Plot: Wallace and his dog, Gromit, live in a town where vegetables are everything. They live to grow, care for, eat, and display their veggies, all building up to an annual vegetable competition. Wallace and Gromit run an anti-pest (though mostly bunny) company that humanely captures pests and protects the vegetables of the town.
One night, Wallace gets the idea to stop the bunny plague once and for all by using a mind-altering device to eliminate obsessive thoughts about veggies from their minds. It seems to work, but, in the process, they created a monster….a veggie destroying were-rabbit.
Breakdown: Okay, so yes, the plot does sound very silly, but it’s supposed to.
This was my first ever venture into the Wallace and Gromit series. I’ve heard about it several times in the past, but never actually watched the movie, TV series or played the game….Even though I have the game (from a Humble Bundle).
Curse of the Were-Rabbit is a very entertaining and fun movie that, while not making me bust a gut, did have me smiling and laughing out loud numerous times. It has a very unique style and sense of humor that I thoroughly enjoyed, even if some things about the movie irked me.
For example, I think Gromit deserved a bit more of a hurrah for all the stuff he did over the course of the movie, which is damn near everything. While Wallace is certainly useful as an inventor and bunny catcher, there’s no denying that Gromit does a hell of a lot more in this movie. In addition to being the only one who is effective against the were-rabbit, he also basically waits on Wallace hand and foot with Wallace only barely giving Gromit his props here and there. Not to mention it was Wallace’s invention that started the were-rabbit fiasco in the first place.
Also, I get that he had good intentions, but if the rabbits stopped being a problem, wouldn’t they be out of a job?
The overall unraveling of events were fairly predictable. I knew from the instant they used that machine what the ‘plot twist’ would be.
Ending spoilers. Finally, they give no explanation as to why Wallace turns back at the end. He saves Gromit from falling to his death, turns back into a human and the curse just seems to go away. He didn’t get shot with the golden carrot, so I just have no clue how or why Wallace was cured of this problem…..because he ‘died’ and was seemingly revived by the smell of cheese?….If so, that is really dumb.
End of spoilers.
All in all, I really enjoyed this movie and I look forward to playing the game seeing as how I’ve had it on Steam for like three years and never got around to playing it. *cough*
Recommended Audience: There is quite a bit if innuendo, though some of it might be my filthy mind playing tricks on me. Like that scene where Totty is showing Wallace her giant carrot. Dear God, the things she says can easily be turned into dirty talk. Other than that, though, really nothing to bother with. 6+
Plot: Spud tries year after year to win the talent show to honor his grandfather, who was a magician. Jake and Trixie agree to finally help him win the trophy this year, but there’s a problem. The trophy is actually an ancient chalice which seals the powerful and malicious Djinn who cannot be resealed in the chalice since the incantation to do so was lost many years ago. If the chalice gets enough liquid in it to overflow, the Djinn will be released.
Grandpa orders Jake to enter the talent show so he can win the trophy and they can keep it safely hidden forever. However, this means betraying Spud. Both Trixie and Spud are angry with him for entering the show, but Jake deals with it since he has a duty as the American Dragon.
Meanwhile, Rockwood tries to win the chalice for himself by recruiting Brad, whom he believes is a prodigy piano player after learning he’s been taking lessons for 12 years.
Jake enters as a ventriloquist with Fu as his ‘puppet’, but after some complications arise in the form of Brad’s sabotage, leading to the chalice overflowing. The Djinn is released and starts wreaking havoc in the auditorium, but everyone just believes it’s Spud’s magic show. Jake tries to combat the Djinn, but, surprisingly, Spud’s grandfather’s magic words were the resealing incantation the whole time.
Spud’s show is a hit, Jake withdraws from the competition and Spud wins the show. Later, Spud gives the chalice to Jake since he was kind enough to withdraw.
Jake apologizes to Grandpa for dropping out, but he says that it’s alright since he chose the path of a true friend and got the chalice anyway. Jake and Fu then realize they lost the chalice on the subway, and it ends up in the butt cheeks of a woman on the train.
I was going to do my usual beat by beat breakdown of the episode, but, honestly, this episode is so boring I didn’t even bother.
First, it’s Spud-centric, so it’s already starting off weak. Spud can be a sweetheart, but he’s also not funny and he’s boring to me as a character.
Second, this whole plot is incredibly forced. I get that half of these things are supposed to be jokes, but the person who first had the chalice really felt like meeting the person buying it in a trophy factory? The chalice just happens to be perfectly trophy shaped? It just happens to wind up in Jake’s school and just happens to be the first prize in the talent show that Spud just so happens to want nothing more than to win? And Spud is really the descendant of the only person in the world who knew the incantation to reseal the Djinn? Even Spud giving him the trophy is forced because he wanted that trophy badly and Jake never explained why he needed to enter.
Third, this episode is even a waste of opportunity for the typical talent show plot jokes. When most shows like this have plots in talent shows, they usually at least have the redeeming factor of showing funny segments showing the other contestants and their funny talents. Here, they try to do that, but ultimately fail. We have a kid who does pig calls, a girl who folds origami swans really fast (which is more cool than funny) and a kid who plays the triangle.
They couldn’t even make it funny when Brad sabotages their acts. He lets a pig loose for the pig caller, which you’d think would probably help his act since he’s a pig caller. Bringing a pig out makes it seem like it’s an awesome call. He puts glue on the origami paper, which doesn’t make sense to me because they’re stacked. Wouldn’t they all get stuck together? Also, just give her a new stack of paper. And he bends the last kid’s triangle into a mangled mess. They probably have one in the band room to use, but he’s out.
Also, Trixie, at the very least, should’ve been questioning how Spud suddenly knew how to effortlessly put on this amazing Djinn vs. Dragon battle when he can barely pull off the lamest of tricks mere minutes prior. She kinda questions it at first, but quickly accepts it.
Don’t even talk to me about the ending joke.
The episode as a whole is fine, nothing offended or enraged me, but it’s so by the book, forced and boring. Fu got some good moments, but nothing great.
Plot: Luc and Theo, caught in a time loop to keep living the same Monday over and over, take advantage of their knowledge of the day to avoid dodgeballs in gym class. The consequences are disastrous somehow.
Breakdown: This series confused me before I even got around to actually watching it. This is the description –
“The series revolves around the life and adventures of Luc and Theo, two 12-year-old best friends who get stuck in a time loop where every day is Monday, and as the Monday is always the same, they know everything that will happen before it happens. They use it as an opportunity to do whatever they want to, most primarily at school, what usually gets them in trouble. Theo has a crush on Gwyn, a recurring character on the series, what is shown in various episodes. They first got stuck in the loop because Luc hopped his skateboard and crashed into Theo’s garage-lab in the first episode, and Theo’s scientific experiments got mashed.”
That sounds far more hellish than it does funny. While you can make some comedy out of that for the first handful of days, like nearly any version of this plot, eventually it gets to the point where reliving the exact same day every single becomes more of a nightmare than something to have fun with. Even in the Stuck on Christmas segment of Mickey’s Once Upon a Christmas they realized this.
Not to mention, as an audience, wouldn’t this be horrible to sit through the exact same dialogue every single episode? Even repeating itself over and over in a single episode is bound to be annoying.
I just realized that this show probably saves oodles of money on animation by reusing footage….
