Plot: Rudolph the Red—We’ve been over this.
Breakdown: Hi 1998!
I was nine in 1998!
Hey 1998, I’m gonna do you a favor!
I’m gonna make Rudolph the Red-Nosed Reindeer into a movie!
1998: “Uhhh, isn’t that already a thing?”
Yeah, but that was made in 1964. People who were kids in that year are old people now. We need to jazz things up a bit for the 90s. Say, did your precious 60s version have the northern lights depicted as fairies in silk robes?
Did it have an ice queen named Stormella?
1998: “Alright, that name’s just lazy.”
Did it have a polar bear named Leonard?
1998: “How is that relevant?”
Here, let’s talk about it in excruciatingly unnecessary detail.
1998: “I would, but I have to catch up on Pokemon. I might miss out on all of Ash’s character development.”
…..Trust me, sweetie, you won’t be missing anything for about a decade – and then they just reboot the franchise.
Welcome, everyone, to that other Rudolph movie that no one asked for and really no one ever wanted ever.
And a fond welcome to GoodTimes Entertainment – the animated Asylum of the 90s. Alright, maybe that’s a bit harsh. The production values on GoodTimes movies never seemed to get Asylum bad (Dangerously close once, but we’ll address that another time), but the same skeevy production practices were similar. Namely in that GoodTimes had a habit of releasing movies that were based on stories that anyone could easily base a movie off of BUT that already had a major motion picture made of it (usually by Disney) so it would trick consumers (IE grandparents, parents, aunts and uncles who don’t know any better) into buying it, believing it to be the blockbuster hits. For instance, some of GoodTimes more notable works were Beauty and the Beast, Aladdin, Thumbelina, Sleeping Beauty, Pinocchio, Cinderella, Pocahontas, Sinbad and, well, *pokes title*
They not only had the same titles, but they also intentionally made their VHS covers emulate the Disney movie covers. Their similarities were so stark that Disney filed a lawsuit against them and won. They now had to clearly print ‘GoodTimes Entertainment’ and their logo on the boxes to differentiate themselves more clearly, but the damage had been done.
GoodTimes was now largely known as a knockoff company, but that didn’t stop them from producing these kinds of movies since public domain is free game for anyone, no matter how massively successful some movies based on public domain works are.
In comes Rudolph the Red-Nosed Reindeer: The Movie – A film with a mouthful of a title made by GoodTimes in conjunction with Golden Books Family Entertainment. Yup. Those Golden Books. The gold leaf spined books from your childhood that are still going strong today – including adaptations of two Star Wars movies. *shrug*
But let’s wait. Reserve judgment. I am a fair person. Let’s go over this movie and see how it stands up, objectively.
The northern lights, portrayed as the aforementioned fairies, visit Blitzen and his wife, Mitzi, as they welcome their son, Rudolph, into the world. I have to ask, does Rudolph have a canon father? Because in the 60s version, Donner was his father.
We then get some of the most boring opening credits I’ve ever seen as we just watch snow fall on a faraway shot of some house while ‘Rudolph the Red-Nosed Reindeer’ plays.
And nothing gears you up for a movie more than hearing Richard Simmons is doing voice work for it.
Hey, who wants to hear the northern lights sing their introductions?!
1998: “Not me.”
I knew you did! This 15 second song break explains that the pink fairy is Aurora, the blue one is Sparkle, the yellow one is Twinkle and the pink one is Glitter. It never matters, so don’t bother remembering it.
I actually wouldn’t mind this as much if not for the fact that this did not, in any way, need to be a song break, and the song ended abruptly on a note that doesn’t sound the least bit like a finale note.
As Blitzen and Mitzi show Rudolph around Christmas Town and introduce him to snow, we get his ear-piercing, high-pitched shrill of a voice. You know when a kid is having a temper tantrum and they let out this scream from the pits of hell they keep locked in the back of their throat? Imagine that scream in a happy context and that’s Rudolph’s speaking voice. I was going to give this movie points for at least not having that terrible screeching noise that Rankin/Bass Rudolph had when his nose glowed, but if you’re just going to shift that sound to his speaking voice, why bother?
Blitzen starts having concerns over Rudolph’s glowing nose when his other reindeer buddies show up, Comet, Cupid and Dasher. Cupid has a heart on his forehead, by the way. I would complain more, but I actually like that there are different markings and colors for each reindeer. It’s easier to tell them apart. Blitzen, for example, has lightning bolts under his eyes like Ash Ketchum.
