AniManga Clash! Boku wa Imouto Ni Koi o Suru Volume 3 (Finale)

Boku wa vol 3 clash banner

Plot: Iku and Yori arrive at a love hotel and after much preparation, the two have sex. Despite this, Yori still decides to go to the school in another prefecture.

Breakdown: I’d like to start out this part by quoting something on the cover;

“Yori, who can do anything, and Iku, who can’t do anything.”

I know it wasn’t the intention of the writer to interpret that like this, especially seeing as how later on in the synopsis she says that they both feel the same way about each other, but, to me, that line just reinforces everything that I’ve suspected about this relationship. Iku is a dependent and submissive little baby deer and Yori is independent and dominant. Iku “can’t do anything” without her big brother who “can do anything” there to prop her up. Without him, Iku feels like she’d be helpless.

Now onto the story. We’re finally here; the actual sex scene. This scene in the anime was pretty uncomfortable, but not horribly so, mostly because it was done and over with in a fairly short amount of time. Iku was very much scared, uncomfortable and embarrassed in it, but at the very least it didn’t seem too rapey like many of their other encounters.

Manga’s version? It feels like it’s quite a bit longer, and it technically is because there’s more here to go over. In the manga, the two have a bath together after a very very long scene of an incredibly embarrassed and nervous Iku trying to undress. Yori tries to do it for her, but she takes forever and a day to take off her panties and bra by herself, at first letting Yori watch and then forcing him to shut his eyes.

When they’re in the bathtub, a scene not present in the OVA, we get this unbelievably creepy exchange.

Iku: “Yori, when was the last time we ever took a bath together?”

Yori: “Around fifth grade, right?”

Iku: “Ah, really?”

Yori: “Cause that’s when you got your first period.”

Iku: “!!!!! Re-re-re-really?!” “I don’t remember that.”

..Yori remembers when Iku got her first period better than Iku…….ughghghghghghghghghgqqoeooierigqehiodiosdjklldsklpbbbbbbbbbbbttttttttttttt. Ya know, it’s not even so much that he knew that and moreso….considering how creepy we know he is in all things related to Iku…..and the creepy things he tends to do….……the creepy things he could’ve done….with…her….feminine….hygiene…..prod – NopenopenopenopenopenopeNOPENOPENONOPENOPENOPENOPENOPENONOPENOPENOPENOPENOPENONOPENOPENOPENOPENOPENONOPENOPENOPENOPENOPENONOPENOPENOPE NOPE.

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They start making out and as we get into the next chapter, we start off with Iku remembering when she first got her special monthly friend….ya know, the friend who punches you in the gut, eats all your food and passively-aggressively rips at you for a week before leaving. Iku asks her mom why this is happening to her and not Yori and she explains that such a thing can’t happen because she’s a girl and he’s a boy. And immediately after that flashback comes this weird stupidity.

Iku: “For the two of us who always did everything together, this was the first change to happen. I understand. That everything, everything….was for the sake of falling in love. Because Yori is a boy. And I am a girl.”

…………….This manga is giving me a headache. I must be missing something. I have to be missing something. Is she seriously saying that, biologically, her period was the tipping point of their love for each other because it forced her to understand that she and Yori were different? And on top of all of that….is she saying that they were destined to fall in love purely because one of them is a boy and the other is a girl? Boy, it sure is a good thing homosexuality doesn’t exist or no twin pairing or close in age siblings would be able to get through life without porking each other.

So, again, despite Iku asking him to stop a few times, Yori continues on with the kissing and the heavy petting and the other stuff you learned in that 1950’s film reel in health class. The sex goes on and….it’s fairly consensual barring the inner monologue from the two with Yori saying he’s fooling Iku and Iku supposedly saying she’s easily fooled. I think so anyway. They don’t do anything to the font of the inner monologue to know when one or the other is thinking.

Yori: “We committed a taboo.” Since I used up all my sarcasm in the anime version of this line, I’ll just give you a cut and dry ‘Well, no shit.’

As Yori wakes up, he finds Iku’s sleeping face all pure and seemingly oblivious to the weight of what they just did. Yori is struck with intense guilt, determined to beg God for all of the weight to be on his shoulders and for Iku to be free of any of it. He then apologizes for falling in love with her………MmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmMMMMMMMMMMMMMMMMMMMMM…..Mmmmmm No.

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Look, if they had handled this romance A LOT better, this would be a very touching scene. I’m happy that Yori is understanding, at least to some degree, what a huge piece of fecal matter he’s been as of late…..but Yori has been almost nothing but an incredibly creepy sexual predator. This is really too little much too late. Hindsight may be 20/20, but I’m not going to act like him being sexually frustrated, especially when he had an outlet, was his excuse for being like that. Never have I looked at this story so far and thought, “Aw, what a tragic romance.” I have, however, thought, “Yori needs a serious intervention before he rapes his sister.”

Iku wakes up in pain from being de-virginized, and then we get kinda awkwardness because Iku and Yori instantly revert to just acting like brother and sister again.

Some time passes and we get to Yori and Iku’s graduation ceremony where we get the most despicable fact about Yori so far; He SMOKES.

https://www.youtube.com/watch?v=8lXdyD2Yzls

After his graduation ceremony, he talks to his friend, Yano, on the roof and explains that he’s in an incestuous relationship with his sister. And, like before, Yano doesn’t really react much at all. He asks him why he told him his secret, though, an–

Yori: “There are times…..When I feel that my wanting to protect everything about me, and my feelings of wanting to destroy everything…have crossed paths.” Well, nice to know yet another insanely creepy red flag line crosses between manga to OVA.