As a series, this could work, theoretically, because it sounds like they get into a bunch of ‘wacky shenanigans’, but considering the day just resets after everything’s said and done, there are really no consequences for their actions….except….ya know….being caught in a hellish time loop, which I doubt they’ll recognize as hellish or explore any of the deeper and personal resonances this could have on them as people, like they do in Groundhog Day.
But enough presumptions. Let’s actually watch the show.
*one episode later*
Hm. I failed to realize another problem of this show. Time travel.
Looping is, essentially, time travel. While the day continuously resets, making the space/time continuum’s structure stay solid, time travel still negatively affects the plots of these stories.
Today’s episode is about Luc and Theo using their future knowledge of their bully’s dodgeball throws to dodge aforementioned balls. After a few days of looping and calculating, they become Matrix-level dodgeball dodgers. However, this already doesn’t make much sense. If they’re dodging the balls now, they’re changing what happens after even the first one is thrown. Thus their calculations should now be void because the bully, named Jesse, will be throwing balls differently than he did when they were being hit, either through aim, trajectory, velocity etc. they will be different because they changed the timeline.
This is especially apparent after they dodge the first wave of dodgeballs and they talk to Jesse about it. Jesse gets so angry that he furiously chucks another dodgeball at them and Luc easily avoids it, even though there’s no way he could’ve known where that one was going since they never encountered that one in the past before.
…..Oh and also, their coach gives a young boy who just got hit in the face with a dodgeball mouth to mouth when he obviously didn’t need it…..His name is Kyle and he’s known as being this perfect attractive Adonis kid…..Also the coach is devastated when Kyle is hit in the face with the ball, presumably because it marred his beautiful features…..Someone call the cops is what I’m trying to say.
Oh and also, as punishment for hitting Kyle with the dodgeball, some popular girls (two of whom might be his sisters?) tell Jesse to go to….the fart box….It’s a wooden box where they trap him and some fat kid lets out a huge fart into it (through a butt-shaped opening). It’s a kid version of a gas chamber. Lovely.
Later that same Monday day (that’s what they call it), Luc and Theo find that Jesse is so devastated at ‘ripping the wings off an angel’ that he won’t eat, bully people or anything. They then meet with an alternate dimension form of Jesse who is a knight, demanding retribution of his sullen reputation after the dodgeball game. According to Theo, who, by the way, is the science guy, this Jesse is a glitch in the loop, created to fill in the void of a bully left behind from the original Jesse no longer being one.
That makes so much no sense I can’t even nonsense. Filling the void of something lost in a timeline by creating a new substitute for that role sounds logical, but I think being without a certain something in a timeline makes much less damage to a timeline than creating two of the same person and having them coexist in the same timeline.
There’s not even anything to suggest that Jesse gave up bullying for good. I’m sure after Kyle’s face healed he’d be at it again.
They get their asses handed to them by Sir Jesse (why he’s a knight is never explained) who defeats them in a joust and wedgies them on the goalpost of the football field.
The next Monday day, they prep for another confrontation with Sir Jesse…Wait, what? Why wouldn’t you just save Kyle from the dodgeball so his perfect work of art face won’t get hurt, they still won’t get hit with dodgeballs and Jesse won’t give up bullying? They’d also be saving an innocent kid from getting his face bashed in with a rubber ball. Oh right, he totally deserves that hit because he’s attractive and everyone loves him and when they got hit with dodgeballs he sincerely said it looked ‘ouchies’ and they were jealous that he never gets hit with dodgeballs. Right right.
They don’t stop the completely inappropriate mouth to mouth either.
They come into school wearing knight armor, but are shocked to find a different Jesse taking the role of new bully now – he’s a greaser I think. The next Tomorrow Monday (it’s what they say) he’s a caveman, then a pirate, then a robot – What the hell is even happening? Why are they getting a different new glitch Jesse every day? And why is he always some time period stereotype?
At gym, Theo is freaking out about what new glitch Jesse they’ll face today, and he wants to stop the glitch entirely by just letting themselves get hit with the dodgeballs. Again, you could stop the glitch and Jesse’s downfall by just saving Kyle from getting hit. Coax him to move a foot in literally any direction. Catch the ball. It’s not difficult. I thought Theo was supposed to be a genius.
Luc refuses because apparently being zapped by a robot, slashed at with a pirate sword, bashed with a caveman club and jousted are so much better than just being hit with a few dodgeballs.
Today’s Jesse is a supervillain, and Luc finally realizes that they need to set things right and let themselves get hit, but not before Supervillain Jesse uses his psychic powers to make Luc and Theo make out.
Ya know what? Forget calling the cops on the coach. Call the cops on the writers. First we have child molestation now sexual assault? What the hell?
Also, Supervillain Jesse flies with farts. Lovely.
The next Tomorrow Monday, Luc and Theo let themselves get hit and the status quo is restored. And nothing mattered ever.
Oh and the coach gives Luc mouth to mouth for some reason even though he never did in any of the other normal timelines.
Well, kids, we learned a valuable lesson today. Some kids are just meant to be bullies. If you try to stop them from being bullies, they’ll turn into supervillains and make you make out with your best friend until you accept your role as bully victim.
This was awful and unbelievably asinine. The premise is difficult to work with as is, but they don’t even start with an origin story. The theme song doesn’t explain the origins either, it just repeats that they’re in a time loop….Oh, haha, I get it. The song is kinda looped. Haha.
None of what they do in this episode makes any sense. The ‘moral’ if there even is one is terrible. Not to mention just returning everything back to normal at the end without learning anything worthwhile for the only two characters in this show who actually can learn and progress is infuriating. They could’ve easily just gotten better at dodgeball by playing it over and over and over and saved Kyle from getting hit. The end result would be a different day, they’d stop getting hit, they’d learn a new skill and they’d save an innocent person from getting hurt. But nope, it’s just ‘gotta let the bully be a bully’
In nearly every incarnation of the time loop plot, the characters who are cognizant of what’s happening usually learn something from their actions, but here everything’s pointless. And if you’re going to have a pointless episodic show where nothing matters, at least be funny about it. This show is nowhere near funny.
The fact that the alternate dimension Jesses come with such a flimsy explanation is also irritating. Their existence makes that version of reality worse when it’s meant to supposedly fix something that was screwed up because of it. Why don’t they just build on the Butterfly Effect logic like nearly any other show that uses this plot? Have something logical but bad happen because they changed something minor in the past. Don’t just make something up because pbbtt time and space things.
In the end, going in, you know none of this matters anyway, They’re in a time loop with no intentions of leaving it for some reason. By the end of the episode, nothing will have lasting consequences so it’s all moot. I just don’t think you build a lasting series on the time loop plot. A movie? Sure. An episode of a series? Yeah. A series? No.
You’d need a team of seriously good writers to pull that off, and this show just doesn’t have them. They have writers who make 80% of the jokes in their episode be filled with snot, slobber, farts, sexual assault or child molestation.
For those thinking that I’m reading too much into the child molestation thing, let me point out that even the animators knew this joke was wrong. They do this joke three times, and they never animate it. It’s never on screen. We just get a bunch of gross slobber noises and reaction shots.
As for the characters, barring Theo, who only gets tolerance points for being the only one with knowledge or sense, everyone else is terrible. Luc is an asshole idiot, Jesse is a bully idiot, Sarah and her popular cronies are jackasses and the coach is a child molester who roots for the bully to be a bully.
Technically, I only reviewed the first half of episode one since this is one of those shows where two stories take up one episode, but I think I’ve seen enough.
