Plot: Yuika is an up and coming star in the world of modeling, known for her brash and pushy attitude. Her twin sister, Sumika, is a more timid and studious type. Sumika typically stays to the background being Yuika’s ‘shadow.’ She pretends to be Yuika in order to do her college work, take her exams and even stand in for her at work sometimes. Sumika is far from an innocent flower, though. They’re two sides of the same coin in the worst way.
Breakdown: I really, really thought this episode was finally going to get Yuzuki’s main plot rolling since a good chunk of the first half is dedicated to her struggling with her destiny of becoming Hell Girl. The end of high school is approaching, and her school counselor is questioning her about her plans for the future, but she doesn’t really have any.
Dreams and the future are two concepts that give Yuzuki pause lately.
And that’s it. She just can’t think of anything when she thinks about the future or anything she dreams of being. She’s such a boring character.
The most interesting thing we got from her was the slightest implication that something very bad happened when she was a kid involving her mother, but that’s about it.
I’m also starting to believe that maybe Yuzuki is….crazy? She suddenly seemed to lose contact with her mother, even though she stated that she used to call and talk to her parents every day, and I’m now realizing that we’ve still never seen either of her parents on screen – not even in pictures. I actually kinda hope it’s something like that, because at least that has the potential to be interesting.
After that, it’s a typical Hell Girl story. Although, the way they inject the story of the week is quite odd. Yuzuki is just walking down the sidewalk and she’s suddenly approached by Sumika, who apologizes profusely for the ashes from her flame-less fire seemingly getting on Yuzuki, but it’s clear that the smoke is only barely even slightly near her, so I doubt any ashes got on her. Also, if you didn’t want to bother nearby people with smoke and ashes, maybe not start a non-fire smoke signal in your two-foot wide yard right by the sidewalk?
She then invites Yuzuki to enjoy the warmth from this non-fire….When it’s not even noticeably cold out.
One of the pieces of paper making up the “fire” blows onto Yuzuki’s foot. It’s a picture of Sumika and her twin sister, Yuika, as teenagers. She clearly doesn’t want Yuzuki to see this picture…..so again…I ask…why are you doing literally any of this? Why the “fire”? Why not just tear up the pictures? Why not set the fire in a place that won’t immediately draw attention from passersby? Why invite Yuzuki over to enjoy the private picture fire? You make no sense, lady.
Anyway, absolutely nothing involving Yuzuki has any bearing on the Hell Girl story today. What a surprise.
The real story is fine, but I feel like it’s basically treading water we’ve already treaded. Most notably, I was really reminded of the season one episode, A Night Among Traveling Entertainers.
You have a pair of twins, one of which is the bitchy star, Yuika, and the other is the timid doormat, Sumika. Yuika treats her sister like garbage and acts incredibly self-centered. She’s always telling Sumika to do her college work for her and even pretend to be her so she can take her exams for her.
Sumika comes off as a nicer person, but the twist is that she really isn’t deep down, which is pretty clearly foreshadowed by her burning the pictures earlier. While Sumika isn’t as mean as Yuika, she is self-centered and conniving.
When Yuika gets herself injured because she was a drunk moron, she demands Sumika take her place in a photo shoot so she won’t ruin her career. Sumika does great at the shoot and even earns a lot of positive attention because she’s being so much kinder and gentler than Yuika.
Not only that, but Sumika clearly covets Yuika’s boyfriend, Masato. While Masato does love Yuika, he gets along great with Sumika, and Yuika is, well, not a pleasant person, so you do kinda root for him to be with Sumika…..for a minute.
This whole conflict with the boyfriend comes to a head when Sumika pretends to be Yuika and tricks Masato into having sex with her….ya know…raping him.
He realizes only after the fact that she was actually Sumika, but his actual feelings are quite iffy. He seems like he feels bad about cheating on Yuika accidentally, but he’s not getting angry with Sumika, and we cut away before we can get any further information on what went down.
Yuika has been following her and becomes enraged when she realizes what happened.
After this, Yuika’s wound heals and she and Sumika basically fight for Yuika’s life.
They’re both dressed identically, so there’s no way to tell them apart.
One of them calls Hell Girl and pulls the string, sending the other twin to hell. It’s meant to be ambiguous, and the viewer is supposed to decide which twin was the client and which was the target, but there are several hints as to the identities of each, and I think it’s pretty clear that Sumika was the target.
They do obscure the name on the candle at the end. You can only see the ‘ka’ part of their first names. The rest is covered by a wax drip. However, what you can see of the kanji that is covered doesn’t match the way Yuika writes her name.
Masato breaks up with the woman who has the doll. He had never entered into an actual relationship with Sumika, he only slept with her once, so it seems weird that he would ‘break up’ with her.
The woman in the boat acts more like Sumika than Yuika. She asks “Am I not supposed to chase my dreams? Even though I wanted to be myself….” Yuika was always herself. She was a selfish bitch in front of people, and she was a selfish bitch in private. Sumika, on the other hand, had to hide behind Yuika’s persona in order to get attention while still being herself. Sumika was a kind person, but, as I said, she had a more nefarious side to her that was more scheming and selfish.
Finally, and the most obvious piece of evidence. It was established early in the episode that the only concrete way to tell Yuika and Sumika apart was a flower-shaped birthmark on Sumika’s lower back. That’s how Masato proved it was Sumika when they slept together. They specifically zoom in on Yuika’s bare back at the end of the episode and show that it has no markings on it. I even watched it frame by frame to make sure not even partial marks were shown – they weren’t.
The only thing that doesn’t mesh with this is that Yuika is notably more pleasant in the press conference at the end. Maybe she was humbled by the experience. Or maybe Sumika was actually the client and she just covered up her birthmark with makeup for whatever reason.
I’m 98% certain it was Yuika who lived and Sumika who got sent to hell. If true….eh, I don’t really care either way. Yuika was a bigger bitch than Sumika, no doubt, but Sumika was also a slimy bitch who basically raped Masato – no matter if he chose her in the end or not.
All in all, this episode was pretty okay. I liked that they were at least trying to create a fairly wide gray area here, and I appreciate the attempts at masking who the client and target were, even if, in my opinion, it was a bit easy to figure out. I am getting very annoyed at Yuzuki, though. They better throw her story into high gear in the next episode, because it really feels like it’s a road to nowhere.
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2 thoughts on “Hell Girl: Three Vessels | Episode 22 – Flower and Moon Review”
That ambiguous ending definitely seems like an interesting way to close out on. I like that it makes the viewer have to think about. I liked your rationale at the end as to why it was one vs the other.
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Completely I share your opinion. Thought excellent, it agree with you.
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