Iku rushes in and we learn that Yori is still planning to go to the fancy boarding school in the other prefecture, despite his new relationship to Iku. After Iku has a temper tantrum at home, Yori gets her to calm down a bit by showing that he convinced their parents to buy her a puppy so she won’t be lonely when he’s gone. I will give him points for that; it’s a very nice gesture.

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As Iku and Yori talk, he explains that he still plans on leaving because he can’t be a couple with Iku where they live now. Too many people know them and recognize them. They can’t do anything couple-related in public for fear of being judged and persecuted. In this new prefecture, however, fewer, if any, people know who they are. They can eventually start over and be a real couple.

That still doesn’t make much sense. So, what, they move to this new place after a few years, become a real couple and somehow no one will ever discover that they’re twins? They’ll never visit their parents or friends? They’ll never get married? Have kids? They’ll change their last names?

He could stay where he is now, keep up this charade, and then when they’re college age they can run away and get new identities and leave everything behind to really be a true couple…Oh yeah, I forgot, he can’t control himself….

Iku suddenly decides that the dog’s name will be Yori. Because what else would it be? As she tries to get the dog to do some tricks, Yori grabs her by the hair and commands her to come see him…..well, that was a record of about eight pages without Yori being a creepy fuck. Congratulations.

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Also, doesn’t her visiting there kinda make this whole move moot? Are you going to introduce her to the people at school as your girlfriend? Are your parents never going to come see you at school?

They make out on the park bench as the puppy watches…..because….yeah, do that in public. It’s a great way to cap off a conversation that was explaining why Yori has to move because they can’t safely do any PDA in the area they currently live in. Make sure you’re under that street light so if anyone you know walks by they can see you clearly.

The next chapter skips ahead to Yori leaving for high school. Iku does her best to keep him from leaving and Yori’s thoughts also state that he lied to her before about the real reason for his leaving; making my previous rant somewhat pointless…..*cough* He brushes her off when she tries to hug his arm because he believes their parents will think there’s something weird about it, something I still don’t understand.

As Yori is about to leave, Iku struggles internally with watching him go, knowing there’s nothing she can do to stop him. Just as she’s about to try and tell Yori to stay, Tomoka comes out of nowhere and runs into his arms begging him to stay, all the while lightly smirking at Iku. As she paws at him trying to get him to stay, Iku starts to suffer greatly over the fact that she can’t say or do the things Tomoka is doing to try and get him to stay since it would be odd coming from her.

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Knowing that Iku is suffering, Yori decides that the only thing he can do to resolve the situation is to push Tomoka away and tell her to not get in the way of his last day with his family. In order to create a cover up, Yori hugs his dad, then gives his mom a hug and a kiss on the cheek and finally he hugs Iku and kisses her on the cheek. Despite Iku’s happiness at being able to hold him one more time, she recoils at the fact that this isn’t enough to really make her happy.

Yori leaves, and Iku sits in her room alone with only Inu-Yori keeping her company. She starts sobbing into her pillow and finds a note from Yori begging her not to cry.

Back with Yori, he slightly laughs at the fact that, despite him telling her not to cry, she probably will anyway. She’ll also probably say she’ll die of loneliness, which she does indeed say. Then he says he’s spoiled Iku a lot……uh….huh. He knows that they will meet again, so he tells himself again and again that he won’t be lonely like Iku. However, he starts crying realizing how much pain Iku must be in to be crying as much as she probably is.

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I don’t have much to note about this chapter, because it’s probably the best chapter so far. Yori’s being a bit bastardly in his telling Iku not to hug his arm and laughing at the thought of her crying and saying she’ll die, but both instances were made up for when Yori went out of his way to finally give her a hug and kiss and cries at the thought of her crying.

This might be too little too late, but this was the first chapter when I legitimately thought that they may actually be in love. I still think Iku’s just a bit confused, but there might be something within both of them that is legitimate love.

Tomoka’s scene was good but just seemed a little….OOC. Well, I have to assume anyway. I’ve never seen Tomoka possessive up until this point and her giving Iku smirks as she cuddled Yori and begged him not to leave, seemingly knowing that Iku was the one he was in love with, was a complete bitch move. I mean, she is a little too preoccupied with Yori, but if you offer yourself up to someone as a replacement for someone they love, how can you really be such a petty and possessive bitch?

What did she expect would happen anyway? Yori broke up with her ages ago and was never romantically interested anyway. Plus, like she knows, Yori already loves someone else. Did she expect him to just start shoving his tongue down her throat and agreeing to stay?

It’s at this point where the OVA ends. It only covers volumes 1-3 and technically it only covers half of three since there are still two chapters left in this volume. I’ll finish off volume three here since, well, might as well. However, the other seven volumes, yes, there are seven more volumes of this to go, will be regular manga reviews.

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At the start of the next chapter, we see that Yori is settling in to his new abode at his new school. Everyone’s clamoring over the new kid, praising him for being the only out-of-prefecture student to make it into their prestigious school. Tons of people are trying to be friendly to him, but Yori being Yori results in him being a dick to everyone, including his new roommate.

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As everyone quickly recoils away from this asshole, Yori gets a call in the lobby. It’s Iku, and she’s jonesin’ for her Yori fix. Not just to hear his voice but also to get a kiss on the lips through the phone, which is really just making kissing faces and pretending they’re kissing. This would be kinda sweet if not for the fact that Yori yells at her that she’s doing it wrong, especially with no way of seeing her.