Plot: It’s a terrible day for toys when Andy’s mom announces a yard sale. In an effort to save a beloved old squeaky penguin named Wheezy from being sold, Woody finds himself getting stolen in the yard sale instead.
The thief is the owner of Al’s Toy Barn, an avid toy collector, and he finds himself among a collection of toys based on the show Woody’s Roundup. He’s treated like a hero to the other toys; Jessie the cowgirl, Bullseye the horse and the prospector, but he’s still desperate to get back to Andy. Buzz and the other toys from Andy’s room travel to find Woody and bring him home, but the other Woody’s Roundup toys are convincing him that it’s better to stay in a toy museum instead of going back home where Andy will eventually grow up and forget about him.
Breakdown: Pixar’s first sequel and Pixar’s first relative ‘meh’ movie supposedly. I’ve never heard anyone say this is a downright bad movie, but most people agree that it’s not really fantastic either. I think people just fell under the impression that Pixar could do no wrong and finding that a movie wasn’t up to their high standards left it with a bigger dent.
Does it really deserve any flak though?
In my opinion? No. I really like this movie. It’s the weakest of the trilogy in my opinion, but that doesn’t make it a bad, meh or even weak film.
The storyline isn’t a rehash of the first film like a lot of sequels, and it touches upon the topic of the toys’ owners growing up and leaving them behind. They won’t really take this plot line and shove your heart into a paper shredder like the third movie, but still. And it also reminded me that, not only does that suck, but toys can be immortal to a degree. They can definitely live throughout a few generations at least if they’re taken care of, so it’s not only sad to think that the toys might be thrown out or spend their time rotting somewhere, but they could also see owner after owner ‘outgrow’ their use and be abandoned.
There are new characters added, and the background of Woody is explored, though I don’t quite get stuff like this. I don’t really understand why Woody doesn’t realize that he’s this famous. If he is an original, that must mean he’s over 50 years old, yet he doesn’t seem to act like he’s had previous owners and has completely forgotten his origins. I have to wonder why some toys realize what they are immediately yet toys like Buzz, Woody and the Aliens are under some delusion about it once they awaken.
Jessie’s pretty grating when you first meet her, but she grows on you and she is the poster child for the topic of the movie as she had an owner who grew up and ended up abandoning her. I’m still left wondering why she remembers that considering, from all I can tell from this girl’s room, this happened around the 60s or 70s, yet Woody can’t seem to remember anything pre-Andy days.
Bullseye’s a cute little character that can be a good addition to the group, but it seems weird that a toy like that is introduced when it’s been established that Woody and the others get along fine with Buster.
The storyline with Buzz, Delusional Buzz and Zurg felt forced. The opener is enough to attest for that because it felt like it was too long. Some of the interactions with Delusional Buzz were funny, especially the first scene, but after that it just felt like it was shoehorned in and a bit annoying. It’s almost like they weren’t quite sure what to do with Buzz to give him enough screentime. Plus, there’s the irritating nagging in my head that there was a Buzz Lightyear cartoon including Zurg and maybe this could’ve just been a big plug for that.
They also rehashed a few too many jokes from the original movie, but it’s not constant.
I think that this movie is actually better now that I’ve seen Toy Story 3. It’s acts as a great mediator between 1 and 3.
The first movie is about being there for Andy, no matter who he may seem to give more attention to and knowing that Andy loves to play with all of his toys.
The second is about dealing with the fact that, despite this, there will be a time when Andy becomes too old to play with his toys, but until that time comes they’ll be there to play with him no matter what.
And the third is finally dealing with what happens when Andy grows up and stops playing with his toys as well as addressing the various futures of toys when their owners grow up.
While it is a bit OOC for Woody to ditch Andy to be in a museum, it’s understandable that he’d feel that way. After hearing Jessie’s story and being shelved, as well as seeing what could’ve been the fate of Wheezy, it’s perfectly reasonable that he’d be scared and, in a way, its a story of mortality. You either live a true and happy life that eventually ends or throw it away to chase immortality.
Also, it reminds me that in Toy Story 3 Jessie’s situation and feelings should be much worse considering she was already dumped once before.
I think Woody singing “You’ve Got a Friend in Me” on Woody’s Roundup was probably one of the best ways to handle Woody’s revelation that he needed to go back to Andy. It really was an incredibly touching scene…..Though I think the little boy on the show was a little on the creepy side.
The reprise at the end I could’ve done without, though, even if it is performed by Robert Goulet. Especially given that Wheezy skips some lines during it.
Bottomline: It’s a thoroughly enjoyable movie. Not as good as the original, no, and there are some annoying and seemingly pointless things in there, but most of the jokes are really funny, the plot’s interesting and like I said it’s a great bridge between movie 1 and 3. I can see how some people may be disappointed with it, but I’d still gladly rewatch it several times.
Recommended Audience: There is very very slight innuendo that I doubt any kid would get, but otherwise nothing objectionable. E for everyone!
Plot: 2A – Barbecue Story: The adults are having a barbecue, and Angelica sends Tommy’s ball flying into the neighbor’s yard. Tommy sets off on a mission to get it back.
2B – Waiter, There’s a Baby in my Soup: Stu and Didi are forced to bring Tommy to a fancy dinner with a man who is listening to Stu’s presentation on why he should market his toys.
2A – Something I kinda dread about rewatching this series as an adult is knowing there will be many moments that will make me cringe in how possibly horrifying the real-world result could’ve been.
Case and point, this segment.
During a barbecue, Angelica, being a bitch, decides to swat Tommy’s ball into the neighbor’s yard for kicks. Tommy breaks into the neighbor’s yard to retrieve it and is forced to go over a secondary fence into an area meant for a vicious guard dog. The dog very nearly (and, if you watch closely, honestly should have) mauls Tommy to death, until he’s suddenly saved by Spike.
Spike returns Tommy to the barbecue and is rewarded with a plate of burnt burgers.
At face value, this is an alright episode. Not the funniest in the world, and there are several annoying aspects I’ll get to in a minute, but it’s decent.
However, as an adult…..I’ve read several news stories about little kids being mauled by dogs, sometimes to death and others severely injured with many scars and deformities left behind. I could not stop myself from imagining Tommy getting viciously attacked by this dog.
When Tommy’s parents discover him missing, I thought they’d hear his panicked cries and rescue him, but no. They never hear his cries nor discover where he went. Despite being just next door, Spike is the only one who hears poor Tommy and comes to the rescue. Granted, this scene is one awesome Spike moment. He is a total dog badass here, but Jesus Christ, these parents will never not win the worst parents ever award.
To put more clarity on this situation, when Tommy was crying in his playpen after Angelica swatted his ball, every single adult there diverted their attention to Tommy. When he’s screaming and wailing in terror with a huge bulldog snapping his teeth mere inches from his face, everyone besides Spike suddenly becomes deaf.
The ending is a very sweet moment between Tommy and Spike, but the rest of the episode just leaves me feeling uneasy.
The aforementioned annoying aspects come in Angelica and Chuckie. Angelica never gets any comeuppance for what she did, even though her actions very nearly lead to her cousin’s death. Chuckie has a moment of complaining that seemed more whiny than he normally is, mostly because he’s blaming his misfortunes on Tommy when he didn’t force him to come along.
2B – As big of a Rugrats nut as I was when I was a kid, I did have those episodes I didn’t care for. This is one of them. However, back then, my reasoning was entirely for the obnoxious antics of Mr. Mucklehoney. Nowadays, adult me can see that this whole episode doesn’t work.
