Yu-Gi-Oh! (Manga) Chapters 22-23 (AniManga Clash! Season Zero Placeholder)

This is another story I’m sorry didn’t make it into Season Zero. It’s weird because this a two parter, so it easily could’ve been adapted into the show without needing to write anything new, but I guess they just didn’t like the story enough.

Hanasaki, the timid kid from chapter three, makes a reappearance. He is a huge fan of the American comic book hero, Zombire – which is literally a fusion of a zombie and a vampire. His father makes sure to get him some cool Zombire merch, like masks, model kits etc. every time he returns from a business trip from America.

His father feels bad for not being around much, especially considering Hanasaki has rather poor health and has spent a lot of time in the hospital. Hanasaki doesn’t have a lot of friends or self-confidence, so his father is happy whenever he can put a smile on his face by getting him Zombire stuff. He’s especially happy that Hanasaki has found some new friends in Yugi and the gang.

(Can I just point out how crazy rude it is to unbox something you find in someone’s room? Let alone if it’s a model kit and choosing to assemble it right there just because you assume the person doesn’t have the time to do it. Even if he didn’t just want to collect it and preserve the box, he still would have wanted to have the fun of putting it together himself. For god’s sake, Jonouchi. Get a clue.)

However, his father’s a bit of an idiot. A well-meaning idiot, but an idiot nonetheless.

To help boost Hanasaki’s confidence, he pretends to be a stranger getting attacked by some goons in the middle of the night. Hanasaki rushes out in his new Zombire costume that his father just bought him and ‘defeats’ the goons with ease.

This plan works wonderfully as Hanasaki pretty much believes he can do anything now. However, I really, really, really need to point out how misguided this plan is.

It’s great that his dad wants to boost his confidence. It’s great that he wants to give him a chance to be a hero like Zombire. But making your scrawny, physically weak, child who has a history of health problems believe he can easily beat up thugs twice his size, especially when he has a hero complex, is not the smartest thing in the world. He may gain confidence, but he may also gain overconfidence and a desire to continue challenging huge people who would wipe their asses with his mangled remains.

What’s even worse is that, 1) These jerks aren’t people Hanasaki’s dad knows well or is friends with – they’re just random thugs he found on the street and 2) when Hanasaki’s dad pays them off, they ask for Hanasaki’s full name and WHERE HE GOES TO SCHOOL so they can supposedly do this again…..And he just gives them that information. There’s a difference between being misguided and being an idiot. I know the 90s were a different time in regards to child safety, but this is too much even for then.

Predictably, the goons arrive at their school and they threaten Yugi, knowing he’s a friend of Hanasaki, so Hanasaki can come in to save him. They run off, and Hanasaki is once again emboldened by his heroism. However, the real reason they did that was so they’d know Hanasaki’s face too, since he was masked the first time they saw him….doesn’t really make a difference because knowing his face doesn’t mean you know where he lives, but either way, they find out where he lives, throw a rock through his window claiming they’ve kidnapped Yugi and to come face them if he ever wants to see him again.

Hanasaki dons his Zombire costume and heads out to save his friend.

Meanwhile, Yugi is getting into Zombire model kits thanks to Hanasaki, but he’s run out of spray paint and can’t color his newest creation. Since all the shops are closed, he runs to Hanasaki’s house to borrow some paint. However, all he finds is his father in a panic, holding the note the goons left for Hanasaki. They call him up and tell him they’ve got Hanasaki and are holding him hostage for 500,000 yen, which is about 4500 USD. If he doesn’t pay, they’ll hurt Hanasaki. And even though they haven’t given his father enough time to do anything, they’re still beating up Hanasaki and even spraying spray paint into his eyes. Yikes…

Yugi, who soon becomes Yami, rushes off to save him, vehement in saving the friend who was only trying to protect him in the first place. Hanasaki’s father is close behind and retrieves Hanasaki while Yugi takes care of the goons.

Before we head on to the Shadow Game portion, let me point out one final bit of idiocy in Hanasaki’s dad. He tells Hanasaki that they should just…go home. *lip smack* First of all, you’re just gonna leave poor Yugi alone with three thugs who have knives? Real nice. Why aren’t you helping him or calling the cops? Yugi’s a kid too. What are you thinking? Second, your child has been beaten and had spray paint shot directly into his eyes. Maybe take him to a hospital first? You’re a terrible parent.

Shadow Game

It’s honestly not much of a game. The thugs chase Yami around as he draws lines on the ground with spray paint. Eventually, they realize he was drawing a maze around them and a discarded cigarette is set to ignite it. As the lines burst into flames, the thugs run away into the water of the dam.

That’s it. That’s all. They don’t even actually go through the maze, they just run away.

Hanasaki refuses to go home, sheds his Zombire mask and heads off to help Yugi fight the goons. He doesn’t get to actually do anything, but the fact that he rushed in either way proved to himself and his father that he doesn’t need some silly costume or some fake super strength to be a hero – he had it in him all along.

This is a pretty sweet couple of chapters. I really liked Hanasaki when we first met him in chapter three, so I’m glad we got more time with him and got to explore his character more. I really wish he was made into more of a regular character, to be honest. He’s very likable, brave and sweet. I think he’d make a great addition to the group – especially in this series loaded with jerks around every corner. The ending explaining that he had the heart of a hero and plenty of courage all along was predictable, but not as much as you’d might think. I was more worried they’d do worse damage to him than they did, just because so many people in this manga are ridiculously evil.

This plot is interesting, even if the choices made by the father are just stupid sometimes. It’s also weird that he decides to do this confidence boost plot thing right as he learns Hanasaki has a group of friends. Isn’t his confidence the highest it’s ever been right now?

Though I do have to say….isn’t he a tad old to be believing he’s randomly acquiring super powers? He’s meant to be the same age as Yugi and the others, which is at least 16, right? Yet he’s leaning into the make-believe so much it’s almost delusional.

The Shadow Game is boring too, but that’s not really the point. The point is, Hanasaki has found a strength within himself that has nothing to do with Zombire, and he has a big heart that allows him to fight for his friends no matter what, even if the enemy outnumbers him and are twice his size. That’s just as good, if not better, as any comic book hero.


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Episode One-Derland | Tokyo Magnitude 8.0

Plot: The future is uncertain – whether for good or bad. But one thing is certain – Mirai hates pretty much everything, by her own admission. She’s annoyed by school, her parents, her little brother, Yuuki, and believes nothing good ever happens. The world can fall apart for all she cares. But what happens when the world literally falls apart around her head when a massive 8.0 earthquakes destroys everything around her?

Breakdown: (Note: Cards on the table, this article is actually kinda old. I finished Tokyo Magnitude 8.0 quite a while ago now (Full review will come sometime down the line). Still wanted to post this, though, in case anyone was interested. Thanks for reading~)

Hmmm……..how is it possible that I don’t hate the main character? She is one of the grumpiest most temperamental teens I’ve seen in fiction in a long time. But at the same time, she shows a likable side, and it’s not like this behavior is abnormal. She’s a teenage girl who finds herself unhappy with life. And every time she tries to get invested in something, it gets ruined in some way, but in minor ways – ways that are minor inconveniences to most people, but, to a hair-trigger teen, would seem like they’ve just destroyed everything.

For instance, she wants to buy a cute ribbon for her mom for her birthday but someone else grabs it. Even when they try to give it back to her, she just pouts about it and has a fit after. She gets into driving a little robot thing, which I assume will be reincorporated later since it was specifically designed for recovery missions in disaster zones, but someone gets all irritated at how long she’s taking, so she pouts and walks off.

There was one time where I think she was just being stupid. Her mom buys cake FOR HER OWN BIRTHDAY because I guess everyone else just forgets. She doesn’t want any cake for herself since she’s on a diet, and her mom has to go to work too, so she leaves it to everyone else, but Mirai gets all pissy because…..the cake is in wedges and isn’t round.

She actually complains to her mom about that. And then later she mocks her mom behind her back about this “Who doesn’t know birthday cakes are round?” Like, how entitled are you when you’re complaining to your mom and your friends about the SHAPE of your MOM’S birthday cake that SHE BOUGHT HERSELF. Bear in mind, she only bought this cake for them, too, considering she wasn’t going to have any.

Her family as a whole is very realistic as well. Her father is a bit of an indifferent ass. He doesn’t really give any thought to Mirai telling him that it’s his wife’s birthday. He steps on a bunch of chips on the floor left out by either Yuuki or Mirai and he really doesn’t do anything about it besides complain a little. When their mom comes home and instantly starts warming up dinner, he starts to complain about how late it is and puts the blame of his whining on the kids who hadn’t even talked about dinner up until that point.

Their mom is pretty likable. She gives Mirai chores and responsibilities, actions which are, of course, viewed through the lens of a teenager as proof of her being a relentless slave driver, and she works a lot, but she obviously cares about her family a great deal. She never seems like she’s unreasonable to me, even if she does lose her temper once.