After they play that stupid ‘I won’t hang up, you hang up’ crap, they finally end the call. However, Iku decides that she wants to keep talking to Yori so she calls him incessantly until Yori tells her to give the phone to their dad. He asks his dad to buy him a cell phone for his birthday since he can’t be running to the lobby every five seconds to answer her calls. Plus, that has to be insanely annoying for the other students to listen to since every call is announced over the PA system. He tells him to buy one for Iku as well and they finally end the call barrage.

As he hangs up, he looks behind him to see his dorm manager teasing him about his phone calls asking if he’s talking to his girlfriend then revising this to knowing he’s talking to his sister since he called her by name and apparently her information is in his file, which also makes this moving thing moot again. I’m not sure if this means he knows that Yori’s dating Iku, but it’s possible.

Later, Yori decides to call Iku despite the dorm manager telling him he’s not allowed to receive anymore calls unless it’s an emergency.

The final chapter of the volume starts Yori and Iku’s birthday. We get some kinda cute flashbacks of Yori being really caring and over protective of his sister, all leading up to a birthday picture where it seems like Yori and Iku started to not get along as well as they used to as children….and the reason why is….oh god.

Iku got her first period on their 11th birthday. And I’m really disturbed that I have to keep talking about Iku’s first departure into the red sea. This prompted their mother to not only announce that Iku’s now a woman, but that she’s ready for marriage. This makes Yori incredibly angry. When Iku walks out of the bathroom after having that special talk of ultimate awkwardness with her mother, Yori blows the fuck up at her asking how she could do such a thing and yelling that he doesn’t like Iku like this.

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After that, Yori started treating her differently, more coldly, picking on her more often and basically seeming to carry a grudge over simple biology that is entirely outside of her control. I guess because she ‘became a woman’ Yori started looking at her differently, though in such a way that made him angry for some reason. Maybe because this may seem like the start of her pursuing romantic relationships with guys that don’t share her DNA? After this, 11 year old Yori internally proclaims that once he turns 16 he’ll be able to ‘take Iku with (him)” whatever that’s supposed to insinuate.

I get that he’s an 11 year old boy who doesn’t understand what’s happening to her, but Iku is clearly freaked the hell out by this event and all Yori can think about is a completely irrational fear or betrayal or whatever is going on in his screwed up brain that feels like Iku is doing this on purpose to hurt his feelings. I’m sure the one thing every girl wants to hear from their close-knit brother when they’re going through the confusing time of getting their first visit from that special friend from hell is “HOW CAN THIS HAPPEN!? HOW COULD YOU DO THIS TO ME?! I DON’T LIKE YOU LIKE THIS!” *proceeds to be a putrid dickwad for five years*

Ya know….this might actually be telling. Maybe it was this insane reaction and Yori’s subsequent emotional separation from Iku after this that made her not want to explore anything romantic or sexual, essentially making her ripe for the picking when Yori started to do those things with her. Iku, subconsciously or not, took her ‘becoming a woman’ as a bad event that happened in her life since it caused her to basically lose Yori more or less. Now, with him caught up physically, he actually likes the woman aspect of her and has accepted her with open arms (and more). So she might be using that to her advantage in keeping her brother with her as much as possible since she’s so scared to death of losing him…..

Don’t mind me, just trying to get some mileage out of my psych degree…..

Anyway, Iku is awoken to birthday wishes from her family and they present her with the phone that Yori told them to get. Jeez, he tells them to her a puppy, they do so without question. He tells them to get her and him cell phones for their birthday and they do so without question. Do they just do whatever Yori wants or do they have so much money that they just don’t care?

She’s unable to reach Yori’s cell phone, however, since he probably hasn’t gotten it through the mail yet. Her parents leave for work and she instantly decides to take all of her savings and go to visit Yori, through her paltry piggy bank money….and yes, she used legit piggy bank money. There’s just barely enough to take the long way with Inu-Yori. As she’s on her way, she bumps into Yano who buys her some chocolate to give to Yori as a birthday present since she spent too much of her money to get one herself. He decides that he’s going to tag along to visit Yori as well.

Meanwhile, Yori, after buying his dorm manager cigarettes and teaching him how to smoke (Yori, you’re a big enough douche without creating more smokers in the world) buys a diamond ring with clover designs as Iku’s birthday present since diamonds are the gemstones of Aries and clovers because of that stupid wordplay Yori mentioned in volume two. Though I’m more certain he bought this diamond ring because such rings are, you guessed it, meant for marriage. He buys it and puts it in a special box that reads “Only heart”.

Meanwhile, with Yori and Iku’s dad, his colleagues are clamoring over pictures of the twins stating that they seem nothing alike, which is odd for two people born under the same astrological sign. As our big cliffhanger of the volume, their dad reveals that the reason for their differences is because they don’t share the same astrological sign. They were born on different dates.

Dun….dun….dunn?

Ya know, technically, twins can be born on separate dates. Labor takes a long time. It’s possible for Yori to be born one day and Iku the next, especially if the delivery took place late at night. I know the real reason behind this revelation, but the reader wouldn’t know at this point.

Overall:

ROUND THREE AND OVERALL ANIMANGA CLASH WINNER: ANIME

Yup, the anime managed to knock out the manga in all three rounds. Congrats, OVA! You’re not quite as creepy and “get my rape-whistle”-y as the manga.