Blitzen tries to hide Rudolph, and I feel like this movie is shaming Rankin/Bass Donner a bit by having Mitzi chastise Blitzen for seemingly being ashamed of his son.
Despite a crowd gathering, no one actually makes fun of Rudolph’s nose, and Rudolph doesn’t seem bothered by it. When you think Blitzen is taking them home because he’s embarrassed by Rudolph, he actually says he’ll fight the next person who makes fun of his nose. But no one did. It’s only natural for people to at least want to look at a reindeer with a 30 watt nose.
I like that they’re making out Blitzen to be much more understanding and loving of Rudolph, worried that Rudolph will be mocked as he grows up and not being a shameful ass like Rankin/Bass Donner was. They even have a song break about how great they think Rudolph (nicknamed Rudy) is, which is where we finally get at least a bit of actual mocking towards Rudolph. They don’t particularly say anything worse than ‘put a lampshade on it’ but just having an entire town sing about your nose would be traumatizing to the poor kid.
Two elves named Boone (voiced by Richard Simmons) and Doggle pick up Santa’s mail. They get all excited over a possible promotion to the factory floor….Wait, not all elves are toy-making slaves? And being a toy-making slave in a factory is something you get PROMOTED to? Wow. Being an elf sucks.
They crash into Stormella’s (Voiced by Whoopi Goldberg) ice garden and flee the scene.
Blitzen and Mitzi bring Rudolph to the factory where we get another song break about the elves making toys for Christmas. It’s not terrible, but it’s about as memorable as that thing you forgot at the store earlier.
Stormella bursts in and starts icing the joint, furious that an elf destroyed her garden. In order to quell the attack, Santa (Voiced by John Goodman – Mrs. Claus is voiced by Debbie Reynolds, by the way. It’s not that important, but I really miss her) intervenes and asks the elf responsible to come forward. Boone and Doggle come forward, and Stormella demands to take them to her ice castle or else she’ll close off her ice bridge to the public.
Santa says ‘pfft, who cares? I have flying reindeer.’ and Stormella leaves in a huff—oh sorry, that’s the scene that makes sense. Santa still vehemently refuses, despite that being the only way across the Grand Chasm. Stormella says if anyone crosses the bridge, she’ll bring the worst storm ever to the village, destroying everything and ruining Christmas for good.
Later, when she’s alone, she says she looks forward to someone trying to cross the bridge so she can start the storm and shut down Santa forever…..Uh….lady…if you want Santa gone so badly, why can’t you start the storm now? Who cares if there was a condition to starting the storm? If you’re so powerful and evil, start the storm anyway if that’s what you really want. Villains with integrity rarely ever win.
The northern lights give another micro-song, this time just to tell us that a year has passed. Thanks, you utterly useless wastes of 1950’s fashion.
Mrs. Prancer starts…reindeer class? They explain that Santa picks his ‘flyers’ by holding a junior reindeer competition every year. Whomever ‘shines’ the best will be considered for a position on Santa’s team.
Rudolph proves to be loud and obnoxiously voiced even with a new voice actor for his older version. Like you’d expect, he’s made fun of for his nose. And, like in the other movie, it makes no sense to me that they’re saying he can’t be a flyer because his nose is red and glows. They are laughing WAY too much. It’s been a year since everyone’s found out about Rudolph’s nose – the ‘joke’ of its mere existence gets a bit old, guys.
Rudolph wants a normal nose, so he hides it in the snow and says he’ll stay like that forever. Yeah, no one will ever make fun of a reindeer with his face jammed in a snowbank.
Santa: *looking at Rudolph’s glowing red nose* “You must be Rudolph!”
Rudolph: *completely seriously* “How’d you guess?”
Rudolph, please stop being stupid. At this rate, I’m going to have to make another Ash Ketchum reference, and I’m only allowed three per review.
Santa gives Rudolph a nice scarf and tells him he likes his nose. +1 over Rankin/Bass Santa. Rudolph tells him about everyone mocking him.
Rudolph: “It hurts, your honor.” Your honor? The hell? He’s not a judge. That sounds so weird.
He believes he can’t be a flyer because of his nose, but Santa tells him everyone’s different and that he has a big heart. Song break time as Santa tells Rudolph that everyone’s important in Santa’s family, and Rudolph’s a part of that family. John Goodman’s singing this, so it’s alright, but the song is mediocre to say the least. Also, I’ll be addressing the animation later, but they very clearly show Santa talking/singing for about three seconds in the sleigh with no singing or talking actually happening.