It’s main premise is built on sand. Didi and Stu are ‘forced’ to bring Tommy to a fancy restaurant because their babysitter canceled last minute, Grandpa Lou is on a bowling date, and they have a presentation with Mr. Mucklehoney – an obnoxious prankster who is constantly laughing.
Oh, excuse me, I mean Stu has a presentation with Mr. Mucklehoney. Didi has no purpose here.
This whole plot could’ve been avoided had Didi just stayed home with Tommy. What’s more disruptive? Stating a superfluous third party couldn’t attend a dinner because she had to watch their infant son or bringing a one year old to a fancy restaurant? Keep in mind, Tommy himself is being obnoxious in this episode. When they find out their babysitter needs to cancel, Tommy is on the floor having strewn all of the pots and pans in the kitchen on the floor and dumped a garbage can full of trash all over himself, the floor and the pans.
People find babies in cheap family restaurants to be an annoyance, but bringing a one year old to a fancy restaurant? When you have a very good reason not to? And when you’re having dinner with someone very important? Come on.
What’s even worse is that they set up an out and don’t take it just so it can be more believable when Tommy manages to escape. Didi gets a call from Grandpa Lou right before they order. He needs a ride home because he had a fight with his date and she was his ride. Didi agrees and is about to take Tommy, who is drumming on the dinnerware with a fork and spoon, with her because she realizes he’s being a nuisance. However, Mr. Mucklehoney offers to have the two of them watch him and she’s just like ‘alright’ and even gives the spoon back to Tommy so he can continue being loud and irritating to everyone around them.
Of course, Tommy quickly slips out of his high chair and, of course, Stu is none the wiser. He slips into the kitchen and, I might need to add a ‘third-party adult fail’ section because not a damn person in that kitchen realizes a baby is crawling around on the countertops making a mess and destroying stuff. I feel really bad for the people who get that cream pie filled with silverware. Thank God Tommy never reached the stove. He fell into a bowl of pasta – he could’ve easily fallen into a pot of boiling water.
When he gets back to the table, he’s superheated Mucklehoney’s soup, bubblegum’d his shoes to the table, tied Stu’s shoes to the table and caused the entire table to topple over on top of Mucklehoney.
And, of course, Mr. Mucklehoney is one of those sitcom schmucks who has all this crap happen to him and, because it would be unfair to have Stu suffer for Tommy’s actions, he loves the crazy antics Stu has caused and offers him a job.
This episode is poorly written and riddled with plot conveniences. You can practically see them drawing a map to the plot they were trying to get to. “Okay, how about we have Tommy let loose in a restaurant making all sorts of trouble? We’ll work out the details of how this happens right before we animate it. No storyboards. They’re a hassle.”
Not to mention, Tommy just doesn’t work well on his own. Rugrats always worked best when the babies were playing off of each other. Even if the plot is obviously focused on one character, you need at least one or two more to make the story as a whole work. Tommy is completely on his own here. There’s not even any minor Angelica cameo. Not to mention, they seem like they upped his annoying level so they could get more comedy out of him.
2A – No one notices or cares that Angelica took Tommy’s ball and threw it over the fence. Even if it’s understandable to maybe not catch her taunting him with it, surely someone had to have seen her throw the thing.
No one notices them breaking out of their playpen, even though they’re all in the side yard, nor do they see the babies escaping into the neighbor’s yard.
If you have babies or pets, don’t leave loose or broken boards in your fence.
I applaud the neighbor for having a second fence within his fence for his vicious dog, but I’ll add some neighbor fails for making this fence all of a foot and a half tall (the babies can get over it just by giving each other a little boost.) and chaining the large and very strong dog to a rickety dog house that is half-assedly nailed to boards in the ground.
It takes them way too long to notice the babies missing, especially considering the babies were looking in the neighbor’s first yard for quite a while.
No one hears Tommy’s terrified cries merely a yard away.
X10 fails just because I can’t get the image of Tommy being mauled out of my head. The fact that their dog was a better parent here than anyone else is ridiculous.
2B – Nobody notices that Tommy is playing with the toilet – a possible drowning hazard because it’s one of those toilets that seems to hold three gallons of water in the bowl.
Nobody notices that Tommy spreads out all of the pots and pans in the kitchen on the floor. Even if you can say they didn’t see it, there’s no way they didn’t hear it because that would be insanely loud.
Nobody notices that Tommy knocks the garbage over.
When they do notice, they don’t give a crap.
Gonna count them bringing Tommy to this meeting as a fail. If they really had no choice, I’d understand, but not only is Didi a perfectly good option, they don’t even consider contacting any of the other parents to see if they can do it. Any adult should know that bringing a baby to a fancy restaurant is inconsiderate. And this is coming from someone who’s never had a child or been to a particularly fancy restaurant. Unless you have the most angelic baby in the world, or they’re comatose, they’re going to cry, smell and be obnoxious. They even show how annoyingly he’s behaving before they even leave, and he wastes no time before he starts drumming on his dinnerware.
Didi leaving Tommy alone with these two.
Stu not noticing Tommy has escaped. He is literally seated a foot away from him.
If I don’t have a ‘third party adult’ tally, we’re skipping six points.
What the…They’re Babies!
Outside of the babies easily scaling that fence, there wasn’t much in this area for either episode.
Plot: A teenage girl named Bloom finds a fairy named Stella being attacked by an ogre out in the woods. In an effort to save her, Bloom discovers that she has fairy magic too. This is just the start of something much bigger for Bloom.
Breakdown: Alright, I need to prepare myself for this one. Just gonna jump into my subconscious for a tad.
Girly part of me! Where are you?! I need you for 20 minutes and 14 seconds! I know you’re in here! I felt your presence when I was looking at puppy pictures earlier! Ah there you are. I don’t know why I don’t always look in the nook with my Beanie Baby collection first.
So, yeah, as you can probably guess, despite having the girl parts, I’ve never been that girly. I’ve always been more into things that were more traditionally boy-like. I had some regular girly stuff like Barbies and bead sets and a fake plastic kitchen (I make the best plastic omelets), I’ve even had the tea parties and dressed like a fairy princess once. But if you ever asked me to choose between something like Power Rangers and My Little Pony, I’d be imagining piloting the Megazord before you’d finish your sentence. I never really disliked girly things, I was just more interested in boy-ish stuff…..It was cooler….No My Little Pony dolls shoot lasers or explode, okay?
With that in mind, it goes without saying that I never really watched Winx Club. I caught a few minutes of it here and there but—OOH BEYBLADE’S ON!
*cough* Something else would usually come on.
But I’m not without my girliness. My femininity. My female…itude…..I have a purse.
Let’s see if I can get into Winx Club.
*one episode later*
Alright, let me level with you. This show is not terrible on the basis of rampant girliness. The girliness levels are high, damn near ridiculous (The main character’s animal sidekick is a damn bunny for crying out loud), but I was able to get through that relatively fine…
This episode is just poorly written.
Right off the bat, the pacing for the first half is breakneck. In the first three minutes, we’re briefly introduced to our main character, Bloom, who is a normal average teenage girl, she sees a fairy girl with a valley girl accent fighting an ogre, she starts to be defeated, Bloom goes to help her, reveals she suddenly has powers, knocks the ogre away, the fairy girl, named Stella, gets back up, defeats the ogre with ease and then faints.