Finally, there’s Yuuki, who is just a sweetheart. He loves all of his family, is really polite, kind and generally happy. Even when Mirai is being a complete bitch to him, he still tries to keep his head up and even cheer her up.

Back to Mirai, she’s having a bit of an existential crisis in that she has an assignment over summer break about where she sees herself in ten years, and she really doesn’t know. She has no direction and no interests besides her cell phone, which is quite typical of a teenager. Just when all of her troubles start to bubble over, the earthquake starts.

The scene with the earthquake was extremely well done, but it came so late in the episode that we didn’t get the absolute full scope of the damage, which is a fine decision as I’m certain we’ll see plenty of it later.

As an intro episode, it does a great job establishing the characters and the main conflict for the entire series. I can imagine the beats the show will take, but I won’t be so presumptuous as to assume everything will be predictable.

The art is kinda simple, though I do think the way the smiles are drawn is adorable. And the animation is extremely fluid. It really looks great.

As for the music, it’s alright. I didn’t have a strong reaction to the opening theme, but I really enjoyed the ED, and the BGM was pretty good.

Final Verdict:

Continue Yes

I’m really looking forward to the rest of this series. I’ve heard really good things about it, and it has a pretty unique premise, so I think I’m in for a good experience.


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Hell Girl: Three Vessels Episode 18: Special Radio Review

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Plot: Chiriko is a big fan of a popular local radio show called The Midnight Silence. She sends in letters to the show frequently, which are sometimes read on air by the dreamy host Jotarou. She’s become one of the most featured fans under the nickname Chi-Chan, and she’s even become popular at school for her status on the show. However, the “truth” behind the show may not be to everyone’s liking.

Breakdown:

Don’t say it. Don’t say it. Don’t Say it. Don’t say it. Don’t say it. Don’t Say it.

This episode was stuuuuu—-

Stop! No!  ~Positive vibes~

This episode….rrrgh….was…….SO DUM–

Come on, you can do this. Deep breath.

This episode has a severe problem with being good.

In that it’s not.

Well…..baby steps, I guess.

I know I’ve brought this up before, but you know how, in the first season, it was difficult to sympathize with Hajime’s crusade to stop the use of Hell Correspondence because he kept finding cases where it either seemed incredibly justified or the person in question pulled the string at a moment where it saved their lives?

This case should have been in season one because it’s just the type of pointless abuse of the system that Hajime was looking for.

Okay, ‘abuse’ is a strong word, but to say the client today had a ridiculous reason for contacting Hell Girl is an understatement.

Before we cover that, though, I have a question – are radio shows still that popular? At least with teenagers. I feel like I’m watching an old school early 90s anime. Every person in Chiriko’s class (especially the girls) either currently are or quickly become huge fans of this radio show where it’s literally just some guy who sounds attractive saying really cheesy stuff to make the girls all swoon. He reads fanmail on the air, and Chiriko becomes very popular suddenly because she’s one of the most frequently read writers to the show under the pseudonym ‘Chi-Chan.’

Not only do all these girls own a boombox, but they’re all entranced every night listening to this dude and doing nothing else but staring at the stereo.

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This series was made in 2008-9, so it’s not that recent, but still. Maybe radio’s popularity has stayed stronger in Japan or maybe I’m out of the loop with anything popular. I dunno. Just seemed strange to me.

Anyhoo, as I said, Chiriko, or Chi-Chan, is a big fan of this radio show, hosted by the swoony Jotarou. Every time he reads a letter on air, he sends the writer a bell as a gift. Chiriko has collected several of these bells and lovingly wears them on a bracelet.

After she’s ousted and made popular as Chi-Chan, she meets another fan of the show, Kaname. She’s had more fan letters read by Jotarou than Chi-Chan has, going under the moniker of ‘Frog Princess.’ They become fast friends, and Kaname suggests that they both head down to the radio station to thank Jotarou for everything he’s done for them.

When they arrive, they manage to bump into Jotarou’s co-host, Yume. Turns out, Kaname is also a big fan of Yume because she’s such a great scriptwriter. (Yeah….One of the segments of the show had Yume asking what behaviors Jotarou likes in a girl. He was scripted to respond with “I like a girl who dries her hair after a shower and one that uses shampoo.” I get that, like boy band songs, when the intention is to woo a bunch of teenage girls you have to be vague and act like whomever is being addressed could possibly be any girl who is listening, but this is so bad I legit can’t tell if it’s a joke. High quality writing, Yume.) Kaname is an aspiring scenario writer, and she dreams of working on a radio show some day. Both Kaname and Yume enjoy a pleasant exchange, but Chiriko is in a state of shock……because she never realized the show was scripted.

That, my dear friends, is the motivation for the client this week.

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No, I’m not kidding. Chiriko contacts Hell Girl that very night and pulls the string the next day as she’s walking into school with Kaname. She sends Kaname to hell purely because she revealed that Jotarou’s show was scripted.

I am currently in the process of trying to be less harsh on the stuff I’m reviewing – try to be more positive – but COME. ON. What IS this?

Let me be clear – Kaname is completely innocent in this. She didn’t reveal that the show was scripted just to be an ass to Chiriko. She legitimately loved the writing on the show and thought Chiriko knew it was scripted. She never once appeared like she had malicious intent in her actions. Not even Yume was being condescending or cruel with her words. In fact, she gave a copy of the newest script to Kaname and encouraged her in regards to her dream of becoming a scenario writer. She was perfectly pleasant when she could’ve easily been a typical famous snob.

After Kaname is sent to hell, Chiriko enters a complete delusion that the show’s not scripted and essentially goes bananas. Her bracelet is now absolutely loaded with bells, and she loving hugs her radio when she’s listening to the program.

There was never, not once, ever any indication that this girl was this obsessed with Jotarou or this show. Not to the point of sending someone to hell over it, and not to the point of going coo-coo for Coco Puffs once she finds out it’s scripted. She was a big fan, sure, but nothing ever indicated that she was anything more than that. I wouldn’t even call her a super fan or anything of the like. She also definitely had a crush on Jotarou (whose face is never shown, by the way) as well, but, again, nothing ever indicated that she was obsessed with him or even in love with the guy.

Everything in this episode was so normal that most of the runtime didn’t even feel like a Hell Girl episode. In fact, if Ai and the others didn’t pop up a few times over the course of this episode, I’d probably forget it even was a Hell Girl episode until the very end.

Speaking of Ai and the others, they were acting strangely in this episode. Ai seemed like she was actually interested in the show and Kikuri was making Yamawaro write in a bunch of letters to the show so she could get featured.*shrug*

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Back to the topic at hand, I was thinking maybe Jotarou would turn out to be a jerk, or Chiriko would be superficial and Jotarou would turn out to be unattractive, or Kaname would send Chiriko to hell for impeding on her status as the most-read fan letter writer of the show, but no. Granted, those motivations are silly too, but they’re both better than this.

Chiriko’s a teenager. She has to be aware that most things in media are scripted and fake. How many shows go completely off the cuff? Even if she didn’t know, why does the show being fake have to impact her views on Jotarou? Maybe he actually is a really charming, handsome and romantic guy in real life. Just because he’s fed lines to say doesn’t mean he’s not still someone she can admire.

Why target Kaname, for that matter? Shouldn’t she be more upset with Yume for helping create this illusion or Jotarou himself for seemingly being a liar? Why target Kaname just for accidentally revealing the truth to her? She also pulled the string immediately after making sure Kaname didn’t tell any of the other girls about the fact that the show was scripted, like she’s protecting them or something. Chiriko, I doubt all of the girls in school are as naive as you. Heck, Kaname didn’t just know the show was scripted – she knew Yume was the writer. It’s not like they’re keeping it a secret.

Now Kaname’s in hell and Chiriko’s bound for hell all for what? Nothing. There have been some really silly and ridiculous reasons to send people to hell in this show, but this one might just top them all.

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Oh and Yuzuki? She’s here. She’s just watching from the background until the very end where she’s seen running up to Chiriko seconds after she had already pulled the string and then we later see her flopping over onto her desk in exasperation as she listens to a staticy radio with Ai looming behind her.

I kinda wanted to yell when she did this. She’s acting like she’s exhausted from all this Hell Girl business when she literally did nothing – again. She had a vision and jogged for a few seconds.

Sorry I kinda failed in my quest to be a little more positive today, but sometimes you can’t avoid biting into a bad apple.

Oh well, maybe next episode will be a bit better.


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.Hack//XXXX (Manga) Review

Plot: In a different re-telling of the events of the original Dot Hack games, Kite is a newbie player in the massive MMORPG, The World. He’s being shown the ropes by his friend, a highly skilled veteran player under the name Orca of the Azure Sea. While playing, Kite and Orca come across an insanely powerful monster that cannot be damaged by any attacks. In an effort to save his friend, Orca ends up getting killed by the beast and somehow his physical body falls comatose at the exact same moment.

