Hell Girl: Three Vessels | Episode 14: The Street Corner of Bitterness Review

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Plot: Yuzuki now possesses the ability to sense people who are going to contact Hell Correspondence soon. The next client is a girl named Hidemi who accidentally garnered a bad reputation after being photographed with a delinquent in the city. She plans on sending the person who spread the photo of her to hell for ruining her life.

Breakdown: (Note: I somehow overlooked posting this episode’s review in the proper order, but it was just brought to my attention today, so better late than never. Sorry about that. Enjoy! :))

…..*lip smack* This is what we’re starting the second half of the season off with, eh?

Okie dokie.

First of all, Yuzuki is basically now all but cemented as being a less interesting fusion of Tsugumi and Hajime. At least she’s actively trying to stop people from using the service now, but she’s bad at it. She’s also bad at seeming like she’s emotionally invested in anything. At the end of the episode, she’s overwhelmed with the amount of people she’s sensing will contact Hell Girl and is clutching her head trying to get the bell sounds to stop, but I don’t really believe her response. She’s acting way too unemotional about it. Even when she was begging Ai to bring Akie back she was just barely emoting.

Also, side note, apparently Yuzuki’s friends haven’t been bothered all that much by Akie disappearing. I understand that because even I forgot for a little while.

Second of all, this story is a massive mess from start to finish.

Hidemi was in the city for a test, she spent too much time at her friends’ house and ended up missing the last train home. She also broke her cell phone. Unlike most people who would visit various shops, or even stop people on this busy street in this highly populated city, and ask if she can use their phone to call her parents or even the friends she was visiting, she decides the best course of action would be to spend some money at the arcade trying to get a stuffed cat, then sit on the sidewalk and fall asleep…

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It’s implied that she was worried about getting caught by the cops because she was young and out late at night, but is anyone really going to press charges against this kid for missing the train? Also, if she’s worried the cops might hassle her, why did she choose, of all places, the middle of the sidewalk to sit down and even fall asleep?

She’s awoken by aforementioned delinquent, Kinya, and he offers to take her back to the convenience store in which he works where the only other person there is a guy who looks just as skeevy if not moreso as Kinya does.

She finally has the opportunity to call home, though….and chooses not to….because she sees this as an adventure or something. Let me make it clear that Hidemi is very much a shy and proper young woman. Nothing about her even suggests that she has hidden desires to be any sort of rebel or anything. She comes off as the kind of girl who would find not putting the chip clip back on the reduced salt kettle chip bag as an act of rebellion. I’m not saying she can’t just be really good at concealing this part of her, but I am saying that it is strange. Not to mention the fact that it’s a dickish thing to do to stay out in a strange city all night and neglect to call your parents. Even if you want to have some neat little convenience store adventure, they’re still probably worried sick and it’s rude to not at least tell them that you’ll be okay on your own until the trains start back up.

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She spends the night there, and Kinya walks her to the train station in the morning, which is where she gets her picture taken by someone off-screen. It’s in the morning, not at night, and it’s not like there’s any implication that she’s romantically with him or that she’s a prostitute or anything. She’s literally just walking next to him and talking.

The photo spreads and ‘ruins’ her life, which I don’t get. Do people really have nothing better to do than gossip about a photo that looks about as incriminating as a picture of her jaywalking? And that’s all they’re doing by the way – gossiping. No one’s treating her differently outside of whispering around her. Yet that’s somehow enough for her to wish whoever spread the picture to be sent to hell.

The only way it gets worse is through more stupidity.

Kinya was a punk, but he was legitimately nice to Hidemi because some old guy in an alleyway was nice to him and told him that being nice was good or whatever.

It seemed like Kinya might actually be turning into a decent guy, but then, after the commercial break, Kinya’s suddenly viciously beating the old guy in the alleyway because he believes he’s secretly super rich. His reason for thinking this? The old guy wears a big coat when it’s really hot out….so he’s…hiding…money in it something, I dunno. Why he suddenly starting thinking this I also don’t know.

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He gets arrested for the assault, but he also acts like he’s proud of it. He wants to be a big shot and getting arrested by the police will only increase his prestige. He even plans on bragging to the cops about everything else he’s done….This guy is a major league moron.

Yuzuki had convinced Hidemi to go with her to see Kinya in order to help clear her name and improve her reputation, but they both witness his spectacle as he gets arrested. She flips out because he’ll probably be featured in the papers (doubt it) and people will connect him back to the photo. Fair enough in that respect, I guess. She immediately contacts Hell Correspondence on Kinya.

Kinya….Oh geez…*sigh*….Kinya escapes police custody, obtains a gun and takes Yuzuki hostage. No I’m not kidding. No, I also have no idea how those events transpired.

The point is, Hidemi sees him do this. Kinya doesn’t even recognize her until Yuzuki mentions her name, so she pulls the string.

The hell torture is okay. Everyone’s giant-ish and intimidating Kinya. Ai is massive, like kaiju-sized. It’s playing off of the fact that he said he wanted to be a big shot, but now he’s little. Haha.

As he’s ferried away, he laments being nice to Hidemi, but, uh, dude, do you really think letting some lost girl take shelter in a convenience store you don’t even own, feeding her stale bread and then walking her to a train station is properly weighted against beating a poor old homeless dude in an alley, escaping the police, popping off some shots and taking a teenage girl hostage?

Yuzuki waits for Hidemi and, here’s where I get REALLY confused. A girl with completely different hair both in style and color, a much more revealing sense of fashion, tons of jewelry, makeup and a tattoo suddenly bursts in and…that’s Hidemi. She has the little stuffed cat she wanted earlier and the curse mark on her chest, so that’s proof it’s her.

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Why does she suddenly look like this, especially since there’s no implied time skip of any kind after the hell torture? How do you go from “Oh dear, my life is ruined because I was photographed talking to a punk.” to “I’m going to change my appearance so drastically that the gossiping people from before will basically feel justified in believing I was a girl of loose morals, and more rumors will spread about me and ruin my life some more! Ya know, the reason I was miserable enough to call Hell Girl to begin with! I love being smart!” not just in general but in minutes/hours? I almost wanted to believe it was days later, but Yuzuki’s wearing the exact same clothes between when she’s taken hostage by Kinya and when we see the new Hidemi. I don’t get it.

Time issues aside, again, maybe she was just really, really good at concealing a desire to be a more rebellious girl, but they didn’t do a good job of making this connection with the audience outside of one line which could easily just imply a desire for a little more independence not that she suddenly wants to completely change herself both inside and out. Kinya’s character turn was a little more understandable because we knew he was a punk at the start, even though he was on the receiving end of the violence there, but even then he was nearly as bad in his car crash of a personality shift.

Finally, Ai’s back to being Ai fully, which is good, even if I feel bad she has to return to this job at all. They brought back the classic scene of her preparing to take someone to hell, including…her grandma….Yup. Grandma’s back. Where did she go and why is she back? No idea. She’s just here again. Somehow. I like Grandma and everything, but I never once understood her character.

Ai’s trying to teach Yuzuki about the futility of trying to save Hell Girl clients, which is more poking at Tsugumi and Hajime. I know this is for the sake of training her to be a new Hell Girl, but I am so far from caring about that plot element. She better have some gem of a backstory otherwise I’ll just feel like her entire story was a wash.

Overall, this episode was confusing and blah and I really hope things actually pick up soon, especially when it comes to Yuzuki.


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