The pacing slows down a bit then ramps right back up after the ten minute mark. For example, in the time span of a minute, Stella brings Bloom to Alfea, an all-girls boarding college for fairies, pixies and something called…gowylians? Gowillians?….Uh those – Most of whom are princesses because of course they are. They learn to be magic users, protectors of their realms and queens.
This place is right down the road from the boy’s school – The Red Fountain School for Heroics and Bravery (A place ‘full of hunks’ according to Stella), where young men learn to become military heroes utilizing such things as hand to hand combat, weapon use, basic survival, magic swords and DRAGONS. Look! Look! The boys get magic swords and dragons! They get the cool stuff!
They’re also closeby to the Clow Tower School for Witches, which could not be more designed to be a villain factory if you tried.
Then, in the same minute mind you, she informs Bloom that she already invited some of the boys from the Red Fountain school to her house. When did she do this? She never had the opportunity as far as I saw.
If the pacing doesn’t get you, the story won’t do you any favors. It is extremely cut and dry ‘normal person discovers she has magic powers and is tasked to save the world’ schtick. The good guys are obvious, the bad guys are even more obvious and they practically go out of their way to separate everyone into their respective groups. For God’s sake, if sectioning off good from evil wasn’t enough, they have to cordon off the boys into their own school too. So we can wrangle the love interests? What’s that about?
Wait a minute.
*One Wiki Later*
Yup, that’s literally it’s purpose. All of the future members of the Winx club will have either fiances or boyfriends and, you guessed it, they all, barring one, come from the Red Fountain school. Wow.
Bloom’s parents are unreasonably stupid. Not believing your daughter brought home a fairy is one thing, being one room away from a door that is being brutally pounded on by someone, seeing a pet freaking out about it and constantly wondering why the animal is freaking out and pointing to the aforementioned door is another. They have to shake the whole house and actually enter before they realize, holy crap, someone’s at the door.
Anyone familiar with Tuxedo Mask Syndrome in magical girl shows can rest assured that the girls do indeed get rescued in the end by the hero boys she mentioned. At the very least, they barely know what they’re doing too.
The dialogue is okay at best and cringe-worthy at worst. There’s a lot of lame slang, valley girl speak and just horribly written lines delivered in lackluster ways. Par for the course for 4Kids.
The art and animation are horrid. It’s not the absolute worst I’ve seen, but it is quite a ways down there. Italy, I hate to keep giving you crap, but….you kinda keep giving me crap. It’s weird. There isn’t really a tidal wave of animation errors – it’s moreso like an unfinished animation or just sloppily done. The action actually isn’t the worst part of it. The bad animation is most highlighted in the speaking scenes. I laughed out loud when we saw Brendan speaking in that extreme closeup. If there was ever a shot where bobble-head physics applied, it’s that one.
The music is about what you’d expect from a girl-targeted show from 4Kids. Girly earworms. I will wag my finger in 4Kids face for one moment of music faux pas. They very clearly use a piece of BG music from Pokemon when Bloom wakes up. Tsk tsk.
As a first episode, it does the job just fine. Mostly because they’re mowing down the plot of the episode to shove every bit of exposition down our throats as quickly as possible. It introduces us to the characters and their universe just fine. They don’t really explain too well what fairies are in terms of what they do, nor do they explain how their magic works. They also never explain why or how Bloom is a fairy. She just shows she has powers and Stella spends half the episode gushing about how awesome she is.
They show the big bads, but we have no clue what they want beside power and I can only assume world domination.
Final Verdict—wait a minute.
While this first episode, in my opinion, is a hot mess that doesn’t make me want to want to watch anymore, I will concede for a bit. Winx Club is a huge franchise spanning over several seasons, movies and even comics.
I’ve read some stuff from future storylines and it seems somewhat interesting. I don’t want to write off the entire franchise for you all here, so let’s leave this as an;
I, personally, won’t be continuing because it’s just not my cup of tea. However, if you can find yourself getting into shows of this vein, I recommend giving it a go for a few episodes. If anything, the art and animation seem to improve over time.
Plot: The egg of an iguanodon is separated from its parents and ends up traveling far away from any dinosaurs on an island where he’s found and cared by a family of lemurs who name him Aladar. Despite being vastly different from anyone on the island, he lives a very happy life with his family. One day, a horrible meteor shower wipes out their home and most of the animals that they knew. While escaping the aftermath, Aladar and his family, his mother, grandfather, sister and uncle, run into a herd of many dinosaurs trying to make it back to their nesting grounds since they believe it may be a safe haven from this catastrophe. Lead by Cron, a cruel iguanodon who believes in survival of the fittest, the herd tries to make it to their nesting grounds alive, but Aladar doesn’t agree with Cron’s methods and wishes to get everyone, the old, young, sick and injured there alive no matter what.
Breakdown: I remember seeing this a while back and not getting a huge impression about it. It’s not bad, there are many good points, but there’s nothing very fantastic about it. The visuals, especially during the meteor shower and Aladar’s egg traveling to the island are wonderful, but unlike what I first thought, the backgrounds are almost always actual footage of real locations with only the animals and the effects CGI. The visuals are still great, though, and the CGI meshes well with the environment.
The story’s somewhat predictable, though the meteor shower comes right out of nowhere. There’s still several parts that are heartwarming, tragic and impacting, especially when Eema, one of the elderly dinosaurs, starts to deteriorate.
The romance is predictable as well. Only female iguanodon tail meet only other iguanodon around that isn’t your brother or a dick (Cron being both)
The characters are where it loses me a bit. We have Zini who is Aladar’s lemur uncle. He’s obnoxious and that’s all there is to it. We’re supposed to feel bad for him because he can’t find a mate, but if you watched him for five minutes you’d know why he can’t find one. And of course he’s a total playboy by the end for no reason. His character does nothing in the slightest. His little sister, Suri, does way more than Zini does.
The lemurs on their own don’t do much anyway. They ride the backs of the dinosaurs and make comments about what’s happening around them. That’s about it. The mom does some stuff, as does Suri, but after the opening scene they’re just kinda there.
Then we have I guess his name is Url. He’s a ankylosaurus that acts like a dog for reasons beyond my understanding. I don’t know why some of these dinosaurs are smart and can speak but then we have dog-like dinosaurs like Url and carnosaurus who are nothing but hungry beasts incapable of rational thought.
Cron’s a pretty decent bad guy, but you can’t sympathize with him very much. I know that in dire circumstances sometimes you need to do harsh things in order to ensure that even some survive instead of none, but by the end it really seems like he didn’t give a crap about any of the herd and that if any of them didn’t make it they didn’t deserve to make it. In some circumstances he was nearly causing their death by his blowhard plans.
That’s supposed to make Aladar look like a real hero by contrast, which it does, but they clearly want you to have some sort of connection to him since he’s noted as being Neera’s (female iguanodon) brother.
Bottomline: This isn’t a fantastic movie, but it’s still a very enjoyable film with plenty of suspense, action, some romance, and likable characters especially in Eema and Baylene. The story is predictable, but it’s not horribly cliché. The art and animation along with the music are fantastic, with maybe the lemurs looking the worst. You may get annoyed by Zini, but he gets hardly any screentime so I wouldn’t worry about it. I’d still watch it if it was randomly airing on TV.
Recommended Audience: This is a Disney production, so it’s not too bad in the content department, but you do have sudden apocalyptic conditions, corpses, some dinosaurs die on screen, some dinosaur corpses are eaten by raptors and carnosaurs, non-graphically for the most part, and a good chunk of it takes place off camera, there’s some blood….eh 10+.
