Hell Girl: Three Vessels Episode 19 – Snow, Moon and Flowers Review

Plot: Kaori Nakiri is the sole heir to her prestigious family’s flower arranging school, even though she doesn’t have a desire for it. A woman named Yukina appears shortly after Kaori’s father’s funeral to reveal that she is the result of an affair Kaori’s father had and that she’s entitled to half of the estate. However, she wants more than that – she wants to be the heir to the flower arranging school. Considering Kaori’s complicated extended family and how stern they are with tradition, it’s not Kaori’s place to give the role to her, but Yukina will get what she wants no matter if it’s given to her willingly or not.

Breakdown: I’ll be honest, I went into this expecting to sleepwalk through it after watching the preview and, yeah, I sleptwalked through most of it…..Until the final third where things just got so ridiculously insane that it was like an alarm clock made of confusion went off by my ear.

The first two thirds is what you’d expect. Yukina’s a manipulative snake, I don’t care about flower arranging or the school, Yuzuki’s here, we’ll get to her later, Kaori has a thing with her childhood friend/devoted employee/love interest, Tsukio, and blah blah blah. Get to the helling already.

Well, we do.

And….uhh….huh.

Things get messy when Tsukio overhears Yukina plotting to poison and kill Kaori in order to inherit the land, the house and the whole spiel and sell it off to make bank. She never really cared about the school, dunno why she even brought it up.

When her cohort tries to poison Kaori’s drink, Tsukio takes it from her, chugs it, and tells the guy to tell Yukina that her plan has failed.

…..So, uhm….dude….what the hell? The drink didn’t need to be consumed. Just take the drink and tell her it’s poisoned. Have it tested, if need be. Why drink it?

Tsukio has three days, max, to live, and no one’s trying to bring him to a hospital or trying to get an antidote from Yukina or arresting Yukina or anything. Just, welp, nice knowin’ ya Tsu-boy!

As Tsukio lays dying, one of her family members or whoever that was reveals that Tsukio was actually her brother. Her father used to say something like Snow, Moon and Flowers, which indicated all of his children – Yukina for snow, Kaori for flowers and Tsukio for moon. Tsukio wanted nothing more than to be a vessel for the flowers, which, yes, does sound like innuendo given the circumstances, but the meaning behind these words is actually much creepier.

The guy reveals that the Nakiri school is merely the public flower arranging school that the family runs. There is actually a secret school meant purely for the main branch of the family called the Hyakki school (which I believe is a different pronunciation of the kanji in Nakiri, but I could be wrong. That’s what the opening implied.)

The man leads Kaori to the underground school…..and…..What the flippin’ flapjack is all of the this? Kaori is presented with a wall of skulls. The skulls belong to each of the former heads (haha) of the family. They believed that true beauty in flower arranging can only be achieved by arranging flowers in these skulls. According to them, flowers and death go together hand-in-hand. Her father claimed that you can tell the truth about someone who has died by seeing what flowers grow in the ground over their dead bodies.

…..Kay.

Having contacted Hell Girl on Yukina earlier, Kaori now knows what she must do – she must kill Yukina and crazily arrange a bunch of flowers and creepy plants in her father’s skull. Struck with, let’s call it, ‘inspiration’ she also realizes that Tsukio was dying for this express purpose. He knew about the Hyakki school and wanted her to use his skull to create a beautiful flower arrangement. As he lay dying in bed, she agrees to his final request.

So, yeah, uhm, what?

Where did all that even come from? I don’t know what else to say. I am flabbergasted. I guess I’m happy that it didn’t end up being fully boring, but sudden weird creepiness doesn’t automatically equal quality. Held my attention more, but it was more like it was being held hostage.

Since we’re getting closer to the end of the series, Yuzuki is finally playing a bigger role, if only slightly. Yuzuki befriends Kaori quite randomly, but she’s not really a part of her story. Instead, she gets more of a very minor B plot.

Yuzuki recognizes Ren, Hone Onna and Wanyuudou as workers at the funeral, which is shocking to them because they have the power of misconceptions. Basically, they can be out and about disguised at whoever or whatever, and, if someone sees them as two different personas, they won’t recognize them. They’ll just believe they’re entirely different people. Dunno why they can’t just change their appearances, but that does answer some questions I’ve had lately.

Since Yuzuki is no longer feeling the effects of these powers, it’s taken as an indication that she’s ‘awakening’ and Ai will need to tell her about her fate soon. Sure enough, at the end of the episode, Ai reveals to Yuzuki that she has an inescapable fate of taking over her job. One day, Yuzuki will be the next Hell Girl.

And that’s about it. I already knew that, and it was hardly a secret. I thought they already pretty much established that to us a long time ago, so it’s really only news for Yuzuki. At least things are moving along with her plot, but talk about a snail’s pace.


If you enjoy my work and would like to help support my blog, please consider donating at my Ko-Fi page. Thank you! ♥

Buy Me a Coffee at ko-fi.com

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s