys.
Outside of that, we also have numerous depictions of heroes dying in that ‘NO CAPES!’ montage, including one of two instances where someone dies by getting sucked into a jet turbine. Yugh. And we have the harrowing fact that Syndrome essentially committed hero genocide, which I don’t think is given quite enough weight, but holy crap. Bob even finds the skeletal remains of one of the killed heroes and hides under his body to trick Syndrome into believing he’s dead. Wow.
Speaking of Syndrome, he’s a very effective and memorable villain. He’s very intimidating and is a serious threat. Lest we forget the hero genocide. His backstory is a little hokey, but not too bad. It’s understandable for someone who grew up in a world of supers and was basically a super fanboy to become jaded when given a massive tongue lashing by his favorite superhero. And he obviously did have value and talent, but Bob never wanted to give him a chance. He pulls off being both funny and threatening at the same time, which is very impressive. In any other movie, he’d be a complete joke, but he can be downright scary. It’s also a bit refreshing for the master plan to not be ‘take over the world’ again. Though, considering his normal job, maybe he already does, in a way. Hm.
His plan is fairly brilliant. Design a robot that is essentially perfect by having it learn and make changes to its design based on battles it endures with hundreds of various heroes. Kill the heroes, let the robot loose on the city, stop the robot and take the credit, making him the only and, by default, best hero in the world.
I will admit that the method of defeating the robot is a bit obvious, though. With all the weaknesses that have been exposed on this thing, Syndrome never thought to program it to not destroy itself? Especially when that’s exactly how Bob defeated it the first time? It has some sense of self-preservation, hence why it targeted the remote, but it’s still too stupid to not hit itself.
Some final things that I felt were a little negative in this movie:
I find Dash to be annoying 70% of the time.
While I really liked him, Frozone was mostly a superfluous character who barely did anything. I really wanted him to be given more to do.
I worry that, should they continue the series beyond the second movie, Jack-Jack will be too powerful. His main power seems to be shapeshifting, but from what I’ve heard he has many more powers that are revealed in the sequel (sadly haven’t gotten around to watching it quite yet, but very soon!)
His power is apparently that he’s a ‘jack of all trades,’ hence the name, but it’s also been suggested that, since Jack-Jack’s a baby, his power isn’t solidified and he has ‘unlimited potential,’ which is culminating in this mass array of powers. However, if that were true, that seems like it would be a normal part of a super’s life cycle. Dash and Violet would’ve had to have gone through the same thing as babies, which I doubt they did.
That’s about it on the negative side, though, and that’s not a significant mark on an otherwise exceptional movie. The Incredibles stands as one of my favorite movies and a testament to Pixar’s amazing talents as filmmakers. Even today in our saturated superhero movie market, I was very excited to rewatch this movie, and I’m jazzed to finally see the sequel.
Recommended Audience: It’s surprisingly dark when you get down to it, but a good chunk of the darkness is in the details. Still, there are some blatant darker aspects like the hero genocide, the suicide attempt and the implied infidelity. 10+
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Plot: Bugs and the Looney Tunes crew partake in some Christmas stories.
Breakdown: I’ve always adored Looney Tunes, so getting a Christmas special on my review list this year was a treat.
This is a pretty enjoyable Christmas special. They have three different Christmas tales – A Christmas Carol parody, a more purely snow-themed Wile E. Coyote and Roadrunner sketch and Bugs telling his nephew, Clyde, about the story of The Night Before Christmas, which starts to meld into their own situation when a Santa’d Taz comes in.
The A Christmas Carol section was okay, but I felt like they completed it way too quickly. Scrooge is instantly made good just by Bugs pretending to be a ghost and scaring him into being nice, but it’s not that bad. The Bugs sketch is the best part, though, of course – because Bugs is the best and Taz is awesome.
Not much else to talk about, so if you can track it down and you love some Looney Tunes goodness, check it out this holiday season.
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Plot: A little teddy bear accidentally had his mouth sewn on upside down, giving him a frown instead of that signature teddy bear smile. As a result, no one wanted him. He bounced from the discount bin of a big department store to a little secondhand shop called Winkle’s on a street with little traffic. Over time, the little bear’s fur became bleached out from the sun, giving him such a bright orange coloring that he became known as the tangerine bear or Tangie for short. All Tangie wants is to be sold to a nice family for Christmas, but no one wants a tangerine bear with a frowning mouth.