This is nice and all, but that just begs the question, if Santa likes Rudolph in this version and everyone highly respects him (to the point where he’s called ‘your honor’) why can’t Santa just tell everyone to stop mocking Rudolph? They would most likely listen. I know Santa just met Rudolph, which is odd considering he’s a fawn of one of his flyers, but he must’ve heard about him and known everyone makes fun of him. And why are the elves, who have also been making fun of Rudolph, now singing along in this song of acceptance to him?
Another pointless and, at this point, friggin’ annoying micro song break by the northern lights to alert us that it’s now Christmas Eve and Santa’s heading out. Thanks. As Rudolph tries to get a better view of them heading off, we get understanding of where a good chunk of the budget probably went – Paul McCartney’s ‘Wonderful Christmastime.’
As they fly away, Rudolph starts talking to himself, imagining being the new reindeer on Santa’s team and making an acceptance speech about it. Really not making him anymore likable. If he’s not being annoying or stupid, he’s being embarrassingly awkward. He thanks his crush, a doe we barely know named Zoey. Even though the rest of the voice acting hasn’t been spectacular, Zoey’s is about as awkward as Rudolph’s imaginary speech. She doesn’t sound like she’s in the scene at all – she just seems like she’s whizzing through her lines without paying attention.
She accepts Rudolph for who he is and doesn’t care about his nose. They’re about to kiss under the mistletoe when Arrow, one of their classmates and son of Cupid, shows up. (Get it? Cupid’s arrow?) It should be noted that there’s someone else in Rudolph’s class with a heart shaped mark on their forehead, but Arrow has no mark yet is actually Cupid’s kid. I guess he could be his brother, but I feel like there was a miscommunication in the art department.
Arrow’s basically Ronno from Bambi, which is strange because his father’s namesake is the god of love. He makes fun of Rudolph and is trying to get in Zoey’s metaphoric pants. Here’s the thing, despite standing up for Rudolph and coaxing him into kissing her, Zoey says they’re only friends and even follows Arrow when he tells her to, even though there seems to be no reason for it. Give Faline some credit – when she went with Ronno, it was because he was obviously forcing her to go. Here, it just seems like Zoey really doesn’t want to be seen with Rudolph or is, for some reason, obligated to go with Arrow.
Rudolph gets all excited when Zoey looks back at him and yells out that she likes him, but again, dude, she just totally ditched you to walk home with Arrow. You might be able to argue that she left so Arrow would leave Rudolph alone, but leaving with him just gives him all the power in that situation. He got the last word, the last laugh and the girl.
The northern lights show up again to tell us that yet another year has passed, and Rudolph has been training the whole year for the junior reindeer games. Thanks for continuously breaking the ‘show, don’t tell’ rule of filmmaking in such a terrible and sloppy manner, you animated canker sores.
Zoey gives Rudolph her heart pendant for luck, and they all start the games, which begin with a race.
Arrow’s purposely crashing people, but Rudolph manages to keep up with him. Arrow pisses him off by telling him Zoey’s only nice to him because she feels sorry for him, prompting Rudolph to shine his nose and temporarily blind Arrow, sending him crashing. Rudolph wins, but is disqualified for illegal use of a glowing red nose (That’s actually a rule?) and is banned from the rest of the games.
And, of course, Arrow wins by default.
Oh boy! I get to rant! Whee!
First of all, this is one of those irritating as hell times where an antagonist is clearly cheating, tons of people witness it, yet no one cares. Rudolph and Doggle even point out that he’s cheating, but don’t say a thing as Arrow’s crowned winner. He’s purposely crashing people – you can tell without so much as a question. Did Rudolph technically win illegally too? Yeah. And he shouldn’t win the race like that, but disqualifying him and not Arrow is ridiculously stupid and unfair.
Second, Santa and Mrs. Claus also agree that this isn’t fair yet Santa says the judge has the final say in this, not them. Uh, no. You’re Santa Goddamn Claus. You have the final say in everything. Even if you were just a spectator, if you feel something’s been done unfairly, you have a responsibility to speak up and ensure fairness in the competition.