Kite, determined to save his friend, is given a special bracelet with the power to defeat the monster that hurt Orca, known in the real world as Yasuhiko. With his online friends and an odd boy with similar powers named Cubia, Kite sets out on a mission to find out what The World really is and how to save Yasuhiko.

Breakdown: Anyone who has played the games will notice that, indeed, this seems like a faithful retelling of the games’ story. However, you’ll note one very important part near the end. Cubia is not a monster. He’s an NPC who befriends Kite and helps him defeat the eight phases with a power similar to that of Kite’s bracelet. He’s given characterization, a personality, a true backstory as both a shadow of the power of the bracelet and maybe some kind of failed being similar to Aura.

Other than this, though, the story is entirely the same as the games, which means that the quality of the manga in comparison to the game (which I find to be great) hinders on how well this change worked. Ultimately, I think it worked pretty well. Having Cubia be an actual character who both tricks Kite and yet seems to actually care for him is an interesting change to the story that helps shake things up a bit more than just essentially being a monster that is anti-Kite’s bracelet.

Cubia’s personality is similar to, yet not copying, Aura’s origins, personality and being. While Cubia is merely data, he’s somehow able to develop feelings and perhaps have some concept of a soul. Despite the fact that he ultimately does become the monster that needs defeating, his evolution as a character is nice to read, and his friendship with Kite was especially well-done.

Cubia has a power to help him defeat the phases, meaning Kite’s not as alone as he feels in this mission, even barring the help of Blackrose and the others. Cubia was a very nice person, seemingly, and they connected on several levels. It was a great decision to have Kite still defend him even while knowing what he truly was. Kite’s level of caring and respect for those he has befriended, no matter if they’re data or not, shone through here.

That coupled with the game’s story makes for a really good manga, but I do have to say that people who have played the games are still going to know every thing that happens through the whole manga, including pretty much everything about Cubia even if he is an NPC here. They make the big final battle really awesome in manga form and it’s just a great read the whole way through, even if it is fairly short.

I will say that they go through the Phases a bit too fast for my liking. Cubia himself defeats some without our knowing. It makes the journey seem very quick and rather simple, making Kite’s later push against his friends for fear of their lives seem a bit drastic and sudden.

Recommended Audience: There’s virtual violence and one shot of Balmung getting attacked that was pretty damn graphic for a MMORPG. Plus slight non-ish nudity by Aura. 10+


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Boku wa Imouto ni Koi wo Suru (Manga) Volume 9 Review

Plot: Who are Iku and Yori’s real parents? Is it possible that they’re still twins?

Can they create groinal friction without judgment? Can I find it within myself to care about these horrible, horrible characters?

Breakdown: The first chapter shows Yano taking Iku to an amusement park to distract her from Yori seemingly making eyes at Mori. Meanwhile, Mori, for some reason, heavily flirts with Yori even though she knows they’re half-siblings – guess incest runs in the family…..That was more of a joke than I intended.

She brings him to her house to see some photo albums of her father as a younger man and to basically confirm that her father and Yori’s mother had an affair. Her father comes home and confirms her suspicions, knowing Yori would notice quite soon after meeting Mori.

The next chapter has Yugo denying that he’s Yori’s father, acting like he was joking about him being his real father. He tells him the story about his and Saki’s relationship. He was a bad boy, she was a very strict kinda manipulative person who would purposely push his buttons. He was annoyed with her at first, but quickly fell in love and started doing bad things on purpose to get her to scold him.

However, in spite of his feelings, she was already engaged with Shunpei since before they even met. He admitted his feelings toward her, but she refused him on those grounds, despite seemingly loving him back. He states they were never together so it’s impossible for him to be Yori’s father.

Yuugo admits that he’d love to be Yori’s father and he is affectionate toward Yori because he’s Saki’s image…..even though….you’d think it’d be more understandable to be affectionate towards Iku. I mean, Yori’s been noted as looking exactly like Yuugo, not Saki. Iku’s more Saki’s image.

Anyway, he’s lying. He takes a hair from Yori before he leaves and intends on using it for a DNA test. Turns out, Yuugo and Saki did bump uglies once….On her friggin’ wedding day. She’s even in her wedding dress when they do it. That’s fucked up.

The next chapter starts with Yano and Iku coming home from the amusement park. Yano stops the car when he sees Yori and Mori together and freaks out at Yori telling him Iku’s been worried sick. He begs him not to hurt her again. Yes, Yano, yell that out as loudly as you can.

Mori explains the situation, and Iku is shocked.

Iku: “But then Yori….wouldn’t be my brother?”

Mori: “Exactly.”

No, not exactly. Half-siblings are still siblings. Their situation would only be slightly less squicky.

Yano kidnaps Yori to talk more about what happened. Yori explains that, even though Yuugo stated he wasn’t and couldn’t possibly be his father, there’s still the odd issue of Iku’s paternity booklet with the missing sections about her parents. He’s struggling because, even though he’d love to find out she’s not his sister, telling Iku that her mom and dad aren’t her biological parents would crush her.

Wow, an understandable and heartbreaking revelation and normal mode of thinking. Good job, Yori!

They bring the information to Yano’s personal family doctor for analysis and she says that with both the mother and the father information left blank, she was likely abandoned and the Yuki family adopted her.

Yori: “Is this a dream come true?” Wow, a single page to go from ‘Good job, Yori!’ to ‘Go to hell, Yori!’

Giving him some credit, even though he also says he now feels like he might be the luckiest man in the world, he’s still conflicted because the news will hurt Iku. Yano tells him to not feel guilty because now he can freely tell Iku he loves her in front of everyone without judgment.

Uhm, Yano, first and foremost, please don’t tell him to not have even a semblance of healthy character development.

Second, no. No, he can’t.

Even when you’re not blood related, it’s still a social taboo to date your siblings. Even though he can be a little more free about it, they’ll still likely get whispers and snickers and even harassment. I also can’t imagine their parents would be cool about it. Their mom seems to be aware that they’re not fully blood related (maybe their dad too?) and she is having panic attacks left and right whenever she believes the two might be romantically involved.

The chapter ends with him dreaming about the happy life they might have a chance at having – being able to hug, kiss and tell her he loves her, but most importantly, make her happy.

The start of the next chapter has Yuugo confronting Saki explaining via a DNA test, he has proven that Yori is his son. Saki doesn’t seem surprised, and Yuugo demands to know why she never told him if she knew. She begs him to not say anything because it would destroy her family.

Yuugo relays to her that Yori visited him, investigating whether Yuugo was his father or not and seemed disappointed when he told him he wasn’t. Saki is shaken, but seemingly not for this revelation. She’s moreso putting two and two together and believes he was disappointed because he wanted to not be fully blood related to Iku so they could be romantically involved.

Flashing back to more proof that Iku’s a dumbass, we’re shown Yori teasing Iku for not even getting up to a 20 on any of her quizzes in any of her subjects. How the hell did this girl even reach this level in school? How is she not flunking? Yori can only do so much. What does she do all day? She’s has no skills or hobbies, yet apparently studying never crosses her mind. Even people pretending to pay attention can eek out scores twice as good as hers.

Don’t tell me it’s all the fooling around with Yori because she was getting these grades long before she hooked up with Yori and when he was at the other school.

This is meant to depict another one of many instances where Saki has been suspicious about their feelings for each other.

Back in the present, Saki says she won’t give into Yuugo’s blackmail, though we never learn how he blackmailed her. I get what he’s holding over her, but what is he asking for?

But speaking of blackmail, Saki straight out asks Yori when he gets home if he loves Iku. Yori coolly, and without missing a beat, blackmails her, stating he knows everything about her and Yuugo and Iku’s adoption. If she so much as breathes a word to Shunpei or Iku about it, he’ll tell them everything and destroy their family.

He goes even further explaining just how much he loves Iku and blames Saki for his deep feelings of guilt all of these years when he could’ve been free to love her like he wanted if she just spoke the truth.

Later, he shows that he’s flaunting his newfound freedom in front of his mother, knowing he has her in a vice. He takes a barely dressed Iku into their room to get freaky under the guise of ‘studying’ and Saki collapses on the stairs in emotional agony, knowing she can’t do anything about it.

I know Saki’s definitely guilty of a lot of things, but Yori is a stone-cold pile of shit.

The next chapter starts with Yori and Iku about to get it on in their bedroom while their mother sits in the stairwell, debating what to do. As Yori’s about to get down and dirty, their mother bursts into the room to stop them, no longer caring what Yori does because she feels her duty to protect her children from a mistake is more important than the happy lie she’s created in their family.

