Plot: In the golden age, superheroes were loved, admired and cherished by the masses. However, one lawsuit started a snowball effect that changed everything. Supers were suddenly vilified, and they had to go into hiding with government protection to avoid all of the backlash. Now living as normal, average citizens, Mr. Incredible and Elastigirl, also known as Bob and Helen Parr, try to raise their children, Violet, Dash and Jack-Jack in a superpower-free world.
Bob is not content with his normal life and wants nothing more than to return to his good ol’ days of heroism. A mysterious message puts all the cogs in motion to grant his wish, but he forgot that with heroics comes danger – and danger means more when your family’s in the crossfire.
Breakdown: The year is 2004.
Marvel cinematic universe? Doesn’t exist.
DC actively trying? FEH!
This is an era where superhero movies are little more than a joke. People looked forward to them about as much as they looked forward to video game adaptations. They’d try and try again to make them work, and while they may be a box office success sometimes, they’d usually wane heavily in the critic department.
Pixar saw this as an opportunity. The Incredibles is not based on an existing comic book. It’s entire universe is built from the ground up on the silver screen. In addition, it’s animated – not live-action as a majority of superhero movies were at the time. In hindsight, this seems like a big gamble. Especially since the director, Brad Bird, was coming fresh off of his first venture into directing, which ended up being a box office disappointment.
But some people need to be reminded to keep the faith. After all, that box office disappointment….was The Iron Giant. The box office does not always reflect quality.
Let’s not keep beating around the bush. The Incredibles is……incredible. Yeah, I made that joke. Fight me.
From start to finish, the movie is filled with great humor, fantastic action, memorable characters and pokes at the superhero genre as a whole. This is a very realistic family in a, well, I can’t really say ‘unique scenario’ because the concept has been done before (In fact, when this first came out, this movie reminded me quite a bit of the short-lived, basically forgotten Nickelodeon series, The X’s.), but it is a very interesting and fun scenario.
Back in ‘the good ol’ days,’ superheroes were always hailed, respected and beloved, but you know that some jackass somewhere would ruin it by suing them. Granted, superheroes do make big messes and wrack up massive bills in damages, even the MCU addresses this, but I think whatever damage the enemy would do is almost always greater. And at least we’re lead to assume that the heroes aren’t piling up huge body counts during these battles….most of the time.
The heroes go into hiding, and there seems to be two sides to this coin. You have people like Bob (Mr. Incredible) and Dash who want to embrace their powers and be heroes. Because they’re not allowed to do so, Bob becomes very depressed and withdrawn, doing heroics in secret whenever he can with his buddy, Frozone, and Dash acts out.
Helen (Elastigirl) and Violet, on the other hand, want to be normal. They still use their powers sometimes in private, but they want to fit in – Helen wants to protect the family, and Violet wants to be a regular teenager.
In the end, they all find a middleground. Bob gets to be a hero more often, but he also comes to understand the importance of his family. Dash learns to tone it down, but he’s also now allowed to participate in school sports as long as he doesn’t play unfairly. Violet gets more self-confidence and embraces her powers. And Helen learns to not be ashamed of her life as a superhero while also encouraging that type of attitude in her kids.
It’s great that they chose to go down this route instead of having it black and white ‘this side is right, and you’re wrong.’
Helen and Bob have a great dynamic, and even Violet and Dash were really good together. I like how they eventually used their powers together. That hamster-ball idea was so cool.
Another thing to commend this movie on is, most of the time, they don’t pull any punches with the darker aspects. Helen even outright tells her children, basically telling the audience directly, that these bad guys aren’t like the ones you’d see on Saturday morning cartoon shows. They won’t show restraint on children. They will kill them without hesitation. That’s pretty heavy for an animated superhero movie in a world where kid deaths are typically taboo.
In addition to that, people attempt suicide, there’s hints of adultery and alcohol, some sexual-ish content and lots and lots of death.
Even though I said they don’t cause a lot of civilian deaths, there are a ton of bad-guy minion deaths – a good deal of which are caused by Bob and Dash. They don’t ‘directly’ cause these deaths. For instance, nearly all of the deaths caused by Dash are collisions caused by those pursuing him because he managed to out-maneuver them, but still…lots of bodies.
The ones they seem directly responsible for they kinda skirt around. For instance, Bob throws a huge tram car at two guys from a mile away, and they specifically show them moving and groaning to assure the audience that Bob didn’t straight-up murder those guys.
Outside of that, we also have numerous depictions of heroes dying in that ‘NO CAPES!’ montage, including one of two instances where someone dies by getting sucked into a jet turbine. Yugh. And we have the harrowing fact that Syndrome essentially committed hero genocide, which I don’t think is given quite enough weight, but holy crap. Bob even finds the skeletal remains of one of the killed heroes and hides under his body to trick Syndrome into believing he’s dead. Wow.