In regards to this volume in particular, the sex scene was much less uncomfortable in the OVA. They don’t include the bath scene or the talks about Iku’s bloody Sunday, thank you very much, and the scenes of Iku scared out of her mind while preparing for the act also seem much shorter in the OVA.

This is the tipping point because almost everything else that the OVA included was the same. I will admit that Iku’s inner turmoil at Tomoka’s teasing BS was better in the manga and the comedic reactions to Yori leaving weren’t so far out of left field in the manga since comedic moments have been long since established here when they never were in the anime. However, that doesn’t make up for much.

Final tally:

What the manga does better:

Establishes comedy as a facet of the series instead of chucking it in at the very end.

……Uhhhh….wow, is that it?

I guess the manga also includes more in regards to story and development, but almost all of these scenes should be taken as negatives because they either make Yori look like a creepy as hell near-rapist even more than he already did in the anime, or they simply don’t add anything of worth to the overall story.

What the anime does better:

Yori’s much less creepy and frightening (he still is as such, but not as much).

The uncomfortable scenes feel much shorter than the manga’s.

The arrangement of the timeline is much better (we’re not suddenly thrown into bro on sis tongue battle)

In the art department, the art is damn near identical, and the OVA has many scenes that are basically taken beat by beat from the manga. I guess we can call this a plus for the OVA, though there are some glaring animation errors that nearly cost it this mention.

Boku wa vol 3 clash banner WINNER

In the end, the OVA may still be an awful sewage smoothie, but I’d gladly watch that five times over than read these three volumes of manga ever again. I am just amazed at how horrible of a person Yori is and just how creepy and unhealthy this relationship really is. It’s like it’s nearly impossible for writers to write an incestuous relationship without one or the other being a complete asshole who is obviously toxic.

Then again, I can’t take a sigh of relief. I still have seven volumes of this crap to review.

Next volume, Iku and Yano arrive at Yori’s place. And what is the true impact behind Yori and Iku not sharing the same birthday? Why do their parents pretend like they do?

AniManga Clash! Boku Wa Imouto Ni Koi o Suru (Volume 2)

Boku wa vol 2 title

Plot: Yori and Iku have a falling out after Iku learns that Yori has slept with her friend Tomoka, who was being a stand-in for Iku in order for Yori to have a sexual outlet for his feelings. Iku starts dating a guy that has had a crush on her, Nakamura, in retaliation, but Yori won’t stand for another guy touching Iku. When the tensions come to a boil, Iku forces Yori to a love motel in order to know him in the same way that Tomoka got to, but will they really let this taboo reach a head?

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I obviously ran into some trouble designing this week’s poster. I’m actually a little ashamed of it. See, I figured with clashes that went volume by volume I’d use the starter pic of each volume for the poster and find a matching or similar shot from the anime to go with it. I figured Yori and Iku never go to a summer festival, use fireworks or have this pose in either the manga’s canon or the OVA, but surely I can find a picture of the two of them smiling right next to each other……No. No I can’t.

I know I’ve already gone on and on about how miserable this show/manga is, but I never realized that there is an insane lack of any shots involving Yori and Iku smiling in the OVA, let alone smiling together in the same shot. They laugh once in the train, but I couldn’t use that because it’s a closeup panning shot. That was the only time they ever seemed happy together.

How horribly mismanaged is a romance anime where the main characters are never shown being happy together? Even in tragic romances there are plenty of moments where the main characters are smiling and laughing together. Even in the Star Wars prequels, with the most chemistry-less couple of Anakin and Padme, there were several shots of them smiling and being happy together.

All of the shots of them have their expressions in one of two modes: angry or crying. Or Yori’s default expression – the angry rapist pout.

Because of this, I had to settle for one of the few shots that at least has them in a similar pose. I hope I have better luck in volume three.

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Nice to know that really stupid thing with the ‘Clover=c-lover=She is a lover’ thing is also in the original manga.

 

This volume starts out with Yori and Iku actually deciding to be lovers. Iku can’t stand the thought of losing Yori, so she decides to give into his feelings, which Yori gladly accepts. They’re enjoying the sights of the church that their parents got married in and they decide, hoo boy, what a great spot to have incestuous sex. I know this is in the OVA too, but holy crap is that a stupid decision.

Also nice that the pretentious and overbearing ‘God is watching us through the angel statues’ scene is kept. So, yeah, Iku calls it all off since God is watching them do it and Yori accepts her decision. However, his intense jealousy starts coming out when a long time classmate, Nakamura, expresses interest in Iku.

Hair sniffs: 7

Iku doesn’t pay him much mind, and actually seems to be increasingly lusting after Yori as well when he initiates more foreplay. Their advances continue to get jilted by the presence of their parents, but Yori stays insistent on sealing the deal with Iku and suggests they find a place, even a love hotel, to go to soon. She’s still very shaken by the close call, however, and worries that their parents ever finding out will mean them being separated forever. Tensions are very uneasy between the two the next day, and they come to a head when she discovers that Yori has slept with his girlfriend, Iku’s friend Tomoka. Enraged, she later decides to start dating Nakamura.

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A couple of things to note so far; to a degree, Yori does admit that he’s a terrible person…..but that doesn’t stop him from continuing to be terrible.

Yori is really violent when people even get a little close to Iku or if they make the slightest crude comment in her direction. He is more than adamant about not letting any guy ever be her boyfriend or, worse, having sex with her. They dedicate a whole splash page to him yelling internally that it would be completely unforgivable for such a thing to happen.