She tells Iku that, despite the odd paternity booklet, she is 100% Iku’s mother and Shunpei is her father. She is also Yori’s mother, but as Shunpei walks in the room to see what all the fuss is about, she admits that Yuugo is Yori’s father.

The last chapter of the volume shows Saki on her wedding day. Yuugo tried to convince her to run away with him and elope, and she was actually extremely happy to hear him say that. However, she was too dedicated to Shunpei. She couldn’t break his heart.

For the first time and the last time, they decided to have sex. She slept with Yuugo on her wedding day, and Shunpei on her wedding night. Having sex with two men in a 24 hour period and getting two of her eggs from the same cycle fertilized by each of the men resulted in the previously discussed heteropaternal superfecundation – the creation of twins born of two fathers.

She tells Shunpei, who should really be wondering what the hell half-naked Yori and all-naked Iku are doing in bed, that she’ll accept a divorce if he wants one, but he refuses. He actually knew about Yori’s parentage all along, but he didn’t say anything and continued to keep up her lie because she chose to stay by his side all this time. He knew this whole situation caused her great pain, but she kept through it to be by his side.

So, before I continue, some side notes tell us that Yori’s next dialogue is knowingly horrible and he feels guilty about it before he even says it. Keep that in mind.

Shunpei tells Yori that it doesn’t matter if they’re not blood related, he will always be his precious son. Yori says, and I’m directly quoting here.

Yori: “I’m sorry, Dad. I am not happy at all. I like mom and dad, but I have thought about how good it would be if dad wasn’t my dad and how great it would be if mom wasn’t my birth mother. Just now, mom said all of this is my responsibility. Therefore, can you give me Iku?”

Yup. Garbage person. He basically told his parents to their faces that he enjoyed the idea of them not being his real parents and started a negotiation to be ‘given’ Iku, like she’s restitution.

And don’t give me anything about this being less bad because he realizes it’s a shitty thing to do.

To quote Todd from Bojack Horseman – “You can’t keep doing this! You can’t keep doing shitty things and then feel bad about yourself like that makes it okay. YOU NEED TO BE BETTER!”

But we’re not done.

Yori: “I don’t need dad or mom. That’s why….I’m taking Iku! Because I only need Iku!”

The volume ends with kidnapping. Swell.

———————————-

This volume is horrible. Yuugo’s being a dick. Mori’s being a creepy bitch. Yori’s being a dick. Saki’s a terrible person who got off too easily. Shunpei’s a bit of a doormat. Iku….Iku is literally not doing anything. She’s responded to everything in this volume with the same look of blank surprise. She seemed slightly upset when Mori told her Yori might not be her brother, but that was about it.

Yori uses his manipulative garbage person ways to more freely boink his sister and then uses them again to get Iku, acting like he’s entitled to her and Iku just goes with it. Iku you are one step away from being a prop, but that’d be a compliment because props actually have functions.

Some people have this weird view on love that it’s romantic to seem like you care about literally no one else but the person you love, but that view always struck me as toxic and horribly unhealthy. Love should make you a better person, not further drive you into dickery. You shouldn’t feel like you can be a heartless monster to people, especially your parents, just because you love someone and want to be with them.

There’s not much else to say about this volume. Everyone is terrible. Everything is terrible.

Next volume is our finale! Can they clean up this mess of glorious proportions and somehow make me not want to throw my computer out a window?

Stay tuned.


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Space-Time Detective Genshi-kun/Flint the Time Detective | Episode 11: Get Fired Up! Nekketsu Sub/Dub Comparison

STDGKEP11SCREEN1

Plot: Genshi, Sora and Tokio head to America in 1906 where the Space-Time monster, Nekketsu, has befriended an 11-year-old George Herman Ruth, known later as the legendary baseball player, Babe Ruth.

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They add in a stock shot of Ms. Jinguji talking between when the kids enter the building and when they pan across the room.

Name Change: Nekketsu is changed to Batterball

The original doesn’t state that Nekketsu has the power to instill people with great athletic prowess like the dub does. All he does is control any type of ball and create balls.

There’s no excuse for this change. In the original, Genshi hears “batter” and mistakes it for the word “butter” and gets excited. In the dub, he hears clearly but thinks they’re talking about batter for pancakes. Granted, the joke here isn’t better or worse than the one in the original, but there was no reason to change it.

Title Change: Get Fired Up! Nekketsu is changed to Batterball

The original just says they’re heading to 20th century America. In the dub, they specifically say 1906. I don’t know why the dub is consistently more accurate on the year than the original is, but give Saban their props. When the original keeps saying (#)th century, it’s way too vague. Technically, this episode was made in the 20th century, for crying out loud, and 1906 is just barely on the cusp of the 20th century.

As usual, the dub chooses to show the kids getting on Ridon up on the second floor and descending down to the transport bay while the original hasn’t shown that in a while.

Nekketsu’s name plate is removed.

Subbed: STDGKEP11SCREEN2

Dubbed: STDGKEP11SCREEN3

Originally, George asks Genshi if he’s okay. In the dub, they make him an idiot by making him ask if Flint’s an asteroid.

Apparently, Saban transformed the shoes of those bullies who were kicking Batterball into clown shoes because they add horn honking sound effects whenever they stomp on Batterball.

I think this has happened enough now to add this note.

Entire Series Edit: In the original, the Space-Time Monsters can’t talk. They just say their names or make random sounds, like Pokemon. In the dub, they can seemingly all speak English fluently.

In the original, Genshi introduces himself as a friend and then proceeds to dance around while singing his ‘Friends’ song. In the dub, Flint says he’s there to protect George and Batterball. George asks what a small kid like him can do, and Flint just…..dances to the chanting from the theme song for some reason.

George wonders if Genshi even understands what he’s talking about. In the dub, he says Flint probably takes a lot of vitamins. Fun fact: vitamins were discovered by Casimir Funk who coined the term “vitamins” (originally ‘vitamines’) in 1912, a full six years after this episode takes place. I honestly just checked that for the hell of it, thinking vitamins were way older and this joke worked, but nope.

Sora tries to remind Genshi that playing baseball is not what they came here to do. In the dub, Sarah says giving Flint a mitt will keep the ball out of his mouth….??

Tokio then says it’s not fair for Genshi to catch and that he should have a shot at bat…….Dude, he literally just caught ONE ball. George literally batted ONCE. You’re saying that arrangement is unfair? In the dub, Tony suggests letting Flint take a few swings while they look for a mitt. That’s better, admittedly, but George has a mitt. We just saw it a second ago.

Putera says that’s not what Sora was talking about, and Sora laments that even Tokio’s not focused on work anymore. In the dub, Pterry says he bets Flint can hit and Sarah says she hopes Flint doesn’t mistake the bat for a French fry. Ahahahah, and all, but they do realize that Flint’s a caveman…..bats are basically just thinner clubs.

What’s with these baseballs, by the way? They have no stitching. Were actual baseballs really expensive back then or did the animators just not put them on for some reason?

Sooooooooooooooo…..Tokio’s all like ‘This isn’t fair!’ when Genshi is made the catcher ONCE, but Genshi using his stone hammer as a baseball bat, that’s perfectly fine?

Dub!George: “No way he’s going to hit my curve.” I know jack shit about baseball and even I can tell that pitch wasn’t a curveball. It just kinda swayed back and forth.

Yes, George did cheat by using Nekketsu/Batterball, but, again, it’s also cheating that Genshi/Flint used his massive stone hammer when batting….

Pterry: “Boys will be boys.” I friggin’ hate that saying.

Getalong: “But why?”

Sarah: “Why? Because I think boys are ridiculous and juvenile.” Ah the common casual sexism in children. One of many things in the ‘Problematic yet generally overlooked’ bucket.

……..Also, Sarah, that does not answer Getalong’s question at all.

Sora originally said that she doesn’t understand why boys get so heated over stuff like this, which is still sexist but not nearly to the extent Sarah was being.

I love how TP Lady/Petra Fina, Dyno/Dyna and Mite are all super happy with themselves for pulling off their plan of grabbing Nekketsu/Batterball while everyone was distracted, even pointing out that that was, specifically, their plan……when…ya know….they could’ve just made off with Nekketsu scot-free if they just left the kids to their personal squabbles instead of drawing attention to the fact that they were stealing the Space-Time Monster/Time Shifter….

The Masked Man originally suggests making doubles with him in real life. In the dub, he tells Petra that her serve is almost as beautiful as she is.

Oh god, the original actually plays the ‘Wahh wahh’ horn when TP Lady gives in to the taunting and agrees to the game when she said the taunting wouldn’t work. Give the dub credit, they didn’t mirror that music cue….

Putera and Love-Love originally pretend they’re the announcers for the game. In the dub, Pterry explains that, per the rules of the game, Petra’s team pitches first since they’re the visiting team (aren’t they all technically visiting, though? Barring George.)

