Plot: Who cares? This crap is over!
Breakdown: Our first chapter of the final volume starts with Iku and Yori seeking refuge at Yano’s house since Yori has effectively kidnapped Iku. They didn’t even stop to get dressed – they’re just wrapped in a sheet. Yano lends Yori some clothes and dresses up Iku in a maid outfit because of course he does. He even mentions that seeing her in that costume is reawakening his lolicon tendencies…….Can we go one chapter without making me feel icky?
He brings them to his family’s summer home to crash for a while and leaves.
Yori, realizing he never took Iku’s feelings into consideration and asked if this is what Iku wanted before disowning their parents and kidnapping her while naked, asks Iku if this is what she really wants. If it is, she has to kiss him. If not, she can leave right then.
Go choke on toothpicks, Yori. It’s a little late to be asking her if this is what she wants. I don’t care if you admit that – it’s still too late. And, again, you’re basically blackmailing her with ‘stay with me and be my lover or leave and never see me again.’
Here’s exactly what he tells her.
Yori: “You choose! Be mine, or agonize for your entire life over today’s events and become some other man’s woman!” Gee, that sure isn’t worded in a way that is coercing her into one option over the other and isn’t said in a demanding tone.
I will concede and say that Iku has seemingly legitimately fallen for him at this point, but I can never really be certain if she is actually in love with him or she’s trapped in a delusion of love born of panic over possibly losing him. Yori has fucked her up ten ways to Sunday over the course of this manga, and she’s, quite frankly, stupid, naive and easy to trick.
Iku: “I don’t like you…..but….I love you!” *deep sigh* I’m beyond tired of fighting for you, Iku. I have more than extended my fair share of defense and leniency with you. You deserve whatever sex dungeon he locks you in for the rest of your lives.
Yori: “If Iku can hate the unreasonable and bossy me, then I can forget this love. However….the aggressive and forceful me, Iku not only accepted, she seriously replied to me! That was the first time….I felt regret.”
I hate you. Hate. Hate. Hatehatehatehatehate. HATRED. HATE.
You’re only now, for the first time, feeling regret over how you’ve treated Iku?
Now, that she finally admits she loves you too?
Now, that you’ve disowned your parents and subsequently taken her from her family?
Now, that you’ve kidnapped her in the middle of the night while you were both nude directly following the aforementioned kidnapping?
Now, that you’ve treated her like some object you’re entitled to because your Mom never told you that you were only half-siblings, which would barely affect anything.
Now, that you’ve emotionally manipulated her for the better part of two years at least?
Now, that you’ve repeatedly borderline sexually assaulted her several times?
Now, that you’ve made your feelings and relationship to Iku public to many people and essentially destroyed her social life back home should this ever spread, which it certainly will. especially if Tomoka is still in communication with their home town?
Now, that you’ve given her yet another blackmail-y ultimatum which was acting as a test to see if she’d love you even acknowledging that you’re a massive dickhead who knows he acts like a dickhead yet makes no effort to be a better person?
Go to hell. Now.
We cut to a flashback of Yori overhearing a conversation Iku was having with her friends, asking what age they’d like to get married. Iku says she’d be fine never getting married as long as she’s with the person she loves.
Yori then flashes back to their mother confirming that they were technically still siblings, and he comes to the realization that he can’t make Iku truly happy. All he wants is one last memory with her before he leaves her.
*sigh* Alright, look. For the sake of Iku’s future, even though I doubt it’s bright either way considering she has no skills, knowledge, common sense, hopes, aspirations or interests and tends to attract attempted rapists, yes, leaving her would probably be best.
That being said, again, it’s kinda fucking late for this. The damage is done, Yori. You’ve gone too far to turn back now. Turning back at this point will only further confuse and hurt Iku. You are the epitome of a human disaster.
Oh that ‘one last memory’ was sex, if anyone was wondering. Because that also won’t do more damage or anything.
But, hey, let’s also make it gross. Iku says she doesn’t want to have sex right now because she’s all sweaty, but Yori says he likes it that way so he can fully experience Iku’s smell.
For good measure, let’s keep the creepiness up. Iku says it’s too bright. He can see her too well, and it’s embarrassing her. She asks to turn the lights off, but Yori vehemently refuses.
The next chapter is sex….Sex on the floor….the hard tile floor. That was the memory you wanted? You could’ve at least bottomed, Yori. Have some courtesy.