We get a flashback of why Yori is dating Tomoka in the first place. She had a crush on Yori for a long time and continuously tried to get him to accept her feelings, but he wouldn’t. When she finally realized that he liked another girl, she decided to offer herself up as a substitute. Yori, filled with sexual tension and no outlet besides his handy dandy hand, decides to accept Tomoka’s offer and they go to a love hotel to have sex. The whole time, Yori is imagining doing everything to Iku and sadly admits that doing it with a substitute isn’t enough nor is trying to love someone else in Iku’s place. But he continued to date her for release and possibly to keep up appearances.

He doesn’t even get through this sex scene without being creepy. He clasps his hand over Tomoka’s mouth to prevent her from making noise since he knows hearing her voice and not Iku’s will ruin the illusion. Tomoka’s doing this of her own free will, so to each his own, but still.

Back to the present, Nakamura and Tomoka decide to have lunch with Iku and start talking about the physical stuff Tomoka and Yori have been doing. Yori interrupts them just as Tomoka starts explaining what Yori’s like in bed. Ya know, even if they weren’t romantically involved, who wants to talk to their lover’s sister about how good their brother is in bed? He tells her to knock it off since he broke up with her and that he has a girl he likes, one that is the only one for him.

He turns his attention to Nakamura, who has done absolutely nothing, and grabs him by the shirt. Nakamura calls Yori ‘Big brother’ I guess because he either sees him that way as a long time classmate or because he’s dating Iku, and Yori tells him if he ever calls him that again, he’ll kill him. I have no doubt he would really keep that promise. Yori grasps Iku’s hand so hard when he’s yelling at Nakamura that he visibly hurts her.

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After this, he drags her into the science room, plops her on the floor with her begging him to stop and he just tells her to shut up and starts forcibly kissing her again.

Possible continued emotional manipulation; Yori says he can’t and won’t stop pursuing her, because if he let her go, he’d die. Like I mentioned before, on an emotional level, Iku’s main role in this relationship is fueled by her fear of losing Yori if she doesn’t respond to his advances. Saying he’ll die if he can’t be with Iku is a really extreme way of instilling that fear even further.

Also, is he even really serious? Because going to a faraway school and planning on likely never seeing Iku again is basically purposely ‘letting go’ of her. Unless he was going off to some fancy school to die.

After Yori and Iku talk some more, they make up and Iku even starts initiating some of the kissing before they nearly get caught and stop.

Oh, by the way, for anyone patting Iku on the back for dating someone else after all this, she was only pretending to date Nakamura for the sake of pissing off Yori as retaliation for him dating Tomoka. She is such a passive sack of useless.

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Yori, I really think you have a problem.

Oh goody, now we’re getting to some Iku creepiness. We see Iku giggling and learn that she’s super excited because Yori said he’d die without her and only her, then she flips because the same can be said of her.

Being reminded of Tomoka, she drags Yori away to a love hotel and begs him to have sex with her, to make him hers, and to allow her to know him in a way that Tomoka knows him. Yori actually doesn’t want to have sex in the love hotel because he wants their first time to be in some place romantic and special…..Pbbbbbbtttttt Yori, what are you smoking? You delusional liar. He’s damn near had sex with her in –

  • a church,
  • their bunk beds
  • the shower
  • their bunk beds again
  • a train
  • the bathroom
  • a science lab.

I’m pretty sure he’d plow her behind a dumpster at a Taco Bell up until this point. NOW he’s all picky and worried about making it special for her?

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To be fair, she is actually the one initiating everything and Yori does ask her many times if she wants him to stop and she keeps saying ‘no.’….However, I am still very uneasy about this scene. She’s still very scared, which I suppose is normal for any soon-to-be-not-virgin, but I still feel like she’s just doing this to stake a claim on Yori. Like she still feels threatened by Tomoka possibly taking Yori away because they’ve had sex and Iku hasn’t done it with Yori yet. She likely sees it as Tomoka having a higher claim on Yori than she does, and she won’t have that. I’m not even reading too much into that either because she basically admits that as the reason. She’s jealous that Tomoka had sex with Yori so she wants to have sex in the same type of location doing the same things they did. That’s not having sex for love, that’s having sex for possessiveness.

In the end:

ROUND TWO WINNER: ANIME

I was really on the fence about this volume’s winner. The only major point of difference is the inclusion of Nakamura. Iku never gave a crap about Nakamura and was purely using him for the sake of making Yori jealous so that went nowhere. The whole thing with Yori and Tomoka and Iku and Nakamura at this point really just seems to be accentuating how frighteningly possessive Yori is, which just makes him look worse.

Yori really was bad enough in the OVA, but he cannot go one chapter without either thinking something incredibly creepy, doing something frightening or forcibly molesting his sister. He only had a couple of these instances in the OVA due to time constraints, so, by all means, the anime wins this round.

Next volume, do Yori and Iku do the do at the love hotel?

AniManga Clash! Boku Wa Imouto Ni Koi o Suru (Volume 1)

Boku wa Imouto vol 1 title

Plot: Yori has been harboring a secret his entire life; he’s desperately in love with his twin sister, Iku. One night, he finds he cannot control himself anymore and kisses her on the lips in her sleep. He starts to go further with his desires and quickly finds her awakening to the shocking and confusing feeling of her brother molesting her body. He declares his love of her and tries time and again to prod her into a physical relationship and falling for him as he has her. Obviously, the taboo and utter confusion is a lot for Iku to bear, but under the threat of losing her brother forever if she doesn’t reciprocate, she decides to slowly start giving into him.