Breakdown: This is another one of those Christmas movies I definitely remember watching as a kid and was glad to rediscover. The Tangerine Bear: Home in Time for Christmas! is an adorable and heartwarming tale of a sweet teddy bear who wants nothing more than to find a family until he realizes that he has already found a family right there in that store with the other things that are a little off like Jack, the Jack-in-the-Box whose bells don’t work and is afraid of going into his box, Bird the bird of a coo-coo clock who has a busted beak and is afraid of coming out of his house without ensuring the coast is clear so he won’t run into anything, and Mr. Winkle’s (originally) grumpy pet guard dog, Virgil.
It has a great message of recognizing that you’re special and can find love and family just the way you are, even if you’re different. Tangie is a sweetheart despite his perpetual frown, though he does frequently complain and get down in the dumps. He has every right to be, and I really wouldn’t bring it up if they didn’t make a point that he’s supposed to be a really happy little bear on the inside but you just can’t notice due to his upside down mouth.
Jack is a great guy and a great friend, and Bird fits right in as the straight man, though not to the point where he’s an annoyance or a grump. Virgil also isn’t unlikable before he gets an attitude change. He’s very serious about his job as a guard dog, which includes keeping the toys from wandering around and causing trouble. After Tangie and the others save his life, he becomes a very good boy and friend of the toys, and he’s about as sweet as Tangie.
The story is really cute, although the ending is questionable to say the least. On Christmas Eve some guy walks in and offers Mr. Winkle 200 bucks for Tangie and Jack claiming he collects rare and unique items like them…….Tangie is from a teddy bear line that was mass produced, but he had his mouth sewn on upside down and got his fur bleached out in the sun. How is that so rare and amazing it’s worth 200 bucks?
Jack’s situation makes even less sense because he’s just a broken run-of-the-mill Jack-in-the-Box with broken bells and an unwillingness to go back in his box.
Geez, rich people really are delusional.
But not as delusional and, quite frankly, sad as Mr. Winkle who refuses 200 and even 300 dollars for these toys because they’re his family.
Okay, I overthought the Mr. Winkle thing, so if this next part depresses any fans of this movie, I am so sorry.
This dude doesn’t have much money. He’s lucky he manages to make rent every month because no one ever really shops in his store. The only reason he starts making decent sales is because the toys decide to decorate and spruce themselves up. Mr. Winkle is really bad at his job. He leaves repair work on items undone for way, way, way longer than they should when he literally does nothing all day besides hang around his store and eat at the local diner, which is a bad habit because you shouldn’t eat out constantly if you’re struggling to pay rent (he lives in the apartment above the shop.)
He does sell items throughout the movie, but he’s offered $300, that he really needs, for items that he just leaves in the window….because they’re his family? (By the way, he leaves them there for so long that Tangie’s fur bleaches out because of it.) Okay, from a movie standpoint, this is really sweet because the toys also see Mr. Winkle as their family, and it’s great that he doesn’t care about their flaws and loves them as-is, but from an overthinking it standpoint, holy hell this guy is lonely as shit if all he has for family are his dog and broken toys in his store.
Not to mention the even more depressing aspect of this whole situation. Mr. Winkle is pretty darn old. He’s so old that decorations suddenly appear in his store window and he just shrugs it off as his failing memory. As Toy Story has forcibly taught us by ripping tears out of our eye holes, toys are basically immortal unless they’re trashed. Mr. Winkle probably doesn’t have many years ahead of him. What happens to the toys then? He seemingly doesn’t have any children or other family to inherit the toys, the store or, even more sadly, Virgil.
At the very least, the guy who tried to buy Tangie and Jack says he’ll be back with friends later to look at more items, hopefully ones Winkle’s actually willing to sell.
In the end, and ignoring all of the weird and sad parts about the ending, Tangie, Jack, Bird and Virgil all rejoice that they don’t have to separate and that they’ve found a loving home for Christmas.
The art and animation are alright, even if some character models for the people are terrible, but something is really wrong with whatever they did to the copy on TubiTV, unless it was just an animation issue from the start.
Nearly every frame has spots where the lines blur and it is horrendously distracting. I have no clue what happened here, but I couldn’t go more than a few minutes without noticing this problem.
The music was very sweet, gentle and Christmassy. Not the most memorable songs in the world, but still good. The voice acting was also good with the talents of the late Tom Bosley as Mr. Winkle, Howie Mandel as Jack and Johnathan Taylor Thomas as Tangie (huh, that’s two JTT sightings now.) This was made in 1999 so his voice was definitely puberty-ized by this point, but he still manages to make Tangie sound innocent and child-like.
Overall, as long as you don’t let your mind wander in the end and if you can ignore some really annoying blurring issues in the copy, this is a really great and sweet Christmas movie for the whole family. Like I said, it’s on TubiTV right now for free if you want to check it out this holiday season.
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