Plot: After enjoying another awesome Christmas, Timmy wishes it could be Christmas every day. His fairy godparents grant him his wish, and he enjoys toys and time with his family for weeks to come. Too much of a good thing is never a bad thing……right?
Breakdown: There aren’t many Christmas specials that I would say are better enjoyed after Christmas is already over, but if there’s one that makes that list, it’s this episode.
So many Christmas specials leave you wishing that Christmas came every day, but it’s really not a great idea. Eventually, you will get sick of it because one of the reasons amazing things like Christmas are so special is because they only come once a year. If you had it all year round, you wouldn’t appreciate it anymore.
I mentioned this episode in the Stuck on Christmas segment in my Mickey’s Once Upon a Christmas review. In that segment, the only ones aware that Christmas was repeating itself were Huey, Dewey and Louie. Donald, Daisy, Gertie and Scrooge were none the wiser, making it have a Groundhog’s Day effect. In that version, it would be damn near hell because you’d be hearing the exact same words and experiencing the exact same events over and over and over.
I find this version of the setup to be more interesting because everyone’s cognizant of what’s happening. It’s not a matter of reliving the same day – it’s reliving the same holiday, which I find to be more complex and open to a wider range of possibilities.
I also find Timmy’s reasons for wishing such a thing to be better than Huey, Dewey and Louie’s. While Timmy obviously wants to bathe in gifts day after day, the main reason he wants it to be Christmas every day is because his parents stay at home with him instead of being away at work. For the three ducks, all they wants are gifts and Christmas dinner.
But away from the comparisons, we still have a very original and interesting interpretation of what would happen when wishing such a thing in this universe. After a while, everyone starts to get sick of the carols, dinners and basically everything Christmasy. They get so sick of Christmas every day that when they spot Santa in the sky, they try to shoot down his sleigh.
Businesses and schools remain closed, meaning people can’t buy anything or get anything done. (Plus, I assume, people would eventually lose their jobs and society would collapse…)
Not even the kids make off well for long since everyone starts getting fewer and fewer gifts each day.
After a while, Timmy finally realizes that Christmas every day wasn’t a good idea afterall and that everyone’s had enough, so he wishes for Christmas to be over. However, as we’ve learned is common whenever Timmy makes a bad wish, Cosmo and Wanda can’t reverse it. This time, they simply don’t have the magic for such a thing.
Every year on Christmas, the fairies all lend their magic to Santa so he can be the one to grant the various wishes of the children on Christmas. They get their magic back the day after Christmas, which creates the obvious problem. They can still do minor things like disguise themselves and poof places, but they’re ultimately powerless to make such a big wish.
However, I don’t quite get this. Timmy made this wish on Christmas night – meaning Cosmo and Wanda shouldn’t have had the magic to make the wish come true in the first place.
Another interesting repercussion of Christmas happening every day is that the other holidays can’t occur – meaning the representatives of those holidays are extremely angry. Not only do they already feel inferior to Christmas and Santa, but now Christmas has stolen whatever enjoyment they got from people celebrating their holidays.
They want to take Santa down by transferring his powers to them with the unwilling help of Cosmo and Wanda. After they do so, they plan on sending Santa to the imaginary date of February 33rd.
Meanwhile, Timmy snowmobiles to the north pole with the help of every Christmas celebrating kid with Internet access across the globe. When he arrives, the kids all follow to help save Santa.
Santa is extremely overworked and running out of presents to give the kids since he can’t make enough toys every single day to meet demand. Even with magic, he won’t be able to do anything if this continues.
The main confrontation is really my only major negative point about this episode. The other holidays very nearly succeed in taking over and banishing Santa, but Timmy tries to talk some reason into them. When the army of every web-enabled Christmas celebrating kid in the world comes, the other holidays can’t find it in them to fight off kids since their main intentions in the first place was to bring their own brand of holiday joy to the kids of the world and be loved.
Timmy says they are loved, just not as much as Santa. He brings them toys, and Christmas brings their families together. The holidays realize he’s right. They all then lament that their holidays are all kinda lame like Easter with eggs that go bad if you don’t find them, April Fools day with making kids play mean pranks on each other and Cupid saying Valentines Day makes kids fall in love, which he only realizes is a bad thing when the kids all express disgust.
Understanding that Christmas is just a better holiday and that Santa will always be loved more than them, they decide to let Santa go and reverse everything.
I know the important thing is that they know they’re loved either way, but the fact remains that this started with the other holidays being upset that they were being massively eclipsed by Christmas and Santa. Resolving this plotline by saying ‘well, yeah, that’s because he’s better than you guys.’ ‘Oh, yeah, you’re right. Guess we better fix everything.’ END. Just seems nonsensical and lazy.
A better option would’ve been to explain the reasons why those holidays are special to the kids too in their own ways. Like Easter is fun for egg hunts and candy, April Fools day is great to make up creative pranks for everyone to get a laugh, and Valentines day, as much as it makes some kids gag, gives them a bit of courage and hope to make a special connection with someone they like. Maybe say that Christmas may get the most attention, but all holidays have a special place in the hearts of children.
Everything gets changed back to normal, a new rule is made in Da Rules to never allow another kid to wish it were Christmas every day, and, to make it up to Santa, the holidays and Timmy take over delivering presents for next year’s Christmas.
All in all, I still love this Christmas special, even if the climax is a bit poorly written in my opinion. It’s a great way to ease out of Christmas highs as well. I’m sure many people have that same wish when December 26th rolls around, and this is a pretty good way to remind us that special rare events such as Christmas lose their magic and wonder if we live it every single day.
The song in this special is also one of the best Christmas special songs to debut in recent years. I Wish Every Day Could Be Christmas is catchy, Christmasy, funny and sweet. I listen to it on a fairly regular basis, and I sing it in the off-season.
Plot: The adults are snowed in at a 19th century cabin. The babies are battling in The Nutcracker and trying desperately to make Dil’s first Christmas a good one so he’ll have more Christmases in the future. Angelica is hellbent on getting Santa’s toys all for herself. Is anyone going to have a good Christmas?
Breakdown: This review didn’t need to be two parts, but if they’re going to stretch out the special and yuk out some bonus points, I’m gonna.
This episode starts with five minutes worth of two things – Angelica being a thieving bratty bitch and the babies taking part in a mechanical representation of The Nutcracker.
Angelica grabs an armful of cookies that were meant to be taken one by one by the children listening to the carolers and they don’t do a damn thing about it. She took all of them yet no one even calls out to her to stop. Someone loses their snow hat in front of her so she just decides it’s hers now, even though that hat shouldn’t really fit her. Then she jumps into a group of carolers singing her rendition of ‘Joy to the World’ where she inserts herself as the main focus of the song. Yes, Angelica is now literally comparing herself to Jesus. Maybe not intentionally, but it’s there.
I don’t understand why she’s screwing around so much. The only reason I can figure is that they want to keep showing Angelica being a witch so we’ll better understand why she’s supposedly not on Santa’s nice list…………………………….but……come on. Even people who have never seen a frame of Rugrats know that Angelica’s one of the most notoriously bratty bully characters to ever be shown in any form of media. She has her moments where she thaws her heart, but there is never any question that she is mostly a terrible and selfish person.
Even so, couldn’t they have put this in the first episode? She sent the babies off on a wild goose chase so she could find Santa’s toys first, yet she’s not even actively looking for them until she runs into the babies again.