Honestly, this IS is a stupid idea considering TP Lady has control over Nekketsu…the Space-Time monster who controls balls….Spoiler alert, but the only way they win is through convenient stupidity.

They flip the shot of Tokio hopping around to get the ball and repeat it after Petra starts running.

When the scene returns to normal play, they also flip the shot of Sora running after the ball for some reason.

It’s really weird that George is blaming Genshi/Flint for getting hit with the ball. It’s obvious Nekketsu did that.

They mirror the shot of Flint running through the wall, I guess to make it not as obvious that they reused that shot in the original……Who the hell keeps putting random walls on the field?

Still running commentary, Putera asks Love-Love about her opinions on the game. Since Love-Love can’t talk, she just mutters her name over and over. In the dub, Pterry asks Getalong what they should do. Getalong says “Who cares? It’s just a game of baseball.” Uh….yeah….it’s a game of baseball where the lives of one of your fellow Time Shifters hangs on the outcome…..Pterry points this out, but but since when is Getalong such a jerk?

Right before showing George getting emotional, they insert a shot of Pterry talking into the camera to Petra Fina, for some reason, apologizing for Flint and Tony’s catch……???

Sora says it feels like everyone’s been best friends for a long time. Sarah tells the others that they have a game to play.

Alright, if just using Oto-tan as a bat isn’t against the rules, surely using Fighting Spirit when at bat is. Again, TP Lady’s team is cheating too, so it doesn’t matter, but I’m still a little hungup on Tokio’s comment from earlier.

Name Change: Reiketsu is changed to Batterball-con

Name plate removed.

Subbed: STDGKEP11SCREEN4

Dubbed: STDGKEP11SCREEN5

Reiketsu seems to only be able to say “Unbelievable” and grumbles in English. In the dub, he can still speak full fluent English.

They repeat a shot of Batterball-Con juggling Flint and Rocky before George yells at him.

Wow, George sounds way too old when he says “Batterball, put ‘em down!”

They repeat the closer shot of Flint and Rocky being juggled before Petra laughs.

Merlock: “Hello, Pretty Sarah.” Hello, Creepy Merlock.

Did….did Kyoichiro’s legs seriously give out from under him and cause him to roll down the hill?…..Why? Because…he was flustered by Sora? What?

They change the shot of Flint talking to George to a repeat shot of him talking from a few seconds before.

They insert the shot they cut in order to place that repeat shot in there to right after George starts to rear up for his hit. Such purposeful edits today.

TP Lady angrily lamented that she’d never be able to make doubles with the Masked Man now. In the dub, she comments that they won by being nice and she hates nice more than anything.

They extend the scene of Petra, Dyno and Mite leaving by showing them in the time stream and showing Petra yanking on Dyno and Mite’s heads.

They remove a short scene with Toki-G explaining everything. Old Timer says the same dialogue in narration, though.

STDGKEP11SCREEN6STDGKEP11SCREEN7

Another instance of a day shot being swapped for a sunset shot. This makes even less sense because the shot immediately following this one takes place outside where it’s clearly day again….

The original more or less implies that Nekketsu is depressed because he had to leave George. In the dub, they claim it’s because he hasn’t been able to play baseball since he arrived in the 25th century.

In the original, since I guess we didn’t have enough story to fill the full 20 minutes, they add a new segment called Toki-G’s Space-Time Monster Course where Toki-G explains the specifics on some of the Space-Time monsters discovered so far. In the dub, they make up an entirely new segment that’s not so much a proper segment (Where Sarah would be acting as a host speaking directly to us) and instead cuts to a scene where Sarah is updating her ‘Flint File’ which hasn’t been mentioned until now, and she basically does the exact same thing, only she goes over more Time Shifters and forms than Toki-G did.

The segment also continues on with Tony telling Sarah to come along since they’re taking Batterball to a baseball game. She refuses because they have too much homework. They fight, just like in the episode from which these clips are taken, but at the very last second they makeup and say they’ll do what the other wants.

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So that was……an episode.

What a dreadfully boring episode, to be honest. I might be slightly biased because I already find baseball to be a snorefest (although, fun fact, I wrote a paper on Babe Ruth when I was in middle school. I had to dress up like a baseball paper to deliver it too. Don’t remember why, but there it is.) but, seriously, there is NOTHING to this episode besides the gimmick of baseball. NOTHING. It’s the same song and dance we’ve seen nearly a dozen times already without any substance to it.

At least they didn’t pull a Rodin and imply that Babe Ruth got his athletic ability from a Space-Time monster, but outside of hitting Baseball!Genshi, George didn’t do anything of note. He hit one good home run, which Genshi caught in his teeth after jumping up about six stories, and then he cheated after he took a turn pitching by using Nekketsu to manipulate the ball so he could make an impossible catch. George didn’t come off as an unlikable kid, but he wasn’t that likable and did nothing impressive. The ‘emotional’ parts also felt very shoehorned in. He was pretty boring.

Nekketsu is also a weird Space-Time monster. He controls…..balls? He turns things into balls?….Wow? Impressive? Not to mention that Nekketsu’s voice is very odd. It’s too deep.

Granted, Reiketsu’s a little better. Wielding four spiked clubs and being able to shoot nearly endless amounts of baseballs at high speeds is pretty intimidating. Truth be told, I’ve always wanted to try a batting cage but I’ve always been worried the machine would go nuts and shoot balls at me. Silly, yes, but leave me alone.

To make matters more boring, we don’t get a new good transformation of one of the Space-Time monsters today. They don’t even call for backup in this episode.

At least Genshi didn’t get hungry in this episode, but that’s not much consolation.

I didn’t even get to really research anything today, and that just overcooks my noodles.

All I got to research today was vitamins.

VITAMINS.

Based entirely on an off-handed remark.

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VITAMINS!

….Moving on….

Next episode seems a bit strange….We’re introduced to a Space-Time monster called Ammon, who is hanging out with…..Dracula….so….either he’s hanging around a fictional character and acting as if he’s a historical figure…..OR…..we’re going to be focusing on Vlad the Impaler, the actual inspiration behind Dracula…..who was one of the most cruel mass murderers in history…..Uh huh….I get that there’s a lot of ‘Well, Vlad had a point’ in regards to his leadership and rule, but dude was still bathing in the blood of tens of thousands of people. So, uh, I dunno where this episode will lead us, but we’ll have to wait and find out.


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Pokemon Extravaganza | Movie 10 (Sub) Dialga Vs. Palkia: The Rise of Darkrai Review

Plot: Satoshi, Hikari and Takeshi arrive in Alamos Town – the location of Hikari’s next contest. Along the way, they meet the balloonist/musician, Alice, and her childhood friend, Tonio, who studies energy abnormalities. As they get a tour of the local gardens, they meet Darkrai, a powerful Pokemon who induces nightmares. He seems to be terrorizing the area, but they don’t know what he wants.

Little do they know that a fierce battle between two deity Pokemon, the master of space, Palkia, and the master of time, Dialga, has started in a dimensional rift. When these two massive powers clash, it’s only a matter of time before reality as they know it starts to fall apart.

Breakdown: Gauging from Dogasu’s Backpack entry for this movie, it seems it got away mostly unscathed, so I might not have much to talk about today, but, nevertheless, let’s see how the original Japanese version of Rise of Darkrai hits with me.

20 Minute Mark

The opening is less epic than I’d expect from a tenth anniversary movie opener, but it’s pretty good.

And, get this, they actually decided to use most of the animation for the opener in the dub opening. While they didn’t maintain the cracking animation for the initial title, opting instead to use a flash and jumping transition, the pink and blue time/space stream is kept intact. The final title card is obviously changed too, though.

Oddly, I prefer the title card that the dub created over what the original movie had because not only is the title itself better (The ‘Dialga vs. Palkia’ part makes this seem like a wrestling match) but that was a kick-ass font, color and animation they had for that title card. This one’s alright, but it seems cheesy, especially that gigantic VS.

Also, I’d like to support Dogasu’s claim that there’s a black screen after the title card instead of showing Pikachu’s shadow as it’s also on my copy. I checked some clips of it online just to make sure and it’s still in those versions too. I assume that was an error caused by the edited opening sequence and they just never bothered to fix it.

Brock’s ‘Little Blue Book of Babes’ is originally his ‘Lover Ranking Book’ That’s creepier, but less demeaning than the dub’s.

The ‘ten times ten’ thing is, strangely, in the original…..It’s not a good line, guys. I don’t know if you guys think it’s a joke or a clever nod to the tenth anniversary or whatever, but it’s not a good line. Satoshi is not the type of person to hear a number and instantly start wondering about mathematical equations to achieve said number.