Hair sniffs: 9
Then they basically dick around for a while….Not in that way – showcasing more of Iku being terrible at everything like making god awful food and losing ten games in a row while playing video games, only winning the last game because Yori let her.
They dick around some more, again not in that way, then head to a church where they find the familiar white clover.
Yori: “Iku, did you know the clover is a flower that existed when Adam and Eve were in paradise?”
Yori: “Since they committed a taboo, they were banished from the Garden of Eden.”
Please, no. You can’t be serious.
Yori: “When they were banished, they said to remember only the happy times.”
It’s like watching a car crash in slow motion.
Yori: “Adam and Eve ate the forbidden fruit, and some people say that act alone had the meaning of ‘doing the most intimate act.’”
You’re not making me do this. No. I’m not comparing the story of Adam and Eve with Yori and Iku. I’m not doing an in-depth analysis on the symbolism of Adam and Eve to see if it could justify Yori and Iku’s relationship.
The fact that this is even here is insulting to me. Not even on a religious level, just in general. I’ve never looked at the story of Adam and Eve in a positive light. You’re not supposed to. It’s literally the fall of man.
It’s not some beautiful love story, it’s not about committing a taboo because you love someone that much – it’s two idiots screwing over the human race for all of eternity because they thought they should listen to a snake over God and couldn’t resist eating fruit from one of two trees in all of the Garden of Eden when there was perfect food sources everywhere.
And the act of eating the fruit wasn’t intimate. It was just her offering it to him.
It’s literally –
Snake: “Yo, Eve, eat this fruit.”
Eve: “God said I shouldn’t.”
Snake: “Who cares? Do it. It’s real delicious and stuff.”
Eve: “Okay. Hey, Adam, want some fruit from this forbidden tree?”
Their taboo also wasn’t that they loved each other…..They were kinda….meant to love each other. She was literally made for him. And if you even start to tell me that her being born of his rib is a mirror of Yori and Iku’s incestuous relationship, I’m just leaving. I can’t even.
But, hey, considering these are two idiots leaving a path of destruction in their wake, maybe there is more to this connection than meets the eye.
That is the second time I’ve gone off in this volume. I’m not even done with chapter two. Dear god.
According to whatever source he’s getting this from, clovers were brought with them from the Garden of Eden when they were banished because, I guess, after defying God and being booted from paradise, developing feelings of shame and making their lives exponentially worse for all eternity, they thought ‘Hm, we should bring some souvenirs with us. Let’s grab this random plant.’
When Yori first gave Iku the clovers several volumes ago, he was trying to tell her ‘Even if I have forsaken God, I still want you as my lover.’
They enter the church and both pray. Yori prays for him alone to be banished from Heaven since he is responsible for the taboo. Oh, you didn’t think you were bound for hell already? That’s cute.
The next chapter, Yori tells Iku that they’re going home. Not the beach villa home – their actual home, back with their parents. He claims this has been his plan since their dad caught them together. I feel I need to reserve my energy for the rest of this review, so let’s just say ‘Bullshit, go to hell’ and move on.
Yori tells her it’s completely outside of the realm of realism for them to run away together. It’s all just a dream.
Iku pushes him down on the pew. She yells at him claiming he hasn’t even tried anything yet to help them build a future, he’s just needlessly throwing away every idea. He claims he loves her, but he won’t even make the effort to try, despite everything he’s done. She just wants to be with him no matter what.
Yori asks her if she’s ready to fully give up her parents, because that’s the price for them being together. For good measure, he states Yano told him their mother fell ill. You withheld this information from her just to possibly use it in an ultimatum? I’m losing track of how many terrible things you’ve done, Yori.
The very next page, they burst home. Yori was telling the truth. Their mother is quite ill brought on from stress in her tirelessly searching for Iku and Yori since they left home. She’s lost weight, as has her father. Even Inu-Yori wouldn’t eat as long as Iku was gone, but started gobbling up food as soon as she got home. They don’t give a time frame for how long they’ve been gone, but considering their parents’ conditions, I’ll guess a couple or a few weeks.
You guys never even thought to buy a throwaway phone and call, even just to assure them you were okay? Jerks.
The chapter ends with Iku devastated that she caused her parents and Inu-Yori such pain. Despite what she said earlier, she’s now struggling with the idea of giving up her parents forever for Yori.