Speaking of the babies, there’s not much to say about them for a while. Like I said, they accidentally partake in a mechanical rendition of The Nutcracker and all sorts of shenanigans happen. Some of it’s a little funny, but it’s still mostly padding. There’s also one aspect I don’t understand about it.
They’re first being ‘attacked’ by the Nutcracker and are saved by the Mouse King and his soldiers, but when Kimi decides they should fight too, she immediately decides to kick the crap out of one of the mice soldiers. I know they’re animatronics who aren’t taking sides, but from their perspective, Kimi is beating up someone who just saved them.
Then it turns around and the Mouse King is attacking them, but the Nutcracker saves them and winks at them. I don’t understand.
Once we get to the actual plot, Angelica has an acid trip after she breaks into a fake Santa’s Workshop. Nothing says ‘I deserve presents’ like breaking and entering. She imagines the workshop is real, along with the toy reindeer Santa handed her, named Prancey, and the employee elf from earlier, Hermie, being a real elf. He breaks the news to her that she’s not getting any presents since she’s not on the nice list and even Prancey abandons her after she called him a dumb toy.
We get an alright, but incredibly forgettable song called “Treat Each Day Like Christmas (And Your World’s a Holiday)” where Angelica learns to not be a bitch, I guess. The problem I have with this song is that it’s not really treating Angelica to be a better person on the grounds of just being a better person – it’s basically telling her to be a better person or you end up with no presents. Which is already pretty pointless because she already did get a present – the aforementioned reindeer doll Prancey. She didn’t like it at first, but obviously grew to like it. So, yes, if you’re a bratty little sack of reindeer crap, you do indeed get presents. Maybe not the one you wanted, but it’s far better than–
Hermie: “We give the good kids lots of toys and give the bad ones lice!”
Yeah, lice……Wait, what?
Plus, she’s guaranteed to get a bunch of stuff ‘from Santa’ from her parents.
Back with the adults, their plot literally resolves itself off-screen. They’re still trapped, but they learned to stop fighting, stop being angry about missing Christmas with the kids, stop worrying that they’re going to die from lack of oxygen, enjoy the rustic charm of the cabin, focus less on the Mega Corp stuff and commercialism of Christmas and have a nice Christmas together all doing various things like baking, making popcorn garland, decorating the tree and doing origami…..off-screen. Too bad every single scene in these two episodes has been everything but padding or else they could’ve had time to show all that.
They seem like they might get back to being Christmas grumps when Chaz accidentally sets off the sprinkler system and soaks everyone and everything, but, like before, when they return to the scene later, everything is mostly dry and they’re right back to singing carols and enjoying the holiday. They keep cutting out the most important parts of this subplot. It’s driving me nuts.
In the actual plot for the babies, they’re lead by a goat to a nativity scene, which in my opinion, is pretty much the only part of this special worth its salt. The babies all feel bad for the baby Jesus because he looks cold and itchy, barely clothed in a bed of hay. Though I don’t know why they’re not questioning why this baby is sleeping with his eyes wide open and isn’t moving at all.
They believe Mary, Joseph and the wise men are all hoping the baby has a good first Christmas or else he won’t get any others, like Dil. In an effort to give him some semblance of a good first Christmas, they give the baby Jesus the special Christmas gifts they got from the Nutcracker battle. As soon as I saw they kept those things, I knew they’d reincorporate them, but the way they went about getting them and the fact that the items are totally random pieces of trash makes it seem like this was thrown together sloppily.
Lil gives her ribbon that she got from a ballerina robot, Phil gives a shoe that he took from that same robot, Chuckie gives the big walnut he got from the Nutcracker, Kimi gives a bell she got from the Mouse King and even Dil gives the hat that he got when it flew off of Angelica’s head (the same one she essentially stole).
Then the Jesus doll smiles.
……This is meant to be really cute and endearing and everything….but this is kinda creepy. Rugrats is known for the babies taking normal things and perceiving them as living or something else because they have such an active imagination. The Nutcracker battle, for example, kept switching back and forth between watching the robots fight to watching a real battle between mice and nutcrackers.
They’re doing this with the Jesus doll…..but I just can’t shake off the creepy feeling. It’s not like they’re imagining the baby Jesus as a living, breathing baby now, fussing around like Dil does – they’re imagining the same doll just with a smile now. The smiling doll is cute, but the shift is what makes it creepy. It doesn’t even make sense with the way their imaginations work.
I will give this scene major props, though. They manage to make a mostly endearing and adorable scene of pure good will, kindness and charity, involving a nativity scene, and not shoving anything overtly Christmas-y or even religious down our throats – and this is coming from a Christian who loves having schmaltzy Christmas-y messages shoved down my throat.
With Lou, he takes up the Santa role since the last one quit, and pathetically dresses up for the job with nothing but his regular attire plus a Santa hat and a beard that is way too loose-fitting. It’s hanging so low on his face, it would never fool even the youngest child. He is being a good Santa, though, so I’ll give him that. He hears that six babies are riding a goat to the nativity scene so he rushes out on a sleigh and retrieves them.
Close by, he spots the cabin the others are trapped in and I almost facepalmed when I saw it from the outside.
The snow is somehow only piled up around the cabin despite the snow machines being a fair distance away from it and the snow being spread out in a circular pattern. The only way to achieve this effect would be if there was only one snow machine and it was on the roof of the cabin.
They also don’t bother trying to open the window to climb out despite the fact that the snow barely reaches halfway up the window.
In the end, Chuckie says Dil had a pretty good Christmas with or without presents because they had a lot of fun together. Angelica shows back up and somehow has a sack of gifts despite not being given one at the end of the ‘it totally happened’ acid trip. She kept the elf hat, but there was no sack of gifts. Angelica happily gives the babies their gifts. Chuckie gets a new snowsuit, complete with his trademark Saturn design, because his old one ripped during the Nutcracker battle. Kimi gets a glockenspiel….and she somehow calls it that instead of a xylophone, which is weird.
Yeah, they’re different, but most kids wouldn’t know the difference and much more commonly know the xylophone. How they mutter mispronounced words all the time but she manages to say ‘glockenspiel’ nearly perfectly is almost comical. Phil gets a new pair of snow boots. Lil gets a magic princess wand.
Tommy doesn’t want to open his gift until Dil does (Tommy, you really are the best big brother) However, there’s, for some reason, nothing for Dil. I’m confused. If this bag is from Santa, there’s no reason why Dil wouldn’t get a gift. His name is even confirmed to be on the list from Angelica’s acid trip. If the bag is just something she put together herself, she wouldn’t say it’s from Santa and would’ve remembered Dil. Unless Santa wanted Angelica to give up her reindeer doll to make her story arc come to a head, I dunno.
Angelica tearfully yet happily gives Dil the doll and then prompts Tommy to open his gift. He says he already got his gift since all he wanted was for Dil to have a good Christmas. Then he offers his gift to Angelica since she doesn’t have a gift (you’re killing me, Tommy.) Angelica rejects it and tells him to open it. It’s a new camera, which may or may not be an intentional nudge at his future film career in All Grown Up. It’s a regular photo camera, not a video camera, so I can’t be certain.
The kids are reunited with the parents and they spend the rest of Christmas eve hanging out in the cabin.
This special really didn’t need to be two parts, but at least most of part two was pretty good. Most of the plot with the adults didn’t have enough development on screen to have a strong impact, but it got the message across effectively enough.