One of the things that is always changed between versions is the theme song. In this version, we get Together 2007. It’s a fine song but it’s terribly generic in terms of nearly everything. Not to mention that, while the song is really Pokemon-ified, it fluctuates back and forth between making sense and being gibberish.

The leaf whistle sounds the same in the original. I was hoping it’d sound better….Seriously, why would you have a part of the movie be a song so beautiful and calming that it can instantly quell fighting between Pokemon, yet have it sound like a song you’d hear coming out of a Otamatone?

40 Minute Mark

Hey, what do you want to see more than anything over a beautiful shot of fireworks over the Space-Time Towers at night?…..Bunyatto/Purugly’s butt!? You got it!

I gotta say, while I wasn’t a fan of Darkrai’s dub voice….his Japanese voice isn’t much better.

Oh dear. I have to apologize to TPCI now because they were just mirroring the same lame cover name system the original had. Musashi calls herself Musashina, Kojiro calls himself Jikoro and Nyasu calls himself Nyasugo….

Man, I want a Crescent Feather necklace….

Hour Mark

This might just be the subs, but the scene with the illusion Beadaru/Bibarel makes more sense now. Musashi says ‘A super rare Pokemon!?’ Kojiro says ‘I’m not sure about that!’ and Baron says ‘It’s an illusion!’ Goes to show how much even minor line changes can make an entire exchange seem goofy.

Nice to know that in addition to Mojumbo/Tangrowth being the worst Pokemon ever that its Japanese voice is equally horrible.

While we’re on the subject, Lucky/Chansey’s Japanese voice is also doofy.

End

No notes until the credits where the only change is the predictable replacement of the credits music. The original has a fully English song called Going Where the Lost Ones Go. I believe this is the first time that they’ve replaced a fully English song, but, as the comparison states, I imagine it was for licensing rights issues or something.

Shockingly, I prefer the dub’s I Will Remember You to this song. This song just sounds like a million other duets. It’s very bland.

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This movie fared very well, and most of my notes are superfluous. The dub only really hiccuped in some lines that made some things either confusing or make no sense, but they weren’t really important things. And that’s kinda made up for with the songs since the lyrical songs in the original movie are incredibly weak in my opinion. Great score, bad lyrical songs. Only mar in that area for the dub is the intrusive rap song they had for no reason.

Recommended Audience: Let’s parrot the drab ‘cartoon violence’. 5+


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My Poke-Pinions: (175) 35 and 36 – The Clef Line

Note: From now on, I’ll be omitting the section on the cries/voices. It’s just a hassle for something that doesn’t really matter or affect my opinion on the Pokemon that much. Plus, in the anime, the voices change so it’s even more pointless. Thank you for understanding.

Cleffa

Name: Cleffa’s name is cute, but kinda lazy. It’s just a shortening of Clefairy/Clefable. Cleffa is meant to be the word ‘clef’ as in the musical note, and a shortening of the word ‘fairy.’

Its original Japanese name is Py, which is also cute but just a little bit weird since I’m pretty sure it’s supposed to be pronounced “pee.”…..

Fun Fact: In French, it’s called Melo, as a shortened version of melodie (melody), and I think that it’s a really cute name.

Design: Cleffa’s pretty cute, but I think its ears come off a bit too much like weird thick horns. Admittedly, out of the entire Clef line, Cleffa’s my least favorite.

Sprite-wise, I don’t really have much to say on any Gen. Given the very limited range of motion and the teeny-tiny face of Cleffa, nearly every sprite looks exactly the same. The one exception being Silver, with bigger eyes and one of its ‘hands’ going up to its mouth. It’s almost criminal how cute that looks.

The animation in Emerald is very erratic.

The one for HG/SS is adorable.

And the one for Gen V looks too robotic, like I’d see it in a Pokemon amusement park.

Shiny:

Keeping in tradition with the entire Clef line, Cleffa’s shiny sports a lighter pink on the pink parts and lime green where the brown used to be.

This color scheme works just as well with Cleffa as it does the rest of the line. The lighter pink gives off a bubblegum-like vibe, and the green feels like a nod to its supposed alien origins.

Dex Entries and Backstory: Cleffa absolutely adore stars, are star-shaped and commonly hang around sites of craters made by meteors, leading people to believe that they originally came to earth on a shooting star. They love to dance on nights with meteor showers, and they’re more frequently found during these times. It’s said that those who witness a Cleffa dancing under shooting stars will have good fortune. Once they’re done dancing, when the shower stops and the sun rises, they quench their thirst with the morning dew.

They’re also noted as loving Minior because they resemble meteors.

In terms of their design, Cleffa, and basically the entire Clef line, are based on fairies and pixies. Cleffa in particular is based on star shapes. While I think this fits more with Clefairy and, most of all, Clefable, Cleffa’s design is also said to be based on the legend of the Moon Rabbit since they have long ears and evolve to their final forms with the Moon Stone. Not….entirely sure how much stock I put into that idea, but I guess it fits.

Clefairy

Name: Clefairy’s (Clef and fairy) name has the same origins as Cleffa’s. It’s a very cute and fitting name.

In the original Japanese version, its name is Pippi. I never much cared for that name, and I care for it even less now because my grandma has an evil psycho cat named Pippi, so no thank you.

Fun Fact: The prototype name for Clefairy was Aria, which is beautiful.

Also, in France, it’s known as Melofee, which is adorable and equally as fitting as Clefairy if you ask me.

I think they were going a bit hard with the music theme even though music is a very minor aspect of these Pokemon.

Design: Clefairy is, unsurprisingly, very cute. I can never decide if I like the wings or not. I like that it has wings, because it’s a fairy, but they’re a little too fleshy to be cute. In my opinion, though, overall….it’s a little…too cute. Ya know? All the curls and the pink and the fairy wings. I like it, don’t get me wrong, and I’d take a plushie of it no problem, but it’s just a little overkill to me. My girly side only goes so far.

It’s quite possible that Clefairy was made to be so ridiculously cute because, another fun fact, Clefairy was originally meant to be the mascot for Pokemon. In fact, Ash was meant to get a Clefairy as his first Pokemon in the anime, but they changed it to Pikachu in the last minute to better mirror the manga.

Imagine how different the Pokemon franchise and fandom would be if he started with a Clefairy. Would it have even lasted as long as it has? I joke about the almighty power and influence of Messiahchu, but his relationship with Ash is such a memorable staple in pop culture, even outside of anime fans, that it’s hard to imagine if Pokemon would have enjoyed nearly as much success as it has without them.

Sprite-Wise, I don’t really have much to note in any Gen. They’re all varying degrees of cute. If I had to pick out any as my favorite, I’d say Gen V has the best version because the animation is the arm movements for Metronome, and I thought that was really clever and cute.

Shiny:

Pretty much have the same opinion of shiny Clefairy as I did of shiny Cleffa.

Dex Entries and Backstory: Clefairy tends to be very peaceful and friendly, yet very shy. They are extremely adorable and highly sought after as pets, but they’re very rare and commonly targeted by thieves. Like with Cleffa being more common on nights of meteor showers, Clefairy are more commonly found on nights with full moons. Actually, it seems like Cleffa and Clefairy share a lot of Dex info – only replace ‘shooting stars’ and ‘meteor showers’ with ‘full moons.’ The only real difference is that Clefairy also has wings that collect moonlight and allow them to float when enough moonlight has been stored.

The design notes are also the same as Cleffa.

Clefable

Name: Clefable (Clef and fable) has a rather nice name. In fact, out of all of them, I’d say this one’s my favorite. A bit more mature and dignified than the more cutesy Cleffa and Clefairy. Still fits in with the fairy theme and actually adds a bit to their mysterious nature.

In the original Japanese, it’s called, simply enough, “Pixy” which actually reminds me more of Pixy Stix than pixies…..and now I want Pixy Stix.

Fun Fact: Its prototype name was Ariala, which is supposed to be building upon Aria, but kinda doesn’t work because Ariala doesn’t have anything to do with music. In fact, the best I can deduce about Ariala (that being a real name) is that, apparently, in Germany, it means “A beautiful, funny and gorgeous yet strong and independent person.” I guess that can apply to Clefable, but I doubt that’s what they were going for.

….Maybe they were adding a ‘la’ like singing to Aria?

Design: Clefable is cute enough. It’s not that much different than Clefairy. It’s bigger, has longer arms/legs and has bigger/spikier wings.

….Basically, if you want Clefairy, but smaller and not as cute, get a Cleffa. If you want a Clefairy, but bigger and not as cute, get a Clefable. That is really all there is to say about the designs in this line when you get down to it. I never thought Cleffa added much to the line, and I feel like Clefable was mostly pointless too, but I didn’t really care that it existed.

Sprite-Wise, it’s also keeping in line with the others. Lots of sprites that are cute, but mostly not noteworthy. The only one I think merits even a little mention is Crystal and that’s just because its animation makes it look like it’s in some sort of cutesy army.