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Geez, why did this manga show up on my radar so soon? For those who haven’t read the anime review yet, let me sum it up; Iku’s a doormat, Yori’s a creepy emotionally manipulative rapist and, spoiler alert, incest is a social and religious taboo.

I can still see the fumes from my anime review. And hoo boy the manga is not anywhere near better so far.

The manga actually starts out with Yori molesting his sister in her sleep, which is a major mistake to me and something the OVA actually has over the manga. In the anime, there was buildup to him eventually giving into his lust. Here, we’re just thrown into it. Also, he basically jumped Iku during an argument when this happened in the OVA, which is bad, but not as bad making out with her and groping her boobs as she sleeps.

Yori sniffs Iku’s used bath water. Just throwing that out there.

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After Yori makes out with Iku in her sleep and she wakes up, he throws his love declarations at her and starts to force her into sex. This is all within chapter ONE.

Well, at least he admits his screwed up feelings to her right off the bat…..not like he could avoid it after she wakes up with bro-tongue in her mouth.

Just like in the anime, Iku is giving in to his romantic advances because she feels lonely without her brother. It’s a fear of losing him not love that is fueling her romantic responses. Made all the worse by the fact that Yori seems to give a vague threat at what he’d do without her. Implications can go anywhere from him simply leaving to him killing himself.

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Yori admits to Iku early on that he’s dating Tomoka and even pushes his and Tomoka’s relationship further to combating Iku’s jealous behaviors and to avoid suspicions of them being together. So, nice, Yori. You force yourself on your sister, basically trap her into a romantic entanglement and then blow up your relationship to another girl to push Iku away and make yourself look better to other people. You truly are an asshole. And a coward.

At this, Iku gets upset and Yori’s only reaction is to smirk in shadow congratulating himself since this is seemingly proof that Iku really likes him now. So is the manga just accepting that Yori is a creepy fuck who is manipulating his sister and being an overall asswipe?

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Yori: *in class afterwards to Iku* “Why are you sulking? Why are you being so much trouble?” Why are you such a vile bag of anus?

*later, at home, right as Iku’s about to get in the bath* *Yori corners her by slamming his arms around her to the wall* Yori: “I can’t forgive you. You don’t have any right to ignore me.” Iku, run the fuck away. Get as far away from this emotionally puppeteering fungus as you can. Please.

More forced kissing….with looming threat of their mom coming in. She even says ‘No’ and he forces her to keep kissing….

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Yori: “I’d rather put a collar on you.” Eh, BDSM stuff is nothing given the subject mat–

“You wouldn’t be able to run anywhere. Nobody would take you anywhere. Definitely stay by my side *sniffs hair*” RUN THE FUCK AWAY, IKU. WHILE HE STILL HASN’T GONE TO PETSMART!

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Iku: “Mom, can’t I help you with something!?”

Mom: “What? You must be feeling bad all of a sudden!”

Dad: “I’ll stop giving you allowance!” Your daughter wants to help you with stuff and you threaten to take away her allowance? What is this household? Why is everyone crazy?

Iku is saying this because Yori freaked her out with that collar talk and hair sniffing, so Yori gets upset that Iku is getting upset and marches off to his room. Oh wow. What a surprise that the sister you just sprung your romantic feelings on and you’ve been playing emotional Jenga with for a few days is having difficulty acting normal about you kissing other girls, forcibly kissing her with your mother mere feet away, and criticizing her kissing technique to boot, threatening to keep her on a literal leash and sniffing her hair on more than one occasion. What a weirdo IKU is.

Okay, I really need to make a ‘Yori sniffing Iku’s hair’ tally, because he does it a disturbing amount of times. I’ll assume it’s up to at least five by now.

Hair sniffs: 5

Yori: *while getting it on with Iku “Because I love you….I can’t make myself stop.” I think that’s one of the official credoes of rapists.

Yori: “This time, I definitely won’t let you run away.” Uhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

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“If you really say ‘no’ this time, I won’t stay by your side. I don’t want to hurt you.” Proof that Yori is manipulating Iku based on her dependence on him. She can’t stand the thought of not being with Yori to the point where she’ll fake being romantically interested in him to keep him around. Her jealousy with Tomoka earlier was, like I said in the OVA review, moreso her jealousy that Tomoka is threatening to take Yori away not that she’s a romantic rival.

Also, all of this culminating together, he’s basically saying he’s leaving if Iku doesn’t return his feelings, because he’s afraid he’ll rape her. Because “he’s at his limit”. So this is, literally, word for word what I said about him in my anime review. He’s more in lust with Iku than he is in love.

He seriously told Iku to lose some weight? She’s a flimsy shoujo stick. Putting this in the ‘more emotional manipulation’ jar.

There she goes sleeping with Yori for the sake of keeping him from not going to the faraway school. She wasn’t really considering it before the news hit, and the whole time she’s panicking over her fear of being alone.

And, like before, the sex scene is very awkward because she keeps panicking and seeming very scared, even implying in inner monologue that if she didn’t do it with him, he’d leave, insinuating that she’s doing this purely to keep him around. It’s even more uncomfortable that he’s giving her orders while they’re in foreplay.

Admittedly, she does imply in her thoughts that she’s getting hot and sexually responsive, but that really could just be simple biology. An attractive guy is half naked and making out with her. I’m not sure if the Westermarck effect stands firm in tamping down sexual attraction if said person is initiating sexual contact. I’d think, in spite of the blood and emotional/childhood connections, the body would respond to the stimulation either way. Also, keep in mind, Iku seems to be new to all of this. Yori just stole her first kiss and I doubt she’s ever tried self-pleasure methods.