Speaking of Syndrome, he’s a very effective and memorable villain. He’s very intimidating and is a serious threat. Lest we forget the hero genocide. His backstory is a little hokey, but not too bad. It’s understandable for someone who grew up in a world of supers and was basically a super fanboy to become jaded when given a massive tongue lashing by his favorite superhero. And he obviously did have value and talent, but Bob never wanted to give him a chance. He pulls off being both funny and threatening at the same time, which is very impressive. In any other movie, he’d be a complete joke, but he can be downright scary. It’s also a bit refreshing for the master plan to not be ‘take over the world’ again. Though, considering his normal job, maybe he already does, in a way. Hm.
His plan is fairly brilliant. Design a robot that is essentially perfect by having it learn and make changes to its design based on battles it endures with hundreds of various heroes. Kill the heroes, let the robot loose on the city, stop the robot and take the credit, making him the only and, by default, best hero in the world.
I will admit that the method of defeating the robot is a bit obvious, though. With all the weaknesses that have been exposed on this thing, Syndrome never thought to program it to not destroy itself? Especially when that’s exactly how Bob defeated it the first time? It has some sense of self-preservation, hence why it targeted the remote, but it’s still too stupid to not hit itself.
Some final things that I felt were a little negative in this movie:
I find Dash to be annoying 70% of the time.
While I really liked him, Frozone was mostly a superfluous character who barely did anything. I really wanted him to be given more to do.
I worry that, should they continue the series beyond the second movie, Jack-Jack will be too powerful. His main power seems to be shapeshifting, but from what I’ve heard he has many more powers that are revealed in the sequel (sadly haven’t gotten around to watching it quite yet, but very soon!)
His power is apparently that he’s a ‘jack of all trades,’ hence the name, but it’s also been suggested that, since Jack-Jack’s a baby, his power isn’t solidified and he has ‘unlimited potential,’ which is culminating in this mass array of powers. However, if that were true, that seems like it would be a normal part of a super’s life cycle. Dash and Violet would’ve had to have gone through the same thing as babies, which I doubt they did.
That’s about it on the negative side, though, and that’s not a significant mark on an otherwise exceptional movie. The Incredibles stands as one of my favorite movies and a testament to Pixar’s amazing talents as filmmakers. Even today in our saturated superhero movie market, I was very excited to rewatch this movie, and I’m jazzed to finally see the sequel.
Recommended Audience: It’s surprisingly dark when you get down to it, but a good chunk of the darkness is in the details. Still, there are some blatant darker aspects like the hero genocide, the suicide attempt and the implied infidelity. 10+
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One thought on “Pixar’s Lamp | The Incredibles (2004) Review”
Come to think of it, I haven’t read too many of your Pixar reviews. I remember watching this movie with my family when it came out.
I didn’t even think about how much superhero media was looked down upon back then. Sure, you had X-Men and Spider-Man movies back then, but superheroes were NOWHERE near as accepted in the mainstream as they are now. Close to that time, I still read some comics and even had a phase where I played HeroClix if you know about that game. Funny how life works, right?
Wait, the director also worked on The Iron Giant?! I didn’t even know that! I agree that box office success or failure isn’t always a measure of quality. As someone who mainly watches and reviews obscure movies, I can definitely attest to that fact.
Re: Hero Genocide…THANK YOU! Fiddletwix, you’re the first person I know who has actually called Syndrome’s plan as that. That’s a concept that a lot of mainstream movies don’t know how to cover well especially when it comes to animated films. The closest I’ve seen genocide depicted as a horrifying thing and actually being intentional about it would be Frollo’s anti-Romani plans in The Hunchback of Notre Dame. Even then, I don’t think Disney realized how realistic of a villain he was or how a character like that is even more terrifying if one has melanin, but that’s a topic for another day.
I really hate to be that guy in this text block, but The Incredibles isn’t as original as one would expect. After reading a certain graphic novel after the fact before the movie adaptation came out that same decade (see where this is going?), I realized it was the PG Watchmen. Superhero registration act (which Watchmen invented)? Check. Analogs that reference other superheroes? Check. Weight gain subplot with a main character? Check. Plot to kill superheroes? Check.
I also didn’t know that another Elastigirl actually existed decades before this movie who is a Doom Patrol character and they both have the same powers even though the Pixar character doesn’t have as much size-shifting as a superpower. Both of them are married and even have similar last names where the DC character’s surname is Farr while the Pixar character’s last name is Parr. You could make the case how they’re both moms even though the Doom Patrol character is an adoptive mother (of Beast Boy, no less in the original comics!). Apparently DC/Warner Bros wasn’t as angry as I thought, but they told Pixar to have her addressed as Mrs. Incredible for the toys. I was kind of surprised since Warner’s had a rivalry with Disney for decades. This is in no way an indictment on you as a reviewer or person. I was just sharing information with you.
It was still interesting reading this review and I even learned some things about the movie as well as remembering some of the darker aspects of it.
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