Third, why the hell does Arrow win by default? If the first place winner is disqualified, the honor usually goes to the second place winner, who was Zoey. Arrow didn’t even cross the finish line from what we saw. It went number five, who was Rudolph, seven, who was Zoey, and four who was some other reindeer. Arrow was one, and he never crossed.
Are you telling me he won because he was neck and neck with Rudolph before his nose glowed? That’s not how races work.
Zoey angrily tells off Arrow, saying he’s a cheater. So you know he cheated too…..TELL SOMEONE. There are several officials around you – say something!
Arrow doesn’t care, and Zoey says he doesn’t deserve to be a flyer because true flyers are brave, have character and true hearts, like Rudolph. To which Arrow responds.
Arrow: “Tch, but he has a red nose.”
Air tight logic, there.
It occurs to me that one of the more common design elements of Santa himself is a big red nose. It doesn’t glow and it’s probably due to cold, but it’s true.
Zoey: “I don’t want to be your doefriend anymore.” Wait, what the hell? She really was dating Arrow this whole time?…..Two-timing whore! Why would she be with him anyway? For over a year! She doesn’t even seem to like him. What is with this girl?
Rudolph, hearing his father refer to his nose as an ‘accident’, runs away, even though his father was actually trying to defend him.
We get another song break, ‘Show Me the Light,’ which is a duet between Rudolph and Zoey. It’s alright, but fairly short and pointless. He’s lead to a frozen lake that seems to be bathed in rainbow light. Just when you think the northern lights might actually be useful to the plot, he turns away from it. ‘Show me the light….so that I can walk away from it.’ The northern lights actually do show up and light up a cave….that is literally ten feet away from him. Good job.
He tries to lie down for the night when he meets Slyly the fox – one of those characters who acts like a tough guy and picks fights, but is really an idiot and a coward. To make things worse, he has a mobster accent.
One of the most pointless and annoying song breaks ever comes up next. It’s just Slyly trying to cheer up Rudolph by saying it could always be worse, and 95% of the song is just him and his creepy background singers saying “Remember, it could always be worse.”
Rudolph reveals his nose to Slyly and has a ball, completely unprompted, making fun of himself before he believes Slyly will. Whatever develops your characters.
Blitzen and Mitzi go to ask Santa to help them search for Rudolph. He thinks about it for a while when Zoey’s parents burst in asking Santa to help them find Zoey since she went off to find Rudolph. Santa immediately pops up and says he’ll send a search party out as soon as possible. Guess he didn’t like Rudolph as much as he let on.
Zoey tries to cross Stormella’s bridge to find Rudolph. Zoey, sweetie, please use your brain. If the only way over this chasm is over this bridge and Stormella hasn’t opened a meteorological can of whup-ass on the village, then Rudolph probably went a different way.
Stormella catches her and relishes the fact that she can now set that terrible storm that she could’ve created at any time without conditions on the village.
Did I say ‘damsel in distress plot’? Mmm that’s some grade A trope right there.
Rudolph and Slyly are ousted from their cave by an avalanche that was caused by ‘the plot said so’ and they travel to another cave owned by Leonard the polar bear – another one of those characters who sounds like a complete dumbass because they have to preface nearly everything with ‘duuhhhhh’. They trick him out, they make friends – it really doesn’t matter.
The northern lights finally make themselves useful as plot advancers and tell Rudolph that Zoey’s been kidnapped by Stormella. Rudolph’s the only one who can save her for some reason, because….his nose light….is full of love and….stuff?
Rudolph and Leonard cross the bridge and head towards the ice catacombs of the ice fortress without Slyly because he’s too scared. Gee, I wonder if this is the last we’ll see of him. I sure hope he shows up in a pinch moment to save the day out of nowhere because that would be unexpected. But what are the odds of that?
Stormella can’t see who’s crossing the bridge through her crystal ball thing because the light is blinding her view, and she just thinks the alarm is malfunctioning…..You’re telling me people could’ve easily crossed the bridge as long as they had a relatively strong light with them? You’re a horrible villain. And why is a polar bear wearing a snow hat?
Sorry. It was bugging me.
Zoey starts a reprise of ‘Show Me the Light.’ The song actually has a point this time because they follow her voice to find her through the maze, which wouldn’t actually work in real life, right? Don’t echoes within areas like that make finding people through sound near impossible?
They’re lucky Stormella’s too stupid to have guards set up in the prison, but they get caught by Stormella anyway. How she knew they were in there, I have no clue. The point is, now Rudolph and Leonard are imprisoned too.