Shall we keep powering through this sex scene? To Yori’s credit, Yori says the sex doesn’t mean anything if Iku doesn’t love him, but also ignores her repeatedly saying ‘no!’ and ‘stop!’ which already turns this into a rape, and he actually says ‘I understand that she’s scared.’ I understand that my sister is scared and completely uncomfortable at my sexual advances, but I’ve waited long enough for this so imma keep going.

Let’s get more uncomfortable; “I can’t stop. I won’t stop. Reason has left me. I’m running on instinct. Even if Iku is crying….I’m probably a really cruel guy. Even though Iku’s face looks like this (scared out of her mind and crying) I think that she looks more and more cute. Iku….are you scared? She’ll definitely say ‘I’m scared’ with that sweet voice. It will make me more passionate. More of that sweet voice. I want to see more of her sweet face. Even if she says ‘I’m scared’ I’ll probably continue.

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WHY DOES ANYONE THINK THIS SERIES IS ROMANTIC OR SWEET? This is CREEPY. This is FRIGHTENING. This is A CREEPY RAPIST RAPING HIS TERRIFIED SISTER.

And you know what else? Iku actually says she’s not afraid and Yori stops because he knows she’s not being sincere. And he’s right. She said it, of her own admission, because it’s what he wanted to hear.

My problem is that he was getting more and more pent up the more scared she looked and the more she cried. The instant she smiled and accepted him that’s when he went soft and stopped altogether. Some people might say that’s because Yori legitimately wants Iku to love him before they do such a thing, and I think even I gave him props for that in the OVA review, but given all of the inner monologue we got in the manga, I’d actually say it seems more like he was disappointed that the situation went from a near rape to consensual. Especially with that line of saying he’ll get more passionate if he her hears her say she’s scared.

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You could argue that he just wanted to hear her voice, but considering he stopped because of her accepting it, that can’t be true. What’s the matter, Yori? Her smiling face with open arms not as sexy as her frightened face with her arms crossed and tears running down her face? Her ‘sweet voice’ saying ‘No, I’m not scared. Do it.’ not as much of a turn on as ‘No! Stop! I’m scared’? You are a seriously creepy son of a bitch, Yori.

Also, this is proof that he can indeed control himself. He just doesn’t want to.

Yori: “Hurry up and love me, idiot.” Hurry up and fall down a flight of stairs, you creeper.

Hair Sniffs; 6

He sticks his finger in Iku’s mouth then licks the spit off it….ughughghghg.

Alright, near the end of the volume, Iku starts acting more like she’s legitimately falling for Yori, but I’m still kinda calling foul because much of her inner monologue seems to focus on how she’s getting turned on by Yori through his scent and whatnot. That coupled with her desire to never leave him might be construed as love, but I’m not really buying it.

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I still believe Iku’s just gotten to a point where she’s confused biological lust and a fear of being separated from her brother with romantic love. In pretty much any other situation, this might be fine. Typical teenager discovering her sexuality and learning about herself, but in this situation, given how forceful and manipulative Yori is and the possible ramifications of their relationship, this can be much more damaging than usual. At least it’s technically more consensual now, but given how the relationship started, I can’t ignore how unhealthy this situation is.

ROUND ONE WINNER: ANIME

Yeah the anime actually wins this round because it had a better start in building up tension, the art is basically identical and somehow I actually think Yori is less creepy in the OVA at this point than manga!Yori is. At least his first sexual advance on Iku was when she was conscious…..

Part 2: Yori and Iku fight, Iku finds herself a boyfriend after finding out Yori has slept with her friend Tomoka and things continue to be creepy.

AniManga Clash! Air(Manga) vs. Air TV

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Plot: Yukito is a drifter, on a mission to find ‘the girl with wings’ from the story his mother used to tell him as a child. While on this journey, he stops in a town and meets a girl named Misuzu. He’s initially put off by her energy and child-like optimism, but after she offers him a place to stay and some food, the two slowly develop a friendship. However, Yukito quickly realizes that Misuzu suffers from a strange condition. She is plagued by unusual dreams and cannot get close to anyone without bursting out uncontrollably into tears. They each have a place in this story of the girl with wings, but can they do anything to change the tragic ending?

Breakdown: Ah, Air. I’m breathing it right now. Also it’s the name of a visual novel, manga, anime and anime movie.

In chronological order, the visual novel came first, then the manga, then the TV series and finally the movie. This does kinda create a kink in my setup of AniManga Clash. Afterall, I think one major reason people have a big bias toward manga is because manga is usually the first product or ‘original’. And as we all know from the comments section on Youtube, being first makes you better than everyone else.

I’ve never played the visual novel, but I did watch the TV series a few years ago and just recently read the manga. So how do they match up against each other?

Round One: Art – The art for the anime…..is awful. The scenery is lovely and the animation is great, but my god the faces. I think this is how everyone who hates anime’s style sees anime. Gigantic eyes, tiny itty bitty dot noses and mouths that are both way too small and scrunched together too much with the eyes and nose. It’s like they’re old-timey cartoons and just got an anvil dropped on their heads. Also, the proportions for the characters’ bodies just look wrong. They all look very thin with large heads.

And you know what, I can’t really blame them too much for that because the visual novel art is just as bad.