The storyline with Angelica was poorly handled. Not only does she pull a complete 180 just because a song basically told her to be nice, but she magically gains a sack of toys from nowhere so we can wrap up the plot better. It is implied that the acid trip dream was real since she still had the elf hat and Santa does his tropey fly overhead in the last shot of the episode, but how and why did the warehouse instantly change back and forth to the mechanical representation? Please don’t say ‘magic’.
Like I mentioned, there was never any part where Angelica is handed a sack of toys and told to go deliver them for Santa or even saying ‘you’ll know what to do’. She just gets a sack of toys from nowhere and claims it’s from Santa.
Angelica was being a selfless girl at the end, especially giving up her reindeer for Dil and refusing to accept Tommy’s present as her own, but it loses a bit of its impact when you remember her parents will just shower her with everything she ever dreamed of at home. She doesn’t know that, so maybe it redeems her, but it was still a bit of a sloppy way of quickly changing her ways, which won’t even matter because Angelica is still a huge bitch after this even in All Grown Up.
The plotline with the babies was a good deal of padding, but for the most part the threads of it held together pretty well, even if I think it was also handled a tad sloppily. I did really enjoy the nativity scene…scene. It was definitely the best part of the episode, particularly with how unique it is. I can’t think of any Christmas special that has a scene even remotely similar to that. It was a very sweet and cute segment that didn’t seem forced or preachy. They weren’t even really giving their stuff over because it was Christmas, they legitimately felt bad for the baby.
All in all, this was an enjoyable Christmas special, but nothing fantastic. It had its funny lines and moments, but not enough to truly make the episode a must watch on Chrsitmas. It also had its touching moments, but only in part two. Tommy in particular is being a big sweetheart.
In all honestly, part two can be watched almost entirely on its own and it’s instantly made into a much better special. You could easily cut some fat from this and insert some exposition from part one to clean this up. The special is certainly worth watching, but it’s so hard to justify the 44 minute long cumulative runtime.
Plot: Charlotte has become the new CEO of Megacorp, and Stu has been contracted out to design and build a massive mechanical Christmas wonderland. Everyone is invited to come down on Christmas and enjoy the attractions in a private gathering before the kids are able to meet Santa. However, Angelica’s on a Christmas warpath to meet Santa first and demand all of the good presents before anyone else can get one. Tommy’s more preoccupied with making Dil’s first Christmas a great one, but Angelica tricks them into believing that Dil will never have another good Christmas if he doesn’t get a good present from Santa in his first year. They’re not that worried until Angelica drives Santa into quitting. Is Christmas ruined for everyone?
Breakdown: Babies in Toyland was a special I watched but wasn’t all that interested in. Despite being a Rugrats nut for most of my childhood, I admit, I never got too into the later seasons. Right about when they got a new theme song was when I started to fade out. I believe that was when I started getting more interested in Pokemon and anime as a whole.
Plus, it was getting that ‘we’re clearly running on fumes’ stink. That smell usually comes from the inclusion of many new characters. Dil was an alright addition and gave more depth to Tommy’s character. Kimi was also alright, but really seemed like a female Tommy. They didn’t really utilize her much as a new layer to Chuckie’s character in making him a brother. Kira never added anything to show besides making Chuckie’s life a little less sad, neither did Spike and Fifi’s puppies or Lulu. Before I rewatched this special, I legit forgot that Lulu even existed.
For some reason, Babies in Toyland is a two-parter Rugrats special, which I can’t make sense of. Rugrats has a decent library of holiday specials, all of which are better than this episode and all of which are merely one episode (technically two since Rugrats was usually split up into eleven minute segments. Meaning this special is actually taking up four ‘episodes’.) Considering this was right when Rugrats was starting to teeter off in popularity, I have to wonder why they’d give them a two-part Christmas special.
The only way I can figure it is that they knew the holiday specials were some of the most well-received episodes of Rugrats. In an effort to get more steam out of them, they stretched what would’ve easily been a singular episode special into two parts.
Let me highlight one of the biggest reasons why this doesn’t work as a two-parter. The to-be-continued cliffhanger is the babies approaching a giant nutcracker……..that’s it. They closeup on the nutcracker’s face, it’s not moving or doing anything…..and bam ‘to be continued’
The setup here is a bit interesting because it’s almost like they’re about to make this one of Stu’s big screwups on steroids. They’re surrounded by things he’s invented and, if you know Rugrats, you know it basically means they’re in a death trap. How the hell a multi-billion dollar corporation like Mega Corp hired a man like Stu in the first place is beyond me. They show that he literally holds parts of his machine together with paper clips, and should even one of said paper clips fail, the control panel bursts into sparks and causes a blizzard that could kill the people in Christmas Land in a matter of moments.
This wouldn’t be a big issue since most adults would just leave, but remember, this is Rugrats, meaning these dumbass idiots are always letting their babies run loose or leaving them with Grandpa Lou, who I’m starting to believe has baby-induced narcolepsy at this point. He obviously falls asleep, allowing the babies to escape, and when he wakes up he believes Lulu (his new wife) took the kids and left him hot cocoa, despite the fact that she went on the train with the others, no one else is seen returning, she didn’t leave a note or anything. The babies could be kidnapped and he’d be none the wiser.
Angelica is notorious for being one of the biggest animated bitches this side of media, but she seems like she’s turning up the obnoxious evil bitchery up in this episode. Being all pushy about seeing Santa and hilariously acting like she deserves all the best presents because she’s ‘worked so hard at being good this year’ is one thing, but lying like that to Tommy and the others about Dil was just evil for no reason. Angelica usually lied to the babies because it would benefit her in some way. Sometimes she was a bitch for the sake of being a bitch, but she mostly used her lies to manipulate the babies into either doing her bidding or getting her something.
I do find it funny that Angelica’s such an irritating slab of brat that she makes Santa of all people quit, but I think it would’ve been much funnier if the Santa was real. That doesn’t really mesh with the Rugrats universe, but it definitely would’ve been funnier. Plus, when they’re adding, in canon, a giant robot dinosaur being piloted by babies, having a battle in France against a giant robot snail being piloted by a Frenchman, I think we can justify squeezing real Santa in there.
There’s a subplot with the other adults that I don’t really care about. They visit some historically accurate cabin with animatronics (Yeah, that doesn’t make sense) and get snowed in by a blizzard caused by Stu and his dumb paper clips. The snow reaches six feet deep in about an hour, meaning if the babies were in the area they’d be long since dead by now. Good job, guys.
Lulu loves the cabin, but everyone else is bored or bickering.
In the end, the babies and Angelica, devastated that Santa quit, decide to look for the stash of Santa’s toys so Angelica can bathe in things she doesn’t deserve and Tommy can get Dil a good present for his first Christmas.
Despite not being terribly funny or even all that interesting, and clearly being stretched into a two-parter, there were some highlights. I love Tommy in this because he’s such a great big brother. He doesn’t care at all that he won’t get presents this year – he just wants a present for Dil to ensure all of his future Christmases are good. I liked that Chuckie offered to give Dil his blocks and pretend they were from Santa. That just shows what an awesome friend and person Chuckie is. I also liked one line from Phil where he suggests bringing Angelica back a witch’s broom as a present.
May I ask one final question before we get to the second part? The babies have now been through several holiday specials…….how old are they now? Tommy should be at least three by now, same with Phil and Lil, Chuckie should be like five, Angelica should be six and Dil should be less annoying….Seriously, why is Dil not at least conversing with the other babies by now? At any rate, they should definitely be older than they are now.