Stormella: “That doe crossed my forbidden bridge, and now I’m throwing the storm of the century.”
Zoey: “But…but it’s almost Christmas! A storm will ruin everything!”
Stormella: “Hit it, Ridley.”
*Ridley appears on a turnstile piano behind the wall and starts playing the next musical number.*
*Stormella uses her magic to put on a different gown, change her hair, make a microphone and put a spotlight on her*
Stormella: “I get a certain thrill from every fallen snowflake.”
Nope, nope. Stop. Stop! Too many questions! Let me catch up!
First, how does “You’ll ruin everything” instantly translate to a song cue?
Second, how long was Ridley waiting behind that wall? Did they rehearse this? Did she wake him up just to say ‘Hey, we have a musical number coming up!’?
Third, why is there is a grand piano on a turnstile behind the wall of this dungeon? Does Stormella really like entertaining her prisoners?
Fourth, why are they taking the time out to sing a song right now if she’s so antsy to get her storm brewing? This is worse than monologuing.
Fifth, is there a ladder in her hair? That definitely looks like a ladder.
Addressing the song as a whole, it’s terrible and only serves the purpose of explaining two things – she loves storms and hates Santa. For no reason. None whatsoever. She just hates him. The song is literally titled ‘I Hate Santa Claus’, but she gives absolutely no reason why. Character motivations sure are hard to write.
Zoey: “Rudolph, you mean everything to me.” That’s why I was banging that complete jackass behind your back for over a year. Love youuuu!
Stormella starts her storm, and guess who shows up? Plot conven—Slyly! He gets the key from a sleeping Storme—sleeping Stormella? Literally ten seconds ago she was making her huge Santa-ruining storm and now she’s sound asleep in her bed? Who is editing this? And why would she fall asleep now? Wouldn’t she stay awake to watch her plan unfold?
They start to escape, but Stormella wakes up and corners them. In an effort to save Zoey from her wrath, Rudolph shines his nose so bright that it temporarily blinds Stormella and knocks her off a cliff. As she hangs from the cliffside, she begs for help, and Rudolph goes to save her. She’s a witch who can create storms, ice formations and evening wear with a flick of the wrist, but she can’t fly or use magic to help herself up?
Rudolph and everyone else, including Stormella’s wolves, pull her up. She’s very thankful and even lets them go, but Slyly says that, since Rudolph saved her life, she owes Rudolph one wish – such are the rules of the north pole…..those rules would only apply to magical beings who can grant wishes….did they make this weird rule purely for Stormella and maybe Santa? That’s stupid.
He wishes for Stormella to be nice, and I’ll admit him responding to her resistances to his wish by just repeating “I want you to be nice” over and over is a bit humorous. It works, but she can’t stop the storm.
They leave, but can’t navigate in the storm. Rudolph lights up his nose, but even though it lights the way, they still say they won’t make it home in the bad weather—wow, that kinda pokes a hole in the finale of the song, doesn’t it?
Never the mind because Boone and Doggle, who have been miraculously following them despite having no clues (Yeah, they found Rudolph’s stuff in the cave, but how’d they find the cave? And how’d it lead them to the fortress?)
The ever-annoying fairies pop up again for another micro-song interlude just to say it’s storming and Santa’s holding a meeting. Thank you. Please shut the hell up.
Santa cancels the trip because of the storm, and Rudolph and the others show up. Apparently, Boone and Doggle’s snowmobile doesn’t have headlights (Seriously, it’s the late 90s now. There’s no excuse for lack of headlights on vehicles.) and despite the fact that they were navigating the storm perfectly fine without them, they use Rudolph’s nose light to guide their way back home.
Blah blah, guide my sleigh tonight.
Zoey gives Rudolph a kiss before he leaves, just to solidify that they’re a thing now….I still think she’s a two-timing whore.
Can I ask a question? From all we’ve seen of Rudolph so far, he can’t fly. After all, if he could, he wouldn’t worry about falling from the cliff on two separate occasions at the ice fortress. Does the medal give him the ability to fly or is this something we’re just ignoring?
…..Something we’re just ignoring. Okay.
As Rudolph and the others make it through the storm, we get our last song, which is alright but….this is weird. I feel like the song is dated. The vocals, the music – it all sounds like a forgotten pop song from the Beetles era.