Shiny:

Third verse, same as the first.

Dex Entries and Backstory: Somehow, they made the final evo of this line have the most boring entries of the bunch. Almost all of them are either echoing information from Clefairy or talking about how it has really big ears with really sensitive hearing and loves quiet.

The only other interesting fact listed is, if a couple sees a pair of Clefable skipping it’s said that they’ll have a happy marriage, which is neat and in line with the Clefairy and Cleffa facts about them being good luck, but….what are the odds of not only seeing a pair of Clefable, noted as being insanely rare, skipping along but also that two people sees them at the same time and those two people are a couple?

—————————–

And that was the Clef line. A fine set of Pokemon, but disappointingly kinda boring to talk about. The most interesting topic was behind the scenes stuff involving Clefairy near-missing being the Pokemon mascot. It’s strange, considering that Clefairy are made out to be alien Pokemon but they just don’t have a lot of information on what they might actually entail.

……………………………BUT WHO CARES?!

GUESS WHO’S NEXT!

IT’S VULPIX AND NINETALES!

Prepare to endure me being obnoxious about how incredibly adorable they are.


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CSBS – Rocket Power Episode 4: Happy Luau to You-Au/Rescue Rocket

Plot: Happy Luau to You-Au – Reggie’s planning to have an awesome birthday party at Madtown Skate Park, but her plans are ruined when Otto gets all of them temporarily suspended from the park.

Rescue Rocket – Sam and Twister are forced into joining a junior lifeguard program. Despite a rocky start, they eventually find themselves enjoying the experience, much to Otto’s dismay.

Breakdown: Happy Luau to You-Au – Sometimes, Otto can be really full of himself. And other times, he can actually be pretty sweet.

Trying out a new game he came up with for Reggie’s birthday party in which everyone holds hands and skates in a chain, the group gets suspended from Madtown for one week. Despite being clearly a bad idea (maybe a fine idea in a skating rink, but not in a skate pool) Otto had innocent intentions here, and it would’ve been fine, technically, but their people-chain ended up knocking down basically every other person at the park.

They really should have stopped the instant one person went down because of them, since that’s just what most normal people would do, but they didn’t for whatever reason. As a result, they got suspended from the park for one week, which is honestly pretty lenient if you ask me, but it’s made all the worse because Reggie was planning on having her first big birthday party at Madtown. Usually she has ‘lame’ parties at the Shore Shack, but she’s finally breaking free and having her party somewhere more exciting. Since she’s suspended, she can’t have her party there.

Reggie is devastated and very angry, especially at Otto, and for once Otto is genuinely sorry. He doesn’t argue, he doesn’t try to make excuses – he just accepts that he screwed up and feels very remorseful about it.

Reggie, on the other hand, is being a bit of a brat throughout the entire episode. Yeah, it’s understandable that she’s being a brat, but it’s also just slightly annoying.

In his guilt, Otto tells Mrs. Stimpleton about what happened. She takes it upon herself to throw Reggie a huge birthday bash – and if you know Mrs. Stimpleton, you already see why this is a big problem. She has a very kiddie and lame idea of what a teenager’s birthday party should be. She ends up hiring a really awful clown (who is even named Lame-O) and a terrible band that uses accordions.

When Reggie learns about this, she becomes even angrier and vows vengeance on the person who told Mrs. Stimpleton about her party – making Otto feel even worse. As if that weren’t bad enough, Mrs. Stimpleton is going to ridiculous lengths to get the word out on Reggie’s party. She’s put out a full-page ad in the paper and is driving around town with a huge loudspeaker announcing the party.

Otto, Twister, Sam, Raymundo and Tito set out to make things right.

Mrs. Stimpleton goads Reggie into coming to the party, and Reggie is shocked to find that the party is actually really cool. It’s being held at the Stimpleton’s pool, the band is using ‘cooler’ instruments, there’s good cake, the clown is basically being taken as a doofy street performer and everyone’s having a blast.

Reggie gets her awesome birthday party, Otto makes up for his mistake, he and Reggie make up and everything’s great……….This isn’t really a luau, so I dunno what the heck the title’s on about, but everything’s great otherwise.

This was just a really wholesome episode (Well, wholesome barring one scene where they’re clearly making that joke about a character ‘drinking’ their problems away at the bar, but in this case it’s Reggie eating fries and Tito cutting her off. He even asks if she’s driving home. Kinda surprising how many kids’ cartoons make this joke.) that, for once, didn’t center mostly on extreme sports. Otto’s being a sweetheart, and even his big mistake was just that – a mistake. It’s something a kid would totally do without realizing it’s a bad idea. Reggie’s being a little bit of a brat, but, again, it’s understandable, and she never goes too far with it.

I also really like that Otto didn’t slam Mrs. Stimpleton for what she was trying to do. He worked with her to turn her ideas into something Reggie would like instead of hurting her feelings and taking everything over himself. It was also really sweet how everyone came together in the end to help make things right for Reggie.

Overall, this is a really good and sweet story. I fully enjoyed it.

Breakdown: Rescue Rocket – Sometimes, Otto can be really sweet. And other times, he can be a dumbass.

Story B of today’s episode involves Sam and Twister being signed up for a junior lifeguard course by their parents. They’re both bummed about it at first, but Sam quickly takes to it, and even Twister eventually starts making a really solid effort to succeed in the course.

Otto and Reggie, however, are bummed because this course is eating up all of Twister and Sam’s time and energy, so they’re left to skate and play hockey by themselves.

Both Reggie and Otto express disdain towards the class, but Reggie soon starts showing interest and is even impressed by the feats they’re pulling off.

Otto, on the other hand, stays firm in his stance that lifeguards, and especially kids partaking in the junior lifeguard course, are all weenies and losers. He’s being totally in character here, both as a kid and just as Otto, plus I get his purpose in trying to show the audience, who may share his views, how cool and important lifeguards are, but he is being flatout annoying.

You’d think a guy who was practically born on a surfboard and was raised by an avid surfer right next to the ocean would have more respect for lifeguards, but he could not respect them less. Even after hearing Tito’s dramatic explanation (according to him anyway) about how, many years ago, lifeguards started out as wise people who respected the power of the ocean so much that they spread the word to people who worked and played in the waters and kept them safe from harm, Otto’s still not impressed. Reggie, however, is so impressed that she asks if she can join the junior lifeguards near the end.

Left on his own as the class winds down, Otto laments that everyone he knows is giving into the idea that the ‘lame’ lifeguards are interesting and cool.

As he mopes, Tito, who claims he’s collecting some seawater with a bucket on a rope for a secret recipe, suddenly falls from the pier and into the water. He’s tangled in the rope and can’t swim to safety.

Twister and Sam instantly grab their gear and establish a plan to save Tito. They work together to untangle Tito from the rope and tow him to safety.

…..And yeah, he was faking the whole time. It was Twister and Sam’s final test in the course, which is fine and cool and all, but….like….what about everyone else in the class?

Tito was actually a lifeguard back in Hawaii, a fact that makes Otto eat some crow when he realizes how he was accidentally insulting Tito when was slamming lifeguards. Otto has now gained a better appreciation for lifeguards and even compliments Twister and Sam for their skills in saving Tito.

I really liked this episode, too. While Otto was annoying, he was realistically annoying. Most kids think lifeguards are lame, and it’s understandable that Otto, hater of all rule enforcers, would be one of those kids. I just feel like, given how much of his life revolves around the ocean and extreme sports in the water, that he’d have a decent appreciation for lifeguards by now. Has he not ever witnessed anyone being rescued before?

I would say maybe he doesn’t have a grasp or mortality either, but….uh….his mom’s dead…..

Like many other times, this episode also shows the significant difference between Otto and Reggie, and that’s simply in the fact that Reggie is more mature and open-minded than he is (Uuuuuuusuallyyyyyyyy.) They both started out ragging on the junior lifeguards, but Otto did it more, worse, and Reggie warmed up to them much sooner.

This was a great episode for both Sam and Twister. It gave Sam some confidence, which I always love. Once he actually got invested in it, Twister also had some nice moments. It showed that he really can learn and do great things if you manage to keep his attention. Plus, I really like Twister and Sam’s friendship. They make a great team when Twister’s not being a jerk to Sam.

There were several funny moments in this episode, particularly when Sam and Twister were trying to save Lars and Sputz. Twister refuses to save his brother, and Sam actually stands up to Lars when he, predictably, starts mocking him. I loved when Sam said “Please grab the rescue can, MADAM, and I’ll tow you to safety.” Then Twister returned without Sputz because he couldn’t understand what Sputz was saying (He’s basically the Boomhauer of the show – speaking in mostly gibberish only a few select characters can understand.)