The next chapter opens with the entire family enjoying a meal together. For a fleeting moment, Iku believes they might actually be able to ignore everything that has happened and be a family together again. Doesn’t take long for the other boot to drop, however, when Yori mentions going to rest.
Their mother suddenly snaps at this, demanding to know where they’ll be ‘resting.’ Yori, with that same dumbass supervillain smirk on his face, replies “Where? Isn’t it obvious? In our room….because we are siblings.”
She forbids them to be alone together ever again. She demands they sleep in separate rooms and do everything apart. Yori points out the obvious problem that she can’t monitor them all the time nor can she do it forever.
Suddenly, Yori comes to realization that, if he truly wanted things to go back to normal, he never should’ve abducted her.
No. You’re supposed to be super-smart. There’s only so many instances of ‘Oops, I never realized this insanely obvious repercussion of doing (blank). My bad!’ that I can believe. You’re a manipulative house of dicks. Burn in hell.
Yori tells them all that the only option is for him to leave the family. His dad tries to stop him, but he’s made up his mind. Iku and Yori meet in their room, and Iku tries to convince Yori to stay.
One more for the road –
Hair sniffs: 10
Yori asks Iku if she wants him to cut her hair since she stated sometime before that she had wanted to, but Iku knew Yori liked it long on her. He starts to cut her hair, symbolizing their ending love and him leaving since he’s cutting off “16 years worth of hair” and they reminisce about a time when they were younger.
Yori would braid Iku’s hair every day, and a boy made fun of him for it because braiding hair isn’t something boys should know how to do. Iku didn’t want Yori to be made fun of, so she learned how to braid her hair.
Yori explains that he gave the boy “a brutal beating” when that happened, because he took away his “privilege to stroke Iku’s hair.” Psychopath. Nothing new here.
When he gets done cutting her hair, he wishes her to have good memories of him after he leaves. She starts crying and asks him once again to not leave. He puts her to bed, claiming they’ll talk about the future in the morning. That was the last time Iku ever saw Yori.
The last chapter starts with Iku and Yori’s conversation continuing from what we heard before. He claims he’ll go away to some place where she’ll never see him again and their lives will move on after some time. She may forget this love and move on, or she might not ever get over it, but they’ll never see each other again. Yori leaves, taking one last look at the house and remembering the good times with his family before leaving for good.
In the middle of the night, Yano gets a text message telling him to take care of Iku. Realizing Yori left for good without that conversation he promised in the morning, Iku falls into a deep depression. She stays locked in her room, not eating for five days. She loses so much weight that the ring Yori gave her falls off. I guess she never looked at the damn thing because she only now realizes it’s engraved with a message that says he was blessed to have her in his life.
Iku blames herself for Yori leaving.
Iku: “This is all because of my weakness.” No, this is 99% because Yori’s a prick. That 1% is reserved for your utter lack of pretty much any positive characteristics.
She decides to finally eat so the ring won’t fall off again. When she grabs a bowl, she finds a note in it from Yori saying ‘Don’t oversleep. You must eat your breakfast!’ She then finds or remembers a slue of other notes reminding Iku to do various daily tasks.
Iku: “If I cannot become a woman who can stand on her own two feet, it will be impossible to continue any form of relationship. Such an obvious thing….I finally understand it for the first time.”
Good. Good girl. Become a strong independent woman. I’ll be rooting for you. Ya know…I’m actually kind proud of you, Iku. Maturing so much. I’m certain that this will stick and you won’t instantly revert to the overly dependent dumbass you’ve been this entire serie–
So the next page has Iku ready to intensely study for entrance exams to Tokyo University…….because she believes Yori will be there.
Of course, Yano points out the obvious that there’s no way Iku would ever get into Tokyo University, even if she went to cram school.
We instantly cut to ten years later. If you needed a boost of inspiration in your life, let me tell you that the most incompetent and dependent idiot in the world, Iku, somehow managed to get a great job and earn enough money to travel the world at 26. She’s in London on business and has been looking for Yori for ten years. Of course she has.
She’s also keeping in contact with Yano I guess because he’s either feeding her money or because Yano is upholding his promise to take care of Iku….or both.
Iku: “I need to rely on my own strength to allow this love to become ‘one ordained by fate.’” Iku, it’s hardly ‘fate’ if you’re combing the globe for over a decade searching for him.