The next morning, everyone gets their gifts, including Stormella, who didn’t deserve one. She’s been evil her whole life by choice and only became good by magic brain washing. Plus, she’s been nice all of 12 hours.
They return, and the northern lights start singing the titular song. I don’t care what they’re singing – just make them go away. Also, it’s very weird that everyone knows the words to this completely new song. Did they rehearse this while they were away? Does this place have a popular theater department?
Bottom Line: This movie was bad, but not as horrible as it could’ve been. Comparing it to the Rankin/Bass movie, I like Donner/Blitzen and Santa better, but that’s about it. Taking RB out of the equation, Rudolph’s annoying, the love triangle shouldn’t have been a thing, Zoey’s a two-timing whore who is literally only there to be a damsel in distress love interest, Stormella’s such a pathetic villain she might as well not even be one, and there were way too many useless characters.
The northern lights had no purpose besides being a one-time plot device and providing us with pointless annoying as hell song interludes.
Slyly’s only purpose was freeing them from the dungeon, which was predictable and could’ve been done in a much more clever way without his help.
Leonard’s only purpose was…..he………Leonard didn’t do a damn thing, did he? He was legitimately entirely pointless. Wow.
Boone and Doggle were completely useless outside of causing the event that made Stormella close the bridge and make the storm condition, but I already explained how pointless that was. They came for Rudolph and the others in the end, but that could’ve easily been written as Rudolph and the others merely walking home.
It would’ve been a nice use of his abilities before he went off with Santa. They didn’t even get a promotion in the end, and they barely talk at all in the second half. Santa just says they did a good job in one line and we hardly even see them again.
Arrow was completely dropped as a character after the reindeer games. He never appears again. He gets no comeuppance, he never gets ousted as a cheater, he never makes amends with Rudolph or anything – they just forget he existed.
The conflict was such a non-conflict that they had to force conditional conflicts on it in order to make it a conflict…..That makes sense, right? Not to mention that the plot was resolved in a completely lazy manner. They literally wished the problem away.
Plus, remember that thing I noted in the Rankin/Bass Rudolph review? About how it kinda fixed the problem with the moral that the song had by having everyone change their ways and apologize to Rudolph for how they acted before he saved Christmas instead of making it seem like he only gained respect and adoration because his nose finally proved useful to society?
This movie keeps that problem.
No one apologizes to Rudolph when he returns or says they were wrong for how they treated him. No one really shows respect for him until Santa asks Rudolph to light the way on his sleigh.
You could argue that they changed their minds about Rudolph before then by him defeating Stormella, but there are a few of problems with that.
First, he didn’t so much defeat Stormella as he just magically wished her evil away.
Second, the storm is still occurring either way, so ‘defeating’ her ultimately did little to nothing.
Third, Zoey stepped on the bridge and caused the storm to begin with. And why did she step on the bridge? Because she was looking for Rudolph! Meaning he, by proxy, sorta caused the problem in the first place.
There are definitely worse things to watch, and it’s not like the movie is really pushing bad messages, but it’s very lazily written, isn’t that Christmassy, and there are much better things you could be spending your time or money on.
Voice acting: Slyly and Leonard were annoyingly voiced, Rudolph’s child voice was one of the worst things I’ve ever heard, and Zoey always sounds like she’s just reading from a script and is never really acting. Blitzen sounds awkward numerous times, but other than that, everyone’s just mediocre. The best actors here are John Goodman, Debbie Reynolds and Whoppi Goldberg, who at least sound like they’re trying a little bit.
Art and Animation: Both the art and animation are pretty bad. Some of the background art and landscapes are alright, but otherwise it’s just a lot of very simple designs that barely stay consistent when moving. The animation is obviously very cheap. It juts, the cycles are very obvious, instances of cross eyes happen constantly, and there is even one occasion during Santa’s first run where you can actually see the frames overlap. It really just makes you wonder what the hell they did with the $10 million budget they had. Oh yeah, getting big name celebrities just to sell the movie.
Not like that helped because the movie only got $113k at the box office…..Wow.
Music: The background music is horrible. There are a lot of cartoony trumpet noises and doofy music when the scene doesn’t call for it. Plus, the sound effects are sometimes odd or just non-existent. The vocal songs range from alright to terrible. ‘Show me the Light’ is the best one, but that’s not saying much. The inclusion of ‘Wonderful Christmastime’ brings a bit more Christmas feeling to the movie, but it feels really out of place when there are no other songs like that on the soundtrack. The rest are original songs meant for the movie, outside of the obvious.