I love the overall message of this episode as well. As I mentioned, while connecting with Otto, it helps kids who think lifeguards are lame to gain a greater respect for them. It also encourages kids and teens to take safety courses and become lifeguards. That’s really great, especially for a show that puts so much focus on extreme sports in water. Any kid who wants to partake in these sports due to the influence of this show should take safety courses to ensure they stay as safe as possible and help other people. Admirable job, Rocket Power. You did good.


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Hell Girl: Three Vessels | Episode 17: Inside the Straw Review

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Plot: Yamawaro’s backstory unfolds and….I dunno. Fitting that he’s a mushroom spirit, because I feel like I just took a bunch.

Breakdown:

I don’t even know where to begin with this. When I saw the preview for this episode, I was uninterested because I don’t much care about Yamawaro’s origins, but now that I do know Yamawaro’s origins, I feel a strange cocktail of emotions beginning with an ounce of confused and topping off with ten gallons of “What is actually happening right now? I feel like my brain is trying to escape my skull.”

I’ll try to summarize best I can.

Yamawaro was a mountain spirit or a mushroom spirit who spent his time alone in the mountains. Sometimes, he would, for some reason, take the form of a naked boy. Other times, he would take the form of a bunch of mushrooms. And still other times he would take the form of a naked boy…..covered in mushrooms….Don’t ask. I don’t know.

Ai stumbled upon him and invited him to join her group, but he initially declined because he believed being alone was just how you were supposed to live.

Later, he found a happy family living in a house near the mountain – two loving parents, Fujiko and Risaburo Ashiya, and their young son who looked incredibly similar to Yamawaro’s human form. The son, Hikaru, tragically died shortly thereafter in an accident in the swamp. His parents were devastated.

Cut to several decades later, the mother, now an old woman, is bedridden and reaching the end of her life. She wishes to reunite with Hikaru and knows she will soon see him in the afterlife.

Yamawaro, for reasons beyond even his understanding, decides to appear to her (naked again) claiming he’s Hikaru so she can give the woman’s life some happiness before she passes. The father is wary of him and later we’ll find out that he knows Yamawaro’s not human, but he doesn’t want to break the illusion and hurt his wife.

The father also happens to be a…doctor…scientist….botanist…medicine man? Some combination of the three? He’s been trying to grow something called caterpillar fungus, which, he surmises, can somehow be used to make a medicine that will bolster a person’s health and grant them longevity. He wants, more than anything, to give his ailing wife more time on this earth. He requests Yamawaro to assist him in his research. Caterpillar fungus needs to grow on a living being, but every animal he’s tried to grow it on hasn’t produced adequate results. He knows Yamawaro is a supernatural being, so he hopes that the fungus will react better with his body. What a coinky dink that Yamawaro happens to be living mushrooms…..I think….right? Why is this Yamawaro’s backstory episode and I’m still confused as to what he actually is?

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This better not be some sort of weird-ass Mario crossover.

Next comes a….very, very uncomfortable scene where the father applies a special medicine to a fully naked (barring a towel) Yamawaro’s back while chanting something that supposedly makes the medicine work? This is bad enough, but Yamawaro starts moaning and develops a blush on his face…then he starts….panting and sweating….

Look, I get that he’s moaning in pain and the blush, panting and sweating are probably a result of a high fever, but this is still extremely disconcerting to watch.

Spores and mushrooms start growing very quickly all over Yamawaro’s body to the point where he’s basically entombed in them. Slicing off some pieces from the growth, Risaburo makes his concoction, that he calls Ambrosia, and gives it to his wife.

The potion actually works. A little too well, actually. Fujiko reverts back to her thirties somehow. The experiment was a massive success, but Fujiko couldn’t stand what her husband was doing to Yamawaro. The poor boy was wrapped up from head to toe in bandages, because he took so many of the spores I presume, even though the first sample seemed like enough, and she was concerned that Risaburo would continue to experiment on him. She secretly brought him back to the mountains and told him to run away, which he did. Eventually, he must have made his way to Ai to join her team.

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In present day, things only continue to get more confusing, if you can believe that.

Ai has a request from Fujiko, and Yamawaro insists that he be the one given the job. Ai agrees. He doesn’t plan on stopping the ferrying if she chooses to pull the string, but he hopes that he can convince her to not pull the string at all. Technically, they’re not supposed to interfere with cases, but they seem to have thrown that rule out the window at this point.

Kikuri later finds the straw-dolled Yamawaro lying in a bed in the Ashiya household while Fujiko falls back under the delusion that Yamawaro is Hikaru…..even though….ya know….he’s a straw doll now. Yamawaro also shows his doll’s insides to Kikuri, which, as shown before, is a bunch of fungus. The dialogue points at this being a result of the experiments, but wasn’t he a mushroom spirit before? Did he just turn into a bunch of mushrooms for funsies?

Fujiko has called Hell Girl to send her husband to hell for making Yamawaro suffer for his experiments. Fair enough, I suppose, but why did it take her so long to call her? And if she was considering doing that anyway, why not call her, pull the string and not send Yamawaro off into the woods? Then she could live the rest of her days happily with ‘Hikaru.’

Now…here’s another weird thing. Fujiko contacted Hell Correspondence…..via a newspaper. This isn’t a new thing – Ai used to get her clients from blank newspaper ads back before the Internet, but the scene where they show her doing this is in black and white and she’s young again. She’s still young in present time because of the potion, but the use of the newspaper and the scene being black and white makes me think this was way back when Hikaru died. I guess this is meant to be recently, because they never say she got a doll back then, but they made this shot look way too similar to a distant flashback for me to be certain about it.

Fujiko is suddenly old again now….??? She was in her thirties literally ten seconds ago. She aged fifty years between shots……Whatever. She finally confronts her husband with the doll, accusing him of also having something to do with Hikaru’s death, but he denies this and says it was just a sad accident.

The dialogue is really unclear for the rest of the scene. The best I can make of it is that Risaburo was actually more intent on just finding the secret to eternal life more than he was in helping his wife, I guess. He just said that to trick Yamawaro into helping him….I think. He knew he needed a non-human specimen for his research…somehow…and pure luck lead Yamawaro to them so he took advantage of that. But then he muses that it actually worked and that it saved him trouble? Why is he so confused about why it worked?

Fujiko pulls the string and Risaburo is sent to hell.

However, the weirdness doesn’t even end there. After the string is pulled and everything’s all said and done, Yamawaro rushes to the Ashiya mansion to witness it….sinking into the lake….for some reason. Also, Fujiko’s in there….young again….holding Hikaru…..Is she already dead? Why is the house sinking? There was never any indication that the house was at risk of sinking. Truth be told, I didn’t even fully realize it was situated on water. I knew they were near a swamp, but that’s about it.

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So, class, can one of you please enlighten me on what the hell I just watched?

I kinda feel like the Hell Girl stuff was unnecessary. Was the guy a terrible person? Yeah. Did he deserve to go hell? Probably. But the timing was really weird, and I honestly didn’t feel like I hated the guy enough to want him to be sent to hell. I don’t much care that he did, but I wasn’t rooting for it.

This is another one of those times where I feel worse for the client because now she really won’t ever be back together with Hikaru again, no matter what was shown in the window. Unless Hikaru’s in hell too for whatever reason.

She should have taken this into consideration when she called Hell Girl. She’s been so intent on reuniting with Hikaru one day. It’s been her one driving focus in her days after Hikaru died. Why would she sacrifice reuniting with her son in peace in Heaven just to send Risaburo to hell for kinda hurting someone who’s not even human? She could’ve just left him or stopped consuming the potion. She would eventually die a natural death, and Risaburo, without Yamawaro around, would die some years down the line and be sent to hell anyway. It’s rather pointless.

The story, boiled down, is fine. Yamawaro connected with some grieving parents in the twilight of their lives because he took pity on them after they lost their son and decided to fill the void for them. He eventually needed to leave, and, realizing the benefits of relationships to other people, he decided to join the Hell Team. But when everything else is added to the mix, it just becomes too confusing and weird to be worth any real value.

The only two things I gained from this episode are learning a little more about Yamawaro, kinda, I still don’t even have a good grip on what he actually is, and seeing Kikuri be *gasp* nice and tolerable for a change. She’s actually having a good discussion with Yamawaro and is defending him. It’s like she’s a completely different person in this episode (and she didn’t need to be wound once for some reason.)

…….Am I forgetting something?……….

……………………OH YEAH, Yuzuki! She exists! Right. She was here for literally one minute of screentime. She went to the Ashiya mansion to talk to Fujiko about Hell Girl. She thought the person would be in her eighties, but the only people living there were in their thirties, so she just….frickin’ left and never came back.

Protagonist of the year.

Didn’t investigate further. Didn’t ask for their names. Didn’t ask if she had contacted Hell Girl or anything. Just ‘Oh I must have the wrong house. Guess I’ll leave the episode now.’


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