She goes to the local university’s library, and we see that Yori has become a junior lawyer. After some near-misses in their meetings, they finally cross paths. As Yori and Iku’s eyes meet, and they finally embrace once more, Yori thinks to himself “I love my younger sister.”
But also, what?
How is this even happening?
I thought Iku couldn’t give up her parents, that’s really why their relationship would never work. You don’t stop having parents once you become an adult. You still can’t pretend they’re not related – Yori doesn’t even seem like he changed his name. If this is really insinuating that it was ‘FATE’ that they met back up several years in the future once Iku had ‘matured’ and learned to be more self-sufficient, then….the blame really is being put squarely on Iku being weak?
Don’t get me wrong. Iku was and possibly still is one of the weakest, most dependent, dumbest, poorly written sacks of female I’ve ever seen. How the neurons in her brain fire without a note from Yori, I don’t know.
However, all of this is undoubtedly almost entirely Yori’s fault. If he could’ve kept it in his pants, not been an emotionally, physically and sexually abusive twat all this time, if he could stop being a psycho for five minutes, none of this would’ve happened. I can guarantee Iku never would’ve fallen for Yori. They probably would’ve gone their separate ways in college because god knows she’d never get into the same university. He would’ve lessened his crusade to get into his sister’s panties, and she would’ve gone off to flunk clown college and married some guy who would be cool with supporting her for her whole life and enjoyed the bonus storage space in her skull.
This entire series, if this last part is meant to be taken as fact, was meant to build up to Iku becoming more independent so she could have a real relationship with Yori when that was never the real problem. And Yori’s big moment of development is leaving Iku to pick up the pieces of her broken family, who now realize she had a sexual relationship with her brother for a couple years, her social life, which was undoubtedly screwed over from the rumors, and her love life, which seems like it was non-existent after Yori because who can top that perfect specimen of man?
Meanwhile, Yori, making off like he made some grand sacrifice, gets to go off, start a new life for himself overseas, everyone completely unaware of his escapades in sister boinking, becomes a successful lawyer and eventually gets exactly what he wants – Iku. Go. Drink. Molten. Lava.
I can’t believe I’m saying this, but the ending of the OVA was better. They had a small fling, he realized what he did was wrong and left. His parents never found out, there never was any scandal in his family, only Yano and Tomoka knew the truth about them, but Yano would never tell and Tomoka didn’t seem like she was far enough along in her bitchy development to do anything with it.
Oh well. Like I said, they deserve each other. I still feel bad for Yano, though. Now he’s spent ten+ years chasing Iku to no avail. Granted, he’s almost as bad as Yori anyway, but I’d rather have her go with him than Yori.
But we’re not quite done even now. We have three bonus chapters to go through….Oh happy day.
The first bonus chapter takes place before Yori admits his feelings for Iku. He’s giving her a piggyback ride home, he tricks her into saying she wants to do it with her, changes the subject abruptly and says he just wants to be by Iku’s side forever.
That sure was worth the ink and paper.
The next chapter is a more developed story of something they flashed back to briefly in the next to last chapter. Little Yori is about to be a prince in a play. He wants Iku to be the princess so he can pretend they’re getting married, but their teacher won’t allow it because Iku’s too dumb to remember her lines.
Yori vows to get Iku to learn her lines, but he works her too hard (even withholding food from her until she says the lines he wants her to say) and she falls unconscious with a fever. I know this is a trope, but either Yori’s a slave driver or Iku really is the weakest person alive.
Yori feels insanely guilty….for all of five minutes. We later see an unconscious Iku, still sick with fever, playing Sleeping Beauty opposite Yori. They changed the play to Sleeping Beauty because she’ll barely have any lines to remember, and she’ll be allowed to sleep through a good portion, I guess. Then he kisses her to wake her up. The end.
….So, what I’m getting from this is….Yori forced his sister to partake in a play because he wanted to play pretend marriage with her and kiss her, ran her like a dog until she was sick and unconscious because he really wanted her to keep the role, and the school, for some reason desperate to keep Yori as the prince (The girls in his class practically protest, complete with a sign, for him to be prince, but the only reason any of them would want that so badly is if one of them got to play opposite him, so I don’t get it), changed the entire play so Yori would still be the prince in the play instead of a tree, not even caring that they were putting a sick unconscious child on stage and allowing another child to kiss the aforementioned unconscious child.