So 1998, what do you think?
1998: “I think I just wasted an hour and 17 minutes of my life.”
What does time matter to a year?
1998: “Don’t get philosophical on me after that.”
The good news is, you didn’t get the worst of it!
1998: “What? Really?”
Yup! Farewell, 1998! I’m off to 2001!
1998: “I better warn 2001…..Wait, where’d she get a TARDIS?”
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10 thoughts on “AVAHS – Rudolph the Red-Nosed Reindeer: The Movie (GoodTimes Entertainment)”
I didn’t know this existed…
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I’ve known about it for about ten years but only decided to first watch it for the hell of it for this year’s AVAHS. I don’t know what I expected.
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I just want to let you know I’ve nominated you for the unique blog award in my latest post. https://wordpress.com/read/blogs/129802398/posts/1705
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$113,00?!?! Holy crap, that’s bad. I didn’t even think GoodTimes even released movies in theaters, huh. I actually think I owned this on VHS at one time, but I don’t remember anything about it. From what you described, it’s no big deal.
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Yup. It’s one of the worst box office returns I’ve seen in recent years.
GoodTimes typically didn’t release movies in theaters because their MO was specifically geared to tricking the VHS buying audience, but this was their first (and only?) venture into such a thing. Even the direct sequel to the Rankin/Bass movie that they made three years later, which I’ll be reviewing shortly, was only released on video.
It really is no big deal. I’m not really worse off for having watched it, but I’m not glad I watched it either. It’s just sorta there.
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Ah yes, this movie. You can tell that they tried to make the cast less dickish than their 60’s counterparts, but still failed due to incompetency.
I think my favorite part of this movie is “Show Me The Light”, largely because of how funny it is that Rudolph’s singing voice is totally different from his speaking voice. It’s like he went through puberty and turned into a teen heart-throb just for that emo number.
“Zoey gives Rudolph a kiss before he leaves, just to solidify that they’re a thing now…. but I still think she’s a two-timing whore” Something tells me you’re not that fond of Mary Jane from the Spider-Man movies.
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Lol Musicals seem to have a habit of summoning voices from another dimension for song breaks. I get it if the actor can’t sing, but at least try to find someone who sounds similar.
And yeah, I got a bit carried away, but I don’t have much of a stomach for cheaters, even if the cheating is ‘minor’ and the person being cheated on is a jackass. I mostly got angry here because of how hard she was stringing along Rudolph while she was also dating Arrow.
Being accidentally flirtatious and not realizing how borderline romantic you’re getting is one thing, but she was obviously directing Rudolph’s sleigh into her barn while never getting the sleighbells to just tell Arrow to go shove coal into his stocking. How they even got together in the first place confuses me.
It would’ve been better if it really had been like Ronno and Bambi. Have Zoey obviously like Rudolph but Arrow keeps trying to butt in and take her away. There was really no reason that relationship had to exist other than to make Zoey look like a two-timing whore.
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I sadly knew this existed, but I’m glad I never saw it. The art style totally looks jank and this looks like a cheap nostalgia ploy when it comes to the song and the original movie. This movie looks meaningless. I did like a bunch of your jokes about the TARDIS, the body acceptance line, and the Arrow/Ronno comparisons. This movie looks so cheap and looks beyond mediocre.
When I saw that John Goodman and Whoopi Goldberg were in this dreck, I’m not going to lie, it’s hard to not make a joke about Pacha or Big Baddy La Bouff and Shenzi showing up in a crappy Christmas movie even though Disney wasn’t involved. 😛
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I’m glad you liked the jokes! 🙂
It would have made the movie a lot more watchable if Pacha/Big Daddy and Shenzi suddenly showed up. I wouldn’t care if it made sense or not. Nothing else in the movie does, so have it I say. XD
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Hahaha! That would be so random, but it would make just as much sense as this movie. It’s interesting to me finding out about various actors and how unrelated movies can be funny or intriguing when it comes to casting. There’s a Nigerian movie that was recommended to me called Half of a Golden Sun. Despite being made by filmmakers directly from the country, they got American and British actors in it. The two names that really stood out were Chiwetel Ejiofor and Anika Noni Rose. To be fair, Ejiofor is Nigerian-British and he’s worked on African movies before, but after this year it’s hard not making the Disney connection when you realize the former is the new voice of a certain villain and the latter is a princess.
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