As opposed to the manga’s art which, while still not being mind-blowingly fantastic is still eons above the anime’s. The faces look much more normal, the details are more fine, and the proportions are a lot better.

Let’s get some visual comparisons, shall we?

Winner: Manga

Round Two: CharacterizationI believe this is about even between the two, at least for the main three characters of Yukito, Misuzu and Haruko. The manga may have a slight advantage with the friendship between Yukito and Misuzu, but it’s balanced out by the fact that I believe the anime does the relationship between Haruko and Misuzu better.

When it comes to the other main girls, Kano, Minagi and Michiru, the manga just barely touches upon them while the anime goes in depth into each of their stories. They suddenly decided to dump a good chunk of Minagi and Michiru’s backstory on us in the manga, but they didn’t resolve it all. It’s like a car crash of exposition. And pretty much forget about Kano in the manga, she gets no focus whatsoever.

The anime, deciding to do its best to cram all three paths from the visual novel into the anime, thoroughly characterized all of the girls and even more characters.

The question is, can I really count that against the manga when it clearly just wanted to focus on the Misuzu and Yukito story? I kind of can, yes. I honestly wouldn’t have if not for the fact that they mushed in Minagi’s story or at least some of it in the final part of the book, leaving you somewhat confused and unsatisfied in her characterization. Is this advertising to go out and play the visual novel or did they just want fanservice for the Minagi fans? I like Minagi a lot too, but I just found that final chapter pointless if they weren’t going to go all the way, and include Kano’s story (abridged if need be) as well.

In that regard, I think I’m going to give this one to–

Winner: Anime

Round Three: StoryLike I mentioned before, the anime delves deep into all three paths from the visual novel while the manga only focuses on the Misuzu and Yukito aspect. Since manga is praised for having more content than the anime counterparts usually have, I think it’s only fair to give the same props to the anime for doing the same. So the anime’s starting off with an advantage here.

However, I do have to note that the fact that all three of the stories are in the anime is actually a bit of a negative. Like I mentioned in my review of Air TV, it felt a bit overwhelming to have nearly every character have a screwed up home life or some sort of supernatural occurrence causing them to suffer or some mental issue to deal with. I appreciate trying to give everyone their shot in the limelight, but it does start to weigh on you.

Now, focusing on purely the Yukito and Misuzu story, I think both versions did a great job with it. Both stories are exactly the same, but the manga did answer a few more questions and made the situation with Yukito and the crow both less and more confusing and jarring. You’re lead to believe Yukito turned into a crow from the very second he made his wish in the anime, yet in the manga he pretty much disappears and we don’t see the crow until much later. Misuzu is the one who tells us that the crow is Yukito, but it’s left ambiguous as to if it’s really him or not. The bird never speaks or has inner monologue in the manga like it does in the anime so it’s still a bit confusing, especially when the crow shows up in a side story near the end when Yukito is still around.

Misuzu’s death is not shown in the manga, and it’s only slightly implied that she died if she even did in the manga. If she did, I feel a bit robbed. Her death and Haruko’s scene afterward was almost as heartbreaking as the scene on the beach. I guess a mostly-implied-as-happy ending is fine too, and it does make sense given Yukito’s wish, but that ending really resonated with me and I just feel weird seeing it play out so differently.

Yukito’s pain and his connection with the story is not as highlighted in the anime as it is in the manga. I don’t even remember him ever being in pain in the anime.

Finally, the true backstory behind why Misuzu and Yukito suffer because of this story and these dreams is explained in the anime, albeit a bit confusingly, and in the manga…..they don’t explain anything. We get quick shots of Misuzu’s dreams, she explains some of them a bit to us, but other than that we really get nothing, which makes the story pretty confusing in hindsight.

Yes, Yukito telling us the story his mother told him does explain in a prophecy type of way why this is happening, but it doesn’t explain why this is happening…Moreso it doesn’t explain why the story itself exists. The story tells of a girl whom we’re meant to assume existed. She had wings and flew in the sky, but she was constantly sad. Misuzu is apparently this girl, even though she doesn’t have wings, and her pain is caused by growing invisible wings.

Okay….why? If you never played the visual novel or watched the anime you’d really be wondering why this is happening. Why is she growing wings? What is actually happening in these dreams? Why is she the reincarnated girl in the sky? Why is whatever this is seemingly killing her? What’s the cause of Yukito’s pain? Why does Misuzu cry uncontrollably when she gets close to someone? How is Yukito’s puppet magic, and why can it seemingly grant one wish? Why did Yukito turn into a crow when he made that one wish? Okay those last three are questions I have for both the anime and manga, but still. It doesn’t explain what’s going on to make all of this happen very well, it just tells you a story Yukito’s mother used to tell him and asks you to roll with it.

Because of that, I have to say–

Winner: Anime

Final tally:

What the anime does better

More exploration on the other characters, possibly slightly more exploration on the main three of Yukito, Misuzu and Haruko.

More story to explore the other three routes from the visual novel.

More exploration on the backstory behind the girl with wings.

What the manga does better

Much better character art.

Slightly more details on the story of Misuzu and Yukito to make things less confusing.

Some of the characterization between Yukito and Misuzu is a bit better handled.

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Wow, I didn’t think I’d find an anime winner on my first try out with this series, but yup. It was a close call, but I just think the anime had more to offer in both quantity and quality. The manga definitely wins in the art department and has some of its own specific benefits in storytelling, but overall the anime is just a more fulfilling experience to me.

As of right now, I’m not sure if I’ll tackle the Air movie, but we’ll see.