Does the horribleness ever stop? The manga is technically over and it’s still happening. Someone please help me.
Also, apparently the teacher is such a doormat for the girls in her class that she agrees to Yori’s terms in regards to letting Iku play opposite him when another girl already has the part. The girl in question, named Rika (whom I don’t remember at all if she’s an established character) clearly doesn’t agree with this arrangement, but since the other girls are so insistent on just rolling over to make Yori happy, she’s forced to play a tree. This manga isn’t for children, but this is such a terrible message. As long as you’re cute and people love you, you’ll have everyone bending over backwards to give you literally anything you want – even if it’s completely unfair to everyone else! Iku didn’t deserve to have the lead in the play, and Yori didn’t deserve to have everyone cater to his screwed up fantasy.
The final chapter is the story of how Yori adopted Inu-Yori.
He went to a pet store looking for a high-energy corgi.
Yori: “If Iku takes it for a walk every day, she can definitely lose some weight.”
HORRIBLE. NEVER. ENDS.
The female corgi liked him, which I assume eventually becomes Inu-Iku, but he turned her down because he wanted the dog to be in his stead as he was gone, so he chose the male……….He chose the male because he wanted the dog to be in his stead. I thought it being a companion so she’d never be lonely was the point of this. What does the dog having a dic—forget it. I don’t care.
Well…..that sure was…..*exasperated sigh*
This manga has a 7.08 rating on MAL and a three-star rating on Anime-Planet.
I’ve said my piece on this manga by now, but to wrap things up, this is a terrible manga. This is a terrible thing. These are all terrible people doing terrible things. No character is really likable. Even the dogs end up being a little creepy. This is a terrible ‘romance’ story that never really felt like a romance. Like I said in the tags of volume nine, the story actually is serviceable, but it’s completely burned down to the ground and pissed on by the unlikable and infuriating cast.
Yori’s a rapey jackass who admits flatout that he’s mean, bossy and forceful, and that’s just the tip of the assberg. He never tries to change his ways, and any instance of him doing something good is usually laced with terrible implications or motivations.
Iku’s a complete imbecile who spends her time either acting like a toddler, crying at something Yori’s doing or responding to things going on her around with that HeroineFromAmnesia-esque vacant stare. It’s hard to believe someone so stupid and useless actually exists. Scientists would probably want to study her brain, if they could find it.
They love each other but, despite all this, we never really learn why. Yori only has bad personality traits. Even when he’s going out of his way to care for Iku, he’s still a jerk to her and everyone else. Iku is kinda nice, but her uselessness and stupidity as well as complete lack of characterization outside of her over-attachment and dependence on Yori make her incredibly frustrating to watch.
It’s Yori’s lust and obsession stirring up Iku’s crippling dependency to the point where love is an illusion. The ending may contradict this, considering Iku did eventually stand on her own two feet, but I don’t know if she got that job because of Yano (his family is filthy rich) and her focus is still entirely on finding Yori to the point where I think the only reason she became independent was find Yori, ironically.
The only two emotions this manga made me feel were apathy and anger. The only part that I legitimately enjoyed was the story of Takuma and Mayu, and they left that plot on a damn cliffhanger. Did they ever get together? Did he really die when he hit 20? We’ll never know, but hey, let’s watch Yori sexually assault Iku again, and then we’ll watch Iku be so stupid she forgets how to walk. Quality writing.
I didn’t think this series would get substantially worse than the OVA, but, goshdarnit, you proved me wrong and then some, manga.
If I’ll throw it any bones, I’ll say the art was alright. Like I mentioned in my AniManga Clash!, the art style is basically exactly the same as the anime, but the manga’s was noticeably better. Just slightly. It still looked weird, especially with the mouths and the fingernails, but it was alright. Very typical shoujo style.
Please don’t waste your time or brain cells on this manga. Trust me. It’s not worth it.
Recommended Audience: There’s several instances of nudity but really only in regards to breasts as the crotch region is usually fully airbrushed out. There are numerous sex scenes, but they never get that graphic. I feel I can easily put a rape trigger warning on this series as there are tons of instances of flatout sexual assault and borderline rape, even if they paint it as romantic. Plus, there’s just a lot of squicky creepy talk and gestures. Incest alone is probably a flag for many people. There’s no violence, swearing or blood/gore. 15+
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